🔎 medium:"Cotton" | Mia

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green shirt that buttons on one side under sleeve; upper portion of shirt is embroidered on front and back; sleeves are completely covered with embroidery — Shirt, 20th century
Miao

G210

rectangular cloth folded in middle; when folded, the top of each flap is embroidered with fuchsia flowers; back side is made of light pink fabric with floral print; both flaps have blue tassels; tassels are white in the middle — Apron, 20th century
Miao

G210

black rectangular cloth with fuchsia embroidery at each edge on opposite sides of cloth — Hat, 20th century
Miao

G210

Skirt, Miao — Skirt, 20th century
Miao

G210

five layered rectangle top layer has six bands of embroidery work alternating fuchsia with black and fuchsia; one long blue string runs across a side of rectangle — Front Apron, 20th century
Miao

G210

black open front; cotton; 8-1/2" tail; neckline has blue denim with pink floral cross stitch and black band with pink and white geometric cross stitch trim; four bnads from shoulder to cuff of satin and cross stitch on same; back has elaborate swirl in pink, green and white, framed; tail is rows of applique embroidered as the front — Jacket, Date Unknown
Miao

G210

Two-panel huipil; full brocade in horizontal geometric patterns; supplementary weft patterning on sholders; Magenta ground cloth with patterning in many colors; design of flowers fruit, birds, and foliage in blue, rose, yellow and black; blue velvet edges the neckline and armholes. Textile - Woven Fabirc — Blouse (huipil), c. 1980
Kaqchikel Maya

G260

black eight paneled shirt with abstract design in metallic (aluminum) pieces; fringe with metallic trim in middle of chest; braided fringe 'net' with metallic pieces across bottom half of back; braided fringe with tassles at sleeve edges and at bottom side edges; side pockets below sleeve openings; vee neckline; short fringe at bottom edge; breast pocket on left side — Tunic, 20th century
Dogon

G236

cotton panel with various shades and sizes of blue and white stripes; light blue thread connects 13 strips of fabric together to create panel; two ends are hemmed with blue thread — Wrapper, 20th century
Dogon

G236

over-the-head; wide, long sleeves; open along bottom except for short seams at bottom of each sleeve; crushed indigo; dark blue embroidery thread: spiral containing circle with diamond design formed by chain and dot/eyelet embroidery stitches on upper proper left back; spiral containing circle with diamond design formed by chain and dot/eyelet embroidery stitches on upper proper right chest; triangle, diamond and square design on upper proper left chest, with cable-like texture or dot pattern in filled-in areas of design; small semi-circle on back of neck; deep rectangular neckline with embroidered design from proper left chest continuing along proper left collar; square of indigo fabric at chest and waist on proper left front torso — Man's robe (agbada), before 1920
Fulani

G240

tan and black/brown; 20 strips of tan fabric with three stripes of black/brown lengthwise; center stripe wide, side stripes narrower; three wide sections of horizontal geometric pattern and four additional sets of three horizontal stripes; final two strips of fabric do not have complete design; fringed at both ends — Woman's wrapper, 20th century
Dogon

G236

Sarong Panel, dark blue dotted ground with central floral motive and border of orange. — Skirt cloth (kain sarong), late 19th-early 20th century
Indonesia

G213

Square, batik, cotton. Birds and grotesque figures on light tan ground. Wide border of brown fruit and leaves on blue ground. At the request of Mr. Plimpton this printed fabric was washed in Ivory Snow on February 2, 1950 by Mr. Soulen and Jim Cooper. — Batik panel, late 19th century–early 20th century
Indonesia

G213

white border and backing; orange with grey, black, and brown squares, rectangles, and L shapes in four quadrants with grey rectangle at center; asymmetrical pattern; Velcro heading band — "Housetop" quilt--four-block "Half-Log Cabin" variation, c. 1940
Lottie Mooney

G103

white background with black and red spots, large diamond shape in coral, pink, black, and yellow at C; red inner border with spots interlacing in diamond pattern; wide borders at short ends with red and navy blue thin stripes — Serape, c. 1900
Saltillo

G260

dark background with two horizontal red bands with zigzagging lines; black ikat designs within red bands with red hourglass motifs inside; central block is black; borders are dark charcoal gray — Mantle, c. 1900
Pueblo

G255

two panel huipil; supplementary weft patterning on red ground cloth with applied red velvet at neck opening and armholes; geometric patterns cover entire garment, primarily diamonds, chevrons and zigzags, separated by stripes of plain weave; designs in orange, yellow, lavendar, purple green, blue. — Blouse (huipil), c. 1970
Kaqchikel Maya

