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The Musician, 1768

Jean-Baptiste Le Prince

G317

rock wall with drain; building at top

%C2%A9 Tanaka Ry%C5%8Dhei

Horikawa, 1966

Tanaka Ryōhei

G226

building with steep thatched roof; man squatting below building next to a box of bottles near a bicycle; boxes of bottles, beer ads, and soda ads in front of shop

%C2%A9 Tanaka Ry%C5%8Dhei

Thatched roof No. 10, 1970

Tanaka Ryōhei

G227

black and white image; two houses under a large tree; grass leaves on right, left and bottom of image; clothes line to left of houses

%C2%A9 Tanaka Ry%C5%8Dhei

My old home, 1969

Tanaka Ryōhei

G226

wooden pagoda with on stone base off of wide pebbled path; wooden boards at flaring foot; balcony and slatted windows; wide, dramatic roof

%C2%A9 Tanaka Ry%C5%8Dhei

Temple bell tower (Daitokuji), 1964

Tanaka Ryōhei

G226

pitched roof homes of various sizes behind a wall tucked into a forest;

%C2%A9 Tanaka Ry%C5%8Dhei

House in a grove, 1966

Tanaka Ryōhei

G226

black and white etching of a cut lotus root (?) lying on its side

%C2%A9 Tanaka Ry%C5%8Dhei

Bamboo sprout, 1969

Tanaka Ryōhei

G226

black and white image; building with large flat room and smaller flat roof on left; slatted roof on top

%C2%A9 Tanaka Ry%C5%8Dhei

Yamato farm house, 1965

Tanaka Ryōhei

G226

bouquet of flowers

%C2%A9 Tanaka Ry%C5%8Dhei

Flowers, 1970

Tanaka Ryōhei

G226

ruined thatch-roofed building

%C2%A9 Tanaka Ry%C5%8Dhei

Ruined house No. 2, 1966

Tanaka Ryōhei

G226

passageway on street with tile roof overhang

%C2%A9 Tanaka Ry%C5%8Dhei

An alley, 1970

Tanaka Ryōhei

G227

spider against black ground over center of flower

%C2%A9 Tanaka Ry%C5%8Dhei

Chrysanthemum, 1969

Tanaka Ryōhei

G227

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Droit de regarde, 1968

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
Christ as a boy, viewing a scroll shown to him by Joseph; 3 angels with a wreath behind Christ and Joseph; Mary at R, feeding birds; 2 figures in shadows at R

The Holy Family in a Domestic Setting, 1809

Karl Russ

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

La filiacion, 1797-1798

Francisco José de Goya y Lucientes

Not on View

%C2%A9 Marino Marini %2F Artists Rights Society %28ARS%29%2C New York

The Surviving Rider, 1963

Marino Marini

Not on View
Plate 2

Rightly or Wrongly, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 34

On Account of a Knife, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 57

The Healthy and The Sick, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 6

It Serves You Right, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 14

It's a Hard Step, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 28

Rabble, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 5

Y son fieras (And they are like wild beasts), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 52

They Do Not Arrive In Time, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 2

Por Temor no Pierdas Honor (Do not lose honour through fear), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 68

What Madness!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 51

Thanks To The Millet, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 45

And This Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ni asi la distingue, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

¿Está Vm… pues, Como digo… eh! Cuidado! si no!..., 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tu que no puedes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Mala noche, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Aquellos polbos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

De que mal morira?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tantalo, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tragala perro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Pobrecitas!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

¿No hay quien nos desate?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Estan calientes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Miren que grabes!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Que se la llevaron, 1799

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Chiton, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El amor y la muerte, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Muchachos al avío, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Brabisimo!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ensayos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Nohubo remedio, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Si querbó el Cantaro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

No te escaparàs, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

No grites, tonta, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Subir y bajar, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Mejor es holgar, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Unos á otros, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Devota profesion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ya van desplumados, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Volaverunt, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

The Sleep of Reason Produces Monsters, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El Vergonzoso, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Porque esconderlos?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Nadie nos ha visto, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Nadie se conoce, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ni mas ni menos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Lo que puede un Sastre!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Mucho hay que chupar, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Y aun no se van!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ya tienen asiento, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Obsequio á el maestro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
boats on water; figures on shore at bottom center; trees at right; smoke over buildings in distance

The Seine at National Bridge, 1909

Auguste Louis Lepère

Not on View
people exiting a boat on a long ramp; woman in foreground at left wearing a short black cape and white dress with blue flowers, carrying a small bouquet of flowers; boats on background on water

Landing Stage at the River La Garonne, Bordeaux, 1897

Auguste Louis Lepère

Not on View
large tree right foreground; man carrying a bundle of sticks(?) with a second bundle at his feet; dog sleeping at right; two cows at left; thatched building left middle ground

Print, 18th century

Thomas Rowlandson; Delineator: After Thomas Gainsborough R.A.

