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The Rat Poison Peddler, 1655

Cornelis Visscher

G344

black and white engraving of two male figures with ropes walking in opposite directions with a circular form between them; figure floating overhead; two toppled cups lay at their feet

Title Page, from "Creation of the World", 1589

After Hendrick Goltzius; Artist: Jan Muller

Not on View

The Sea Monster, c. 1498

Albrecht DĂĽrer

Not on View

Titian, 1587

Agostino Carracci

Not on View

The Ball at the Mansion House, 1775

Francesco Bartolozzi; Artist: After Giovanni-Battista Cipriani

G209

God Creating the Animals, c. 1550

Unknown Italian, 16th century; Artist: After Raphael (Raffaello Sanzio or Santi)

Not on View

The King of Goats: A Satire on Cuckolds, c. 1460-1464

Tommaso di Antonio Finiguerra; Artist: After Antonio Pollaiuolo

Not on View

I am Young & ye are very Old wherefore I was afraid, 1825

William Blake

Not on View

Star of the Kings, 17th century

Jan van de Velde; Artist: Pieter Molijn

G344

bound Christ wearing crown of thorns and cape at center standing on a platform, accompanied by other figures; Pilate leans on an inverted U-shaped railing, looking over small crowd in foreground; scattered groups of figures throughout elaborate architecture; dog in LLQ looking at crowd at center foreground

The Large Ecce Homo, 1510

Lucas Huygensz van Leyden

G344

Saint Jerome in His Study, 1514

Albrecht DĂĽrer

G344

The Triumph of Mordecai, 1515

Lucas Huygensz van Leyden

G344

Christ in Limbo, 1512

Albrecht DĂĽrer

G344

Danaë Receiving the Golden Rain, 1610

Jacob Matham; Artist: After Abraham Bloemaert

G344

The Little Buffoon, 1542

Sebald Beham

Not on View

Adam and Eve, 1504

Albrecht DĂĽrer

G344

seated angel at right, wearing long dress and crown of laurel branches, holding a book and calipers; woodworking tools at bottom; sleeping dog, LLQ; somber putto seated on a wheel to left of angel; hourglass, bell and scales in URQ; tiny village and landscape with water, ULC

Melencolia I, 1514

Albrecht DĂĽrer

Not on View
original woodcut illustration of the Anthony Prize for the best daguerreotype. The print shows the massive silver pitcher which Edward Anthony offered for America's first photographic competition. The Anthony Prize was won by Jeremiah Gurney for his whole plate portrait of his daughter. Print published in 'Gleason's Drawing Room Companion', 1853.

The Anthony Prizes for the Best Daguerreotypes, 1853

United States

Not on View
an advertising circular for Gurney's Premium daguerreian gallery in the fashion of a broken banknote. Beaumont Newhall in 'The Daguerreotype in America', referred to this unusual item in the following manner,'Gurney had handbills printed to resemble in size and typography paper money; in each corner were the figures 100 in large type; beneath, written in fine print, were the words 'and forty nine'--the address of his Broadway gallery.' The note has three engraved vignettes Equestrian George Washington, Justice with scales, and an Indian maiden. Borders slightly trimmed, very good condition.

Untitled, 1840-1852

Jeremiah Gurney

Not on View
portrait of a man surrounded by an ovoid patterned "frame"; man has shoulder-length wavy hair, moustache and small beard and wears armor and a large collar

Portrait Bust, 1773

Jacques Nicolas Tardieu fils

Not on View

Hercules Fighting the Centaurs, From the Labors of Hercules, 1542

Sebald Beham

Not on View
three nude women standing close together, with skeleton at back addressing R female figure; one woman stands with her back fully to the viewer with her foot on a death's head and her arm around an older, emaciated woman to her PL

Death and the Three Nude Women, c. 1546-1550

Sebald Beham; Artist: After Barthel Beham

Not on View
two profiles of a woman, facing R; profile at L is a mostly simple outline with overlaid grid; bust on R is a more detailed and shadowed image

Eines Weibes Haupt, 1542

Sebald Beham

Not on View
male figure standing in 3/4 pose, holding papers or cards in PL hand and a whip like object in PR hand; empty banderole behind man's upper torso; rocks and weeds at feet

Peasant in Slashed Clothes, 1587

Master MQD

Not on View
rear 3/4 view of a male peasant facing R, looking up to sky; PR hand resting on sword strapped to belt, pitchfork in PL hand; banner over figure reads "Es ist kalt Weter" (It is cold).

