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Titian, 1587

Agostino Carracci

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The Ball at the Mansion House, 1775

Francesco Bartolozzi; Artist: After Giovanni-Battista Cipriani

G209

Saint Francis Receiving the Stigmata, 1586

Agostino Carracci

G344

seated angel at right, wearing long dress and crown of laurel branches, holding a book and calipers; woodworking tools at bottom; sleeping dog, LLQ; somber putto seated on a wheel to left of angel; hourglass, bell and scales in URQ; tiny village and landscape with water, ULC

Melencolia I, 1514

Albrecht Dürer

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original woodcut illustration of the Anthony Prize for the best daguerreotype. The print shows the massive silver pitcher which Edward Anthony offered for America's first photographic competition. The Anthony Prize was won by Jeremiah Gurney for his whole plate portrait of his daughter. Print published in 'Gleason's Drawing Room Companion', 1853.

The Anthony Prizes for the Best Daguerreotypes, 1853

United States

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Plate 10

Scene of Pillaging, 18th century

Germany

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Reproduction; Hairdress Caricature

The French Lady in London, late 18th century

Germany

Not on View

Mars, Venus, and Cupid, 1530

Lucas Huygensz van Leyden

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The Guardian Angel, c. 1509

Jacopo de' Barbari

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Portrait of Giovanni Battista Piranesi, 1790

Francesco Piranesi; Artist: after a statue by Angelini

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Hairdress Caricature

The French Lady in London, late 18th century

Basset, Rue St. Jacques, No. 64

Not on View

Bacchanal with a Wine Vat, early 1470s

Andrea Mantegna; Engraver: Unknown Italian, late 15th - early 16th century?

Not on View

%C2%A9 Estate Hananiah Harari

Figures in Interior, 1938

Hananiah Harari

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an advertising circular for Gurney's Premium daguerreian gallery in the fashion of a broken banknote. Beaumont Newhall in 'The Daguerreotype in America', referred to this unusual item in the following manner,'Gurney had handbills printed to resemble in size and typography paper money; in each corner were the figures 100 in large type; beneath, written in fine print, were the words 'and forty nine'--the address of his Broadway gallery.' The note has three engraved vignettes Equestrian George Washington, Justice with scales, and an Indian maiden. Borders slightly trimmed, very good condition.

Untitled, 1840-1852

Jeremiah Gurney

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Christ before Pilate, c. 1512

Albrecht Dürer

Not on View

The Prodigal Son, 1496

Albrecht Dürer

Not on View

Three Market Peasants, 1497-1498

Albrecht Dürer

Not on View

The Peasant Couple at Market, 1519

Albrecht Dürer

Not on View

St. George on Horseback, 1505-1508

Albrecht Dürer

Not on View

Entombment, 1512

Albrecht Dürer

Not on View

Christ Taken by the Jews, 1508

Albrecht Dürer

Not on View

The Dream, c. 1500

Albrecht Dürer

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Sudarium Displayed by Two Angels, 1513

Albrecht Dürer

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The Penance of St. John Chrysostom, c. 1497

Albrecht Dürer

Not on View

Descent from the Cross, c. 1507

Albrecht Dürer

Not on View

Crucifixion, c. 1511

Albrecht Dürer

Not on View

Virgin Crowned by Two Angels, 1518

Albrecht Dürer

Not on View

Philip Melancthon, 1526

Albrecht Dürer

Not on View

Agony in the Garden, 1508

Albrecht Dürer

Not on View

St. Simon, 1523

Albrecht Dürer

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Ecce Homo, 1512

Albrecht Dürer

Not on View

%C2%A9 2013 Clare Calder%2C Estate Robert Sargent Austin

Woman Milking a Goat, 1925

Robert Sargent Austin

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Lady on Horseback and Lansquenet, c. 1497

Albrecht Dürer

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The Coat-of-Arms with the Skull, 1503

Albrecht Dürer

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St. Sebastian Tied to a Column, c. 1498-1499

Albrecht Dürer

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Virgin and Child Seated by a Tree, 1513

Albrecht Dürer

Not on View

Christ Crowned with Thorns, c. 1512

Albrecht Dürer

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Virgin on the Crescent with Crown of Stars and Scepter, 1516

Albrecht Dürer

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St. Christopher with the Head Turned to the Right, 1521

Albrecht Dürer

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Durer's Coat of Arms, 17th century

