showing 300 of 1991 results matching medium:"Drypoint". (load 200 more)

advanced

Looking for medina, metius, media, medic?

Mars Bound by Cupid, c. 1515-1520

Master of 1515

Not on View

Self-Portrait, 1919

Max Beckmann

Not on View

Selbstbildnis mit steifem Hut (Self-Portrait in Bowler Hat), 1921

Max Beckmann

Not on View

Drouet, 1859

James Abbot McNeill Whistler

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Daphnis and Chloé, November 1933

Joan MirĂł; Printer: Printed at Atelier Lacouriere; Publisher: TĂ©riade, Paris, France

Not on View

The Smoker, 1866

Édouard Manet

Not on View

The Forge from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1861

James Abbot McNeill Whistler

Not on View

Spanish Gypsy, 1883

William Merritt Chase

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Fine Feathers, Folies Bergère, Paris, 1928

Clement Haupers

Not on View

The Storm, 1879

FĂ©lix Buhot; Artist: after John Constable

Not on View
From the cancelled plate.

Steamboat Fleet, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

The Silk Dress, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate after restoration.

The Storm, 1861

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

A Lady at a Window, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

London Bridge, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

A Girl with Large Eyes, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Speke Shore, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

The Thames Toward Erith, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Encamping, 1861

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Nude Figure Posing, 1873-1875

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

The Beach, 1873

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

F.R. Leyland's Mother, 19th century

James Abbot McNeill Whistler

Not on View

Whistler with the White Lock, 1879

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Reading a Book, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

A Man Reading, 1873-1875

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Sketch of Heads, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

A Sketch from Billingsgate, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

A Child on a Couch, 1873-1875

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Whistler's Mother, 1870-1873

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Agnes, 19th century

James Abbot McNeill Whistler

Not on View

Florence Leyland, 1873

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Portrait Sketches, 1870-1873

James Abbot McNeill Whistler

Not on View

Price's Candle Works, 1875

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Lindsey Houses, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Nude Girl Standing, 1873-1875

James Abbot McNeill Whistler

Not on View

Tatting, 1873

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

The Scotch Widow, 19th century

James Abbot McNeill Whistler

Not on View
Plate 3 from a suite of nine intaglio prints

%C2%A9 Richard Diebenkorn Foundation

#3, 1977

Richard Diebenkorn; Publisher: Crown Point Press, San Francisco; Printer: Crown Point Press, San Francisco

Not on View
From the cancelled plate.

Swinburne, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Shipbuilder's Yard, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

The Piano, 19th century

James Abbot McNeill Whistler

Not on View

The Miser, c. 1861

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

The Little Velvet Dress, 19th century

James Abbot McNeill Whistler

Not on View

Chelsea Bridge and Church from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1870-1871

James Abbot McNeill Whistler

Not on View

The Model Resting, 1870

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

The Open Book, 1861

James Abbot McNeill Whistler

Not on View

%C2%A9 Bruce Nauman %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1972

Bruce Nauman; Publisher: Cirrus Editions, Ltd., Los Angeles

Not on View

Wooded Hill, Seen Across a River, 19th century

Charles Adams Platt

Not on View

The Fisherman's Home, 19th century

Charles A. Vanderhoof

Not on View
From the cancelled plate.

Axenfeld, 19th century

James Abbot McNeill Whistler

Not on View

Early Morning, Battersea from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1861

James Abbot McNeill Whistler

Not on View

Poppies, Good Night and Sweet Dreams (Sep 88), 1888

James D. Smillie

Not on View
From the cancelled plate.

The Toilet, 1863

James Abbot McNeill Whistler

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Joseph Pennell, 20th century

Levon West

Not on View
From the cancelled plate.

Elinor Leyland, 19th century

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Lady in an Arm Chair, 1861

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Irving as Philip of Spain, No. 2, 19th century

James Abbot McNeill Whistler

Not on View

MMe. Helleu Nursing Baby, 19th century

Paul-CĂ©sar Helleu

Not on View

Ebb and Flow, 1917

Arthur B. Davies

Not on View

Fleurs (Flowers), 1894

Ernest-Ange Duez

Not on View

TĂŞte de Parisienne (Head of a Parisian Woman), 1894

Henry Somm (François Clément Sommier)

Not on View

Evening, Painted Desert, Arizona, c. 1920

George Elbert Burr

Not on View
From the cancelled plate.

