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pull-over garment with open sides, with two horizontal fabric tabs on each side; blue, white and orange striped fabric; twisted and knotted fringe; pouch pocket decorated with round medallion stitched in white; white stitching around neckline; embellished overall with square and ovoid 3-D elements wrapped in thread or yarn of various colors; white heart stitched on back

Tunic (faroumban), 20th century

Wolof

G236

rug, dark blue field carrying two vases flanked by stylized pale blue peacocks at the ends; stylized flowers spring from the vases and are scattered throughout the field; small, stiffly drawn animals appear at intervals; three borders, the main one carrying a running flower and leaf design in shades of blue on a red ground; pile worn to warp in places; cotton warp; Selma knot; woven fabric

Rug with vases and peacocks, 19th century

Iran

Not on View
Double cloth floral tapestry. Vert. Rpt. 27.5"; horiz. Rpt 25.5" Pastel beige, green & blue on brown field. Bleu Clair

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Jack Lenor Larsen

Aubusson, 1984-1991

Larsen Design Studio, New York; Mill: Leclercq Leroux; Producer: Jack Lenor Larsen, Inc.

Not on View
long sleeves; bell-shaped hemline; tan ground fabric; dark blue rectangular patches on sleeves, two on front, two on back, and one on each side; tan and brown organic shaped patches on sleeve hems and sides of body; organically-shaped pocket on each side of grey, tan and brown fabric embroidered in tan and yellow with curvilinear forms

Army tunic, about 1890

Unknown Mahdist

Not on View
black self fringed shawl with stripes in blue, white, green, red, yellow; woven band at either end five stripes wide

Shawl, 21st century

Padaung

Not on View
white shawl with blue, green, yellow, red and orange stripes lengthwise; borders at ends have five stripes; center stripe is either red/green or yellow/green; self fringe at both ends

Shawl, 21st century

Padaung

Not on View
black tube skirt in two sections; top section has plain black fabric; bottom section is dark purple with multicolored woven horizontal stripes; multicolored embroidery of deer-like animals, floral and foliate designs and insect-like motifs between two bands of stripes; two rows of zigzag embroidery below; 1" wide strip of tan fabric added at center back bottom section

Skirt, 20th century

Tai Pam

Not on View
multicolored wrap style skirt with fringe along one side; three bands of pattern, top and bottom, approximately 4" wide, center band approximately 16-1/4" wide; bands separated with bands of brown approximately 2-1/2" wide; top, bottom and top and bottom of center sections have multicolored horizontal stripes; wide center band has large diamonds, triangles and cup-like motifs in multicolors

Skirt, mid 20th century

Maa

Not on View
tube with vertical center seam, red diamond pattern 6-7" wide; rest of fabric is black, white and dark pink stripes; bottom edge woven with supplemental weft patterning

Skirt, first third of the 20th century

Kachin

Not on View
partial black lining; coarse geometric embroidered panels in maroon, black, green, pink bound in white and black tape borders and applied to black fabric; front and neck edge bound in wide embroidered tape--linear embroidered pattern

Vest, Date Unknown

Miao

Not on View
black, reds, white; red wool fringe on embroidered band collar; red, white, blue 3" wide band on sleeves; 1/4" red binding on all open edges; back approximately 7" shorter than front; back 18" is solid embroidered bands; 7-3/4" x 3-1/4" embroidered patch at top back; approximately 9" beaded fringe hangs from rear neckband

Coat, Date Unknown

Miao

Not on View
black, red, tan; wood fringed collar with embroidered bands of green diamond shapes; green beads hidden under fringe; 7-1/2" red print bands on sleeve edges; 3/4" red, white, blue tape on all open edges; lower back 24" is solid red, green and white embroidered bands; 7" x 5-1/4" embroidered patch on upper black back

Coat, Date Unknown

Miao

Not on View
red, green and orange pattern on white ground

Belt, 20th century

Ecuador

Not on View
black and white over-shot weave

Fragment, late 19th century

United States

Not on View
red pattern on white ground

Belt, 20th century

Ecuador

Not on View
red, green, blue, purple and orange pattern on white ground

Belt, 20th century

Ecuador

Not on View
red, green, white

Belt, one of a pair, 20th century

Hopituh Shinumu (Hopi)

