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The Musician, 1768

Jean-Baptiste Le Prince

G317

rock wall with drain; building at top

%C2%A9 Tanaka Ry%C5%8Dhei

Horikawa, 1966

Tanaka Ryƍhei

G226

building with steep thatched roof; man squatting below building next to a box of bottles near a bicycle; boxes of bottles, beer ads, and soda ads in front of shop

%C2%A9 Tanaka Ry%C5%8Dhei

Thatched roof No. 10, 1970

Tanaka Ryƍhei

G227

black and white image; two houses under a large tree; grass leaves on right, left and bottom of image; clothes line to left of houses

%C2%A9 Tanaka Ry%C5%8Dhei

My old home, 1969

Tanaka Ryƍhei

G226

wooden pagoda with on stone base off of wide pebbled path; wooden boards at flaring foot; balcony and slatted windows; wide, dramatic roof

%C2%A9 Tanaka Ry%C5%8Dhei

Temple bell tower (Daitokuji), 1964

Tanaka Ryƍhei

G226

pitched roof homes of various sizes behind a wall tucked into a forest;

%C2%A9 Tanaka Ry%C5%8Dhei

House in a grove, 1966

Tanaka Ryƍhei

G226

black and white etching of a cut lotus root (?) lying on its side

%C2%A9 Tanaka Ry%C5%8Dhei

Bamboo sprout, 1969

Tanaka Ryƍhei

G226

black and white image; building with large flat room and smaller flat roof on left; slatted roof on top

%C2%A9 Tanaka Ry%C5%8Dhei

Yamato farm house, 1965

Tanaka Ryƍhei

G226

bouquet of flowers

%C2%A9 Tanaka Ry%C5%8Dhei

Flowers, 1970

Tanaka Ryƍhei

G226

ruined thatch-roofed building

%C2%A9 Tanaka Ry%C5%8Dhei

Ruined house No. 2, 1966

Tanaka Ryƍhei

G226

passageway on street with tile roof overhang

%C2%A9 Tanaka Ry%C5%8Dhei

An alley, 1970

Tanaka Ryƍhei

G227

spider against black ground over center of flower

%C2%A9 Tanaka Ry%C5%8Dhei

Chrysanthemum, 1969

Tanaka Ryƍhei

G227

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Droit de regarde, 1968

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
Christ as a boy, viewing a scroll shown to him by Joseph; 3 angels with a wreath behind Christ and Joseph; Mary at R, feeding birds; 2 figures in shadows at R

The Holy Family in a Domestic Setting, 1809

Karl Russ

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

La filiacion, 1797-1798

Francisco José de Goya y Lucientes

Not on View

%C2%A9 Marino Marini %2F Artists Rights Society %28ARS%29%2C New York

The Surviving Rider, 1963

Marino Marini

Not on View
Plate 2

Rightly or Wrongly, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 34

On Account of a Knife, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 57

The Healthy and The Sick, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 6

It Serves You Right, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 14

It's a Hard Step, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 28

Rabble, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 5

Y son fieras (And they are like wild beasts), 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 52

They Do Not Arrive In Time, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 2

Por Temor no Pierdas Honor (Do not lose honour through fear), 1816-1819

Francisco José de Goya y Lucientes

Not on View
Plate 68

What Madness!, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 51

Thanks To The Millet, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
Plate 45

And This Too, 1810–1820 (published 1863)

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ni asi la distingue, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

¿Está Vm
 pues, Como digo
 eh! Cuidado! si no!..., 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tu que no puedes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Mala noche, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Aquellos polbos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

De que mal morira?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tantalo, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Tragala perro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Pobrecitas!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

ÂżNo hay quien nos desate?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Estan calientes, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Miren que grabes!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Que se la llevaron, 1799

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Chiton, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El amor y la muerte, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Muchachos al avĂ­o, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Brabisimo!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ensayos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Nohubo remedio, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Si querbĂł el Cantaro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

No te escaparĂ s, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

No grites, tonta, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Subir y bajar, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Mejor es holgar, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Unos ĂĄ otros, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Devota profesion, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ya van desplumados, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Volaverunt, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

The Sleep of Reason Produces Monsters, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

El Vergonzoso, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Porque esconderlos?, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Nadie nos ha visto, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Nadie se conoce, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ni mas ni menos, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Lo que puede un Sastre!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Mucho hay que chupar, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Y aun no se van!, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Ya tienen asiento, 1797-1798

Francisco José de Goya y Lucientes

Not on View
binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers

Obsequio ĂĄ el maestro, 1797-1798

Francisco José de Goya y Lucientes

Not on View
boats on water; figures on shore at bottom center; trees at right; smoke over buildings in distance

The Seine at National Bridge, 1909

Auguste Louis LepĂšre

Not on View
people exiting a boat on a long ramp; woman in foreground at left wearing a short black cape and white dress with blue flowers, carrying a small bouquet of flowers; boats on background on water

Landing Stage at the River La Garonne, Bordeaux, 1897

Auguste Louis LepĂšre

Not on View
large tree right foreground; man carrying a bundle of sticks(?) with a second bundle at his feet; dog sleeping at right; two cows at left; thatched building left middle ground

Print, 18th century

Thomas Rowlandson; Delineator: After Thomas Gainsborough R.A.