Finette, 1859

James Abbot McNeill Whistler

Not on View
From the cancelled plate.

Astruc, A Literary Man, 1859

James Abbot McNeill Whistler

Not on View

French Fisherman, 1934

Cadwallader Washburn

Not on View

Attentiveness, 19th century

Otto J. Schneider

Not on View

Country Road, 19th-20th century

Dwight Case Sturges

Not on View

Venice Canal, 19th century

George Taylor Plowman

Not on View
From the cancelled plate.

Mr. Mann, 1860

James Abbot McNeill Whistler

Not on View

In a Backwater Bayhead, 1913

Cadwallader Washburn

Not on View

Whirlwinds, 19th century

George Elbert Burr

Not on View

Rabaindranath Tagore, No. 2, 19th century

Cadwallader Washburn

Not on View

Shambles, York, 19th century

George Taylor Plowman

Not on View

Rainbow, Porferio Diaz Park, 19th century

Cadwallader Washburn

Not on View

Mayflower Barn, Jordans, England, 19th century

George Taylor Plowman

Not on View
narrow street with pedestrian walking between tall buildings; sketchy style

Rue Longue, 19th-20th century

Cadwallader Washburn

Not on View

Divergent Paths, 1877

Francis Seymour Haden

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

La Cretif, Alger, 1928

Clement Haupers

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Follies Wagram, 1928

Clement Haupers

Not on View

Lady Reclining in Left Corner of Sofa, 19th century

Paul-CĂ©sar Helleu

Not on View

Sire Hallwyn, 19th century

Fernand Khnopff

Not on View

Mask, 1899

Fernand Khnopff

Not on View

Wall Street, New York City, c. 1914

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Marine-Surf, 19th century

Charles Storm van's Gravesande

Not on View

Sand Dunes, 19th-20th century

Sears Gallagher

Not on View

Gesture of Offering, 1900

Fernand Khnopff

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Penitentes - The Crucifixion, 20th century

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Nude With Turban, 19th-20th century

Emil Orlik

Not on View

Portrait of Joseph Pennell, 1924

Emil Orlik

Not on View
construction site in a large reinforced pit with workers throughout; busy street scene at top of image with cars and people in city

%C2%A9 Estate Muirhead Bone %2F Artists Rights Society %28ARS%29%2C New York %2F DACS%2C United Kingdom

Manhattan Excavation, 1923-1928

Muirhead Bone

Not on View
woman in dress holding gun in shooting booth; target over her PR shoulder with a dog-like animal below; ; number four embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Schiessbude, from "Jahrmarkt", 1921 (pubished 1922)

Max Beckmann

Not on View
upper body of man in hat and costume facing African man with arms crossed in front of chest facing viewer; woman with head covering is seen from behind; number six embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Der Neger, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
head (fully realized) and torso (sketched) of man in 3/4 view, with arms crossed; man has long disheveled hair and small beard

Drouet, 1859

James Abbot McNeill Whistler

Not on View
buildings in canal; platform in water at right next to brick building, beneath window; tree in ULQ

Bruges: La Plate-forme du Canal, 1931

Eugène Delâtre

Not on View
head (fully realized) and torso (sketched) of man in 3/4 view, with arms crossed; man has long disheveled hair and small beard

Drouet, 1859

James Abbot McNeill Whistler

Not on View
houses; two figures in foreground, LRQ; three very tall trees at left

%C2%A9 Artists Rights Society %28ARS%29%2C New York

Springtime in Senlis, 1925

Samuel Chamberlain

Not on View
two horses pulling an unpictured object with rope; a man on each side of the horses; both horses and men are struggling