Not on View
head and shoulders portrait of man; right profile

F. Coates, Portrait Painter, 18th century

Parriset; Delineator: After Etienne-Maurice Falconet

Not on View
seated soldiers in a dark, barren landscape with a black sky

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Runende Kompanie (Resting Company), plate 14 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
two men in foreground crawl with buckets carried in their mouths; brilliant sun lights up battlefield with skeletons

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Essenholer bei Pilkem (Food Reconnoiterer near Pilkem), plate 43 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
man smoking a pipe, huddled under a small tent with a sign printed, "Railais"

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Relaisposten (Herbstschlacht in der Champagne) (Relay Station [Autumn Battle in Champagne], plate 8 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
head of a man with PL side of his face lost, replaced by bumpy tissue

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Transplantation (Transplant), plate 40 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
reclining figure with PL forearm up; arm and face covered with white blotches

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Toter im Schlamm (Dead Man in Mud), plate 23 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
horrified man with eyes and mouth open wide, clutching his PL shoulder; large bleeding wound in PL arm

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Verwundeter (Herbst 1916, Bapaume) (Wounded Man [Spring 1916, Bapaume]), plate 6 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
half-decomposed corpse with jacket and cap intact; branches and wires in ULC

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Leiche im Drahtverhau (Flandern) (Corpse in a Wire Entanglement [Flanders]), plate 16 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
nun wearing a black garment and white head covering pushes away a darkly-clothed soldier attempting to molest her

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Soldat und Nonne (Soldier and Nun), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
abstracted image of bodies lying in a flat landscape

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Abends in der Wijtschäte-Ebene (Evenings on the Wijtschäte Plain), plate 27 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
trench with bones and skulls, bits of clothing, bodies and body parts

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Zerfallender Kampfgraben (Destroyed Combat Trench), plate 9 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
two medics trudging through knee-deep water, carrying a man in a sling on a pole

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Verwundetentransport im Houthulster Wald (Transport of the Wounded in the Houthulster Wood), plate 47 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
abstracted image of head, torso and arm of a dead body

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Gefunden beim Grabendurschstich (Auberive) (Discovered During Trench Break-Through [Auberive]), plate 29 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
dark image of building ruins, slightly resembling rock formations

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Die Trümmer von Langemarck (The Ruins of Langemarck), plate 25 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
two bodies hanging out of a hole blown in the corner of a brick building; woman's body with the body of a baby on top of it, LLC; legs at ULC

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Durch Fliegerbomben zerstörtes Haus (House Destroyed by Aerial Bombs), plate 39 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
abstracted landscape with blackened foliage

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Verlassene Stellung bei Vis-en-Artois (Abandoned Position near Vis-en-Artois), plate 15 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
painter seated on a small platform suspended by a cable, high above city with skyscrapers in distance

%C2%A9 Estate Samuel L. Margolies

Babylon, 1949

Samuel L. Margolies; Publisher: Miniature Print Society

Not on View
abstracted image of factory scene in rust and black with black clouds of smoke; white at top and bottom

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Industrial Park, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image; black linearly depicted woman's face at top center; breast at left in ULQ; hips and woman's genitals at bottom left of center; pair of hands slightly left of center; scroll with star at center in URQ; geometric design made up of pale peach dots at left

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Le Fil d'Adriane, 1973 (published 1974)

André Masson; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York

Not on View
two figures seen from back--one seated, one standing--in LLC; haystack in URQ; diagonal lines of rain falling; row of trees at horizon line

Rain Effect, 1879 (printed 1930)

Camille Pissarro

Not on View
black, white, and greys; ten vertical rectangular sections with imagery including standing silhouettes of figures, rabbit's head, Mona Lisa, seahorse, geometric shapes, leaves and bricks, handled cups, snowman silhouette, and handprints