Weather Peasant: Es ist kalt weter, 1542

Sebald Beham

Not on View
rear 3/4 view of a male peasant facing L, hands held behind back, standing behind a rough wooden fence; banner behind figure reads: "Das schadet et nit" (That's of no concern).

Weather Peasant: Das schadet nit, 1542

Sebald Beham

Not on View
pony at L with monkey on its back, holding a branch that a dog is pulling on; another monkey on a bent tree trunk at R holding a club above dog's head; bee in ULQ, small shrubs on ground

Horse with Two Monkeys and a Dog, From Scenes to Aesop's Fables, 1594

Nicolaes de Bruyn

Not on View
double-headed frog near center below tree; fierce looking bird on L branch of tree, and angry looking rodent on R branch; fierce and frightened looking animals including wolf, dogs, and a deer

Two-Headed Frog with Other Animals, From Scenes to Aesop's Fables, 1594

Nicolaes de Bruyn

Not on View
Adam seated at L below tree; Eve at R reaching up to receive a piece of fruit from a snake in a tree; with her opposite hand, Eve is handing another fruit to Adam; animals resting in background behind Eve

The Fall of Mankind, From the Power of Death, Plate 2, 1541

Heinrich Aldegrever

Not on View
Adam and Eve at L standing under a fruit tree; robed figure at R with a beard holds up PL hand, addressing the couple

God Warns Adam and Eve, From the Story of Adam and Eve, Plate 2, 1540

Heinrich Aldegrever

Not on View
woman riding on a billowing cloud, facing forward, resting PR hand on open book of music; horse behind her; peacock at LRC; woman is holding a large instrument in PL hand

Sanguine Temperament, From the Four Temperaments, Plate 1, c. 1530-1562

Virgil Solis

Not on View
seated woman in profile, holding torch out in PR hand, and a heart with an arrow pointing toward a lion in her PL hand; she gazes into the face of a large black bird standing behind her

Choleric Temperament, From the Four Temperaments, Plate 2, c. 1530-1562

Virgil Solis

Not on View
woman seated on cloud or roots, with large bird on PL shoulder; woman holds mirror in PL hand and a spike with horseshoes in PR

Phlegmatic Temperament, From the Four Temperaments, Plate 3, c. 1530-1562

Virgil Solis

Not on View
seated woman resting head on elbow propped up on a block, idly drawing on a round pedestal with compass in PR hand; large swan behind her, goat LLC

Melancholic Temperament, From the Four Temperaments, Plate 4, c. 1530-1562

Virgil Solis

Not on View
male figure swooning against a tree, looking dramatically to his L at a grotesque, decaying figure with skull-like face, and long greasy hair who pulls at his arm; hour glass at figure's feet

Death and the Foot Soldier, c. 1525-1530

Jacob Binck

Not on View
male figure swooning against a tree, looking dramatically to his R at a grotesque, decaying figure with skull-like face and long hair who pulls at his arm; hourglass at figure's feet

Death and the Foot Soldier, 1532

Attributed to Master ER; Artist: After Jacob Binck

Not on View
woman in 3/4 pose in heavy dress and bonnet looking to L, holding a rake in PL hand; a basket of root vegetables on ground at PR; butter churn, large jar, and fruit basket in background; banderole over the top weaving through rake with German inscription

Market Peasant: Zum wein wolt wir laufen, c. 1542

Sebald Beham

Not on View
male figure in heavy dress standing with large staff in PL hand, dagger at PR waist; large jars and a bag of root vegetables at feet; banner over the top in German

