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drop-front desk with four-legged base; front of base decorated with high-relief carving of sword; exterior of drop-front decorated with high-relief carvings of forks and knives, bottles, gun, various tools (saw, pick axe, trowel, shovel), pocket knives, two pointing hands and other objects; sides also decorated with applied relief carvings of various objects; medium wood patina

Writing desk, c. 1870

Attributed to William Howard

G304

beaded panel with geometric design at bottom of bag; fringe with strung beads and red tassels; simple quillwork design of flowers on body of bag

Man's Pouch, c. 1800

Anishinaabe (Ojibwe) or DakhĂłta

G259

Two-panel huipil; full brocade in horizontal geometric patterns; supplementary weft patterning on sholders; Magenta ground cloth with patterning in many colors; design of flowers fruit, birds, and foliage in blue, rose, yellow and black; blue velvet edges the neckline and armholes. Textile - Woven Fabirc

Blouse (huipil), c. 1980

Kaqchikel Maya

G260

sleeveless pullover shirt; cream ground fabric; hem flares outward at bottom; round neckline; wide sleeve openings trimmed at inside in various printed fabrics; neckline, front chest area and upper back embroidered in yellow, orange, mint green, blue, tan, and black with four horizontal elements on chest, V-shaped medallion at center of chest and knot on upper back

Man's shepherd shirt, Date Unknown

Fulani

G236

a: wire framework in organic shape with printed tin, plastic and wooden toys and noisemakers attached--Jack-in-the-boxes, various shapes of noisemakers, drums, clickers, tops and tambourines; b: suit installed over black plastic mannequin; colorful sweater fragments pieced together to create a bodysuit with head and face covering; bodysuit covered overall with crocheted doilies and hot pads, embroidered felt fragments and pieced stitched pieces; pink and white doily over face area

%C2%A9 Nick Cave and Jack Shainman Gallery%2C NY

Soundsuit, 2010

Nick Cave

G374

small, low rocking chair; light-stained wood frame; woven dark orange cotton webbing on back and seat; wedge-shaped wood arms

Rocker, 1945-1946

Ralph Rapson; Designer: Webbing attributed to Marianne Strengell; Manufacturer: Knoll, New York, New York

G378

patchwork shirt with skirt-like bottom section; machine sewn with horizontal multicolored bands, red and yellow saw tooth band, black and white diagonal band, red and white vertical bar bands and pink and black checkered bands; blue under arms and on shoulders; red rickrack at front opening; hook closures

Shirt, c. 1930-1940

Seminole

G260

single panel, beige ground with fragmented banding of blue and brown; colors limited to a particular area blue, brown, blue bands; diamond and geometric discontinuous supplimentary weft patterning; all sides finished

Sampler, 20th century

Thailand

G213

Actor's robe, imitating a priest robe, made up of pieces of satin in shades of blue, pink, and pale lavendar, and embroidered with butterflies, flower sprays, and good luck characters in gold and colored silk threads. Cuffs and shaped border of white satin embroidered with similar designs at sides; an inner border of red satin embroidered with bats, good luck characters and Taoist symbols. In center back a shaped medallion containing the appliqued figure of a god surrounded by floral sprays. Satin, stem, laid, and outline stitch. Lining of coarse pink cotton. Inscription in center back (lining).

Theatrical woman's robe, 19th century

China

G218

white background with black and red spots, large diamond shape in coral, pink, black, and yellow at C; red inner border with spots interlacing in diamond pattern; wide borders at short ends with red and navy blue thin stripes

Serape, c. 1900

Saltillo

G260

two panel huipil; supplementary weft patterning on red ground cloth with applied red velvet at neck opening and armholes; geometric patterns cover entire garment, primarily diamonds, chevrons and zigzags, separated by stripes of plain weave; designs in orange, yellow, lavendar, purple green, blue.