G260

ten strips sewn together; alternating strips of solid purple and blue and white gingham woven with purple geometric designs including bars, squares, diamonds and arrows; backed with white netting — Woman's wrapper, late 19th century
Yoruba

G240

Baby bonnet, Todd Yellow Cloud Augusta — Baby bonnet, 1991
Todd Yellow Cloud Augusta

G259

Bkg. dark blue; orange areas with purple brush traces; fan pattern with peach, pink, violet, orange, purple colors — Virvatuli (Will o' the Wisp), 1971
Anja Terho

G378

Bkg. red; color black for fishes, nets and cords — Kalaranta, 1973
Maila Kievara

G378

apron sewn as a panel, edged and backed in dark blue fabric; central panel edged in bands of cream with black, grey and dark purple swastika-key designs, trimmed in maroon; central appliqué and embroidered rectangular panel in predominately pink embroidery with roundels, scrolls and floral shapes and linear appliqués of various colored fabrics — Baby carrier panel, c. 1995
Miao

G210

brown panel with red-orange, yellow and blue dyed design; top and bottom bands of vertical diamond shapes with red, white or red-and-white borders and brown centers arranged in diamond pattern; red, yellow and blue horizontal striped bands separate larger bottom, two middle and top bands; second band from bottom contains human figure with hands raised and a large diamond shape on each side; third band from bottom contains human figure with hands raised, above snake-like animal with long tail (?) and diamond patterns on each side — Tie-dye panel, Date Unknown
Toraja

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painted handspun and woven cotton; nearly symmetrical design with various horizontal bands including circles, triangles, figures plowing with an ox, figures with red and black geometric and arcing designs, houses with people and animals, and figures and animals with very tall corn-like plants; rust red, orange-red, black, grey, and white — Ma'a (sacred cloth), late 19th-early 20th century
Indonesia

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block printed, resist and mordant dyed handspun and woven cotton; each block shows a seated figure on a tall stool with three smaller attendant persons; red, brown, white, pink; geometric band at top; mounted on tan fabric backing — Textile fragment, 14th-15th century
India

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black body; embroidered section on body on front and back with indigo blue ground with vertical rows of birds, flowers and butterflies in salmon pink and cream; striped bands and band of radiating stars/snowflakes at bottom on front and back; purple and pink horizontal striped band at back of neck across top of shoulders — Child's jacket, Date Unknown
Miao

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stand-up collar; frog closure at neck; side vents; front has blue and white overall dyed pattern of diamonds with four birds surrounding floral roundels or flowers with floral rondels in two motifs; floral band edging; sleeves are blue and white dyed with scrolling and geometric bands and applique with embroidered geometric diamonds in predominately red alternating with blue and white dyed scroll and geometric diamonds; embroidered bands on sleeves in turquoise and tan, with turquoise, green and red plain bands; cuffs are blue and white dyes with floral bands; back had overall blue and white dyed motif with flowers and birds similar to front; two rectangular tails on back at bottom with dyed blue and white radiating patterned rectangles with geometric designs and scrolls, each with a pair of embroidered diamonds with multicolored geometric design bordered by a rectangle of alternating blue, red and green — Man's jacket, Date Unknown
Miao

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painted and dyed, handspun and woven cotton; battle scene with red-skinned figures wearing blue and tan garments; tan ground; gauze-like fabric — Ramayana, 18th century
India

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resist and mordant dyed, handspun and woven cotton; alternating rows of bird motifs; tan, pale green, maroon; triangular zigzag elements at left; floral motif bands at top and left; mounted to maroon backing — Textile fragment, 16th-17th century
India

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hand-drawn batik; purplish-red and off-white panel; red and off-white striped band at each short end; off-white and red bands form borders with four-dot motif in some bands; three large diamonds in a row in center with four-petal flowers inside diamonds; eight looped line motifs by diamonds; looping line designs radiating out from diamond edges: single loop, half-spiral and curvy W-shaped designs with dot clusters throughout — Wall hanging (hiasan dinding), mid 20th century
Indonesia

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two panels; sewn together; red-orange, yellow, brown and blue geometric ikat pattern; brown and yellow stripes along most of each long end; yellow triangles and stripe along each short end; oblong yellow shapes with brown, blue and red-orange geometric shapes inside; yellow, red-orange, brown and blue arrow-like shapes with chevron wing-like decoration on each side of shaft; two brown and red-orange stripes at other end of each arrow; triangles, diamonds and squares around and between arrow designs; short fringe along short ends — Ceremonial hanging (paporitonoling), 20th century
Indonesia

