Looking for medina, metius, media, medic?

Block Builders I, David Ratner — Block Builders I, 1954
David Ratner

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.1,.2 both views by the architect of the home of Mr. and Mrs. Charles H. Bell, Lake Minnetonka — Bell House, 1952, 1952
Edwin H. Lundie

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.1,.2 both views by the architect of the home of Mr. and Mrs. Charles H. Bell, Lake Minnetonka — Bell House, 1952
Edwin H. Lundie

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yellow silk ground; repeating images of five-leaf clusters of different sizes in yellow and green; splatter-like green spots on ground — Chestnut Tree Leaves, c. 1890
Henri-Charles Guérard

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Sleeping Workman, Albert Edward Sterner — Sleeping Workman, 1900
Albert Edward Sterner

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Making Observations, Joseph Pennell — Making Observations, 19th century
Joseph Pennell

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The Kitchen, Stefan Eggeler — The Kitchen, c. 1919
Stefan Eggeler

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Bust portrait of a lady wearing a man's turban, c. 1735-1740

Hunhar II

G211

swimmer with long hair, holding a knife in PR hand, entangled in an octopus' tentacles; thin paper mounted on backing sheet — The Diving Woman of Shido Bay, c. 1882
Tsukioka Yoshitoshi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head — Preparatory drawing of Sakuma Dennai, 1869
Tsukioka Yoshitoshi

G238

image of the Parthenon on lower cover in black and white with hand drawn crook on upper cover; metallic gold splattering from base of crook over image of Parthenon; Lender’s archive #236 — Verhüllung, 2003
Gerhard Multerer

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computer printed on pinfed paper with vertical row of holes at left and right edges of sheet; design of squared-off wavy lines with vertical rows between lines; periods, apostrophes and unidentifiable letters; bottom half of upside-down numbers printed in red in LLC — UP & DOWN WITH A STICK, #71, 1969
Frederick Hammersley

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computer-printed image on pin-fed paper with vertical rows of holes along left and right edges of sheet; perforations on left and right edges of sheet; repeating pattern of rows and columns of circles made up of Os, apostrophes, dashes and periods — BUSY LION TO JELLY CENTER, #40, 1969
Frederick Hammersley

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computer printed sheet on pinfed paper with vertical rows of holes at left and right edges of sheet, with perforations on each side of sheet; rectangular design with the alphabet in different configurations, with many Zs at the center — DO YOU ZEE, #37, 1969
Frederick Hammersley

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computer printout on pin-fed paper with vertical rows of holes on left and right edges; upside down squared-off U shaped motifs with rows of letters, with symbols and numbers at center bottom — THOUGHT HOLDERS, 1969
Frederick Hammersley

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two goldfish swimming in a pond in LRQ; lilly pads in LRQ, URQ and on left; waterlily in ULQ; rendered in green and orange washy pigments; lined border around image — Fish Pool, preliminary drawing, 1937
Elizabeth Norton

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Two Thousand Scarabs Marking Two Millennia, Roman Verostko — Two Thousand Scarabs Marking Two Millennia, 1999
Roman Verostko

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Art Deco style; nude woman with very long stylized flowing hair seated inside a ring floating in space at left, looking down at a figure in water, clutching a tree trunk at right; starry sky; skull with snake in LLC; mounted to brown paper; probably a reproduction — Untitled (Art Deco image of figure in sky and figure in water in a landscape), 20th century
Richard Holzschuh

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silhouette of girl holding a small bouquet of flowers at right, looking up at a bird with two very long tail feathers and six tall feathers on head perched in a small tree; white flowers in foreground at bottom; linear images of trees in background; mounted to brown paper; probably a reproduction — Untitled (silhouette of girl with small bouquet looking at bird in tree), 20th century
Richard Holzschuh

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dancing man holding a cane in each hand, decorated with foliage and feathers; man wears a predominately green headdress with heathers at back, foliage on top of head, and a pair of antlers; man also wears skirt with black and blue patterned hem trim, with orange, red and green design, yellow leggings with brown spots and fringe and white, blue, yellow and orange moccasins with bells around the ankles — Indian dancing, 1978
Paul Vigil

