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Self Portrait, 20th century

Wanda GĂĄg

Not on View

Chieftain, 1919-1948

Myer Abel

Not on View

Winter, 1934

Myer Abel

Not on View
landscape with farm field in foreground, church in background, and low buildings and sheep in middle ground

The Church at Chailly, 1868-1869

Jean-François Millet

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Rabbits and Farmers, 1930

Adolf Dehn

Not on View
two women in interior wearing wide, full-length dresses; woman on left is playing guitar and woman on right holds sheet of music

%C2%A9 2014 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

The Concert, c. 1922-1923

Henri Matisse

Not on View

%C2%A9 Heirs of Josephine N. Hopper %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Double House, Gloucester, c. 1923-1928

Edward Hopper

Not on View

Study for a Young Man Standing, 1900-1925

George Bellows

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Nuns Painting Cows, 20th century

Adolf Dehn

Not on View

%C2%A9 Herb Jackson

P 143, 1971

Herb Jackson

Not on View

Portrait of Pennell at Work, 20th century

Frank Walter Taylor

Not on View
An African-American woman is seated at a bar with a purse slung over her shoulder. A glass contianing a drink over ice and a can of Pepsi-Cola are on the bar.

%C2%A9 Robert Guinan

Pepsi-Cola II, 1985

Robert Guinan

Not on View
Female dancer with orange-red hair wearing hair ornament against lightly patterned background; her upper body is wrapped in a green cape and patterned dress with high collar, head seen in profile to right

Bust of Mlle. Marcelle Lender, 1895

Henri de Toulouse-Lautrec; Printer: Ancourt

Not on View
town on hillside; road, right foreground to right center; figure, left foreground, entering building doorway; fence, left between two buildings

Scene of a Small Hill Town, 19th century

Auguste Louis LepĂšre

Not on View
figure wrapped in a white sheet, lying on a wood floor; back, backside and tail of a small dog visible, with front end nestled under figure's arm

Copyright of the artist%2C artist%27s estate%2C or assignees

Elin and Maria, 1934

Kyra Markham

Not on View
white sheet of paper with black linear drawing; two thin lines begin at bottom center of sheet, and move upwards toward center, thickening at the top; left line has single line extending out from the side at the top, moving downwards to the left; right line has two lines extending off at the top, moving downwards on both right and left side

%C2%A9 Jan Groth

Untitled, 1978

Jan Groth

Not on View
off-white sheet with single line-drawn image in bottom center; long, thin looped shape with curving parallel line attached, forming a simple, abstract hill, rendered in black crayon; lines are simple and thin, with top looping shape darkened with thicker black lines in center

%C2%A9 Jan Groth

Untitled, 1980

Jan Groth

Not on View
head of a woman with bobbed hair; heavy black vertical rubs on nose; small mouth with teeth visible; tired eyes

%C2%A9 Frederick Hammersley Foundation %2F Artists Rights Society %28ARS%29%2C New York %2F licensed by Minneapolis Institute of Art

Mary, 1945

Frederick Hammersley

Not on View
sketch of a seated man with red lips and fingernails wearing a yellow cowboy hat, white shirt, white necktie with green spots and black jacket; tableware on shelves in URQ

%C2%A9 Estate Justin McCarthy

Gary Cooper, Saratoga Trunk, c. 1960

Justin McCarthy

Not on View
study for Plate 5 of Der Mantel (The Coat); a man stands in a black coat with his arms to his sides; behind him another man has his hands placed on the first man's shoulders; a window in the upper right has rays of sun coming through

Study for Akaki Get Measured for a New Coat, 1918

Walter Gramatté

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Taureau de Profil, 1945

Pablo Picasso

Not on View
portrait of black man in sunglasses and slightly askew hat

%C2%A9 Richard Ellington Lewis

Self-portrait as Fassbinder, September 4, 2012

Richard Ellington Lewis

Not on View
line drawing of a standing figure in profile with outstretched arms, striding, with long skirts

