showing 107 results matching medium:"Cotton, embroidery"

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vest, alternating indigo-dyed strip cloth and striped strip cloth, embroidered and appliqued; cotton

Tunic, 20th century

Wodaabe

G236

brown and green plaid over dark blue ground; vertical bands of appliqued embroidery either side of front opening and on arms; blue tie top of opening; back diamond pattern over shoulders; purple bands of decoration across bottom

Jacket, mid 20th century

Miao

Not on View
End of towel of white India cotton embroidered with red silk, various ornati. The border has six sections of varied ornaments. Embroidery, cotton.

Towel end, 17th century

Morocco

Not on View
cap, made by gathering coarse printed material onto a straight piece, which is embroidered with floral and foliate designs in several colors, chiefly yellow; a good deal of metal thread is used; the hem is edged with colored lace

Hat, 19th century

Czechoslovakia

Not on View
one of a pair of pieces from dress, embroidered in several colors, chiefly red; floral, foliate and scroll designs; two borders of conventional openwork divide the embroidery into three sections; the center one, a narrow band

Fragment, 19th century

Czechoslovakia

Not on View
one of a pair of pieces from dress, embroidered in several colors, chiefly red; floral, foliate and scroll designs; two borders of conventional openwork divide the embroidery into three sections; the center one, a narrow band

Fragment, 19th century

Czechoslovakia

Not on View
band from dress embroidered in red; three conventional borders and above them a floral and foliate design repeated once

Fragment, 19th century

Not on View
piece from sleeve, embroidered in shades of red, beige and pruple; a band of pinkish lace on the hem; the design is made up of leaves, round spots and conventional flowers

Fragment, 19th century

Czechoslovakia

Not on View
piece from sleeve, embroidered in colors, principally yellow wiwth a band of colored lace on the hem; the wide border of floral designs is connected by a strip of embroidery with the narrow scroll border

Fragment, 19th century

Czechoslovakia

Not on View
piece from sleeve embroidered with flower designs in several colors, principally red; a band of colored lace on the hem

Fragment, 19th century

Czechoslovakia

Not on View

Panel, 19th century

Bulgaria

Not on View
Three panels sewn together; natural cotton background with multicolored embroidery; warp stripe border in red, blue, green, yellow.

Woman's wrap (Kesa), first half of 20th century

Bhutan

Not on View
Red background embroidered in geometric and floral patterns in yellow, green, blue, white.

Wedding veil (Odhani), 20th century

Bishnoi Jat

Not on View
a: brown background embroidered with yellow; cross at center lined with black and white stitches; b: brown background embroidered with yellow (geometric pattern); 2 blue lines embroidered, 2-1/2" long; c: brown background embroidered with yellow (geometric design)

Woman's Head Covering, late 19th-early 20th century

Jat

Not on View
Indigo background with small red circles; multicolored embroidery and mirrors

Skirt, c. 1970-1980

Atir farming group

Not on View
light pink fabric embroidered with geometric and curvalinear designs in purple, red, black, green and yellow

Trousers, 20th century

Hausa

Not on View
nubby tan fabric with white stripes; decorated with white, nearly solid embroidery at PL side, with curvalinear and circular designs at PR side and back

Tunic, 20th century

Hausa

Not on View
pouch with outer pocket on each side; tan double strap handle; blue with green, gold and purple embroidery with floral and geometric motifs

Handbag, 20th century

Nung

Not on View
off white square with U-shaped design slit down center; chain stitch embroidery in somewhat Arabic style patterns; maroon, rust, blue, green; hand sewn to cotton backing; center slit is sewn together

Yoke for man's shirt, c. 1950

Pashtun

Not on View
dark blue; bottom back panel decorated with eight rows of geometric patterns in cross-stitch; cross-stitch band on each sleeve; lighter blue and red trim

Shirt, 20th century

Akha

Not on View
sleeveless; V-neck, front and back; wide band of red embroidered octagons, gold squares and white tubular seeds; two rows of seeds in X shapes below