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hand-drawn and block printed, resist and mordant dyed, handspun and woven cotton; floral and leaf forms or forested landscape; dark turquoise blue, rust red, tan, purple (turquoise and red mixed/one color on top of the other); border of circles with leaves and circles inside, squares with quatrefoils, zigzags, and circles; white machine stitching (initials?) along long side with border design — Textile panel, 14th-15th century
India

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stand-up collar; frog closure at neckline; side vents; layered elements on back at tail and on sleeves; front has blue and white dyed overall design of scrolling flowering vines with birds, edged in floral bands; embroidered panels on sleeves in red, green and yellow on white with decorative geometric bands and diamond and geometric motifs; top back panels are dyed blue and white with similar scrolling vine and bird design as front; pair of rectangular tails with blue and white dyed radiating rectangles with various decorative bands (primarily various scrolling wavy patterns), each with two central embroidered squares with predominately maroon, yellow and green forms on black — Man's jacket, Date Unknown
Miao

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hand-drawn resist and mordant dyed, handspun and woven cotton; design shows a delicate scrolling vine with carnations and other flowers against a finely dotted background; coloration and design are in the Mughal or Jaipur style; central field of scrolling foliage with red and light blue flowers in various forms, with ground of red circles; similar bands at each end; zigzag elements with similar flowers and red at each short end — Kain sembagi, 17th-early 18th century
India

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no fasteners/closures; straight front opening; rounded collar; eight panels of embroidery on front, five on back and two vertical embroidered panels on each side; side vents; primarily indigo blue backing forming trim; geometric embroidered motifs with stars inside diamonds on front and bottom panels on back; front is primarily green and magenta; back diamonds and stars are primarily blue, magenta and green; top panels on back are pinwheel motifs in bright colors with black and white elements — Child's vest, Date Unknown
Miao

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printed and resist dyed; rosettes in a diamond format with a large floral and tumpal border; maroon, pink, black, white, pale green, turquoise; borders with red flowers; zigzags at each end with red flowers and maroon sections at each end; borders on maroon sections are black, white, and maroon chased cartouches; identical to L2018.134.2 — Sarassa, 19th century
Indonesia

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two panels; sewn together; fringe at two ends; tan, brown, off-white, rust red with touches of blue; columns of male figures holding knives (?) and severed heads; figures wear scrolling earings and headdresses; columns of figures alternate with decorative scrolling columns; striped bands on two long sides; blue and white raised chevrons at short ends — Ceremonial textile (pua), mid 20th century
Iban

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pullover vest/overlay, with overall T shape; T shaped neckline; medium indigo lining; dark blue and white dyed exterior with geometric rectangular overall designs of scrolling, wavy, chevron and geometric bands and scrolling flower-like forms — Child's vest, Date Unknown
Miao

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geometric pattern in dark blue, brown, tan and beige; diamond pattern filled with other geometric shapes; key pattern band and striped band at one end — Panel from a bed cover (xilankapu), late 19th century
Tujia

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rectangular scarf with square border; central bust of Samuel Slater and images at corners of Old Slater Mill, David Harley & Co.; Old Slater Sunday School and Pawtucket Falls and Bridge 1890 printed in black on a white field — Samuel Slater Scarf, 1890
A. L. Bodwell; Engraver: James Provan & Sons; Manufacturer: Cranston Print Works Company

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navy field embroidered with small geometric pattern in gold and red; striped bands on sleves; center front has 7" square blue and white batik; undyed 7" strip on front; back top batik with some embroidery; tail heavily embriodered and lined — Jacket, Date Unknown
Miao

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wrap-around style with two ties; blue striped waist; densely-pleated skirt with batik panel embellished with purple and yellow embroidery; black woven band below; red woven design on bottom hem — Nandan-style Skirt, Date Unknown
Miao

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long open coat with short side slits; black with diagonal motif of appliqued irregular patches with fraying edges in brown, tan, dark orange, green and blue; diagonal stitching; black lining — Sierra collage coat, 1985
Tim Harding

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cotton quilt; hand-dyed. Textile - Surface ornamentation - Needlework - Quilt — A Plane View of Things Past/Transparent Ideas, 1984
Jan Myers