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man seated at a table, reading a book, resting his chin in his PL hand; man has a coat over his shoulders; long icicles outside window behind man's head — Books Make the Home, c. 1938
Rockwell Kent

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geometric design in black, gold, and red on white; four men singing and dancing in unison, with top hats held up; text at bottom — Big City Four, 1968
after Alfonso Iannelli

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three dogs (white and gold, black and white, and gold and black) jumping in an arc over a gold orb, LRC, on a black ground; text in white at bottom — Meehan's Canines, 1968
after Alfonso Iannelli

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Interior, from Folio, Wanda Gág — Interior, from Folio, 1924
Wanda Gág

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symmetrical design with pink, orange and yellow flowers; red flower at center; 2 fern fronds — Untitled (Flowers and ferns), c. 1958
Andy Warhol

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green, roundish, organic shape created by thin, machine-drawn lines; 3-D effect created by lines overlapping; darker and lighter green areas; black, abstract, twisted lines that resemble letter characters drawn vertically along R side; red square stamp at LLQ — Spring Memory, h18-gr, 2010
Roman Verostko

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three sheets of thin paper joined together; black ink with touches of red and blue-grey; large spider with very large eyes, looking up, in LLC; diagonal lines extend through picture plane from LLC (spider web?); figure at right on stomach slides between lines; man with flowered pants holding a flaming torch at top center, striding toward spider; jumping man in ULC; rocky landscape in background at center and right; figures in URC peering over rocky peak; blank rectangular cartouche, URC — Minamoto Yorimitsu (Raikō) and His Retainers Attacking the Earth Spider (Tsuchigumo), early 1860s
Tsukioka Yoshitoshi

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ink drawing with blue, red, brown, yellow and green; two fighting men, foreshortened; man on top is bare chested and wears a blue skirt, holding his PL lower leg across stomach of other man, and holding other man's neck in his PL hand; man on bottom wears brown, yellow and red helmet, red garment with yellow designs, and green boots with brown soles; snow covered tree at left; attached to off-white mount sheet — The Boatman Zhang Heng, 1868, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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ink drawing in black and red; two men fighting; man at left falls forward, grabbing the hair of man at left, who is falling backward; attached to off white mount sheet — Preparatory drawing of Sumoto Sakyō, 1874
Tsukioka Yoshitoshi

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ink drawing with blue, green, yellow and red; standing man with feet wide apart, holding sword over his head, scowling in anger; man has long black hair and wears greenish-blue blouse with gold dragons, red pants and skirt with wave patterns; rounded dark doorway at left behind figures; flowers, URC; attached to off-white mount sheet — Nine-Tailed-Turtle Tao Zongwang, 1868, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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two separate sheets; ink drawing on thin paper; scene on a bridge with foreshortened figure at right, jumping in a tight ball in the air, with PR hand outstretched above head; crouching man with wide stance at left, wearing armor, and holding a staff at the diagonal, head tilted toward PL; detail of railing at URC of left sheet — Preparatory drawing for the left and right sheets of Picture of the Gojō Bridge from the Chronicle of Yoshitsune, c. 1881
Tsukioka Yoshitoshi

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three sheets joined together; drawing in black and red; battle scene on a sloping hillside, descending to a valley in LRC; standing man with a ponytail and headband, holding a staff behind his back, with his PL hand on his check, at left; many figures descending mountains in a stream to right of standing figure, with lunging man at left edge of center sheet; man on horse at center of middle sheet; figures descend to valley, with a battle with clouds of smoke — The Summer Battle at Hakone, c. 1874
Tsukioka Yoshitoshi

