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cotton panel with various shades and sizes of blue and white stripes; light blue thread connects 13 strips of fabric together to create panel; two ends are hemmed with blue thread

Wrapper, 20th century

Dogon

G236

over-the-head; wide, long sleeves; open along bottom except for short seams at bottom of each sleeve; crushed indigo; dark blue embroidery thread: spiral containing circle with diamond design formed by chain and dot/eyelet embroidery stitches on upper proper left back; spiral containing circle with diamond design formed by chain and dot/eyelet embroidery stitches on upper proper right chest; triangle, diamond and square design on upper proper left chest, with cable-like texture or dot pattern in filled-in areas of design; small semi-circle on back of neck; deep rectangular neckline with embroidered design from proper left chest continuing along proper left collar; square of indigo fabric at chest and waist on proper left front torso

Man's robe (agbada), before 1920

Fulani

G240

black rectangular cloth with fuchsia embroidery at each edge on opposite sides of cloth

Hat, 20th century

Miao

G210

rectangular cloth folded in middle; when folded, the top of each flap is embroidered with fuchsia flowers; back side is made of light pink fabric with floral print; both flaps have blue tassels; tassels are white in the middle

Apron, 20th century

Miao

G210

green shirt that buttons on one side under sleeve; upper portion of shirt is embroidered on front and back; sleeves are completely covered with embroidery

Shirt, 20th century

Miao

G210

Skirt, 20th century

Miao

G210

five layered rectangle top layer has six bands of embroidery work alternating fuchsia with black and fuchsia; one long blue string runs across a side of rectangle

Front Apron, 20th century

Miao

G210

black eight paneled shirt with abstract design in metallic (aluminum) pieces; fringe with metallic trim in middle of chest; braided fringe 'net' with metallic pieces across bottom half of back; braided fringe with tassles at sleeve edges and at bottom side edges; side pockets below sleeve openings; vee neckline; short fringe at bottom edge; breast pocket on left side

Tunic, 20th century

Dogon

G236

black open front; cotton; 8-1/2" tail; neckline has blue denim with pink floral cross stitch and black band with pink and white geometric cross stitch trim; four bnads from shoulder to cuff of satin and cross stitch on same; back has elaborate swirl in pink, green and white, framed; tail is rows of applique embroidered as the front

Jacket, Date Unknown

Miao

G210

tan and black/brown; 20 strips of tan fabric with three stripes of black/brown lengthwise; center stripe wide, side stripes narrower; three wide sections of horizontal geometric pattern and four additional sets of three horizontal stripes; final two strips of fabric do not have complete design; fringed at both ends

Woman's wrapper, 20th century

Dogon

G236

white border and backing; orange with grey, black, and brown squares, rectangles, and L shapes in four quadrants with grey rectangle at center; asymmetrical pattern; Velcro heading band

%C2%A9 Lottie Mooney %2F Artists Rights Society %28ARS%29%2C New York

"Housetop" quilt--four-block "Half-Log Cabin" variation, c. 1940

Lottie Mooney

G103

white background with black and red spots, large diamond shape in coral, pink, black, and yellow at C; red inner border with spots interlacing in diamond pattern; wide borders at short ends with red and navy blue thin stripes

Serape, c. 1900

Saltillo

G260

dark background with two horizontal red bands with zigzagging lines; black ikat designs within red bands with red hourglass motifs inside; central block is black; borders are dark charcoal gray

Mantle, c. 1900

Pueblo

G255

Bkg. red; color black for fishes, nets and cords

%C2%A9 E. Helenius Oy %2F Kalaranta%2C Maila Kievara%2C 1973

Kalaranta, 1973

Maila Kievara

G378

Sarong Panel, dark blue dotted ground with central floral motive and border of orange.

Skirt cloth (kain sarong), late 19th-early 20th century

Indonesia

G213

Square, batik, cotton. Birds and grotesque figures on light tan ground. Wide border of brown fruit and leaves on blue ground. At the request of Mr. Plimpton this printed fabric was washed in Ivory Snow on February 2, 1950 by Mr. Soulen and Jim Cooper.