%C2%A9 2013 Clare Calder%2C Estate Robert Sargent Austin

The Tow Rope, 1920

Robert Sargent Austin

Not on View
abstracted image of adults riding on a merry-go-round with two children in LLC watching; woman in front riding on boar; two couples seated in a round seat at left

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Das Karussell (Merry-Go-Round), plate 7 from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
man smoking cigarette holding bell in L hand; sign on L reads [circus Beckm]; number one embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Der Ausrufer, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
gathering of circus characters; one group sitting around table with candlelight; men playing instruments and bearded lady on L; number three embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Hinter den Kulissen, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
head of woman with headband decorated in stars, hoop earring and snake around neck; back of man's body in striped leotard standing at R near curtain; number ten embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Schlangendame, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
small stage with man holding tuba and sword next to tall thin man in shorts and cap; men facing stage; carnival ride with buildings in view; ; number five embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Der grosse Mann, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
African performers holding instruments and spear; woman dancing in patterned veil; three men sitting at bottom shown from back and watching performance; number nine embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

"Negro Dance" from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
woman on tightrope with one leg raised; body covered in sheet carrying balance bar walking towards her; Ferris wheel behind and below performers; number eight embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Die Seiltänzer, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
carousel scene; woman in dress on boar; two couples in circular seat; child on horse; carved posts with faces; two men watching the ride in foreground; number seven embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Das Karussell, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
woman sitting on chair with headband, back to viewer; man on her L applying stage make-up; number two embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Garderobe, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
close-up view of a man with a cigarette in his mouth, pointing his PR hand and holding a bell in his PL hand; sign behind man's head reads, "CIRCUS BECKM..."

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Der Ausrufer (The Barker) (Self-Portrait), 1921 (published 1922)

Max Beckmann

Not on View
line drawing-style portrait of a man with one arm and one leg seated in a low chair; man has dark short-cropped hair and dark moustache and beard; text around figure

%C2%A9 2006 Daniel Heyman

Disco Mosul, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View
portrait of girl

Oriana, 1888

Julian Alden Weir

Not on View
line drawing-style portrait of a man with full lips and heavy cheeks, wearing a jacket with a zippered chest pocket; text at top, L and R edges

%C2%A9 2006 Daniel Heyman

He Could Feel the Dog's Breath, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View
line drawing-style portrait of a man with a heavy face, thin hair and a large dark moustache; text around man’s head, on shoulder and at bottom

%C2%A9 2006 Daniel Heyman

He was Happy on that Day, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View
line drawing-style portrait of a man with a moustache and double chin, with a mole on his PL cheek; text above head, at bottom and across chest

%C2%A9 2006 Daniel Heyman

From Here the Tragedy Started, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View
line drawing-style portrait of a man in profile (PR) with large nose, thick hair and beard; man wears jacket, dark shirt and tie; text above and to L of figure

%C2%A9 2006 Daniel Heyman

Our Eyes were Covered, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View
line drawing-style portrait of a balding man with very short hair and scruffy chin; may have scar on PL cheek; man wears jacket, shirt and tie; text above figure and on chest

%C2%A9 2006 Daniel Heyman

This was the Only Time, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View
line drawing-style portrait of a man with a large round face, moustache, small scruffy beard, smooth hair and long eyelashes; man wears jacket, shirt and tie; text on top, L and R edges

%C2%A9 2006 Daniel Heyman

Why Were You There?, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View
line drawing-style portrait of a bald man with a heavy round face, his PL hand held to his chin; man wears checkered jacket, shirt and tie; text above and around figure

%C2%A9 2006 Daniel Heyman

Jasim was in a Cage, from "The Amman Project", 2006

Daniel A. Heyman; Printer: C.R. Ettinger Studio

Not on View
landscape; farm fields; buildings foreground left; trees; hills in distance

Valley of the Tay, 1931

D. Y. Cameron

Not on View
street scene at night; buildings left; streeet foreground; single street light left; man walking into pool of light

%C2%A9 Armin Landeck

Lonely Street (Greenwich Village), 1936

Armin Landeck

Not on View
portrait of man wearing a vest and a bow tie; trees and figure in background; architectural pencil drawing on back