%C2%A9 Kenji Nakahashi

Figure in profile with arms outstretched wearing long skirts, 1978

Kenji Nakahashi

Not on View
black seated nude form without a head, with one knee raised

%C2%A9 Kenji Nakahashi

Nude, 1985

Kenji Nakahashi

Not on View
seated figure wearing long dress, seen 3/4 from PL; hair in a bun

%C2%A9 Kenji Nakahashi

Seated figure wearing long dress, 1978

Kenji Nakahashi

Not on View
seated nude woman in profile from PL with head turned to PR; shadow in ULQ and on PL side of woman's body

%C2%A9 Kenji Nakahashi

Seated nude, 1978

Kenji Nakahashi

Not on View
nude woman lying down with hands behind head

%C2%A9 Kenji Nakahashi

Reclining nude, 1978

Kenji Nakahashi

Not on View
reclining woman lying on her PL side with PR knee drawn up and PR hand on knee; stylized, with dark and light shadows

%C2%A9 Kenji Nakahashi

Reclining figure, 1979

Kenji Nakahashi

Not on View
primitive style; castle-like structure with bricks at top; archway at left trimmed in red with yellow windows with diagonal panes; three frowning figures at left, including figure with brown hair, lying down, wearing an orange garment, and heads and shoulders of two figures wearing purple; standing figure wearing purple tunic and orange hat and gloves, holding a paddle-like object, at left, with two additional figures in profile behind him; white, black and green borders

%C2%A9 Estate Eddie Arning

Family in House, c. 1965

Eddie Arning

Not on View
stylized drawing of pink-skinned girl with orange hair wearing a yellow dress with red and green half-circle patterns on skirt, magenta stockings and purple shoes, standing on water at center, with a standing brown-skinned man wearing a yellow shirt, purple pants and purple hat behind a black stepped element behind girl (on boat or far shore?); red-orange half-circle (setting sun?) at left; blue water with rows on white curved lines; one white football-shaped cloud; black and orange borders

%C2%A9 Estate Eddie Arning

Girl in Water, c. 1965

Eddie Arning

Not on View
primitive style; two standing men wearing identical outfits with tan jackets, white shirts, yellow pants and black shoes, except man at right wears purple necktie; three stylized blue and brown buildings at top; pink and brown asterisk-like flower/star in LRC on white road with a blue-outlined striped cup on same white area; brown and black borders

%C2%A9 Estate Eddie Arning

Untitled (Two Figures), c. 1960

Eddie Arning

Not on View
primitive style; frowning couple with grey hair with woman at left wearing blue and purple checked blouse and red and yellow checked skirt and man at right wearing a tan and purple striped suit, white shirt and red necktie, standing on stilts; foliage behind couple; multicolored predominately yellow, orange and green shapes; green and black borders

%C2%A9 Estate Eddie Arning

Woman with Man on Stilts, c. 1965

Eddie Arning

Not on View
primitive style; stiff-looking small pink figure with brown hair wearing a blue loincloth-type garment lying on lavender, purple and blue horizontal elements on top of a red and brown stylized cradle; yellow ground with blue, purple and brown borders

%C2%A9 Estate Eddie Arning

Child in Cradle, c. 1965

Eddie Arning

Not on View
primitive style; standing frowning woman at center, wearing a yellow blouse, skirt and shoes and orange stockings; blue table with two orange covered books to woman's right; man seated in a green and orange chair in LLC next to table, wearing a tan jacket, brown pants, white shirt and black necktie; background has diamond patterning in brown and orange with black outlines; blue and red borders

%C2%A9 Estate Eddie Arning

Man and Woman with Books, c. 1965

Eddie Arning

Not on View
primitive style; two men standing in ULQ--one man wears a red V-neck shirt, brown pants and orange shoes, other man wears blue hat, striped shirt in red, pink and white, and blue pants; orange water tower with brown ladder and yellow supports in URQ; tree between men and water tower; yellow and black railroad tracks at bottom; red and black borders

%C2%A9 Estate Eddie Arning

Two Men, Tracks and Water Tower, c. 1965

Eddie Arning

Not on View
sketch of nude male standing with legs apart and arms stretched out to sides; sketch of limb (leg?) bones at right edge

Study for the figure of John Brown in the "Tragic Prelude" mural for the Kansas Statehouse, 1940