Market Peasant: Deten wir verkaufen, c. 1542

Sebald Beham

Not on View
Corinthian column with heavy leaf ornamentation and scrolling motif at top; cluster of grapes in column's upper center; inscriptions on sides

Corinthian Column, 1543

Sebald Beham

Not on View
roundel: female figure with windblown dress, balancing on one leg on a winged ball, with both arms raised upward; behind her is a rugged valley with a few buildings including a house, churches, and castles

Fortune, 1540

Master AS

Not on View
female figure at L holding a large water pitcher, facing a male figure who is reaching for her opposite hand; camels and another man in background at L; wells by their feet; a town with a woman walking back from path at R

Design for Watch Case: Rebecca at the Well, c. 1610-1656

Michel Le Blon

Not on View
two profiles of a man's face facing R; L is an outline of theface and features with an overlaid grid; face at R is fully detailed and shaded

Eines Mannes Haupt, 1542

Sebald Beham

Not on View

Plate IV, from Marriage A-La-Mode, 1745

William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

Not on View

Plate V, from Marriage A-La-Mode, 1745

William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

Not on View
forest scene with men with spears, lantern and torch leading Jesus; man with dagger drawn standing with his PR foot on another man's PR arm--overcome man lying on ground; other figures in background

The Capture of Christ, plate from "The Large Passion", 1632

Nicolaes de Bruyn

Not on View
one of two prints on a single mat; boquet of flowers with each flower named

Print, 18th century

Jean-Baptiste Monnoyer

Not on View
one of two prints on a single mat; boquet of flowers with flower names

Cahier, 18th century

Jean-Baptiste Monnoyer

Not on View
portrait bust; man with small beard, mustache, curly hair; 3/4 view; elaborate clothing with lace edged high collar and cuffs

Print, 18th century

James Christopher Le Blond

Not on View
Christ seated wearing crown of thorns; reed in hand; man left front with torch; men on balconies at rear

Mocking of Christ, 17th century

Nicolaes de Bruyn

Not on View
two dragons standing, holding wreath with inscription in center; small dragon on top of wreath

Print, 17th century

Francis Barlow; Engraver: E. Cooper

Not on View
center image: seated nude woman holding horn of plenty and surrounded by fruits vegetables, small animals and flowers; trees in distance right; surrounding frame: in corners sheep, stag, bull and lion; along sides trees and vines loaded with fruit and flowers; wheat and bread along top, vegetables and fruit at bottom; from a series of four plates

Terra, 17th century

Nicolaes de Bruyn; Artist: After Maarten de Vos

Not on View
Judas returning pieces of silver; Judas suicide in left distance

Judas and the Pieces of Silver, 17th century

Peter Vander Borcht the Elder

Not on View
Portrait of Johannes Van Balen; three quarter view facing left; almost waist length

Portrait of Johannes Van Balen, 1611

Wenceslaus Hollar; Painter: After Johannes Van Balen; Printer: Jan Meyssens

Not on View
two lions on a cliff; left (male) facing viewer; right (female) facing away

Variæ Leonum Idones, 17th century

Abraham Blooteling; Painter: After Peter Paul Rubens

Not on View
center bust of man; couple at left and three couples at right; two other soldiers background center

Romulidae spreti ludi connaubia quaerunt dum cadit in quasuis rapta Sabina manus, 16th-17th century

Cherubino Alberti; Artist: After Polidoro da Caravaggio

Not on View
Perseus holding the head of Medusa; large group of soldiers following him; one man on ground with raised shield center front

Perseus with the Head of Medusa, 16th-17th century

Cherubino Alberti; Artist: After Polidoro da Caravaggio

Not on View
Jason with fleece over arm at center; woman stabbing dragon at lower left; warriors behind and beside her; three men at right, two on ground, one with club; three putti above Jason carrying portrait of man framed in wreath; crown and sheild on rock lower right