Not on View
head and shoulders portrait of man; right profile

F. Coates, Portrait Painter, 18th century

Parriset; Delineator: After Etienne-Maurice Falconet

Not on View
seated soldiers in a dark, barren landscape with a black sky

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Runende Kompanie (Resting Company), plate 14 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
two men in foreground crawl with buckets carried in their mouths; brilliant sun lights up battlefield with skeletons

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Essenholer bei Pilkem (Food Reconnoiterer near Pilkem), plate 43 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
man smoking a pipe, huddled under a small tent with a sign printed, "Railais"

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Relaisposten (Herbstschlacht in der Champagne) (Relay Station [Autumn Battle in Champagne], plate 8 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
head of a man with PL side of his face lost, replaced by bumpy tissue

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Transplantation (Transplant), plate 40 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
reclining figure with PL forearm up; arm and face covered with white blotches

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Toter im Schlamm (Dead Man in Mud), plate 23 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
horrified man with eyes and mouth open wide, clutching his PL shoulder; large bleeding wound in PL arm

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Verwundeter (Herbst 1916, Bapaume) (Wounded Man [Spring 1916, Bapaume]), plate 6 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
half-decomposed corpse with jacket and cap intact; branches and wires in ULC

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Leiche im Drahtverhau (Flandern) (Corpse in a Wire Entanglement [Flanders]), plate 16 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
nun wearing a black garment and white head covering pushes away a darkly-clothed soldier attempting to molest her

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Soldat und Nonne (Soldier and Nun), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
abstracted image of bodies lying in a flat landscape

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Abends in der WijtschÀte-Ebene (Evenings on the WijtschÀte Plain), plate 27 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
trench with bones and skulls, bits of clothing, bodies and body parts

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Zerfallender Kampfgraben (Destroyed Combat Trench), plate 9 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
two medics trudging through knee-deep water, carrying a man in a sling on a pole

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Verwundetentransport im Houthulster Wald (Transport of the Wounded in the Houthulster Wood), plate 47 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
abstracted image of head, torso and arm of a dead body

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Gefunden beim Grabendurschstich (Auberive) (Discovered During Trench Break-Through [Auberive]), plate 29 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
dark image of building ruins, slightly resembling rock formations

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Die TrĂŒmmer von Langemarck (The Ruins of Langemarck), plate 25 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
two bodies hanging out of a hole blown in the corner of a brick building; woman's body with the body of a baby on top of it, LLC; legs at ULC

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Durch Fliegerbomben zerstörtes Haus (House Destroyed by Aerial Bombs), plate 39 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
abstracted landscape with blackened foliage

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Verlassene Stellung bei Vis-en-Artois (Abandoned Position near Vis-en-Artois), plate 15 from Der Krieg (The War), 1924

Otto Dix; Publisher: Karl Nierendorf

Not on View
painter seated on a small platform suspended by a cable, high above city with skyscrapers in distance

%C2%A9 Estate Samuel L. Margolies

Babylon, 1949

Samuel L. Margolies; Publisher: Miniature Print Society

Not on View
abstracted image of factory scene in rust and black with black clouds of smoke; white at top and bottom

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Industrial Park, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image; black linearly depicted woman's face at top center; breast at left in ULQ; hips and woman's genitals at bottom left of center; pair of hands slightly left of center; scroll with star at center in URQ; geometric design made up of pale peach dots at left

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Le Fil d'Adriane, 1973 (published 1974)

André Masson; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York

Not on View
two figures seen from back--one seated, one standing--in LLC; haystack in URQ; diagonal lines of rain falling; row of trees at horizon line

Rain Effect, 1879 (printed 1930)

Camille Pissarro

Not on View
black, white, and greys; ten vertical rectangular sections with imagery including standing silhouettes of figures, rabbit's head, Mona Lisa, seahorse, geometric shapes, leaves and bricks, handled cups, snowman silhouette, and handprints

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Seasons, 1989

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View
a woman standing on the back of a white horse, which is standing on a tight rope; woman has one foot on the horse's saddle and the other on the horse's neck; dark background with the impression of a crowd across the center

Disparate puntual, Una Reina del circo (Punctual Folly or The Queen of the Circus), from the series Los Disparates (The Follies) or Los Proverbios, c. 1820

Francisco José de Goya y Lucientes

Not on View
two figures in scarecorw-like costume standing in front of a small huddled crowd; a boy in the front of the crowd turns his backend to the scarecrow figures and laughs with his hand by his mouth

Disparate: Que Guerrero, c. 1820

Francisco José de Goya y Lucientes

Not on View
abstracted image with sketchy buildings in rust on black; creamy white with red at front; black clouds in sky, with some blue sky and clouds at center, ULC, and right edge

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

The Shelling of Dubrovnik 1999, August 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
cartoonish figures standing with Niagara Falls behind them; from left: man in a suit and hat, looking at a camera; heavyset woman wearing a hat with flowers pointing at waterfall with her PL hand and holding the shoulder of a boy with an ice cream cone with her PR hand; couple holding hands--man wearing suit and hat and woman with large nose wearing short-sleeved dress and hat

Copyright of the artist%2C artist%27s estate%2C or assignees

Tourists at Niagara Falls, c. 1932

Russell T. Limbach

Not on View
abstracted image of silhouettes of figures in black against yellow in foreground; rust colored hills; blue sky

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Refugees, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image with black, yellow, white and touches of red in LRC, around center, and ULQ; white form at bottom center; tank-like image at center

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Dead Soldiers, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstract image printed in black; lighter "ground" area and dark "sky"; insect-like shapes in "sky," amoeba-like shapes in "ground"

%C2%A9 John Dowell

Hat and Beard, 1977

John E. Dowell

Not on View
dark abstract image with black scratched and looping lines on mottled predominately dark grey ground. Unsigned.

%C2%A9 Estate of Louise Nevelson %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1965-1966

Louise Nevelson

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Nuns Skating, 20th century

Clara Gardner Mairs

Not on View

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