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Seasons, 1989

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View
a woman standing on the back of a white horse, which is standing on a tight rope; woman has one foot on the horse's saddle and the other on the horse's neck; dark background with the impression of a crowd across the center

Disparate puntual, Una Reina del circo (Punctual Folly or The Queen of the Circus), from the series Los Disparates (The Follies) or Los Proverbios, c. 1820

Francisco José de Goya y Lucientes

Not on View
two figures in scarecorw-like costume standing in front of a small huddled crowd; a boy in the front of the crowd turns his backend to the scarecrow figures and laughs with his hand by his mouth

Disparate: Que Guerrero, c. 1820

Francisco José de Goya y Lucientes

Not on View
abstracted image with sketchy buildings in rust on black; creamy white with red at front; black clouds in sky, with some blue sky and clouds at center, ULC, and right edge

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

The Shelling of Dubrovnik 1999, August 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
cartoonish figures standing with Niagara Falls behind them; from left: man in a suit and hat, looking at a camera; heavyset woman wearing a hat with flowers pointing at waterfall with her PL hand and holding the shoulder of a boy with an ice cream cone with her PR hand; couple holding hands--man wearing suit and hat and woman with large nose wearing short-sleeved dress and hat

Copyright of the artist%2C artist%27s estate%2C or assignees

Tourists at Niagara Falls, c. 1932

Russell T. Limbach

Not on View
abstracted image of silhouettes of figures in black against yellow in foreground; rust colored hills; blue sky

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Refugees, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image with black, yellow, white and touches of red in LRC, around center, and ULQ; white form at bottom center; tank-like image at center

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Dead Soldiers, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstract image printed in black; lighter "ground" area and dark "sky"; insect-like shapes in "sky," amoeba-like shapes in "ground"

%C2%A9 John Dowell

Hat and Beard, 1977

John E. Dowell

Not on View
dark abstract image with black scratched and looping lines on mottled predominately dark grey ground. Unsigned.

%C2%A9 Estate of Louise Nevelson %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1965-1966

Louise Nevelson

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Nuns Skating, 20th century

Clara Gardner Mairs

Not on View
etching of six figures walking, clustered in various groups; two figures face opposite direction on right side; central figure's back is turned; three figures on left side, all facing different directions; prominent shadows cover figures; background is ambiguous with varying degrees of black, white and gray colors

%C2%A9 Estate of Isabel Bishop. Courtesy of DC Moore Gallery%2C New York.

Students Walking, 1971

Isabel Bishop; Publisher: Abrams Original Editions, New York

Not on View
cluster of three bell peppers with stipple shading against a dark grey ground

%C2%A9 E. Mark Adams and Beth Van Hoesen Trust

Peppers, 1963

Beth Van Hoesen

Not on View
tiger at right emerging from foliage; two spotted running deer at left

%C2%A9 Orovida Camille Pissarro

Ambush, 1938

Orovida Camille Pissarro

Not on View
four bulls depicted in different positions, and overlapping; from L to R, from the back, seated, from the side and from the top; solid black background

Disparate: Lluvia de Toros, c. 1820

Francisco José de Goya y Lucientes

Not on View
an elephant on the viewer's right looks toward a small group of four figures on the left; the four figures are in long robes and hold up papers to the elephant; a white semi-circle behind the elephant gives the impression of a body of water and a back mass in the back L gives the impression of a cliff or wall

Disparate de bestia, Otras leyes por el pueblo (Animal Folly or Other Laws for the People), from the series Los Disparates (The Follies) or Los Proverbios, c. 1820

Francisco José de Goya y Lucientes

Not on View
abstract black and white image with two sections: lower section with white squiggles at C against gray and white hash-marked background; black scribbles at UL and LRC with dots; thick border in black and white; squares and triangles around border; at top: black and gray horizontal rectangles at C with overlapping black scribbles; triangles and squares along lower border

%C2%A9 Frank Lobdell Trust

Kelso No. 27, 1989

Frank Lobdell

Not on View

%C2%A9 Estate Shusaku Arakawa

The Signified Or If, 1975-1976

Arakawa (Shusaku Arakawa)