Portrait of Dr. Redslob, 1924

Ernst Ludwig Kirchner

Not on View
three men and one woman seated around a table in foreground; two men at L wear tuxedos, man in foreground wears checkered jacket; other figures in background

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Hier ist Geist! (Here is Intellect!), 1921

Max Beckmann

Not on View
postage-stamp sized image: standing male figure in breeches and white shirt standing with back to viewer, holding a stick and with a basket on his back; angled toward rear; shadow of another figure LRQ, possibly seated

Ragman, 1843

Charles-Émile Jacque

Not on View
3/4 bust of male figure with long hair, glasses, and a long goatee; image area is circular

Head of a Man, after 1848

Charles-Émile Jacque

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

The Sycamore Leaf, 1950

Maurice R. Bebb

Not on View

%C2%A9 Estate of Karl Hagedorn %2F Bode Galerie %26 Edition%2C GmbH

Seated Girl, 1966

Karl Hagedorn

Not on View
abstracted landscape with tall tree at left; road in front of buildings at right; grove of trees below at left; air balloon in sky, ULQ

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Landschaft mit Ballon (Landscape with Balloon), 1918

Max Beckmann

Not on View

Garibaldi Veteran, 19th century

Cadwallader Washburn

Not on View

Snake Charmer, 1921

Max Beckmann

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Apple Blossoms, 1928

Clement Haupers

Not on View

Inside the Cork Convent, Cintra, 1877

Francis Seymour Haden

Not on View

Challow Farm, 1877

Francis Seymour Haden

Not on View

The Cabin, 1877

Francis Seymour Haden

Not on View

Holy Family, 1512

Albrecht DĂĽrer

Not on View

Wareham Bridge, 19th century

Francis Seymour Haden

Not on View

The Hedgerow, 1879

Francis Seymour Haden

Not on View

The Little Longparish, 1896

Francis Seymour Haden

Not on View

The Terrace, Cintra, 1877

Francis Seymour Haden

Not on View

Newton Manor, 1877

Francis Seymour Haden

Not on View

Wareham Bridge, 1877

Francis Seymour Haden

Not on View

The Twins-Sarah and Anne Haden (No. 2), 1885

Francis Seymour Haden

Not on View

A Child's Head, August 17, 1864

Francis Seymour Haden

Not on View

The Minister's Horse, 1881

Francis Seymour Haden

Not on View

Wareham Bridge, 1877

Francis Seymour Haden

Not on View

The Little Boathouse, 19th century

Francis Seymour Haden

Not on View

Three Cows, 1878

Francis Seymour Haden

Not on View

The Little Boathouse, 1877

Francis Seymour Haden

Not on View

Two Cows, 1878

Francis Seymour Haden

Not on View
brown ink with blue overlay possibly sponged on

Cliche Verre - Landscape, 19th century

Louis Cabat

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Girl with Fishbowl, 1929

Henri Matisse

Not on View
two monkeys

Anatomie comparée, 19th century

Louis Legrand

Not on View

Divergent Paths, 1877

Francis Seymour Haden

Not on View
second plate

The Mouth of a Brook, No. II, 19th century

Francis Seymour Haden

Not on View

Divergent Paths, 1877

Francis Seymour Haden

Not on View
sheet no. 9

Negro Dance, 1921

Max Beckmann

Not on View

The Fountain, Cintra, 1877

Francis Seymour Haden

Not on View

The Willows, 1877

Francis Seymour Haden

Not on View

Inside the Cork Convent Cintra, 1877

Francis Seymour Haden

Not on View

Windmill Hill (No.3), 1877

Francis Seymour Haden

Not on View

Windmill Hill (No.2), 1877

Francis Seymour Haden

Not on View

St. Jerome by the Willow Tree, 1512

Albrecht DĂĽrer

Not on View

The Sluice, 1877

Francis Seymour Haden

Not on View

A Monk Praying - St. Francis, 1877

Francis Seymour Haden

Not on View

Windmill Hill (No.1), 1877

Francis Seymour Haden

Not on View

The Fountain, Cintra, 1877

Francis Seymour Haden

Not on View

A Backwater, 1877

Francis Seymour Haden

Not on View

Outside the Cork Convent, Cintra, 1877

Francis Seymour Haden

Not on View

Windmill Hill (No.3), 1877

Francis Seymour Haden