Batik panel, late 19th century–early 20th century

Indonesia

G213

Bkg. dark blue; orange areas with purple brush traces; fan pattern with peach, pink, violet, orange, purple colors

%C2%A9 E. Helenius Oy %2F Virvatuli%2C Anja Terho%2C 1971

Virvatuli (Will o' the Wisp), 1971

Anja Terho

G378

%C2%A9 Todd Yellow Cloud Augusta

Baby bonnet, 1991

Todd Yellow Cloud Augusta

G259

ten strips sewn together; alternating strips of solid purple and blue and white gingham woven with purple geometric designs including bars, squares, diamonds and arrows; backed with white netting

Woman's wrapper, late 19th century

Yoruba

G240

apron sewn as a panel, edged and backed in dark blue fabric; central panel edged in bands of cream with black, grey and dark purple swastika-key designs, trimmed in maroon; central appliqué and embroidered rectangular panel in predominately pink embroidery with roundels, scrolls and floral shapes and linear appliqués of various colored fabrics

Baby carrier panel, c. 1995

Miao

G210

brown panel with red-orange, yellow and blue dyed design; top and bottom bands of vertical diamond shapes with red, white or red-and-white borders and brown centers arranged in diamond pattern; red, yellow and blue horizontal striped bands separate larger bottom, two middle and top bands; second band from bottom contains human figure with hands raised and a large diamond shape on each side; third band from bottom contains human figure with hands raised, above snake-like animal with long tail (?) and diamond patterns on each side

Tie-dye panel, Date Unknown

Toraja

Not on View
painted handspun and woven cotton; nearly symmetrical design with various horizontal bands including circles, triangles, figures plowing with an ox, figures with red and black geometric and arcing designs, houses with people and animals, and figures and animals with very tall corn-like plants; rust red, orange-red, black, grey, and white

Ma'a (sacred cloth), late 19th-early 20th century

Indonesia

Not on View
block printed, resist and mordant dyed handspun and woven cotton; each block shows a seated figure on a tall stool with three smaller attendant persons; red, brown, white, pink; geometric band at top; mounted on tan fabric backing

Textile fragment, 14th-15th century

India

Not on View
black body; embroidered section on body on front and back with indigo blue ground with vertical rows of birds, flowers and butterflies in salmon pink and cream; striped bands and band of radiating stars/snowflakes at bottom on front and back; purple and pink horizontal striped band at back of neck across top of shoulders

Child's jacket, Date Unknown

Miao

Not on View
stand-up collar; frog closure at neck; side vents; front has blue and white overall dyed pattern of diamonds with four birds surrounding floral roundels or flowers with floral rondels in two motifs; floral band edging; sleeves are blue and white dyed with scrolling and geometric bands and applique with embroidered geometric diamonds in predominately red alternating with blue and white dyed scroll and geometric diamonds; embroidered bands on sleeves in turquoise and tan, with turquoise, green and red plain bands; cuffs are blue and white dyes with floral bands; back had overall blue and white dyed motif with flowers and birds similar to front; two rectangular tails on back at bottom with dyed blue and white radiating patterned rectangles with geometric designs and scrolls, each with a pair of embroidered diamonds with multicolored geometric design bordered by a rectangle of alternating blue, red and green

Man's jacket, Date Unknown

Miao

Not on View
painted and dyed, handspun and woven cotton; battle scene with red-skinned figures wearing blue and tan garments; tan ground; gauze-like fabric

Ramayana, 18th century

India

Not on View
resist and mordant dyed, handspun and woven cotton; alternating rows of bird motifs; tan, pale green, maroon; triangular zigzag elements at left; floral motif bands at top and left; mounted to maroon backing

Textile fragment, 16th-17th century

India

Not on View
hand-drawn batik; purplish-red and off-white panel; red and off-white striped band at each short end; off-white and red bands form borders with four-dot motif in some bands; three large diamonds in a row in center with four-petal flowers inside diamonds; eight looped line motifs by diamonds; looping line designs radiating out from diamond edges: single loop, half-spiral and curvy W-shaped designs with dot clusters throughout