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sketch in black and red on paper, mounted as a hanging scroll; man in LLC with wrinkled, skeletal face, falling onto his backside with his arms and legs outstretched, open-mouthed; four monsters emerging from a box at left, including a head with three eyes, mouth open and tongue out, on an enormously long neck, a woman with long hair and a catlike nose and mouth with small teeth, pinched-faced small figure wearing a fez and figure with five eyes and elongated face; round red seal at top left of center; large area of blank paper at top of sheet; brown paper and blue paper with lavender flowers on mount — Monsters jumping out of a box scaring a man, draft for the print 'The Heavy Basket' (Omoi tsuzura), around 1889
Tsukioka Yoshitoshi

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**Preparatory drawing of High Priest Kōmyō**, 1874

Tsukioka Yoshitoshi

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drawing in black ink with touches of pinkish-brown on face; frowining man with open mouth, grabbing at sword handle held by unseen figure at left; mounted to backing sheet — Kō Musashi-no-kami Moronao, second half 1860s
Tsukioka Yoshitoshi

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abstract organic shape made up of needle-like spikes, with smaller, lighter clumps in ULQ — Heart Under Attack, 2018
Jenna Murphy

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ink drawing with pale peach highlights; head and upper body of a man on the diagonal, holding sword to left with both hands; man wears a white headband — Matsubara Tachū, second half 1860s
Tsukioka Yoshitoshi

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drawing in black and red for a fan; view of tiered landscape; man trees; long stairway at left; waterfall at center bottom; covered walkways; figures throughout; Mount Fuji in ULC — New Waterfall at Hienoyama, 1860s
Tsukioka Yoshitoshi

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drawing in black ink with touches of red and salmon pink on thin paper, mounted onto off white backing sheet; man with bare legs apart, wearing kimono with floral medallion on PL shoulder, with sword held over his head behind his back, with a grimacing expression; gourd-shaped cartouche in URC — Samurai with drawn sword, second half 1860s
Tsukioka Yoshitoshi

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ink drawing with touches of salmon; man wearing loincloth, seen from back, with legs far apart and arms out wide, balancing on a roof, with a large knife in his PR hand — Man with knife on rooftop, second half 1860s
Tsukioka Yoshitoshi

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jumping fish, in a backwards C shape; sea foliage above and behind tail; broad brushstrokes at bottom; unsigned — Study of a leaping carp, 19th century
Tsukioka Yoshitoshi

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Saint Jerome in the desert, Jean-Honoré Fragonard; Artist: after Giovanni-Battista Langetti — Saint Jerome in the desert, 18th century
Jean-Honoré Fragonard; Artist: after Giovanni-Battista Langetti

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Double-sided. recto: building with stairs(?) at R; small dark window with a small shrub below and dark tree to R; trees on horizon line at L; verso: gabled building with additional sections at R. Not signed. — Untitled (Farmscape with outbuildings / Farmscape with shed and prominent tree), not dated
James Castle

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collage of colorful paper triangles, photographs, a book of matches on cream cardstock; silver letters spelling "RAINBOW"; graphite sketches of shapes and bodies — Rainbow, April 17, 1966
Frank Gaard

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Wood Chat, No. 32, William Lewin — Wood Chat, No. 32, 1789
William Lewin

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The Birth of Memnon, Follower of Giulio Romano — The Birth of Memnon, 1560 (?)
Follower of Giulio Romano

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Moor Buzzard, No. 8, William Lewin — Moor Buzzard, No. 8, 1789
William Lewin

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White Jerfalcon, No. 16, William Lewin — White Jerfalcon, No. 16, 1789
William Lewin

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White Owl, No. 26, William Lewin — White Owl, No. 26, 1789
William Lewin

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Red-backed Shrike, No.31, William Lewin — Red-backed Shrike, No.31, 1789
William Lewin

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Rough-legged Falcon, No. 14, William Lewin — Rough-legged Falcon, No. 14, 1789
William Lewin

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Tawny Owl, No. 28, William Lewin — Tawny Owl, No. 28, 1789
William Lewin

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Spotted Falcon, No. 13, William Lewin — Spotted Falcon, No. 13, 1789
William Lewin

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**Dirt original drawing for CETB**, 2010

