showing 23 results matching medium:"Drypoint with plate tone"

advanced

Looking for medina, metius, media, medic?

head and shoulders of a man in center of image with his hand resting on a fence-like structure in front of him; behind him is a house, a tree, a sun, and plants

Self-Portrait (Hochkamp), 1922

Walter Gramatté

Not on View
bridge arching across center of print; New York skyline behind with reflection of city and bridge in lower half; border

Brooklyn Bridge and Lower New York, 1913

John Marin; Publisher: Published by Alfred Stieglitz / Gallery 291, New York; Printer: Peter J. Platt, New York

Not on View
linerally rendered seated nude female with unfinished hands and feet

Ruhendes Mädchen (Meeresstimmung), 1910 (printed 1920)

Wilhelm Lehmbruck

Not on View
portion of a boat shown at L with man sitting on prow near lower center of image; buildings along opposite shore in middle ground with willow trees near L; another boat with silhouetted passengers near middle

Battersea from Chelsea, 1888-1889

Theodore Roussel

Not on View

The Old Doorway from "The First Venice Set", 1879-1880

James Abbott McNeill Whistler

Not on View

Nocturne: Palaces, 1879-80 (printed 1886)

James Abbott McNeill Whistler

Not on View

Long Venice, 1879-1880

James Abbott McNeill Whistler

Not on View
From a suite of four etchings, each depicting a metaphorical clockface design.

%C2%A9 Philip Larson

Second Stencil (Sullivan & Wright), 1978

Philip Larson

Not on View
From a suite of four etchings, each depicting a metaphorical clockface design.

%C2%A9 Philip Larson

Fourth Stencil (Purcell & Elmslie), 1978

Philip Larson

Not on View
From a suite of four etchings, each depicting a metaphorical clockface design.

%C2%A9 Philip Larson

First Stencil (Richardson & White), 1978

Philip Larson

Not on View
From a suite of four etchings, each depicting a metaphorical clockface design.

%C2%A9 Philip Larson

Third Stencil (Greene & Greene), 1978

Philip Larson

Not on View
One of seven intaglio prints published posthumously by the Museum of Modern Art, New York, in 1967 under the authority of the Estate of Jackson Pollock. Plate was reworked in drypoint by Gabor Peterdi and steel-faced prior to printing.

%C2%A9 The Pollock-Krasner Foundation %2F Artists Rights Society %28ARS%29%2C New York

Untitled (7), c. 1944-45 (printed 1967)

Jackson Pollock; Printer: Emiliano Sorini; Publisher: Lee Krasner in association with the Museum of Modern Art, New York

Not on View

Snipe, 1915

Winifred Austen

Not on View

Red Setter, 1925

Winifred Austen

Not on View

Schlafende (Sleeping), 1912

Lovis Corinth

Not on View

Smiling Head of a Woman, 1914

Conrad FelixmĂĽller

Not on View

First Stencil, 1978

Philip Larson

Not on View

Second Stencil, 1978

Philip Larson

Not on View

Fourth Stencil, 1978

Philip Larson

Not on View

Third Stencil, 1978

Philip Larson

Not on View

Untitled (6), c. 1944-45 (printed 1967)

Jackson Pollock; Printer: Emiliano Sorini; Publisher: Museum of Modern Art, New York

Not on View

Untitled, 1971

Dieter Roth

Not on View

Untitled, 1971

Dieter Roth; Publisher: Petersburg Press Ltd., London

Not on View

showing 23 results matching medium:"Drypoint with plate tone"

Download results as CSV