Not on View

Challow Farm, 1877

Francis Seymour Haden

Not on View

Herd of Pigs with Swineherd, 1878

Charles-Émile Jacque

Not on View

Whistler with the White Lock, 1879

James Abbot McNeill Whistler

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Consumptive Girl (or TB), 1926

Adolf Dehn

Not on View

Springtime, 1919

Jerome Myers; Publisher: E. Weyhe, Inc., New York

Not on View

%C2%A9 Steven Beyer

Untitled, 1978

Steven Beyer

Not on View

TĂŞte de Femme de Profil, 1905 (printed 1913)

Pablo Picasso

Not on View

Les deux saltimbanques, 1905 (published 1913)

Pablo Picasso; Publisher: Ambroise Vollard; Printer: Louis Fort, Paris, France

Not on View
man seated in profile at a table, resting his head on his hand at R; man at L leaning over bench across from table talking to seated man, holding a pitcher; other figures at R

Drinkers at a Table with Embracing Couples, after 1843

Unknown; Artist: After Charles-Émile Jacque (?)

Not on View

The Map, 1890

Mary Cassatt

Not on View

The Manicure, 1904

Mary Cassatt

Not on View

Ellen Holding a Cat, Looking Left, c. 1887

Mary Cassatt

Not on View

Solicitude, c. 1889

Mary Cassatt

Not on View

The Mirror, 1891

Mary Cassatt

Not on View

Louise Nursing Her Child, 1899

Mary Cassatt

Not on View

The Parrot, 1891

Mary Cassatt

Not on View
line drawing style; woman in profile, PL, holding a toddler on her lap; child looks at woman and touches PL hand to woman's cheek

The Caress, c. 1891

Mary Cassatt

Not on View

Berthe Morisot and Julie Manet, c. 1888-1890

Berthe Morisot

Not on View

Portrait of Julie Manet, 1887-1888

Berthe Morisot

Not on View

Seated Nude, 1887-1888

Berthe Morisot

Not on View

%C2%A9 The Easton Foundation %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Spider, 1995

Louise Bourgeois; Publisher: Peter Blum Edition; Printer: Harlan & Weaver, New York

Not on View

Nude, 1918

Wanda Gág

Not on View
line drawing of man seated with his legs crossed at the knee and his hands folded in his lap; he faces to the viewer's left

%C2%A9 Estate of Barbara Swan

Sigmund Abeles, 1970

Barbara Swan

Not on View
group of seated figures in an interior space, rendered in thin, black lines; left-most figure is standing and holding a lighted candle in PR hand; C figure wears a mask over eyes; two framed pictures in background in top C; ceiling lamp in top C; matted and framed; frame has silver patina on front side, with dark brown outer edges

Vor dem Maskenball, 1923

Max Beckmann

Not on View
man in center of image with head resting in his hands; he is surrounded by tall buildings and there is a sun in upper left corner of image

Wait, 1919

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; man in lower left corner with hands holding onto a railing in front of him; sketchily drawn figures behind him, some wearing tophats

Robert in the Theater, Plate 2 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; man upside down and falling with arms to his side and right hand and fingers extended

The Fall into Infinity, Plate 4 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; man in lower left corner with hands holding onto a railing in front of him; sketchily drawn figures behind him, some wearing hats

Robert in the Theater, Plate 2 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
a man and a woman sit facing each other on the left side of the image; the woman is bare-chested and in the foreground is a table with various drinking glasses and a plate

Brothel, Small, 1916

Walter Gramatté

Not on View
view of a restaurant with arches and chandeliers and people sitting on chairs at multiple tables scattered throughout the room; in the foreground on the lower left is a man in profile reading a paper laid out along with two coffee cups on the table in front of him; figures at the tables in the background are less defined and become smaller as they recede in the distance