Not on View

The Laundresses, c. 1880-1882

Edgar Degas

Not on View
Plate 22

Even Worse, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 72

The Consequences, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 66

Strange Devotion!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 48

Cruel Tale of Woe, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 56

To The Cemetery, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

King Oscar II (Second plate), 1898

Anders Zorn

Not on View
urban scene of several gray and blue buildings under blue sky; curved building visible on R; upper stories of center buildings dissipating

%C2%A9 Richard J. Haas %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Minneapolis at Dusk, 1993

Richard Haas

Not on View
portrait of man standing at center, gazing to R with PL hand on hip; small trees planted on either side of man; brick structure and smoke stack in background, releasing blue smoke into blue sky

%C2%A9 Sandro Chia %2F Artists Rights Society %28ARS%29%2C New York

Factory Worker, 1989

Sandro Chia; Publisher: Edizioni Della Pergola, Pesaro, Italy

Not on View
windmill at center; another structure at left; dark grey sky

La fin de Montmartre, 1905

Louis Morin

Not on View
Plate 8

Repose, 1881

Max Klinger

Not on View
black and white etching of a portrait of a man; gazing toward PR; wearing a dense gray robe with black and white pointed lines; black background

%C2%A9 Kerry James Marshall

Untitled (Handsome Young Man), 2010

Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
portrait of a woman in a white dress; facing PR with her eyes looking straight ahead; hair pulled back in high pony tail; white background with black flecks

%C2%A9 Kerry James Marshall

Untitled (Young Woman), 2010

Kerry James Marshall; Publisher: Paulson Fontaine Press, Berkeley, Calif.

Not on View
Plate 1

Place, 1881

Max Klinger

Not on View
black and white etching; three figures in an interior scene; seated figure, resting her hand on her PL arm, with two other figures standing in front of a window, ironing a garment at a table; black cat sitting on a chair in the bottom right edge; faint image of a figure located beyond a doorway in the ULQ

The Laundresses (Les Blanchisseuses), 1879

Edgar Degas

Not on View
women, men and children on city street with street lamp in foreground left, with black dog standing next to it; two girls in LRC, seen from back; father, mother and little boy dressed as soldier with toy gun at center right; woman pushing wheelbarrow filled with flowers at center left; couple at left with small white dog; carriage behind couple; buildings with many French flags flying at right; sketchy scenes in margin, with men, women, children, soldiers, carriages, dogs, Chinese lanterns

National Holiday, Boulevard de Clichy, 1878

Félix Buhot

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Rocking, 20th century

Clara Gardner Mairs

Not on View
nude girl with long dark hair seated cross-legged on floor with three undressed dolls

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Les Poupees de Minne, 1907

Jacques Villon

Not on View
people on shore; large boat with dark smoke coming from smokestack at center; flags on flagpoles at right; water at left

The Pier at Trouville, 1877

Félix Buhot

Not on View
standing woman at center wearing a knee-length sleeveless dress, emerging from a veil-like mandorla (or wearing a veil?); woman holds several flowers in her PL hand; three rats in LRC; insects in LLC and ULC; large goat's head at L center

%C2%A9 Paula Rego

Straw Burning, from "Pendle Witches", 1996

Paula Rego; Publisher: Marlborough Graphics, London; Printer: Culford Press, London

Not on View
two women carrying bundles standing at the top of a staircase; off-white mat

Laundresses, 1893

Auguste Louis Lepère

Not on View
abstract image; tan-grey ground with scratchy black marks; rust-colored form at bottom

%C2%A9 Georg Baselitz

Pferd (Horse), 1986

Georg Baselitz (born Hans-Georg Kern)

Not on View
fan shape with line of mice wearing black coats; some standing, sitting and reading; one mouse holding a lamp

Fan with Mice, c. 1885

Henri-Charles Guérard

Not on View
Plate 18

Bury Them and Keep Quiet, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 13

Modo de Volar (A Way of Flying), 1816-1819

Francisco José de Goya y Lucientes

Not on View

%C2%A9 Estate of Louise Nevelson %2F Artists Rights Society %28ARS%29%2C New York

Goddess from the Great Beyond, c. 1952

Louise Nevelson

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Untitled (Ruler) I, 1969

Jasper Johns; Printer: Donn Steward , at ULAE; Publisher: Universal Limited Art Editions (ULAE)

Not on View

Al Conde Palatino, 1797-1798

Francisco José de Goya y Lucientes

Not on View

Elephant and Monkey, c. 1888

Henri-Charles Guérard

Not on View
contemporary binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Franco Goya y Lucientes, Pintor, 1797-1798