John Steuart Curry

Not on View
knight on horseback, slumping down in the saddle, being attended by a youth, seen from back, wearing a short skirt and beret-like hat with a small triangular shield with a rampant lion; battle at left with castle in background

Lara blessé, c. 1820

Jean Louis André Théodore Géricault

Not on View

Portrait of Pennell, 20th century

Frank Walter Taylor

Not on View
colorful buildings along a curving road; received in black and gilt frame

Neppermin (SwinemĂŒnde), 1909

Lyonel Feininger

Not on View
sketch in black crayon on white paper of three figures holding each other tightly: mother at L, child at R and infant at C; figures visible from arms up; arrived in a wood frame painted a mottled bronze color and fabric mat

Mother Pressing her Children to her, 1932

KĂ€the Kollwitz

Not on View
Portrait of a man drawn in the round, with a frame and desk setting drawn around it

Portrait of Julien Offray de La Mettrie (1709–1751), 1770

Georg Friedrich Schmidt

Not on View
Study for an illustration to the poem 'Cimetiere intime' by Jean Richepin

A Man, c. 1910

Théophile Alexandre Steinlen

Not on View

Study for a Figure, 19th-20th century

Aristide Maillol

Not on View

Amazons Resting, 19th century

Albert Weisgerber

Not on View
ledger book of 16 drawings of various scenes

Book of Drawings, c. 1876

Bear's Heart

Not on View

Bust of Mlle. Marcelle Lender, 1895

Henri de Toulouse-Lautrec

Not on View

Hudson at Sunset, 19th century

Joseph Pennell

Not on View
View from within a swimming pool looking up to the surface; three figures on UL and UR do laps within lanes; another figure, UL, dives in; ladder railing visible in UL foreground; two more ladders visible in background, on opposite end of pool

%C2%A9 Agnes Story

Study for 'Swimming Pool', 1984

Agnes Story

Not on View
Study for an illustration to the poem 'Epitaphe pour n'importe qui' by Jean Richepin

The Foundling, c. 1910

Théophile Alexandre Steinlen

Not on View

Nude Standing: Seen from Back, c. 1923

George Bellows

Not on View
Letter written by the artist to Steve Anderson

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Letter to Steve Andersen, 1981

Red Grooms

Not on View
Preliminary study for "Pieta" lithograph (1903)

Two Studies of a Woman's Head, c. 1903

KĂ€the Kollwitz

Not on View

Common Labor, 6 p.m., 1934

Myer Abel

Not on View

Common Labor, 6 a.m., 1934

Myer Abel

Not on View

%C2%A9 Nancy Randall

Sketches for 'Cicada Series', 1982

Nancy Randall

Not on View

%C2%A9 1980 Steven Sorman

Trick to Being Recognized, 1980

Steven Sorman

Not on View
red and purple pencil; view from a hill down to a village, with several bare trees

%C2%A9 Martha Daura %2F Estate of Pierre Daura. Some rights reserved.

Village of St. Cirq-Lapopie, France, c. 1930-1939

Pierre Daura

Not on View
partially reclining figure of a very muscular nude woman with upper body twisted to PL; PR elbow on outside of PL thigh; PL lower arm, PR leg and PL foot not differentiated--hair and PL hand faintly sketched; four O's in brown ink, LRC

Study of Michelangelo's Night Sculpture from the Medici Tombs, 17th century

Attributed to Cesare Dandini

Not on View
Stab stitched binding, xerographic image of figure behind chain link fence with text printed on wove paper covers, with details in wax crayon; 16 pp.

Prone to Fall, no. 4, late 20th-early 21st century

Heather; Publisher: Heather , Berkeley

Not on View
Stab stitched binding, xerographc text and illustration of two women, colored by hand in wax crayon, on wove paper covers; 54 pp.

Women's Self-Defense: Stories & Strategies of Survival, 21st century

Merry Death , et al.; Author: Ariel Clemenzi , et al.; Publisher: Ariel Clemenzi , Chicago

Not on View
Perfect bound volume, letterpress, marks in a blue wax crayon, and text written with a black wax crayon on textured, coated paper covers; 96 pp.