Not on View
red ground with thin horizontal stripes in white, black; wool (supplementary weft patterning?) at ends; white cotton fringe

Man's Sash, 1965-1970

Maria Ruiz

Not on View
red and white plain weave and grouped gauze crossing, with polychrome brocading

Huipil, 20th century

Mexico

Not on View
red and white with polychrome brocading

Huipil, 20th century

Mexico

Not on View
log-cabin pattern

Mennonite Quilt, 19th century

Unknown Mennonite

Not on View
ikat, blue, white, pink with pink edge; two panels stitched together

Poncho, early 20th century

Ecuador

Not on View
Kira, Mensi Mattha; silk/cotton striped brocade on silk/cotton background; L.91 in., W.52-1/2 in. 3 panels, predominantly gold and maroon stripes with supplementary warp pattern and wool supplementary weft medallions; striped edge borders; fringed.

Kira, 20th century

Bhutan

Not on View
three blue and white woven panels stitched together; supplementary weft-float pattern weave, commonly called overshot, repeated four times in each panel

Coverlet, 2nd quarter of the 19th Century

United States

Not on View
very large; long tails at front and back; coarse natural fabric on body, brown on sleeves; needlework with thick thread in blue and red cross motif design on front and back; geometric patterns on sleeves in blues, brown, salmon and orange

Jacket, Date Unknown

Miao

Not on View
long coat with open sides; cream-colored cloth decorated with thick yarn-like red, pink and blue threads and applique on sleeves and shoulder areas; embroidered and appliqued flap at back of neck with five loops with stiff tassels and coins

Jacket, Date Unknown

Miao

Not on View
coarse natural woven fabric body; geometric cross-patterned appliques with embroidery with thick thread on chest and back; geometric patterns sewn on shoulders and arms; back collar piece with applique; red, white and blue

Jacket, Date Unknown

Miao

Not on View
white sleeveless blouse; slits (open seam), front and back and both side seams; tassels at bottom ends of slits; reinforced with embroidery along all edges; woven stripes of yellow and purple lengthwise at edges; tape reinforcement at neckline V--red and green

Blouse, 21st century

Padaung

Not on View
red central panel embroidered in multicolor with organic designs; black border embroidered on three sides with scrolls and zigzags; orange and yellow fringe on three sides; red and white ikat and striped fabrics on back

Mirror cover, 20th century

Tajik

Not on View
body is completely cross stitched geometric in greens and multicolor; top edge has narrow rows of applique with rows of metal springs, spaced in purple trim, around entire purse; purple strap; four red tassels, three pompoms; three zippers inside; blue lining

Woman's purse, 20th century

Yao

Not on View
sleeveless, with V-neck in front and back; blue body with stripes at sides and center in rust, yellow and green; geometric designs at hem

Woman's Blouse, 20th century

Kachin

Not on View
eight streamers hang from top embroidered square on green with center red diagonal square; eight streamers at bottom and five tabs at top, all embroidered (green, red, blue); unlined

Hundred Bird Streamer Apron/Skirt, Date Unknown

Miao

Not on View
pounded indigo on three sides; top embroidery on red wool in purples, blues, greens, and white; attached straps embroidered on red cotton in similar colors; ties cut; center panel of red wool embriodered in similar colors; three sided striped border; three outside edges bordered in red wool and red and white cotton; top of center panel has different embroidered band on silk; open blue lining

Baby Carrier, Date Unknown

Miao

Not on View
red and white on black background fabric; multicolor satin stitch figures and floral patterns; large square with two wide bands above; red wool extensions edged and lined in indigo cotton; remnants of yellow metal-wrapped edging surround individual motifs; lined in indigo cotton; silk embroidery threads

Baby Carrier, Date Unknown

Miao

Not on View
Jacquard Frieze.Uncut looped cotton & wool pile with 3 color pile structure. Horizon.oriented rows stylized trees & bushes. 23.75 inch vertical repeat. 25.5 inch horizontal repeat. Faded rose, lilac and pale gold on grey-green. Juniper

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Feraghan, 1985-1990

Larsen Design Studio, New York; Mill: Leclercq Leroux; Producer: Jack Lenor Larsen, Inc.