Blouse, 20th century

Karen

Not on View
one of a pair of panels from shirt, embroidered in red, picked out with white and yellow; two bands of open work divide into three sections of solid embroidery, which is made up of leaves, scrolls and rosettes

Fragment, 19th century

Not on View
roughly U-shaped, with open central bottom section and two triangular descending elements at center; black ground decorated with multicolored (primarily salmon) flower sprays and medallions; salmon pink fabric trim

Tush kyiz (hanging), c. 1940s-1950s

Kyrgyzstan

Not on View
off white pair of cuffs with chain stitch embroidery forming patterns in three rows; center row is outlined; maroon, rust, blue, green; hand sewn to cotton backing

Pair of Cuffs, c. 1925

Pashtun

Not on View
dark red with rows of small mirrors and white, green, blue, and orange geometric designs

Head cover (odni), 20th century

India

Not on View
light blue cotton with floral and geometric embroidered design, partially incomplete; remaining pattern in ink

Embroidered Strip, late 20th century

Miao

Not on View

Pair of Embroidery Samples, 20th century

Miao

Not on View
white, pink, red, green and yellow discontinuous supplementary weft patterning on black field; thin central cross intersected by a decorative multi-band square, larger white square around border with floral designs along all sides

Huaxi Stitching Design, 20th century

Miao

Not on View
orange, red, purple, white and green discontinuous supplementary weft patterning on a black field; five octagonal designs located at center and each corner with a stylized geometric floral design throughout; four arms radiate from center design

Huaxi Stitching Design, 20th century

Miao

Not on View
two strips of fabric stitched together at one end; embroidery with five diamond shapes in blue, red, orange, green and white on dark purple ground

Pair of Embroidery Samples, 20th century

Miao

Not on View
white, pink, red, yellow and green discontinuous supplementary weft patterning on black field; central cross design inside square with three arrows on outside corners of square pointing inward; white border on three sides

Huaxi Stitching Design, 20th century

Miao

Not on View
light blue cotton with partially completed embroidered floral and geometric patterns, remaining pattern visible in ink

Embroidered Strip, late 20th century

Miao

Not on View
lavender cotton with floral and geometric embroidered designs

Two Embroidered Strips tacked together, late 20th century

Miao

Not on View
white, pink, red, green and yellow discontinuous supplementary weft patterning on black field; large central cross design with smaller crosses at corners on same arms as center design, large square floral patterns, top and bottom

Huaxi Stitching Design, 20th century

Miao

Not on View
black cotton with floral embroidered design

Embroidered Strip, late 20th century

Miao

Not on View
three bands; top band of checked pattern in white, purple and black; central band of solid brown; lower band of diamond patterns in yellow, green and white; sides finished in yellow, red and green

Table Cover, 20th century

Miao

Not on View
purse with shoulder strap, cotton, cross stitch embroidery, applique, corner tassels and beads.

Purse, 20th century

Hmong

Not on View
Animals and people in scenes of village life embroidered on dark blue background. Made in Thailand, 1983. From a letter from the artist: 'This village scene tells about the village Phou Bia in Laos. The house that the two dragons surround was a place that the Hmong's army chief (General Vang Pao) used to live. It also used to be a temple for the Hmong population to praise the Lord. The other things on the bottom tell about the Hmong's life in Laos. They used to feed the chickens and pigs and go to the farm. It also mentions the fruit and food that Hmong people produced in a year. Hmong were happy to celebrate the New Year. This is from Thailand made in 1983.' -Pa Lee Thao

Copyright of the artist%2C artist%27s estate%2C or assignees

Village Story Blanket, 1983

Pa Lee Thao

Not on View

Miao Sleeve Panel, 20th century

Miao

Not on View

Sleeve Panel, 19th-20th century

Miao

Not on View
blue geometric pattern on black ground; has red and black embroidered mark on one side in margin

Blue Huaxi Stitching Design, 20th century

Miao

Not on View
part of a festive costume for a Miao woman

Wrap Around Woman's Apron for '100 Bird Dress', late 20th century

Miao

Not on View
blue lining; white and blue border surrounding embroidered area in red, blue, white, gold, and maroon