Time Machine, vol. 1: History Lesson 1901, 2001

Louis Rastelli; Printer: L'Archive, Montréal; Publisher: L'Archive, Montréal

Not on View
standing woman wearing swirling long garment in white, brown and green; woman wears a white headband in her brown hair; red and green horizontal lines at bottom; sketchy style

%C2%A9 Estate Justin McCarthy

Fashion, 1956

Justin McCarthy

Not on View

%C2%A9 Henry Speller %2F Artists Rights Society %28ARS%29%2C New York

Cannon, 1986

Henry Speller

Not on View
crowded, colorful scene with many disproportionate figures with very large heads in background; two cowboys at center--one at left wears black hat, shirt and chaps with blue jeans and is being thrown from a reddish-brown steer, with second cowboy in red shirt, orange chaps and blue jeans, riding steer at center; received framed in white frame; two sheets

Rodeo Scene, 1976

Mimi Gross

Not on View
two goldfish swimming in a pond in LRQ; lilly pads in LRQ, URQ and on left; waterlily in ULQ; rendered in green and orange washy pigments; lined border around image

%C2%A9 Elizabeth Norton

Fish Pool, preliminary drawing, 1937

Elizabeth Norton

Not on View
Abstraction.

%C2%A9 Cy Twombly Foundation

Untitled, 1970

Cy Twombly

Not on View

At Armenonville (The Follower), 1896

Henri de Toulouse-Lautrec

Not on View
Marks, color notes in French at top of drawing

Madonna and Child, 19th century

Charles-Marie Dulac

Not on View

Portrait of a Gentleman, 1846

John Linnell

Not on View
Expressionist sketch of quickly drawn, overlapping lines in red, blue, orange, yellow, green, purple and pink; the lower half of the composition consists of a smaller rectangular drawing characterized by the same lines and a predominantly light blue center

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Study for "Coffee Thyme", 1980

Sam Gilliam

Not on View

Une grande mere, 19th century

Henry Gros

Not on View

Madame X at the Grand Prix, c. 1899-1904

Ramon Casas

Not on View

%C2%A9 William Wyman

Wall plaque, 1977

William Wyman

Not on View
low fired clay with conte crayon

%C2%A9 William Wyman

Temple #24, 1977

William Wyman

Not on View

%C2%A9 Gary Bower

Black Vase with Javelin Thrower, 1985

Gary Bower

Not on View

Three Profiles, 20th century

Sandor Kubinyi

Not on View
two women kneeling in prayer before statue enclosed within stone shrine behind bars; young woman at LRC sits with legs apart holding rosary, looking up at man holding a baby in his arms; donkey in foreground, dog in background

%C2%A9 2013 Clare Calder%2C Estate Robert Sargent Austin

Salus Infirmorum, 1922

Robert Sargent Austin

Not on View
six cigarette butts arranged on a green landscape; patches of blue color in sky and red-orange color in the landscape and sky

%C2%A9 Claes Oldenburg

Study for Colossal Monument: Fagends (in Hyde Park), 1966

Claes Oldenburg

Not on View
abstracted image; two Art Deco style buildings with text ("HURRIS" and "KOSM... DINN..") at left and right edges; radiating Art Deco vertical tower-like sign at center: "MOTEL"; flat, barren landscape; curving parallel lines in sky forming clouds; various round, oval, and rectangular stamps in blue and black with sculpture and landscape motifs and illegible handwriting

%C2%A9 The Saul Steinberg Foundation %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1969

Saul Steinberg

Not on View
Saddle stitched binding, xerographic image of figure wearing jeans, with text colored with pink wax crayon; 54 pp.

Tight Pants, no. 8, 2001

Madeleine; Publisher: Madeleine , Amherst, Mass.

Not on View
primitive style; two standing women wearing green dresses--woman at left wears knee-length dress and green hat, woman at right wearing long gown; blue in URC; text at right edge: "ELASTIC / FABRIC / BY / SILVANO / OF / ROMA"

%C2%A9 Estate Justin McCarthy

Elastic Fabric by Silvano of Roma, c. 1960

Justin McCarthy

Not on View
sketch of a bird's head with beak open, in black and white; yellow, red, purple, orange ground with various sizes of text from ads for consumer products; text in LRC: "WOOLWORTH'S Golden Value DAYS"

%C2%A9 Neal Ambrose-Smith

Wake Up and Get to the Sale, 2010

Neal Ambrose-Smith

Not on View
rubbing in grey and brown of woodgrain patterns on small pieces of wood fit together to form a square; primarily rectangular forms, with two half-circle forms and large form at bottom with curving top

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1977

George Morrison

Not on View
Cut and folded leaf, text and abstract, child-like illustrations done in wax crayon on wove paper; 8 pp.