Not on View
envelope-style pouch with long multicolored braided cord closure; embroidery in maroon, yellow, white, green and brown with large cross and "E" motifs on back; front has edging bands of black with yellow, red and white starbursts; striped and plain appliqués

Bag for Koran, early 20th century

Turkmenistan

Not on View
very hard cap/beanie with slightly rounded top; beaded overall in maroon, green, dark blue, light blue, white, orange and yellow beads; star pattern on crown; three bands with geometric tree-like shapes and X's; lined in pink, off-white and pastel printed fabric

Hat, 20th century

Afghanistan

Not on View
pieced design of squares, rectangles and diamonds, alternating with blue and grey blocks quilted with leaf designs; three inner borders of tan and brown triangles and blue fabric; blue denim border; brown backing

Lincoln's Platform Quilt, c .1900

Unknown Amish

Not on View
three vertical panels; overall embroidery using indigo wool on a natural colored cotton ground; design of diamond shapes and zigzag designs separated by smaller zigzag borders; covered with pattern; 3" natural border at top and bottom; hand sewn hem

Blanket, Date Unknown

Miao

Not on View
band has 4 cross stitched geometric designs bordered by pink on 3 sides and plaid gingham; black velveteen pleated skirt is banded on sides with red, white and green embroidery on yellow; bottom has embroidery bordered in green and red damask; tan ties have cross stitch desgin with crude yellow and red "flowers"

Apron, from a three-piece set, Date Unknown

Miao

Not on View
long, black, open front coat with red wool shag collar; split sides and bottom hem faced in blue; at top of side splits are 2 long wool tassels on PL and 4 on PR connected with red and white plastic beads; sleeve cuffs piped in red; collar faced with blue and white embroidery; unlined

Coat, Date Unknown

Miao

Not on View
Tikhep (throne cover); cotton; applique design of birds, animal faces and flowers on dull red ground; with wool backing

Tikhep (throne cover), 20th century

Bhutan

Not on View
predominately diamond grid quilt pattern; red, black and blue tones

Amish crib quilt, 1930

Canada

Not on View
black ground fabric; embroidered in predominately orange with floral motifs; looping symmetrical organic motif border bands at short sides; red, orange and green band off-center; short ends have netting trim with orange and black tassels

Scarf, 1975-2000

Beni Hilal

Not on View
bright orange, magenta, red, yellow, and blue embroidery on black background; busy, organic motif with narrow leaves, flowers, and spirals; bright orange and black tassels with netting on short ends

Scarf, 1975-2000

Beni Hilal

Not on View
black ground fabric; embroidered in predominately orange with symmetrical floral and foliage motifs; short sides have scrolling floral and leaf motifs; band of orange, green and red off-center; some floating organic shapes on each side between central main design and designs at edges; black fringe with black and orange tassels at short ends

Scarf, 1975-2000

Beni Hilal

Not on View
white textile with wide red bands along long end, each with two parallel white pinstripes; black long borders; densely woven

Mantle, c. 1950

Pueblo

Not on View
Rectangular textile with green and black bands of embroidered decoration along top edge on non-dyed, woven, plain weave. Similar bands of green and black embroidered pattern along bottom edge with five multi colored embroidered images: orange flowers at outer ends and a butterfly at center. Black tassels at each corner with 1" wooden piece tied into each.