Café, 1917

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; full length image of a man on right side wearing a long coat and boots standing on a table; his intestines are exposed and falling from a large opening in his abdomen; in the lower left corner are the heads of three men; above the heads in the background are a number of smaller less defined figures coming toward the figures in the foreground

Scene in the Cafe with the War-Wounded, Plate 3 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; close-up of a man's head with large expressive eyes staring straight ahead; there is a black dot between his brows with a black trail of ink running down the side of this nose and cheek; a small hourglass is in the lower left corner

Peter's Head with the Gunshot Wound in the Forehead, Plate 1 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
on the right a large cylindrical building; to the left of this building are two houses, one with a tall chimney next to it

Gasworks, 1916

Walter Gramatté

Not on View
three people sitting in an enclosed space with a lantern hanging from the ceiling on the right side

Three People in a Cabin, 1920

Walter Gramatté

Not on View
disembodied head with large expressive eyes and hand with long bony fingers in lower right corner

The Great Fear, 1918

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; full length image of a man on right side wearing a long coat and boots standing on a table; his intestines are exposed and falling from a large opening in his abdomen; in the lower left corner are the heads of three men; above the heads in the background are a number of smaller less defined figures coming toward the figures in the foreground

Scene in the Cafe with the War-Wounded, Plate 3 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
man in center of image with head resting in his hands; he is surrounded by tall buildings and there is a sun in upper left corner of image

Wait, 1918

Walter Gramatté

Not on View
two female figures sleeping in bed; figure in the foreground on her side with arm in front of her and the figure in the background is on a large pillow with her arm draped across her forehead; behind the bed in the upper left is a window with a quarter moon

Sleeping Girl (Sonia Gramatté), 1921

Walter Gramatté

Not on View
view of a restaurant with arches and chandeliers and people sitting on chairs at multiple tables scattered throughout the room; in the foreground on the lower left is a man in profile reading a paper laid out along with two coffee cups on the table in front of him; figures at the tables in the background are less defined and become smaller as they recede in the distance

Café, 1917

Walter Gramatté

Not on View
man and woman holding hands in center of sheet; man's head is on the woman's shoulder; profile of dog with head and neck pointing upward on the right side of the image; mountain peak behind couple

Homecoming, 1920

Walter Gramatté

Not on View
figure of a man whose body runs diagonally across the image; hands and arms are outstretched above his head in the upper left corner with feet in the lower right corner; face has large expressive eyes and mouth is partially open

Outcry, 1918

Walter Gramatté

Not on View
close up of a woman's head with her hands cupped on either side of her head near her eyes

Portrait, 1919

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; close-up of a man's head with large expressive eyes staring straight ahead; there is a black dot between his brows with a black trail of ink running down the side of this nose and cheek

Peter's Head with the Gunshot Wound in the Forehead, Plate 1 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
bust-length image of a woman with breasts visible under a garment with a collar; head of the woman is turned to the right and her hair is pulled away and straight back from her prominent forehead; a jagged line is drawn around the figure in the background

Woman II, 1920

Walter Gramatté

Not on View
woman nude from the waist up sitting with hands in lap and head turned in profile to the right

Woman I (Seated Nude), 1920

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; man in lower left corner with hands holding onto a railing in front of him; sketchily drawn figures behind him, some wearing tophats; in the lower right corner is a small head with large round eyes wearing a tiny tophat on the left side of his head

Robert in the Theater, Plate 2 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
man on right of image sits with his hands folded in his lap and his head turned to the right; he is wearing a suit coat and a tie and a dark shadow is cast to the right of his balding head; on the left of the image is the head of another man that is turned in profile toward the man on the right; both men are older in age and look off into the distance

Two War Comrades, 1920

Walter Gramatté

Not on View
woman's head in lower half of image with a man behind her with his arms wrapped around her head and neck; a quarter moon is in the upper right corner