Todd Norsten

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Homage to Morandi, 1968

Robert M. Kulicke; Publisher: Kornblee Gallery/ Brooke Alexander, Inc., New York

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Flower Print. No. 2. A Paris chez Demarteau Graveur du Roy rue de la Pelterie a la cloche, late 17th century

Gille-Antoine Le Jeune

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Flower Print. No. 4. Livre 5e. A Paris chez Demarteau Graveur rue de la Pelterie a la Cloche, late 17th century

Gille-Antoine Le Jeune

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Classis VI. Ordo I. Hexandria Monogyniae. Amaryllis, from An Illustration of the Sexual System of Linnaeus, 1777

John Sebastian Miller

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Pitcher Plant, from An Illustration of the Sexual System of Linnaeus, 1777

John Sebastian Miller

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Cassis XX. Ordo IV. Gynandria/ Monogynia. Passion Flower, from An Illustration of the Sexual System of Linnaeus, 1777

John Sebastian Miller; Publisher: John Sebastian Miller

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Cassis XII. Ordo I. Icosandria Monogynia. Punica, from An Illustration of the Sexual System of Linnaeus, 1777

John Sebastian Miller; Publisher: John Sebastian Miller

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Proof #1, 2012

Carter

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Exhibition Announcement, 1935

Bernard Sanders

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Angel Taking Woman and Child on Clouds with Onlooking Man (Ascension of Soul to Heaven?), c. 1800

Richard Westall

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Dessins, 1923

Jean Cocteau

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Trophies: 125 Two-Handed Speedy Drawings, 1979

Dieter Roth; Publisher: Edition Hansjörg Mayer, Stuttgart, London, Reykjavik; Publisher: Eaton House Publishers, Ltd., London (drawing) (English edition)

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Collected Works. Volume 9: Stupidograms, 1977-1980

Dieter Roth; Publisher: Edition Hansjörg Mayer, Stuttgart, London, Reykjavik; Publisher: Eaton House Publishers, Ltd., London (drawing) (English edition)

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Collected Works. Volume 20: Books and Graphics (Part One), 1972

Dieter Roth; Publisher: Edition Hansjörg Mayer, Stuttgart, London, Reykjavik; Publisher: Eaton House Publishers, Ltd., London (print) (English edition)

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Collected Works. Volume 40: Books and Graphics (Part Two) and Other Stuff, 1979

Dieter Roth; Publisher: Edition Hansjörg Mayer, Stuttgart, London, Reykjavik; Publisher: Eaton House Publishers, Ltd., London (print) (English edition)

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Proof #3, 2012

Carter

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Drawings: Themes and Variations, 1943

Henri Matisse; Publisher: Martin Fabiani, Paris

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Study for Title Page to 'Les Amours d'un poète', c. 1919

Louis Legrand

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Personal Recollections and Observations of General Nelson A. Miles, 1896

Frederic Remington; Author: Nelson A. Miles; Publisher: Werner Company, Chicago

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Divan e Shams, 1996

Jalaluddin Mohammad Rumi; Translator: Zahra Partovi; Artist: Joan Busing; Artist: Sandy Gellis; Artist: Elizabeth Harrington; Artist: Bernard Kirschenbaum; Artist: Ted Kurahara; Artist: James Nares; Artist: Dorothea Rockburne; Artist: Betye Saar; Artist: Annette Senneby; Artist: Michelle Stuart; Artist: Peter Thomson; Artist: Judith Turner; Artist: Marjorie VanDyke; Artist: Joan Vennum; Artist: Susan Weil; Publisher: Vincent FitzGerald & Company, New York

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matchbox-style cardboard box made from a Cheer detergent box with printing primarily in blues and yellow; pink string holds side of cover closed and holds ends of box closed; box contains various ephemera--including matchbook covers, small bits of newspaper with images, portions of cardboard and paper consumer product packaging--and mainly figurative drawings--some on rough paper, some on bits of packaging/cardboard — Untitled (Cheer), after 1930
James Castle

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