Manta, c.1910

Hopituh Shinumu (Hopi)

Not on View
strap and panel have beaded arrowhead designs in blue, green, white and red on yellow beaded ground; beaded floral band with green, pink and red flowers with white centers on blue beaded ground at top of panel; green ground beaded pendants at bottom with leaf and square designs, trimmed with large blue (and two maroon) beads and pink yarn fringe; edged in black fabric beaded with green zigzag; not a functional bag -- no opening or pouch

Bandolier Bag, c. 1890

Potawatomi

Not on View
roughly bell-shaped; red and cream on front; red on back; raised floral motif beading in predominately clear beads; clear and olive dangling loops; received with reproduction image of Native American girl with doll

Picture frame whimsey, Date Unknown

Haudenosaunee (Iroquois)

Not on View
pouch and strap have clear beaded ground with organic floral designs; red beaded fringe with red wool tassels; black velvet and red knit trim

Bandolier Bag, c. 1900

Anishinaabe (Ojibwe)

Not on View
pouch and strap of finger-woven yarn in green and dark red with zigzag rows of white beads in fibers; beaded, tasseled and undecorated fringe at strap ends and bottom of bag; dark green pouch backing; blue and tan plaid backing on strap

Bandolier Bag, c. 1830-1850

Anishinaabe (Ojibwe)

Not on View
bag with fully beaded pouch, strap and tassels at bottom and at top of strap; black velvet panel beaded with leaf shapes above pouch; blue and red yarn tassels; grey and white striped cloth on back of body

Bandolier Bag, c. 1870

Anishinaabe (Ojibwe)

Not on View
black ground fabric; embroidered in predominately orange with some red and yellow highlights; central leaf- or feather-like motifs with floral and leaf forms; scrolling leaves or feathers at each end; band of red, orange and green off-center; black netting trim at short ends with black tassels

Scarf, 1975-2000

Beni Hilal

Not on View
patchwork quilt made up of predominately roughly triangular-shaped pieces arranged in vertical and horizontal alternating rows; various types of cloth--corduroy, denims, knits, woven fabrics in mostly muted colors (blues, greys, tans); received pinned to mount

%C2%A9 Mary Lee Bendolph

Strings, 2003-2004

Mary Lee Bendolph

Not on View
Red and black stripes and diamonds; fringe of ceramic beads. Tubular skirt.

Ceremonial skirt, Date Unknown

Khumi Chin

Not on View
Black faded band with beads at edges and center row. At each end geometric motifs and fringe with beads.

Ceremonial breast covering, Date Unknown

Khumi Chin

Not on View
black and white; reversible; overall patterning with wide band on two sides of vases, trees and large birds and dogs; central band with groups of four birds and flowers; two bands with large floral medallions; roses in squares at each corner; chickens, birds and floral motifs; no fringe on one side; fringe tied into tassels on two sides; four oval medallions woven with text and dates: "Sarah Durie / May 14. 1837"

Coverlet, May 14, 1837

After David Daniel Haring

Not on View
square-shaped face made of stuffed cloth; woven multi-colored headband with geometric shapes and hairlike brown fringe; face painted orange with small red smiling mouth; disk-shaped wood irises and wedge-shaped protruding nose; mounted inside a plexi case

Mask, Date Unknown

Peru

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
rectangular, squared-off shape; strap attached to bag with metal rings; body of bag and strap stitched overall with geometric designs-predominantly squares and rectangles and predominately in red and maroon; purple and yellow tassel clusters on strap; longer purple tassels on bottom corners and bottom center, embellished with metal elements; bell on long white and red twisted cord on one side

Bridegroom's wedding day bag, c. 1960

Banjara

Not on View
3 panels approximately 9-3/4 in. wide hand stitched together; center portion is plain weave black, on either end red wool predominates with some brocaded geometric design

Wrapper, 20th century

Myanmar (Burma)

Not on View
Fibers of navy blue, deep orange, brown and yellow in various thicknesses and textures of cotton and linen; wrapped around the form with the fibers crossing themselves in the center of the top and bottom

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Untitled, 20th century

Sheila Hicks

Not on View
small nearly square bag with two deerskin handles and deerskin top decorative trim with zigzag edge; light tan bag with woven design on each side--one side has geometric stepped radiating diamonds, each with a pair of geometric claw-like elements, in red, greens, yellow and orange; opposite side has four star designs edged in black with yellow, light pink and turquoise