Michel Le Blon

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Wilibald Pirkheimer, 1524

Albrecht Dürer

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The Virgin with the Pear, c. 1511

Albrecht Dürer

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Pilate Washing His Hands, 1512

Albrecht Dürer

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Plate III from Marriage A-La-Mode, 1796-1797

after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

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Joseph Lowered into the Pit, 1546

Georg Pencz

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Plate IV from Marriage A-La-Mode, 1796-1797

after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

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from a suite of 12

Bellona, 1558-1572

Étienne Delaune

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Joseph Sold into Slavery, 1546

Georg Pencz

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The Expulsion from Paradise, 1543

Sebald Beham

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Christ Before Caiaphas, 1512

Albrecht Dürer

Not on View

St. Jerome in Penitence, c. 1497

Albrecht Dürer

Not on View

The Prodigal Son, c. 1496

Albrecht Dürer

Not on View

The Little Courier, c. 1496

Albrecht Dürer

Not on View

A Foolish Virgin, 16th century

After Martin Schongauer; Artist: Urs Graf

Not on View

The Little Courier, c. 1496

Albrecht Dürer

Not on View

Virgin Crowned by One Angel, 1520

Albrecht Dürer

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Triumph of Bacchus, 1534

Master V. G.

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Plate V from Marriage A-La-Mode, 1796-1797

after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

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stylized anteater in profile from PL, rendered in various types of lines

%C2%A9 Estate Ray H. French

Anteater, 1947 (printed c. 1990s)

Ray H. French

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couple with standing man at left, offering jewelry to a seated woman looking down at her bare breast; woman leans her PL elbow on a box with broken pots inside; more broken pots in LRC; winter landscape in background with bare trees and ruined buildings; text at bottom below image

Melancholic, 1590s

Peter de Jode; Artist: After Maarten de Vos

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couple wearing rather plain garments, with woman at left standing behind a table, holding a bucket of fish with her PL hand; flat tray-like basket of fish on table, with long, thin fish on table in LRC; man at right seated on edge of a boat; sea scene behind couple with fishermen on boats and on shore pulling in nets and filling barrels; tower with smoke in ULC; text at bottom below image

Phlegmatic, 1590s

Peter de Jode; Artist: After Maarten de Vos

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elaborately-dressed couple, with man at left wearing sleeves and breastplate of armor, with a long sword at his hip and carrying a handled pot on a long staff over his PR shoulder; woman at right carries a tiny lion-faced dog (or monkey?) in the crook of her PL arm, with a rooster on the bundle on her upper back and two dead birds tied to her belt; woman carries turnips in a small apron pouch on her abdomen; landscape in background with burning buildings in ULC, figure attacking another with a sword, man chasing a flock of geese with a sword and a reaper; text at bottom below image

Choleric, 1590s

Peter de Jode; Artist: After Maarten de Vos

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rondel: nude female figure R of center, clutching her robes to her body with one hand, and fending off two men with the other; at L, two bearded men grabbing at her body; a park with fountains and putti in background

Design for a Watch Case: Susanna and the Elders, c. 1670-1686

Attributed to Jacques Vauquer; Artist: After Sébastien Bourdon

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chaotic fight scene between centaurs and nude women; figures are fighting with arrows, ceramics, shields, daggers, etc.

Combat of Centaurs and Lapiths, and Hippodamia Abducted by a Centaur, From Combats and Triumphs, c. 1550-1572

Étienne Delaune

Not on View
haggard male figure collapsing into the arms of an older, bearded man; another man at L approaches with coat, while another to his R looks on; in background at L, a woman butchers an animal in a trough

Return of the Prodigal Son, From Story of the Prodigal Son, Plate 4, 1540

Sebald Beham

Not on View
nude figures fighting with spears, clubs, and shields at L and C; two men dragging female figure to boat at R

The Abduction of Helen, c. 1546-1550

Sebald Beham; Artist: After Barthel Beham

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farming scenes: at R, man stands near the center of a small field with a seed bag strapped around shoulder, spreading seeds; another man at LRC chops at one of the many trees along R edge; at L, a man plows a field with three horses, while a figure with a whip sits on the rear horse; a ram surrounded by clouds at center separates the two scenes

Month of March with Aries, From Twelve Months with Signs of the Zodiac, 1559

Monogrammist FB (Franz Brun)

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male figure leaning on long staff against a tree; large herd of pigs behind him