Baby carrier, 20th century

Miao

Not on View
handwoven geometric pattern in red, black, blue, white, mint, ocher and magenta

Sash, 20th century

Miao

Not on View
white cotton fabric blouse sewn by hand; hand embroidery

Woman's blouse (huipil), 20th century

Tzotzil Maya

Not on View
white embroidery on white fabric

Blouse, 20th century

Mexico

Not on View
white cotton fabric blouse sewn by hand with hand embroidery; pleated at cuffs

Blouse, 20th century

Tojolabal

Not on View
Background is black, red, blue, yellow, green, pink, white, brown, orange stripes; embroidered birds, flowers, rabbit in ecru

Rebozo, 1960

Maya

Not on View
White background (sheer) with supplementary weft patterning; embroidery at neckline and arms, black, red, blue, yellow, orange, green, pink.

Woman's blouse (Huipil), c. 1990

Maya

Not on View
white background with embroidered neckline decoration in abstracted foliage pattern in deep green, blue, pink, yellow, black, and turquoise.

Woman's blouse (Huipil), c. 1980

Ixil Maya

Not on View
Striped sash with red background, white, blue and green stripes; birds and geometric pattern embroidered on each end; fringe

Man's sash (Faja), c. 1960

Kaqchikel Maya

Not on View
White, two-paneled cotton huipil with multicolored embroidery of abstract geometric patterns in turquoise, yellow, blue, orange, purple and pink.

Woman's blouse (Huipil), c. 1990

Kaqchikel Maya

Not on View
one white panel cotton fabric huipil; red hand embroidered on top with flower decoration; armholes are also decorated in red, purple and pink stripes; neckline has a fine hand-sewn seam

Woman's blouse (Huipil), 20th century

Tzotzil Maya

Not on View
woman's huipil embroidered in red and dark blue or black with animals, birds and plants; rickrack in blue and green; floral ribbons; multicolor neck embroidery

Woman's blouse (Huipil), 20th century

Maya

Not on View
One-panel huipil of white cotton commercial fabric; round-cut neck opening; hand-sewn hem at lower edge. Yellow, rayed sun embroidery circles neck opening; burgundy embroidered area 3 1/2" wide provides background for upper half of pattern; highly abstracted animal and bird figures embroidered with hombre floss in non-realistic colors encircle the sun border. Figures include peacocks, quetzal, owl?, misc. mythological birds; rabbits, fox?, cat? other highly stylized animals, real and imagined.

Woman's blouse (Huipil), 20th century

K'iche' Maya

Not on View
red and white with multicolored embroidered diamonds; purple and green bands around armholes; red and green bands around neckhole

Woman's blouse (Huipil), 20th century

Maya

Not on View
Red body with thin vertical stripes in white, blues, green, purple, pink, yellow and maroon; round neckline decorated with multicolored embroidered rectangles; snap at front of neck. Surface ornamentation (Needlework)

Woman's blouse, c. 1975

Maya

Not on View
blue and green applique over white ground; white button at opening; green trim on scalloped edges with white, orange, pink and red squares

Collar, mid 20th century

Miao

Not on View

Waistcoat, c. 1770-1785

France

Not on View
Pulchari (woman's veil); dull red embroidered with all-over star design and semi-circular floral designs at sides.

Woman's wedding veil (odhani), 19th century

Bhansali or Lohana communities

Not on View
Saddle bag with front of black woolen material embroidered in the center with a triangle placed in an oblong and surrounded by four borders filled with diamond shapes or triangles. The back is cotton and has two leather loops attached at the top.

Saddle bag, 19th century

Russia

Not on View
Picture valance of embroidered crimson satin representing dignitarys paying hommage to Su Chin, Prime Minister of the Six States of Warring States period, circa 270BC. Chiefly satin and couched stitch. In the background pine and bamboo trees, flowers, etc. At bottom and ends a border of pale blue silk braid; along the bottom tasselled fringe. Lining of coarse pink cotton.