Francisco José de Goya y Lucientes

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Allusion, 1968

Roberto Sebastian Matta

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Poem for Diane Bouchard, 1947

Joan Miró

Not on View

%C2%A9 Estate Harry Sternberg

Construction (The Riveter), 1932

Harry Sternberg; Publisher: Weyhe Gallery, New York

Not on View
Plate 9

Abduction, 1881

Max Klinger

Not on View

Winter in Paris, or Snow in Paris, 1879

Félix Buhot

Not on View
Noah, Adam, Eve, and animals entering the ark

Noah's Ark, 1912

Oskar Laske

Not on View

Vienna: Graben, 19th century

Emil Singer

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El si pronuncian y la mano alargen al primero que llega, 1797-1798

Francisco José de Goya y Lucientes

Not on View

Saint Quintins Castle near Cowbridge in Glamorgan Shire, 1775

Paul Sandby

Not on View

%C2%A9 Enzo Cucchi

The Hand of Stone, 1982

Enzo Cucchi

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Autumn Campion for Betty Campion, 1947

Joan Miró; Printer: Printed at Atelier 17 , New York

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Sparrow Hawk, 1966

Maurice R. Bebb

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Ped, Bi and Tripeds, c. 1955

Adolf Dehn

Not on View
dark boats on water at center; bridge with arches at right; buildings and large tower at center and left in background

The Thames, 1894

Joseph Pennell

Not on View

Zweite Zukunft, 1880

Max Klinger

Not on View

%C2%A9 Enzo Cucchi

Il Respiro del Cavallo, 1982

Enzo Cucchi; Publisher: Edition Schellmann & Kluser, Munich & New York

Not on View

Brünn: Krautmarkt im Schnee, 1910

Emil Singer

Not on View
Plate 2

Action, 1881

Max Klinger

Not on View
Plate 3

Yearnings, 1881

Max Klinger

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Moorland Farm, 1961

Maurice R. Bebb

Not on View

Chamonix, France, 19th century

George Taylor Plowman

Not on View
Plate 70

They Do Not Know The Way, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 79

Truth Has Died, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Midsummer Night's Dream, c. 1930

Clara Gardner Mairs

Not on View

Locomotive, effet de neige, c. 1888

Henri-Charles Guérard

Not on View

%C2%A9 Ernst Fuchs

Samson, The Judge of Israel, 1962

Ernst Fuchs

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Bellos consejos, 1797-1798

Francisco José de Goya y Lucientes

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Kneeling Horses, c. 1930

Clara Gardner Mairs

Not on View
dark abstracted image of line of soldiers in foreground and L edge, some wearing gas masks

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Die II Kompanie wird heute Nacht abgelöst (The Second Company Will Be Relieved Tonight), plate 20 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
hill covered with the bodies of dead soldiers

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Die Schlafenden von Fort Vaux (Gas-Tote) (The Sleepers of Fort Vaux [Death by Gas]), plate 46 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
Plate 1

Sad Foreboding of What is Going to Happen, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 9

They Don't Like It, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Prancing Horses, c. 1930

Clara Gardner Mairs

Not on View
Plate 17

They Do Not Agree, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

The Thames, 1894

Joseph Pennell

Not on View
Plate 10

Nor (Do-these) Either, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

¡Qual la descañonan!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Quien mas rendido?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Que sacrificio!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Asta su Abuelo, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Que pico de Oro!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Correccion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
red ink on orange paper

Dix petits sujets japonais, c. 1888

Henri-Charles Guérard

Not on View
Plate 40

Algun Partido Saca (He Gets Something Out Of It), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 23

The Same Elsewhere, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 37

This is Worse, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
abstracted image with dark cross at center; bodies and body parts; round moon (or face?) above cross

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Soldatengrab zwischen den Linien (Soldier's Grave between the Lines), plate 1 from Der Krieg (the War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
Plate 26

One Can't Look, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 36

Not [in this case] either, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 11

Neither Do These, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 13

Bitter to be Present, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 16

They Make Use of Them, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Despacha, que dispiértan, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Si amanece; nos Vamos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Buen viage, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Dios la perdone: Y era su madre, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Por que fue sensible, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Las rinde el Sueño, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Donde vá mamà?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Allá vá eso, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Se repulen, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Soplones, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Aguarda que te unten, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Y se le quema la Casa, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Los Chinchillas, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Bien tirada está, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Duendecitos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Le descañona, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Linda maestra!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ruega por ella, 1797-1798