Corn Husk Bag, c. 1910-1960

Plateau

Not on View
Arkila Kereka, traditional mosquito net bed cloth, wool and cotton with tassels, Mali; stored in box; S85-97; woven for bride's trousseau; hung horizontally and 10-15 people may sleep underneath

Mosquito net (Arkila kerka), 20th century

Fulani

Not on View
three-paneled white cotton huipil; red and blue cotton brocaded design

Woman's blouse (Huipil), c. 1960

Tzotzil Maya

Not on View
Red background with five black stripes; black collar, puckets, cuffs; mulitcolored birds embroidered on front and back; decorative patterns with ribbons.

Man's jacket, 20th century

Maya

Not on View
large central square composed of stepped squares of single colored fabric; x quilting in each square; grayish-lavender inner border with rosa rugosa quilting pattern; brown outer border with rosa rugosa quilting and grayish-lavender corner blocks with rosa rugosa tied bouquet quilting; grayish-lavender edge binding; backing is brown striped on tan ground. Pattern also called Trip Around the World and Grandmother's Dream

Sunshine and Shadow Quilt, c. 1920

Unknown Amish

Not on View
red with yellow orange, white; front: red and orange ribbed double weave small geometric design with supplementary discontinuous weft bordersl; two figures applied using white shells and buttons; back: red ribbed weave with small designs using supplementary discontinued weft; center, 1.25" band of smaller designs, red, yellow, orange, green; front and back all one piece; sides edged in a half round white braid forming shoulder strap; red wool pompoms with long cotton and synthetic tassels decorate sides and bottom corners

Kachin Bag, 20th century

Kachin people

Not on View
5" bands of cloth sewn together to make up ground fabric; long sleeves; straight open placket (no fastenings) on front; brown and white pinstriped background and purple, pink, aqua, yellow embroidery and mirrors

Boy's Jacket, mid 20th century

Mangal

Not on View
woman's blouse, sotton, wool, glass beads and metal bells; supplementary weft patterning and applied beads

Woman's Blouse, early 20th century

Taiwan

Not on View
woman's blouse, cotton, wool, glass beads, and metal bells; supplementary weft patterning and applied bells

Woman's Blouse, early 20th century

Taiwan

Not on View
narrow swaths of geometrics across double weaves and tube weaves create a vertical banded design; heat and abrasion create a crinkled, springy, narrow fabric; ends serged

%C2%A9 Nuno Corporation %2F Vanilla%2C Reiko Sudo%2C 1988

Vanilla, 1988

SudĹŤ Reiko; Manufacturer: Nuno Corporation

Not on View
Red and black striped and motifs; green fringe; one edge

Ceremonial Tube Skirt, Date Unknown

Khumi Chin

Not on View
1 panel is primarily dark blue cotton in the center; other panels have design in red, green, pink, white, blue, orange

Skirt, 20th century

Kachin (Jingpho)

Not on View
woven textile mounted on painted board, framed with plexi

%C2%A9 Olga de Amaral

First Fragment, 1975

Olga de Amaral

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright © Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright © Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
khaki colored coat with black collar; round fasteners with blue decorative thread tied in bows at top collar and at center opening; vertical band of cloth at PL breast

Traveling coat of kudzu fiber (kuzufu dōchūgi), 19th century

Unknown Japanese

Not on View
lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red; comprised of 18 separate bundles that are about 16' long.

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Evolving Tapestry: The Principal Wife, Yellow Decked, 1989

Sheila Hicks

Not on View
Black and white warp-faced striped ground; center one-third is covered by magenta wrapping which is couched to ground cloth; floral embroidery accomplished in satin, chain and plaited stitches.

Woman’s belt (Faja), 20th century

Maya

Not on View

Hairtie (Cinta), 20th century

Kaqchikel Maya

Not on View
red, cream, and brown ground with discontinuous supplementary weft and warp patterning in purple, yellow, white, and brown

Woman's Belt (faja), 20th century

Maya

Not on View

Time-Life, 20th century

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

Plush Stripe, 1966

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

Plush Stripe, 1966

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View

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