Valance, 19th century

China

Not on View
Temple banner of deep red satin embroidered in silk and gold thread with men carrying banners and on horseback. In the lower panel and in the upper panel herons and flowers. Finished with a narrow border of closely embroidered blue flowers and at the bottom with colored silk fringe. Lined with cotton.

Temple Banner, 19th century

China

Not on View
Temple banner of black satin embroidered with butterflies and sprays of flowers in colored silks. Finished with two borders. The narrow inner strip of embroidered satin and the outer strip of brocade. Lined with cotton.

Temple Banner, 19th century

China

Not on View
Indigo background with embroidery and appliqué in ochre, orange, white, red.

Boy's Jacket, 20th century

Akha

Not on View
Two panels sewn together; burgundy background with white, green, ochre motifs; at each end section 11: high is white motif squares with blue lines

Woman's wedding veil (Odhani), 20th century

Bishnoi Jat

Not on View
head covering; 2 panels joined with decorative woven band; red background; embroidered geometric design; yellow, hues of green, black, blue; mirrors with crochet edge; animals and figures

Odtini, 1900-1925

India

Not on View
square panel; brown felt with multicolored (predominately red) embroidery of floral and sunburst motifs with central medallion and four corner medallions; predominately red and white knit scroll trim with multicolored fringe; crocheted trim at top; red and grey printed paisley, star and flower backing

Ilgich, 19th century

Khirgiz (?)

Not on View
black velvet body with red felt trim; embroidered with predominately purple and red repeating organic designs; tan striped, and purple and white flower print backing

Tent band, late 19th-early 20th century

Kyrgyzstan

Not on View
cotton applique; embroidered and applique felt rug; applied braided fringe; finger looped(?) edge; red ground with four diamond patterns across central stripe, each diamond divided into four

Felt Mat, 20th century

Afghanistan

Not on View

Jacket, 20th century

Miao, Gejia

Not on View
blue lining; border of alternating embroidered bands of red and orange and of pink, light blue, white and blue, surrounding white band, indigo dyed, another embroidered band of red and orange and central white, indigo dyed, square

Apron, 20th century

Miao

Not on View
blue lining; narrow white and blue border surrounding white, indigo dyed band, surrounding embroidered area in predominately red with blue, white, orange and magenta

Apron, 20th century

Miao

Not on View
satin ground with auspicious flowers in silk embroidery, attached cotton band

Valance for a Wedding Bed, late 20th century

Miao

Not on View
satin ground with auspicious birds and flowers in silk embroidery, attached cotton band (fringe applique)

Valance for a Wedding Bed, 20th century

Miao

Not on View
blue lining; wide embroidered border in red, orange, blue and white surrounding white indigo dyed band, surrounding second, narrower embroidered band, surrounding central square of white, indigo dyed

Apron, 20th century

Miao

Not on View
a and b: White Hmong; cotton with cross stitch embroidery in pinks and greens. Worn on back of women's blouses with design facing out; c and d: Blue Hmong; cotton, fold and tuck, applique in pumpkin seed pattern, vegetable blossom embroidery; worn on blouses with design facing down

Four Collar Pieces, 20th century

White Hmong

Not on View
wrapper or skirt, cotton with applique border and multicolored embroidery, African (Mali-Fulani) stored on box; (Simmons); stored w/86.100.22,.30,.33,.35

Woman's Wrapper, 20th century

Wodaabe Fulani

Not on View
panel, cotton with cross stitch embroidery and applique work.

Copyright of the artist%2C artist%27s estate%2C or assignees

Panel, 20th century

Lue Yang

Not on View
Cotton, applique, cross stitch embroidery. Worn under clothing.

Camisole, 20th century

Hmong

Not on View
Geometric design; ground cloth entirely covered with dense layer of embroidery applied in various directions, monochromatic.