Francisco José de Goya y Lucientes

Not on View
Plate 17

Él Que No te Ama, Burlandote te Difama, 1816-1819

Francisco José de Goya y Lucientes

Not on View
man wearing hat, viewed from top of head, bent over, grasping a tool

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Soldat astiquant, 1907

Jacques Villon

Not on View
Plate 19

There isn't Time Now, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 8

It Always Happens, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 3

The Same, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 71

Against The Common Good, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 80

Will She Rise Again?, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

March of the Weavers, 1897

Käthe Kollwitz

Not on View

%C2%A9 Friedrich Karl Gotsch %2F Artists Rights Society %28ARS%29%2C New York

Playing Child, 20th century

Friedrich Karl Gotsch

Not on View
Plate 30

Estragos de la guerra (Ravages of war), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 25

These Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 15

Y no hay remedio (And it cannot be helped)., 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 58

It's No Use Crying Out, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Farmer and Wife, 1906

Emil Nolde (born Emil Hansen)

Not on View

Bathing at Talloires, 1894

Albert Besnard

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Target II, 1967-1969

Jasper Johns; Printer: Angoumois ULAE/Donn Steward

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Place Denfert-Rochereau, 1928

Clement Haupers

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Back Stage, 1928

Clement Haupers

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Daniel in the Lions' Den, 20th century

Clara Gardner Mairs

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Picnic, 1930s

Clara Gardner Mairs

Not on View
Plate 61

Perhaps They Are Of Another Breed, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 42

Everything Is Topsy-Turvy, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 74

This Is The Worst Of It, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 44

I Saw It, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 41

They Escape Through The Flames, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 64

Cartloads To The Cemetery, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 46

Esto es malo (This is bad), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 73

Feline Pantomime, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 65

What Is This Hubbub?, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

The Ghosts, 20th century

Clara Gardner Mairs

Not on View
Plate 60

There Is No One To Help Them, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 55

The Worst Is To Beg, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Nocturne, c. 1930

Clement Haupers

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Quien lo creyera!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Hasta la muerte, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Hilan delgado, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ya es hora, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Sopla, 1797-1798

Francisco José de Goya y Lucientes

Not on View
Plate 7

What Courage, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Gralsburg, 19th century

Otto Fischer

Not on View

Menagere et enfants rentrant du lavoir, 19th century

Théophile Alexandre Steinlen

Not on View
Plate 6

Disparate cruel (Cruel Folly), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 9

Unas de Gato y Habito de Beato, 1816-1819

Francisco José de Goya y Lucientes

Not on View

%C2%A9 Philip J. von Raabe

Ich bin der Weit Abhanden gekomen, 1968

Philip J. von Raabe

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Balcony, 1915-1982

Clement Haupers

Not on View
Plate 39

¡Grande hazaña! ¡Con muertos! (A Heroic Feat! With Dead Men!), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 21

It Will Be The Same, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 63

Harvest of the Dead, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 77

May The Cord Break, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Si sabrá mas el discipulo?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Esto si que es leer, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El de la rollona, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

A caza de dientes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Todos Caerán, 1797-1798

Francisco José de Goya y Lucientes

Not on View

Calais Pier, 19th century

Francis Seymour Haden; Artist: after Joseph Mallord William Turner R.A.

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

National Museum at Mexico City, 20th century

Clara Gardner Mairs

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Romeo and Juliet, 20th century

Clara Gardner Mairs

Not on View
Plate 3

Andarse por las ramas (To go amongst the Branches, i.e., to Talk through one's Hat), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 1

Pesa mas que un burro muerto (Heavier Than a Dead Donkey ), 1816-19 (published 1864)

Francisco José de Goya y Lucientes

Not on View
Plate 35

One Can't Tell Why, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 31

That's Tough!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 49

A Woman's Charity, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View

Bronze Frog Inkwell, from "Japonisme", 1883

Félix Buhot

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Saint Lenin, c. 1925

Clara Gardner Mairs

Not on View
Portrait in profile from PL of a man with moustache and glasses, wearing a suit with a vest and a necktie
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