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3 brocaded panels with diamond design in yellow, white, tan and blue sewn together; double border with black on interior and blue on exterior — Comforter cover, 19th century
Miao

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3 brocaded panels with tan, white, light green, light blue, dark blue and yellow on gold ground; dark blue border — Comforter cover, 19th century
Miao

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three woven panels sewn together; tan and blue geometric pattern including blue diamonds throughout and tan and pink diamonds in central panel — Comforter cover, 19th century
Miao

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4 woven panels sewn together; geometric linear diamond design with brown, tan, white, light green and dark blue on medium blue ground — Comforter cover, 19th century
Miao

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Horizontal stripes of white, brown, tan, grey, yellow, orange, white and blue with large central blue stripe with 6 rows of repeating birds and organic motifs; 2 narrow blue stripes with birds and organic motifs — Man's textile (Selimut), 20th century
Indonesia

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2 panels sewn together; brocaded fabric with light brown ground; light green, tan and dark blue floral motif — Comforter cover, 19th century
Miao

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2 woven panels sewn together; geometric pattern with diamonds in white, tan, blue and yellow; double border of brown surrounded by blue — Comforter cover, 19th century
Miao

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three woven panels sewn together; yellow, blue, white, and rust geometric design; strips of fabric sewn together to form blue inner border and rust outer border — Comforter cover, 19th century
Miao

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Coarsely woven mat with bands at top and bottom of red and dark blue ad, in the center, three wide red stripes on a blue ground. Finished at top and bottom with white warp fringe. — Mat, 19th century
India

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Sarong, white with red and black stripe decoration and elephant and bird motives. Cotton. — Sarong, 20th century
Sri Lanka

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Sarong (?); diaper weave, black and ornage cotton — Sarong (?), 19th century
India

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very long panel; plain white center with blue striped ends with patterning in white and red — Loin Cloth, Date Unknown
Myanmar (Burma)

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collar with 2 rectangular panels attached together; panels include applique in red, yellow and white and multicolored embroidery; applique at shoulders with strips of colored cloth — Shawl, Date Unknown
Miao

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Sertah; checkered cotton cloth; 6 panels, plaid of red ground with yellow and black checks; multicolored discontinuous supplementary weft medallions; faced with blue cotton bias strip along corners and 2 edges — Sertah, 20th century
Bhutan

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Mentah; cotton striped brocade on cotton background; L.99 in., W.48-1/4 in. 3 panels, predominantly black and white stripes with red supplementary warp pattern; fringe. — Mentah, 20th century
Bhutan

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brown coat with buttons on right side; multicolored embroidery borders coat opening; each arm has two sets of cuffs, blue at mid-arm and green at waist — Dong Woman's Coat, 20th century
Miao

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dark green pleated skirt with dark blue waistband and bands of embroidered ribbons near bottom hem — Skirt, 20th century
Miao

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red waistband decorated with one horizontal band of embroidery showing fuchsia flowers and birds; green fabric of main body decorated with three large embroidered bands forming a squared 'U' shape; two bands on main body show birds and flowers — Apron, 20th century
Miao

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dark grey uppers, green soles sewn with white thread throughout; decoration includes large orange and maroon flower on front Gelatin followed by four sets down each side — Pair of Slippers, 20th century
Miao

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black coat with red and blue embroidered bands on collar; also three embroidered bands on each shoulder; blue and red embroidered bands on cuffs; large embroidered patch top center on back; embroidered band on back at hem — Coat, 20th century
Miao

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printed back fabric of black, brown, yellow and red; bottom edge lined with strands of beads and pink tassels and two bells; overall blue field with large central circle and triple banding above and below of floral design — Apron, 20th century
Miao

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black with white stripes — Turban, late 20th century
Miao

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white, red and black embroidery design — Pair of shoe inserts, 20th century
Miao

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long rectangular body with small embroidered rectangles arranged in two rows around a central black stripe; three large squares in uppermost tie band — Apron, 20th century
Miao

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waistband decorated with large band of embroidery showing geometric patterns in fuchsia, green, orange and purple; main body of black fabric decorated with three embroidered bands and ribbons forming a squared 'U' shape; large central band shows fuchsia flowers on blue ground — Apron, 20th century
Miao

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bright blue open front coat; green trim with printed flowers around neck; upper body and sleeves covered on both sides with bands of embroidery — Coat, 20th century
Miao

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fuchsia embroidered belt with metal balls on each end; two coins sewn next to buttons on one end — Belt, 20th century
Miao