Jason Stealing the Golden Fleece, 17th century

Cornelis Bloemaert; Delineator: Francisco Romanelli

Not on View
allegorical scene; three women exiting a doorway with Medici Family arms above; first woman holding geometric tools and unwinding string held by second woman; second woman has algebraic symbols on hem of robe; third woman holding open globe shaped object

Print, 17th century

Cornelis Bloemaert; Delineator: After Cyrus Ferrius; Artist: After Francisco Romanelli

Not on View
man tied to tree at left; man with knife in hand on one knee; man with lyre, seated, pointing; man seated at right; all figures in foreground; arched bridge left middle ground; gate with arch middle ground center; field with sheep left distance; trees at right middle ground; hills and fields at distance

Romæ apud Philippum Thomassinu, 18th century

After Raphael (Raffaello Sanzio or Santi); Engraver: Bentricius, Der Meister mit dem WĂĽrfel

Not on View
man holding knife; boy kneeling at feet; one sheep behind boy; putti above knife; all in oval cartouche

Il Pordenone, 1625

Oliviero Gotti; Artist: after Giovanni Antonio Licinio

Not on View
dark landscape; figure center left with cape blowing and spear at feet; monument/ fountain right edge

Print, 17th century

Gabrielle Perelle; Artist: After Jean Le Blond

Not on View
within a frame four figures in a landscape; upper angel holding oval portrait of man; standing male angel holding broken handle of sythe; woman under his feet; fourth figure, woman handing portrait to upper angel; landscape includes parts of building at top, rocks and trees

Print, 18th century

Noel Le Mire; Artist: After Charles Eisen

Not on View
a frame with putti holding up a cloth with cartouche at bottom; cloth holds text as does cartouche; see inscriptions

Di Tito Lucrezio Caro..., 1754

Noel Le Mire; Artist: After Charles Eisen

Not on View
within a frame a man seated on a stone reading; statues on pedestals facing him; large urn behind; trees in distance

Print, 18th century

Noel Le Mire; Artist: After Charles Eisen

Not on View
within a frame a group of people on the steps of a building; pillars left and right; pediment of another building in distance center; people sitting or lying on steps; woman in center pleading with man seated at left

The Plague in Athens, c. 1754

Dominique Sornique; Artist: After Charles-Nicolas Cochin II

Not on View
round image of short heavy-set nude man wearing cape and crown of grape leaves and holding fruit in his PR hand and grapes in his PL hand; short grapevine on a stake at left; symbols for Libra, Scorpio and Sagittarius in sky; face blowing wind in sky at right

Allegory of Autumn, 1589

Jacob Matham; Artist: Hendrick Goltzius

Not on View
standing draped female figure wearing a leafy crown, earrings, beaded necklace, armlets and leg decorations on her calves; woman holds a basket in her PR hand with flowers and has her PL hand on her hip; figures in LLC seated around a table--one figure plays a lute; symbols for Gemini, Taurus and Aries in sky; face blowing wind in sky at right; round image

Allegory of Spring, 1589

Jacob Matham; Artist: after Hendrick Goltzius

Not on View
standing nude male figure wearing a crown of wheat and holding a sheaf of wheat in his PL arm and a small bouquet of wheat in his PR hand; field workers harvesting in background at bottom; symbols for Leo, Cancer and Virgo in sky; skull with hair blowing wind in sky at right; round image

Allegory of Summer, 1589

Jacob Matham; Artist: after Hendrick Goltzius

Not on View
old bearded man wearing a long fur-trimmed coat and pointed cap, holding a small flaming kettle; symbols for Pisces, Aquarius and Capricorn in sky; face blowing snowy wind at left; round image

Allegory of Winter, 1589

Jacob Matham; Artist: after Hendrick Goltzius

Not on View
reclining woman with PL hand on a skull; at PR, bookstand with cross and covered jar; above, angel on cloud playing violin with three putti on one side and two women behind; below cloud, opening to sea

Sante Marie-Madelene, 17th century

Jean Audran; Artist: After Dieu

Not on View
male and a female figure embracing right foreground; second female figure with spear and sheild flying above; numerous putti at left, one with arrows; round open sided building at far left