Two Humans, 1919

Walter Gramatté

Not on View
From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; full length image of a man on right side wearing a long coat and boots standing on a table; his intestines are exposed and falling from a large opening in his abdomen; in the lower left corner are the heads of three men; above the heads in the background are a number of smaller less defined figures coming toward the figures in the foreground; in the lower right corner is a small house wtih two windows and a door

Scene in the Cafe with the War-Wounded, Plate 3 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
small portrait of face and bust of a pensive-looking, older man with bushy beard and receding hairline; brownish paper

Edouard Manet, from nature in a single sitting, 1876

Marcellin Gilbert Desboutin

Not on View
bound standing Christ at center standing on raised platform with two dark arches below; Christ is accompanied by sanding soldiers and other figures; onlookers at left and right below platform; figures in windows in upper quadrants

Christ Presented to the People (Ecce Homo), 1655

Rembrandt Harmensz. van Rijn

Not on View
two old women seated at a wide table; woman in front wears dark bonnet, rests her PR fist on her cheek and has a bowl and spoon in front of her; bearded man rests his head and PR arm on table, seated between women; large covered basket in foreground, LLQ; other figures in background

At the Château Rouge, 1899

Edgar Chahine

Not on View
portrait of a man seated in a dark upholstered, high-backed chair, leaning toward PR; man has white hair and thick moustache and wears dark tie; PR hand resting on table in front of man's chest, holding cigarette

Portrait of Alfred Stevens, 1900

Edgar Chahine

Not on View
portrait of a man seated in a high-backed chair, leaning toward PR; man has white hair and thick moustache and wears striped tie; PR hand resting on table in front of man's chest; unfinished--first state?

Portrait of Alfred Stevens, 1900

Edgar Chahine

Not on View
portrait of a man seated in a dark upholstered, high-backed chair, leaning toward PR; man has white hair and thick moustache and wears dark tie; PR hand resting on table in front of man's chest, holding cigarette

Portrait of Alfred Stevens, 1900

Edgar Chahine

Not on View
portrait of balding man with heavy dark beard and white hair; thick eyebrows

Portrait of Paul Verlaine, 1925

Edgar Chahine

Not on View

Out of Work, 1903

Edgar Chahine

Not on View

The Exchange Bridge, 1854

Charles Meryon

Not on View
black ink

The Exchange Bridge, 1854

Charles Meryon

Not on View
touched in ink from two plates?

Frontispiece from "L'Illustration Nouvelle", 1877

FĂ©lix Buhot

Not on View

Juan, 1923

Will (William) Shuster

Not on View

How Happy I Could Be with Either, 1877

James Tissot

Not on View
traces of marginal remarque in sanguine?

The Storm, 1879

FĂ©lix Buhot; Artist: after John Constable

Not on View

The Thames, 1876

James Tissot

Not on View

Spring, 1878

James Tissot

Not on View

Charles River, 19th century

Charles Adams Platt

Not on View
Three women race horse-drawn chariots around an indoor ring at the Hippodrome in Paris.

The Ladies of the Chariots at the Hippodrome, 1885

James Tissot

Not on View

Padanarem Salt Vats, Mass., 1878

Robert Swain Gifford

Not on View
printed from two plates; superposition of two tones, yellow and blue

Portrait of Jean Raimond Guérard, c. 1890

Henri-Charles Guérard

Not on View

The Elder Sister, 1881

James Tissot

Not on View

Le petit pĂŞcheur Ă  la ligne, 19th century

Alphonse Legros

Not on View

La paysage Ă  la mare, 19th century

Alphonse Legros

Not on View

The Hammock, 1880

James Tissot

Not on View
abstract image; black ground; irregular shaded grey grid in a rectangular cube-like form

%C2%A9 Ryo Nishimura

Rolling Contagion, 2017

Nishimura Ryo

Not on View
abstract image reminiscent of wire sculpture against black ground; thin, drip- or stream-like vertical elements pooling into a "splash" at bottom