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five squares of embroidery across top band; butterfly shaped embroidery pattern in top center; circular pattern in lower center surround by floral patterns and small metal circles — Belt of Badaoshao, 20th century
Miao

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large black apron with loose flap beneath waistband; two embroidered bands at hem and lower corners; three horizontal embroidered bands on waistband; framed by smaller bands; flap has six vertical embroidered bands framed by smaller bands; back ties are made of red cloth with printed floral design — Baby Carrier, 20th century
Miao

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purple central field with ends in red; end decorated with central purple square with floral design, double band along edge and a green floral design next to square — Belt, 20th century
Miao

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blue cotton, natural cotton at waist, woven, embroidered, black plain weave bands at bottom of each pant leg — Pants, late 20th century
Miao

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green corduroy, white and pink striped cotton at waist with woven, embroidered bands at bottom of each pant leg — Pants, late 20th century
Miao

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black apron with red and other colored embroidery UC to stripes of trim color near top of apron red, purple, pink, blue, red; multicolored embroidery and tassels at end of ties — Apron, 20th century
Miao

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blue and black cotton, woven and embroidered decorative bands at sleeves, neck and front — Dress, late 20th century
Miao

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blue, black, grey cotton, with embroidered floral panel — Apron Bottom, late 20th century
Miao

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black ground with cloth waist band and striped band around hem of; blue and thin lines of white, red, brown; main field of skirt has vertical rectangular areas in red, blue and pink — Skirt, 20th century
Miao

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red ground, cross stitched design in purple, green, dark and white threads — Pair of Shoe Bottoms, late 20th century
Miao

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continuous weft, 17 inches of which is only horizontal strings; main central band of green and black in a feather design broken every three inches by vertical lines; accents of white, yellow, pink and purple — Belt, 20th century
Miao

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bright blue cotton, beige cotton at waist, woven, embroidered, charcoal plain weave bands at bottom of each pant leg — Pants, late 20th century
Miao

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black and white embroidery design — Pair of shoe inserts, 20th century
Miao

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blue and black cotton, woven and embroidered decorative bands at sleeves, neck and front — Dress, late 20th century
Miao

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solid blue back; two bands on either side of front with a batik patterning around central embroidered design of rows of flowers and geometric designs; shoulder strap of blue, black, white and green bands attached to tops of side bands — Purse, 20th century
Miao

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black wrap skirt with small pleating and red, white and blue trim; two long black tie strings — Skirt, 20th century
Miao

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tan fabric shaped into long bands with pointed top beneath the two bands; majority of design is black on tan ground with multicolored designs near bottom; one strip has red tassels, the other has green tassels — Figured Band, 20th century
Miao

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blue and black cotton, woven and embroidered decorative bands at sleeves, neck and front — Dress, late 20th century
Miao

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red ground, cross stitched design in yellow and black threads — Pair of Shoe Bottoms, late 20th century
Miao

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skirt with tan waistband, rest of skirt is tan, dark and light blue striped; red trim at bottom of waistband and near hem; red trim also in various other places — Skirt, 20th century
Miao

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black body apron with green band and two metal loops at top, ties are made of two parts sewn at an angle to one another; intended to be buttoned and have both ends hang in back; ends of ties embroidered — Apron, 20th century
Miao

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top half solid blue with thin red border; lower half floral motif in green, orange, yellow, pinks and purple with sequins — Baby Carrier, 20th century
Miao

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blue corduroy, black cotton, woven and embroidered decorative bands at sleeves, neck and front — Dress, late 20th century
Miao

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blue and black cotton, woven and embroidered decorative bands at sleeves, neck and front — Dress, late 20th century
Miao

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maroon baby shoes with red trim; cat face is depicted on blue background on toe area of each shoe — Child's Shoes, 20th century
Miao

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printed floral design on back in orange, green and black; bottom end unsewn; over blue field with large central circle and triple banding above and below; floral design major element sequence — Apron, 20th century
Miao

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long rectangular fabric with heavy white/blue striped tassels on both ends; embroidery on opposite side and end with design of for squares around another; design done in white, pink, purple, orange and blue — Apron, 20th century
Miao

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red ground, cross stitched design in black, white green threads — Pair of Shoe Bottoms, late 20th century
Miao

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diamond-shaped brown, shiny fabric with embroidered V-neck section sewn to top corner of diamond; two blue ties near waist — Dong Woman's Camisole, 20th century
Miao

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