Aide' de la fageffe, on fe fauve de l'amour dans les bras de la raison, 1777

Antoine-Jean Duclos; Artist: After Jean-Michel Moreau le Jeune

Not on View
cart pulled by two oxen at center, with man with staff leaning on PR ox; man wearing hat seated on ox at right; two men and a woman carrying a baby ride in cart; bagpiper and man dancing with scythe at right; three girls with bundle of grain at left, with pair of men behind them

Les Moissonneurs dans Les Marais Pontins, 1830-1831

Louis LĂ©opold Robert

Not on View
cart pulled by two oxen at center, with man with staff leaning on PR ox; man wearing hat seated on ox at right; two men and a woman carrying a baby ride in cart; bagpiper and man dancing with scythe at right; three girls with bundle of grain at left, with pair of men behind them

Les Moissonneurs dans Les Marais Pontins, 1830

Louis LĂ©opold Robert

Not on View
abstract image--may be abstracted landscape with tree in URC; jagged lines and various types of shading/hatching

Copyright of the artist%2C artist%27s estate%2C or assignees

Falaises (Cliffs), 20th century

George Ball

Not on View
Delilah seated in chair at center, with sleeping Samson seated, sleeping, on floor in front of her, with knees drawn up and his PL arm over her PL leg; Delilah is preparing to cut Samson's hair curly hair with a large scissors; soldiers with weapons on poles in doorway, ULQ

Samson and Delilah, 1545

Hans Brosamer

Not on View
fleet of sailing ships approaching shore; Cyclops in water carrying palm tree; nude figures on shore with clubs

Avanture du Cyclope, 17th century

Abraham Bosse

Not on View
soldier and woman holding branch standing on small ship with male figure holding trident pushing against shore; crowd of people lower right foreground; wall with arched entrance center ground; ranks of people on shore beyond; two castles in distance one right and one left

Descemte Aux Ek(?)fers, 17th century

Abraham Bosse

Not on View
harbor scene; trees left and right foreground; ruined building with arched pediment behind tree at left; people seated and standing along shore; one ship in right middle ground and three ships in distance

Print, 17th century

Gabrielle Perelle; Artist: After Jean Le Blond

Not on View
trees at left; square building with arch left center; pond or stream center and right; small boat in water; seated figure on right with fishing pole with standing woman behind; two figures on road at left, one mounted

Print, 17th century

Gabrielle Perelle; Artist: After Jean Le Blond

Not on View
Atlas holding the world; Hercules with pointer in left hand pointing to a spot on the globe

Print, 16th century

Heinrich Aldegrever

Not on View
standing young woman with long curly hair, wiping her PR eye with her hand; woman holds a cone-shaped lamp in her PL hand; wreath of flowers at woman's feet in LLC

The Third Foolish Virgin, late 15th century

Martin Schongauer

Not on View
standing man wearing tunic and cloth boots, with PR arm outstretched; woman carrying a bundle of sticks (or arrows?) on her back, holding a chicken by the feet in her PL hand, places her PR hand in man's outstretched hand; jug and basket with eggs, LLC

Peasants at the Market, 1519

Albrecht DĂĽrer

Not on View
bedroom with two women next to bed; figure in bed; plumes at top corners of bed; elaborate hangings; open door at left

Untitled, 18th century

William Hogarth

Not on View
Poets shown twice in a rocky landscape; on the left in converstaion; in center looking at a vision of Beatrice in the sky; hill on right with inscription PER ME

Dante and Virgil with the Vision of Beatrice, c. 1481

Baccio Baldini; Artist: After Alessandro di Mariano Botticelli

Not on View
3/4 view of left side head, chest and left hand of male subject

Steffano de la Belle, c. 1648-1650

Wenceslaus Hollar; Artist: after Nicolaes van Helt

Not on View
young man leaning against a window, reading; hat and large knife hanging at left; sword belt on bed(?); folios on chair, one open