Prodigal Son with the Swine, From Story of the Prodigal Son, Plate 3, 1540

Sebald Beham

Not on View
nude male figure lying with PL arm over head; PR arm stretched over body, holding onto a spear; angels and cupids in clouds above looking on sadly; wild boar at L; trees on cliff

Venus, Three Graces, and Cupid Mourning the Death of Adonis, 1569

Étienne Delaune; Artist: After Luca Penni

Not on View
three elegantly dressed men standing close together; man at L faces the other two, holding a drum; center figure, with large plumed hat, carries a flag on a pole over PR shoulder; figure at far R, whose face is obscured by flag, holds a flute

Drummer, Standard-Bearer, and Piper, 1525

Barthel Beham

Not on View
male figure with his back to viewer wearing coat with slashed sleeves; PR hand holding large staff; sword scabbard visible at PR hip

Soldier with Halberd, Seen from the Back, after 1520

Jacob Binck; Artist: After Barthel Beham

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rear 3/4 view of female figure standing on a ball; small scarf blowing from her back down towards her knee; figure leans on a staff, holds a thistle-like plant in PR hand

The Little Fortune, c. 1495

Albrecht Dürer

Not on View
elaborately-dressed couple seated at a table outdoors; woman at left holds a books in her PR hand and rests her PL arm on the shoulder of man at right, who is playing a lute; vase of flowers, footed bowl with fruit and book on table; landscape in background with windmill-like structure, hunters with bows aiming at bird, fisherman and couples beneath a tree; text at bottom below image

Sanguine, 1590s

Peter de Jode; Artist: After Maarten de Vos

Not on View
largely naked men on horses fighting with spears and clubs; horses rearing slightly over a fallen horse and a fallen man; other men in background with shields

Hercules Fighting the Trojans, From the Labors of Hercules, 1545

Sebald Beham

Not on View
lighter rendition: Christ seated on R side of round table with bread and wine; three men conversing with Christ at the same table; a man enters the scene at far L carrying a pitcher; woman at bottom embraces Christ’s ankle

Christ at the Table of Simon the Pharisee, c. 1541-1545

Sebald Beham

Not on View
two stylized women standing near a column or street lamp; woman at L is in mid-stride holding a clutch purse at PR hand; woman at R facing woman at L with PR hand adjusting hair

%C2%A9 Estate Reginald Marsh %2F Artists Rights Society %28ARS%29%2C New York

Two Girls, c. 1944

Reginald Marsh

Not on View
portrait 1/2 length of Daniel van Heil facing right looking at viewer; left hand across chest; wearing cloak and flat white collar

Portrait of Daniel Van Heil, 1649

After Jean Baptist van Heil; Engraver: Frederik Bouttats; Publisher: Jan Meyssens

Not on View
four nude children in a landscape

Cupid and Three Putti, 1506

Marcantonio Raimondi

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canal with arcing bridge of wrought iron and brick in middle ground; paved brick walkways on either side of canal; boats in distance; trees beyond bridge on both side of waterway, with buildings; a few pedestrians

Le Canal St. Martin, 1863

Adolphe Theodore Jules Martial Potémont; Printer: Auguste Delâtre; Publisher: Cadart & Luquet, Paris

Not on View
portrait 1/2 length of de Heem facing right looking at viewer; left hand across chest; after an engraving by Jan Lievens

Portrait of J. D. De Heem, 19th century

Henry Courtney Selous; Engraver: After Jan Lievens

Not on View
nude female figure leaning against tree awkwardly stretching PL arm across chest while holding a twig with a strategically placed leaf in her PR hand; serpent at UL with fruit in its mouth

Eve with the Serpent, 1526

Jacob Binck

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nude Eve holding a piece of fruit near PL shoulder; looking toward a snake in ULC; grazing stag in back

Eve, c. 1520-1561

Heinrich Aldegrever

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column at center with putti (one sitting, one reclining) holding a horn on each side; putto at L cuddles small animal; garland stretches across top and hangs down sides

Two Genii Sitting at the Base of a Column (section from The Forge of the Heart), 1529

Master I.B.

Not on View
This is a reverse copy of the FIRST STATE of 2015.93.141, when the misspelling in the inscription is uncorrected.