%C2%A9 1985 Sheila Hicks

Honed and Faceted, 1985

Sheila Hicks

Not on View
deep navy blue robe with ornate, copper colored embroidery around sleeve cuffs, yoke, chest, and lower half

Chijiri robe with yellow embroidery, early 20th century

Unknown Ainu

Not on View
navy blue robe with organic taupe colored embroidery over sleeve cuffs, chest, yoke, and lower half; embroidery pattern is organically flowing with swirls and points

Chijiri robe with taupe embroidery, early 20th century

Unknown Ainu

Not on View
tabby ground silk damask with embroidered auspicious flower decor, attached cotton waistband and fringe applique

Woman's Festive Wrap Around Skirt, mid 20th century

Miao

Not on View

Woman's Pleated Skirt, 20th century

Miao, Gejia

Not on View
pair of leggings in dark blue cotton; thick, woven applique in light blue and tan thread; mounted on frame

Pair of leggings (hoshi), late 19th-early 20th century

Unknown Ainu

Not on View
Table cover, embroidered with solid ground of orange silk floss. Design of peony flowers, leaves and bats in satin stitch in shades of blue and green; numerous longevity symbols in couched gold threads. Border of solid black floss ground with bats in blue and longevity symbols in couched gold threads. Lining of blue cotton.

Table cover, 18th century

China

Not on View
Long valance of embroidered pale jade green satin. The design represents an old man and his wife who are being honored on their birthday by various people. The central design is a temple with sacred objects on the altar. Landscape background with trees, trellis, flowers, etc.;chiefly satin stitch. At bottom and ends a narrow border of white satin embroidered with blossoms and good luck symbols, double swastika, etc., in shades of blue and in gold thread and peacock feathers. Inner border of ivory braid with trefoil design in colors. At the bottom, a strip of vari-colored tassels. Lining of coarse pink cotton.

Valance, 19th century

China

Not on View
Large Hanging of brick-colored satin embroidered with five-clawed dragons and Buddhist smbols in gold; clouds, bats, and Eternal Sea in satin stitch in colors. At each end a large fish rising from the waves sends out a spray of some substance from which emerges a small temple. Hanging made up of gored strips. Lining of yellow cotton.

Large Hanging, 19th century

China

Not on View
Altar frontal of faded coral satin embroidered with a large elephant, clouds and sprays of floweres in colored silks and couched gold threads; elephant partially worked with peacock feathers. Valance section embroidered with three medallions containing good luck symbols and characters, and flowers. Gold thread and colored silks in couched and satin stitch. Borders of black satin embroidered with flowers in shades of blue, and symbols in couched gold threads. Lining of pink cotton.

Altar Frontal, 19th century

China

Not on View
Purple velvet coat with gold cord buttons and gold trim; gold cord in scrolling designs at center, hem and front and back of sleeves; lined with pink and white

Caftan, early 20th century

Morocco

Not on View
curvilinear central design of scrolls and leaflike shapes in applique and reverse applique with grey and blue fabric; white squares embroidered with blue and brown incorporated into design; scroll motif border; white backing

Copyright of the artist%2C artist%27s estate%2C or assignees.

Panel, 20th century

Pa Lee Thao

Not on View
beanie shape with blue, red, black and purple vertical panels; embroidery V's and lines

Baby's Hat, 19th-20th century

Turkoman

Not on View
Dark blue knotted net linen ground, embroidered with multicolored silk floss. Two cut edges, left and right. Floral and leaf design in greens, yellows, blue, pink and brown. One inch border at top and bottom edges.

Band, 16th-17th century

Italy

Not on View

Man's Dance Tunic, Date Unknown

Wodaabe Fulani

Not on View

Fragment, 19th century

Not on View

Hat, 19th century

Czechoslovakia

Not on View

Woman's skirt, 20th century

Wodaabe Fulani

Not on View

Woman's vest, 20th century

Wodaabe Fulani

Not on View

Baby Carrier, c. 1981

China

Not on View

Mourning huipil, 20th century

K'iche' Maya

Not on View

Panel, 19th century

China

Not on View

Temple Banner, 19th century

China

Not on View

Three Valances, 17th century

Italy

Not on View

Bag, late 19th-early 20th century

Uzbekistan or Tajikistan

Not on View

Stole, 18th century

Not on View

Apron, c. 1884

Russia

Not on View

showing 107 results matching medium:"Cotton, embroidery"

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