Print, 18th century

Capt. William Baillie; Artist: After Rembrandt Harmensz. van Rijn

Not on View
two monsters, part human part animal sleeping on the edge of a pond; various aquatic creatures in pond; fish bones on shore

Sleeping Monsters, 1780

John Hamilton Mortimer

Not on View
two images mounted on one sheet both from "Tarfereel Van de Belacchende Werelt"; a) crowd of people in street; richly dressed man in center with medical instrument in hand pointed at eye of pooly dressed man with long beard leaning on a crutch; richly dressed woman seated behind holding/supporting poor man b) two figures in room with canopied bed; woman seated with feet up at fire; man washing floor; table set for meal in center background; painting of ships on wall above table

untitled, 17th century

After Adriaen Van de Venne; Printer: Daniel Van den Bremden

Not on View
3/4 view waist up portrait of Alessandro Allori; holding artists pallet in proper left hand, brush in right hand; wearing smock and cap

Portrait of Alessandro Allori, 17th century

Giolomo Rossi the younger; Delineator: Giovanni Domenico Ferretti

Not on View
canal with arcing bridge of wrought iron and brick in middle ground; paved brick walkways on either side of canal; boats in distance; trees beyond bridge on both side of waterway, with buildings; a few pedestrians

Le Canal St. Martin, 1863

Adolphe Theodore Jules Martial Potémont; Printer: Auguste Delâtre; Publisher: Cadart & Luquet, Paris

Not on View
portrait 1/2 length of de Heem facing right looking at viewer; left hand across chest; after an engraving by Jan Lievens

Portrait of J. D. De Heem, 19th century

Henry Courtney Selous; Engraver: After Jan Lievens

Not on View
portrait 1/2 length of Daniel van Heil facing right looking at viewer; left hand across chest; wearing cloak and flat white collar

Portrait of Daniel Van Heil, 1649

After Jean Baptist van Heil; Engraver: Frederik Bouttats; Publisher: Jan Meyssens

Not on View
four nude children in a landscape

Cupid and Three Putti, 1506

Marcantonio Raimondi

Not on View
male figure with his back to viewer wearing coat with slashed sleeves; PR hand holding large staff; sword scabbard visible at PR hip

Soldier with Halberd, Seen from the Back, after 1520

Jacob Binck; Artist: After Barthel Beham

Not on View
nude male figure leaning against a tree, holding fruit in PL hand; city scene behind to R

Adam, 1526

Jacob Binck

Not on View
nude female figure leaning against tree awkwardly stretching PL arm across chest while holding a twig with a strategically placed leaf in her PR hand; serpent at UL with fruit in its mouth

Eve with the Serpent, 1526

Jacob Binck

Not on View
chaotic fight scene between centaurs and nude women; figures are fighting with arrows, ceramics, shields, daggers, etc.

Combat of Centaurs and Lapiths, and Hippodamia Abducted by a Centaur, From Combats and Triumphs, c. 1550-1572

Étienne Delaune

Not on View
column at center with putti (one sitting, one reclining) holding a horn on each side; putto at L cuddles small animal; garland stretches across top and hangs down sides

Two Genii Sitting at the Base of a Column (section from The Forge of the Heart), 1529

Master I.B.

Not on View
Bacchus riding in low chariot pulled by centaurs and led by Satyrs playing instruments; an attendant to R of chariot holds a large bowl overflowing with grapevines, a soldier pushes the chariot from behind; a figure at rear wears blowing cape

Triumph of Bacchus, c. 1539

Georg Pencz

Not on View
farming scenes: at R, man stands near the center of a small field with a seed bag strapped around shoulder, spreading seeds; another man at LRC chops at one of the many trees along R edge; at L, a man plows a field with three horses, while a figure with a whip sits on the rear horse; a ram surrounded by clouds at center separates the two scenes

Month of March with Aries, From Twelve Months with Signs of the Zodiac, 1559

Monogrammist FB (Franz Brun)

Not on View

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