Tobias and the Angel, after c. 1543

Unknown; Artist: After Georg Pencz

Not on View
nude Adam in contrapposto stance next to tree, holding a fruit still attached to the tree; a lion rests behind Adam on the ground

Adam, c. 1520-1561

Heinrich Aldegrever

Not on View
small round table at center of scene with cheese and wine; three carousing couples around table; jug of wine at bottom center

Prodigal Son Wasting His Fortune, From Story of the Prodigal Son, Plate 2, 1540

Sebald Beham

Not on View
man with long sword, kneeling, shaking the hand of another man with beard at L; another male figure at far L watches, holding hand to face; estate with trees in background

Departure of the Prodigal Son, From Story of the Prodigal Son, Plate 1, 1540

Sebald Beham

Not on View
within a frame four figures in a landscape; upper angel holding oval portrait of man; standing male angel holding broken handle of sythe; woman under his feet; fourth figure, woman handing portrait to upper angel; landscape includes parts of building at top, rocks and trees

Print, 18th century

Noel Le Mire; Artist: After Charles Eisen

Not on View
dark landscape; figure center left with cape blowing and spear at feet; monument/ fountain right edge

Print, 17th century

Gabrielle Perelle; Artist: After Jean Le Blond

Not on View
within a frame a man seated on a stone reading; statues on pedestals facing him; large urn behind; trees in distance

Print, 18th century

Noel Le Mire; Artist: After Charles Eisen

Not on View
man with long curling hair and curly moustache; head tilted down, with foreshortened face; man reads from a book propped up at his PL elbow; cave-like landscape behind man, with tree over his PL shoulder; text at bottom: "IX. / SANCTAM ECCLESIAM CA- / THOLICAM SANCTORUM / COMMUNIONEM."

Saint James the Less, Plate 10 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

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old man with long curly hair and long wavy beard, resting his PL hand on the hilt of a sword and holding a book in his PR hand; rugged landscape behind man; text at bottom: "NAM MIHI VITA CHRISTUS / EST, & MORS LUCRUM."

Saint Paul, Plate 14 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

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balding old man with curly hair and long wavy beard, looking over his PL shoulder, with his PR hand on the side of his head and his PL hand resting on a book; mountain landscape in background; X-shaped cross over man's PR shoulder; text at bottom: "II. / ET IN IESUM CHRISTUM / FILIUM EIUS UNICUM, DOMIN- / UM NOSTRUM]

Saint Andrew, Plate 2 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
man with long, curly hair, looking up to PR, with foreshortened facial features; PR hand on chest, PL hand holds a chalice by the foot; small book on table before figure; mountian landscape with swirling clouds in background; text at bottom: "IIII. / PASSUS SUB PONTIO PILATO, / CRUCIFIXUS, MORTUUS & SEPUL- / TUS."

Saint John, Plate 4 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
man with curly hair and beard, looking at a book held in his PL hand, holding a staff with a spear tip in his PR hand; cliff behind man with sea over his PL shoulder, birds flying over water; text at bottom: "VII. / INDE VENTURUS EST, IVDICA- / RE VIVOS & MORTUOS."

Saint Thomas, Plate 8 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
man with short curly hair and thin curly beard, looking down to PR; man holds a blade on a staff over his PL shoulder and looks at a book; landscape with tree in background; text at bottom: "VIII. / CREDO IN SPIRITUM SANC- / TUM."

Saint Matthew, Plate 9 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
balding, bearded old man in prayer; pair of keys and a small book before man; landscape behind, with round opening in rugged landscape over man's PL shoulder; text at bottom: "I. / CREDO IN DEUM PATREM OM- / NIPOTENTUM, CREATOREM / COELI & TERRAE."

Saint Peter, Plate 1 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
man with very short beard and long curly hair, with head tilted up toward PR; man holds book in his PR hand and has PL hand on his breast; cliff and rugged mountain landscape behind man; text at bottom: "XI. / CARNIS RESURRECTIONEM."

Saint Jude, Plate 12 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
man with curly beard and long curly hair, looking up to PL, with foreshortened facial features; knife under PL hand; rugged landscape behind figure; text at bottom: "VI. / ASCENDIT AD COELOS, SEDET / AD DEXTERAM DEI PATRIS OM- / NIPOTENTIS."

Saint Bartholomew, Plate 6 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View
Christ as Salvator Mundi, in profile from PL, with long curly hair and short wavy beard; Christ has halo and holds his PR hand in blessing gesture, with an orb with a cross in his PL hand; text at bottom

Christ, Plate 7 from the series Christ, the Twelve Apostles, and Saint Paul, 1589

Hendrick Goltzius

Not on View

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