Blouse (huipil), c. 1970

Kaqchikel Maya

G260

capelette/shoulder covering made of strands of beads--red, blue and white--in loops from center to shoulders, front and back; shoulder pieces (reinforced with metal) with openwork thread and bead designs in black, blue, white and green beads with cowrie shells; hanging bead strands of red, dark blue and light blue beads at shoulders; central ornament on each side with blue and red bead strands, stuffed cotton cloth roll and iron loops

Woman's vest, c. 1970

Dinka

G254

geometric pattern in dark blue, brown, tan and beige; diamond pattern filled with other geometric shapes; key pattern band and striped band at one end

Panel from a bed cover (xilankapu), late 19th century

Tujia

Not on View
tapestry, cotton, jacquard woven

Tapestry, early 20th century

Belgium or France

Not on View
Rug, Gorevan type, large, with cream field carrying a large rose-red medallion adorned with an elaborate angular floral and vine pattern in blue, yellow, pink, brown and green. Corners of the field are rose-red. Three borders, one wide with tortoise pattern on rose-red ground and two narrow with a pattern of single rosettes on a cream ground. Sides overcast with pinkish red wool; ends finished with very short fringe of warp threads. Cotton warp and woof. Senna knot.

Rug, late 18th century

Iran

Not on View
eagle motif

Hooked Rug, 19th century

United States

Not on View
upper half plain ingigo field; lower half bands of batik, broken near bottom edge by small rectangles of embroidered diamond designs

Girl's Skirt, 20th century

Miao, Gejia

Not on View
solid band of black at bottom, and one of blue at top; central batik band of geometric patterns at lower edge and thinner bands

Woman's Skirt, 20th century

Miao, Gejia

Not on View
dark indigo; wrap-around; tightly pleated, with pleats sewn down at hem; undecorated

Skirt, from a two-piece set, Date Unknown

Metal Miao

Not on View
beige, black and rust shoes with pointed and upturned toes; embroidered with cane-like and flame stitched motifs on both sides in many colors

Pair of Shoes, Date Unknown

Yao

Not on View

Skirt, 20th century

Miao

Not on View
black coat with red embroidered bands on collar and near hem; also three embroidered bands on each shoulder; blue and red embroidered bands on cuffs

Coat, 20th century

Miao

Not on View
black wrap skirt with small pleating and red, white and blue trim; two long twine waist ties

Skirt, 20th century

Miao

Not on View
five layered rectangle top layer has six bands of embroidery work alternating fuchsia with black and fuchsia; one long blue string runs across a side of rectangle

Front Apron, 20th century

Miao

Not on View
two black rectangular cloths sewn together at top with black tie straps on each side; top cloth has fuchsia embroidery work; two white embroidered bands hang down from the bottom

Back Apron, 20th century

Miao

Not on View
blue cloth with red embroidery sewn on black rectangular backing; red embroidered band sewn across top of rectangular; one tie sewn on each top corner

Back Apron, 20th century

Miao

Not on View
black rectangular cloth with fuchsia embroidery at each edge on opposite sides of cloth

Hat, 20th century

Miao

Not on View
black ground with cloth waist band and striped band around hem of; blue and thin lines of white, red, brown; main field of skirt has vertical rectangular areas in red, blue and pink

Skirt, 20th century

Miao

Not on View
skirt with tan waistband, rest of skirt is tan, dark and light blue striped; red trim at bottom of waistband and near hem; red trim also in various other places

Skirt, 20th century

Miao

Not on View
black pants with light blue cuffs; cuffs have red bands on top and bottom

Pants, 20th century

Miao

Not on View
long band with white section of cloth in middle and pink on either side; each band is decorated with embroidery and white tassels

Belt, 20th century

Miao

Not on View
long rectangular fabric with heavy white/blue striped tassels on both ends; embroidery on opposite side and end with design of for squares around another; design done in white, pink, purple, orange and blue

Apron, 20th century

Miao

Not on View
rectangular cloth folded in middle; when folded, the top of each flap is embroidered with fuchsia flowers; back side is made of light pink fabric with floral print; both flaps have blue tassels; tassels are white in the middle

Apron, 20th century

Miao

Not on View
long triangle with ties on the furthest point; two thick bands of thin ribbon decoration between bands is an embroidered floral design band

Leg Wraps, 20th century

Miao

Not on View
green shirt that buttons on one side under sleeve; upper portion of shirt is embroidered on front and back; sleeves are completely covered with embroidery

Shirt, 20th century

Miao

Not on View
approximately 150 coins on strands of beads hung in a row just below band with ties; central black field with jagged border and three more bands around center alternating blue, yellow and blue field; three large flowers in upper border

Apron, 20th century

Miao

Not on View
white field with red and black diamond and cross patterns; thick banding of red and black over shoulder and along both sides of opening; embroidered square on back with long strands of string with tassels on end