%C2%A9 Ryo Nishimura

Melting Fall, 2017

Nishimura Ryo

Not on View

At the Cafe, 1939

Edgar Chahine

Not on View

%C2%A9 Steven Beyer

Four Member Family System, 1979-1980

Steven Beyer

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Heads + Threads, 1987

Robert Cumming

Not on View

Rembrandt and His Wife Saskia, 1636

Rembrandt Harmensz. van Rijn

Not on View

View of New Palace Yard with Westminster Hall, 1647

Wenceslaus Hollar

Not on View

The Lime-Burner, 1859

James Abbot McNeill Whistler

Not on View

The Acrobat, 1921

Conrad FelixmĂĽller

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Castor Criss-Cross Pollux, 1987

Robert Cumming

Not on View
Female nude seen from behind as she leaves her bath, with her attendant waiting nearby holding a towel. Not signed. No marks.

Leaving the Bath, 1879-1880

Edgar Degas

Not on View

Annie Haden, 1860

James Abbot McNeill Whistler

Not on View

The Traghetto, No. 2 from "The First Venice Set", 1879-1880

James Abbot McNeill Whistler

Not on View

The Two Bathers, 1895

Camille Pissarro

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Fright A C Kite, 1987

Robert Cumming

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Chronos Mix-Tek Charm, 1987

Robert Cumming

Not on View

Weary, 1863

James Abbot McNeill Whistler

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Title Page, 1987

Robert Cumming; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Equi-Y Nox, 1987

Robert Cumming

Not on View
right half (with P.68.211)

Battle of the Sea Gods (right half), 1470s

Andrea Mantegna; Engraver: Unknown Italian, late 15th–early 16th century?

Not on View

The Goldweigher's Field, 1651

Rembrandt Harmensz. van Rijn

Not on View

Clement De Jonghe, Printseller, 1651

Rembrandt Harmensz. van Rijn

Not on View

Rembrandt Drawing at a Window, 1648

Rembrandt Harmensz. van Rijn

Not on View
left half (with P.68.210)

Battle of the Sea Gods (left half), 1470s

Andrea Mantegna; Engraver: Unknown Italian, late 15th - early 16th century?

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Four “M” Mesh, 1987

Robert Cumming

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Sentry Knox Norad, 1987

Robert Cumming

Not on View

Bibi Lalouette, 1859

James Abbot McNeill Whistler

Not on View

%C2%A9 The Estate of Jacques Lipchitz%2C courtesy Marlborough Gallery%2C New York. All rights reserved.

Untitled, c. 1945

Jacques Lipchitz

Not on View
Street-level view of Woolworth building, New York City

Woolworth Building (The Dance), 1913

John Marin; Publisher: Alfred Steiglist, Gallery 291, New York

Not on View
Suite of nine hand-colored drypoints housed in a dark gray linen buckram folding portfolio case.

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Alpha K Copy, 1987

Robert Cumming

Not on View

%C2%A9 Michael Manzavrakos

Near Brownsville, Texas, 1978/1981

Michael Manzavrakos

Not on View

Hercules and Cacus, c. 1505-1520

Master of 1515

Not on View

The Death of the Virgin, 1639

Rembrandt Harmensz. van Rijn

Not on View

The Sacrifice of Isaac, 1655

Rembrandt Harmensz. van Rijn

Not on View

Christ at Emmaus: The Larger Plate, 1654

Rembrandt Harmensz. van Rijn

Not on View

Saskia with Pearls in Her Hair, 1634

Rembrandt Harmensz. van Rijn

Not on View

Self-Portrait with Eyes Wide Open, 1630

Rembrandt Harmensz. van Rijn

Not on View
oval plate

Christ Crucified Between Two Thieves, c. 1640

Rembrandt Harmensz. van Rijn

Not on View

Landscape with Sportsman and Dogs, c. 1653

Rembrandt Harmensz. van Rijn

Not on View

Christ Preaching, c. 1652

Rembrandt Harmensz. van Rijn

Not on View

The Temple of Sibyl, Tivoli and the Broken Side of the Colonnade, 18th century

Giovanni Battista Piranesi

Not on View

Pierrot, 1889

James Abbot McNeill Whistler

Not on View

Limehouse, 1859

James Abbot McNeill Whistler

Not on View