Untitled, late 20th-early 21st century

Lower East Side Girls Club, New York; Artist: Leila

Not on View
After meeting in the early sixties, Henry and Georgia Speller married in 1979. They spent 10 years together, lovingly comparing illustrations on their porch. As a couple they balanced each other, and as artists their respective practices grounded their union. By using basic, accessible materials, they collectively convey a youthful simplicity underscored by a deep social critique. Through bold washes of tempera and contrasting color schemes, the Spellers manifested on paper their hopes, dreams, frustrations, and criticisms of the classist and racist structures that impoverished their community. Henry’s Steamboat Katie Adam and Georgia’s House up on the Hill off the Highway exemplify material class privilege in southern society—a way out, always in view, never in reach. In Two Cousins, Georgia explores beauty standards and individual stylistic choices. Pig Eating Breakfast and Two Cousins refer more and less overtly to eroticism and sexual pressures under the white patriarchal gaze in American society. “We sit on the porch in the summer drawing pictures and making music. I made me up a song once. Georgie had a round piece of wood, made a drum and beat on it. One night, her mama’s spirit come to her, told her she’d be coming. She told me, ‘Mama come to me in a dream. I won’t be out here next summer.” - Henry Speller

%C2%A9 Henry Speller %2F Artists Rights Society %28ARS%29%2C New York

Steamboat Katie Adam, 1987

Henry Speller

Not on View
five men drinking at circular table; clockwise from UL: man holding glass in PL hand; man with chin on table, staring in glass; unfinished sketch of man drinking; man with eyes closed and head resting in PR hand; man resting head on table

%C2%A9 Aart van Breda

The Drinkers, c. 1942

Aart van Breda

Not on View

%C2%A9 Nellie Mae Rowe %2F Artists Rights Society %28ARS%29%2C New York

Rocking Chair, 1981

Nellie Mae Rowe

Not on View
drawing of the head of a man, bald, looking upward, and rendered in blue, black and white pigment; linear, woodgrain-like design, with vertical lines running downward on face; gold background with same woodgrain-like pattern

%C2%A9 Alfred Amadu Conteh

Kirby, 2017

Alfred Amadu Conteh

Not on View

%C2%A9 Donald F. Montileaux

Untitled, 1990

Donald F. Montileaux

Not on View

A Stone Cottage, c. 1774

Hubert Robert

Not on View

%C2%A9 Agnes Story

Vermillion, 1981

Agnes Story

Not on View
Small stone cottage at right, foliage to left

%C2%A9 2003 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Peasant's Cottage and Water Carrier, 1921

Jean Frélaut

Not on View
Leaf from a sketchbook?

A Path in the Woods, 17th century

attributed to Frans Orizzonte (Frans von Bloemen); Artist: attributed to Jan Frans von Bloemen

Not on View

Figure Study, 19th-20th century

Odilon Redon

Not on View

The Famous American, Mariano Cebellos, 1825

Francisco José de Goya y Lucientes; Printer: Cyprien Gaulon

Not on View

%C2%A9 Estate Reginald Sanders

A Smooth One, 1993

Reginald Sanders

Not on View
Symetrical composition featuring a large central object resembling a light bulb

%C2%A9 Robert Cumming %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Apex Oculus, 1985

Robert Cumming

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Study for 'The Soloist (Musical Evening)', 1946

Adolf Dehn

Not on View
Preparatory drawing for cover illustration for New Yorker magazine (never published).

%C2%A9 The Saul Steinberg Foundation %2F Artists Rights Society %28ARS%29%2C New York

Florida, 1964

Saul Steinberg

Not on View

%C2%A9 1980 Steven Sorman

What's This, What's That, 1980

Steven Sorman

Not on View

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