Coat, 20th century

Miao

Not on View
plain white skirt beneath shoulder flaps of white fabric with red and dark blue embroidery with heavy yarn; long sleeves under shoulder flaps also embroidered in heavy yarn (blue, brown and red); center of chest decorated with ribbons forming top half of a rectangle, short gold tassels and long multicolored tassels

Coat, 20th century

Miao

Not on View
short jacket, cotton, warp and weft ikat

(Woman's Oshima Tsumugu Haori), 1915-1935

Japan

Not on View
bed hanging, blue and white bucolic scene

Bed Hanging, 19th century

United States

Not on View
red 8-pointed stars with blue triangle appliqué pattern on natural light ground

Quilt top, 19th century

United States

Not on View
multicolored vertical stripe cotton in yelllow, red, blue and black; front opening bound in woven tape; side slits, long sleeves, ties at waist; opening faced with Ikat, lined in blue/white plaid; lining stitched to garment

Coat, c. 1900

Uzbekistan

Not on View

© Jack Lenor Larsen%2C Inc.%2C Jack Lenor Larsen

Fabric Piece, 20th century

Jack Lenor Larsen

Not on View
Woven textile; tree design on beige ground; large cut in central area

Furnishing Fabric, early 20th century

Erickson and Weiss

Not on View
fabric sample

© Jack Lenor Larsen%2C Inc. %2F Hatian Brocade%2C Jack Lenor Larsen

Hatian Brocade, 1942-1986

Jack Lenor Larsen, Inc.

Not on View
white with fringe on both short sides and around corners; multicolored embroidered bands at both short sides, corners and center of short sides with colored pompoms. Surface ornamentation (Needlework)

Amendil, 20th century

Ait Ammeln Amazigh (Berber)

Not on View
cylindrical shape; ribbed rim with blue, orange and white stripes; overall openwork design in white with short protruding blue tendrils; concentric circles with geometric design at center on top in orange, blue and white; crochet

Prestige Hat (Ashetu), mid 20th century

Cameroon

Not on View
two panel; varying stripes of blue, red, yellow and gold; each panel had three stripes with geometric designs of 'Z's, diamonds and T/U shape; opening at center of seam

Poncho, 20th century

Peru

Not on View
wedding outfit, white with fringes (87.100.41.1-3)

Wrapper from a wedding outfit, 20th century

Mali

Not on View
wedding outfit, white with fringes (87.100.41.1-3)

Shawl from a wedding outfilt, 20th century

Mali

Not on View
wedding outfit, white with fringes (87.100.41.1-3)

Skirt from a Wedding Outfit, 20th century

Mali

Not on View
panel, striped strip cloth, black and orange; cotton

Panel, 20th century

Mali

Not on View
rectangular scarf with square border; central bust of Samuel Slater and images at corners of Old Slater Mill, David Harley & Co.; Old Slater Sunday School and Pawtucket Falls and Bridge 1890 printed in black on a white field

Samuel Slater Scarf, 1890

A. L. Bodwell; Engraver: James Provan & Sons; Manufacturer: Cranston Print Works Company

Not on View
cotton quilt; hand-dyed. Textile - Surface ornamentation - Needlework - Quilt

© Jan Myers

A Plane View of Things Past/Transparent Ideas, 1984

Jan Myers

Not on View
thick, padded kimono; grey and black geometric design on torso and sleeves; grey and black multi-directional diagonal stripe pattern with grey clockwise swastikas connecting grey lines; indigo lining throughout interior; indigo bands around sleeve ends and bottom; indigo rectangles at bottom of front opening flaps; large off-white circular design of flower and spiraling leaves on upper back; katazome technique

Sleeping kimono (yogi), late 19th century

Japan

Not on View
stripes of small blue and white checks; thinner strips of blue checks; wide borders at short ends with white and blue pinstripes; blue embroidery at wide borders with stripes and bars with triangles

Wrapper, 20th century

Dogon

Not on View
dark indigo with tie-dyed circles; bands of zigzags and vertical lines separated by horizontal bands

Adire ohiko (tie-dyed panel), 20th century

Yoruba

Not on View
patterned strips stitched together; multicolored--predominately orange and blue; strips have either wide green and pink or red stripes, or wide blue and narrow white stripes, alternating with multicolored striped bands with some patterns; each end has orange and yellow lines alternating with diamond or lozenge patterning; fringe on short ends

Wrapper, Date Unknown

Ewe

Not on View
woven strips sewn together; medium indigo with tie dyed designs--rows of short lines and repeating bands of small V shapes

Panel, early 20th century

Samo or Wara

Not on View
woven strips sewn together; predominately blue, red, white, yellow and orange; red, white and blue striped strips woven with striped bands in predominately orange or yellow--inner strips have some alternating thin white or yellow stripes

Panel, 20th century

Ewe

Not on View
woven strips sewn together; medium indigo with tie dyed designs--rows of concentric circles separated by round forms with spoke-like elements; fringe on short ends

Panel, early 20th century

Samo or Wara

Not on View
woven strips sewn together; alternating stripes; primarily magenta stripes with green and yellow geometric bands; checked blue and pale pink stripes with bold magenta geometric patterns; magenta threads have slight sheen

Woman's wrapper, 20th century

Yoruba

Not on View
woven strips sewn together; central strip is white with black stripes of various widths; four outer strips are white with primarily blue stripes with blocks at center and each end with turquoise, blue and red stripe; remaining two strips are white with red, blue and brown stripes

Panel, 1900-1950

Baule

Not on View
woven strips sewn together; black with subtle dark blue stripes alternating with purple, black and white striped bands with purple woven designs

Wrapper, 20th century

Yoruba

Not on View
stitched panel with checkered pattern; red fabric alternates with blue and white patterned fabric; two ends of panel and lined with fringe with same blue and white fabric

Panel, 20th century

Ewe

Not on View
blue and cream rectangle-shaped panel; cream fringed edges on two shorter sides; nine strips of fabric stitched together to form panel; each strip of fabric has a blue background with cream horizontal lines forming a diamond shape, framed by cream edging lining each strip; four darker blue squares added throughout design

Panel, 20th century

Baule

Not on View
light blue panel with overlapping pink vertical lines with alternating dark blue lined sections; pale pink slit shapes alternate on several of the dark blue areas; shorter ends of panel are frayed

Panel, 20th century

Baule

Not on View
black and blue woven textile with light blue threads speckling throughout the background; red and purple stripes run horizontally; top and bottom of panel are folded and stitched; pale blue edging lines the non-folded sides of the panel

Panel, 20th century

Yoruba

Not on View
cotton panel with various shades and sizes of blue and white stripes; light blue thread connects 13 strips of fabric together to create panel; two ends are hemmed with blue thread

Panel, 20th century

Dogon

Not on View
indigo dyed cotton panel with cream-colored ovals alternating diagonally across textile; panel is rectangular-shaped and consists of six strips of fabric sewn together to create shape; one end of rectangular is frayed; opposite side has some fraying, possibly due to wear

Panel, 20th century

Dogon

Not on View
red and white checkered panel; short ends of panel are fringed with white thread

Panel, 20th century

Baule

Not on View
light and dark brown textile with geometric designs; constructed from nine strips stitched together; geometric designs include crosses, zig zags, and arrows; shorter edges of textile have fringe

Marriage mud cloth, Date Unknown

Mali

Not on View
predominately brown with red, white, and blue decorations; decorations include checkered, arrows, and diamonds; shorter edges have long fringe

Mud cloth skirt, Date Unknown

Mali

Not on View
eleven paneled, black cloth with blue tie-dyed stripes; some stripes are single and some are triple; blue striped panels are interspersed with plain black panels

Blanket, 20th century

Dogon

Not on View
eleven paneled, black cloth with blue tie-dyed stripes; some stripes are single and some are triple; blue striped panels are interspersed with plain black panels

Panel, c. 1950

Yoruba

Not on View
black and white textile decorated with geometric patterns including zig zags, creases, and diamonds; large pocket located at center of torso; shirt is completely open at sides; fringe along bottom edge

Mud cloth hunter shirt, c. 1990

Mali

Not on View
brown and black textile decorated with stripes and geometric designs, including triangles along the edges and stars toward the center; shorter edges have fringe; constructed of seven long strips stitched together

Mud cloth skirt, Date Unknown

Mali

Not on View
black and tan textile; constructed of eight long strips stitched together; short edges have fringe; textile is decorated with the recurring symbols of an "x" and a line bent at a right angle; other designs that occur are crosses, chevrons, zig zags, and diamonds

Skirt, 20th century

Bamana

Not on View
tan and black textile decorated with stripes and rows of squares; constructed of seven long strips; stripes of textile run parallel to the longer edge of textile

Mud cloth skirt, 1900-1999

Bamana

Not on View
vertically striped tan and white pants with natural brown waist; blue inner lining at cuffs; elastic-like waist

Pair of pants, Date Unknown

Yoruba

Not on View
white and tan striped textile with geometric embroidery at the chest area; sides of shirt are completely open; neck opening is "v" shaped and has blue lining; edges of shirt are hemmed

Shirt, Date Unknown

Yoruba

Not on View
blue textile with light blue and grey stripes; stripes vary in width; short edges of textile hemmed; textile constructed of two panels

Wedding cloth, mid 20th century

Yoruba

Not on View
large, multicolored striped cloth with multicolored, abstract embroidered designs; fringe on short ends of fabric is also many colored; cloth consists of 3 panels

Cloth, mid 20th century

Nupe

Not on View
dark and light blue striped cloth; 5 panels of different widths; pattern: wide solid dark blue section followed by light and dark blue stripes of varying widths; repeat pattern

Cloth (olowududu), early-mid 20th century

Okun Yoruba

Not on View
long strip of woven fabric; black and white stripes flanking four central orange stripes with thin black and white stripes between

Panel, c. 1975

Senufo

Not on View
woven cotton panel with gray, purple and light blue stripes; embroidered red, yellow, white and blue geometric shapes alternate across panes; two end have gold embroidery lining ends; two of the opposite corners have the word 'SALLI' embroidered in capital letters

Panel, 1900-1999

Nupe

Not on View
yellow, blue and red striped panel with approximately 3" x 5" woven cotton rectangle patches with red, green, purple and gray stripes; two end are hemmed forming a seam

Kente cloth, 1900-1999

Ewe

Not on View
woven panel with blue background; horizontal thin white stripes alternate orange stripes; two ends are fringed; seven strips stitched together to form panel

Panel, 1900-1999

Baule

Not on View
nine strips of fabric stitched together to form panel; blue dyed background with nine white stripes running length-wise; white stripes are divided by thing blue stripe; white ringed ovals edge stripes

Panel, 1900-1999

Wara

Not on View
blue dyed panel with overlapping white stripes and dots that form triangle and rectangle shapes; seven strips are sewn together to form panel; two ends are stitched forming a seam

Panel, 1900-1999

Wara

Not on View
blue and white woven panel; blue dyed background with white lines and dots forming triangle and circular patterns; seven strips of fabric stitched together to form panel; two ends of panel are folded and stitched to form seam

Panel, 20th century

Wara

Not on View
large panel with green, yellow, maroon and blue linear designs alternating directions; two ends of panel are fringed

Kente cloth, Date Unknown

Ashanti

Not on View
white cloth with thin, dark blue strips; dark blue woven rectangles overlap; twenty strips of fabric stitched together to form panel

Panel, 20th century

Ewe

Not on View
blue and white panel with fringed ends on two sides; checker pattern alternates with blue and white stripes; ten strips of fabric are stitched together for form panel

Panel, 20th century

Bamana

Not on View
dark blue strips of cotton alternate lighter blue dyed cotton with two dark strips, 3/8" in length, overlapping; strips are loosely stitched together with light blue thread; two shorter ends of panel are frayed with raw edges

Panel, 20th century

Bamana

Not on View
gold coarse plain weave cotton woven in 5-1/4" narrow bands hand-sewn together; open narrow square neckline with PL pocket; open side edges; very wide; neckline is lined; hand hemmed

Man's Shirt (Poncho), 20th century

Fulani

Not on View
gold coarse plain weave cotton; woven in 5-1/4" narrow bands, pieced together; uneven dye; very wide; hand sewn (laced) and hemmed

Pair of Man's Pants, 20th century

Fulani

Not on View
nine strips loosely tacked together; each strip has red, white and black striped ends, two sections of pile in white, black, red, green, orange and blue, two sections of black, orange, green and blue strips with geometric designs, bordered with two-colored twisted hanging braids, and central section of pile

Panel, 20th century

Zarma

Not on View
large and small orange circles covered with small brown oval print against basket weave pattern

Textile sample (#NC-149), 1972

Nigeria

Not on View
two sets of strips--one orange with green, blue, black and purple designs--second multicolored (same colors) designs; designs are predominate in second set, color in first; 20 strips; motifs separated by single white line

Man's wrapper, 20th century

Asante

Not on View
showing 100 of 6413 results matching medium:"Cotton". (load 200 more)