Wall hanging (hiasan dinding), mid 20th century

Indonesia

Not on View
two panels; sewn together; red-orange, yellow, brown and blue geometric ikat pattern; brown and yellow stripes along most of each long end; yellow triangles and stripe along each short end; oblong yellow shapes with brown, blue and red-orange geometric shapes inside; yellow, red-orange, brown and blue arrow-like shapes with chevron wing-like decoration on each side of shaft; two brown and red-orange stripes at other end of each arrow; triangles, diamonds and squares around and between arrow designs; short fringe along short ends

Ceremonial hanging (paporitonoling), 20th century

Indonesia

Not on View
hand-drawn and block printed, resist and mordant dyed, handspun and woven cotton; floral and leaf forms or forested landscape; dark turquoise blue, rust red, tan, purple (turquoise and red mixed/one color on top of the other); border of circles with leaves and circles inside, squares with quatrefoils, zigzags, and circles; white machine stitching (initials?) along long side with border design

Textile panel, 14th-15th century

India

Not on View
stand-up collar; frog closure at neckline; side vents; layered elements on back at tail and on sleeves; front has blue and white dyed overall design of scrolling flowering vines with birds, edged in floral bands; embroidered panels on sleeves in red, green and yellow on white with decorative geometric bands and diamond and geometric motifs; top back panels are dyed blue and white with similar scrolling vine and bird design as front; pair of rectangular tails with blue and white dyed radiating rectangles with various decorative bands (primarily various scrolling wavy patterns), each with two central embroidered squares with predominately maroon, yellow and green forms on black

Man's jacket, Date Unknown

Miao

Not on View
hand-drawn resist and mordant dyed, handspun and woven cotton; design shows a delicate scrolling vine with carnations and other flowers against a finely dotted background; coloration and design are in the Mughal or Jaipur style; central field of scrolling foliage with red and light blue flowers in various forms, with ground of red circles; similar bands at each end; zigzag elements with similar flowers and red at each short end

Kain sembagi, 17th-early 18th century

India

Not on View
no fasteners/closures; straight front opening; rounded collar; eight panels of embroidery on front, five on back and two vertical embroidered panels on each side; side vents; primarily indigo blue backing forming trim; geometric embroidered motifs with stars inside diamonds on front and bottom panels on back; front is primarily green and magenta; back diamonds and stars are primarily blue, magenta and green; top panels on back are pinwheel motifs in bright colors with black and white elements

Child's vest, Date Unknown

Miao

Not on View
printed and resist dyed; rosettes in a diamond format with a large floral and tumpal border; maroon, pink, black, white, pale green, turquoise; borders with red flowers; zigzags at each end with red flowers and maroon sections at each end; borders on maroon sections are black, white, and maroon chased cartouches; identical to L2018.134.2

Sarassa, 19th century

Indonesia

Not on View
two panels; sewn together; fringe at two ends; tan, brown, off-white, rust red with touches of blue; columns of male figures holding knives (?) and severed heads; figures wear scrolling earings and headdresses; columns of figures alternate with decorative scrolling columns; striped bands on two long sides; blue and white raised chevrons at short ends

Ceremonial textile (pua), mid 20th century

Iban

Not on View
pullover vest/overlay, with overall T shape; T shaped neckline; medium indigo lining; dark blue and white dyed exterior with geometric rectangular overall designs of scrolling, wavy, chevron and geometric bands and scrolling flower-like forms

Child's vest, Date Unknown

Miao

Not on View
long open coat with short side slits; black with diagonal motif of appliqued irregular patches with fraying edges in brown, tan, dark orange, green and blue; diagonal stitching; black lining

%C2%A9 Tim Harding

Sierra collage coat, 1985

Tim Harding

Not on View
thick, padded kimono; grey and black geometric design on torso and sleeves; grey and black multi-directional diagonal stripe pattern with grey clockwise swastikas connecting grey lines; indigo lining throughout interior; indigo bands around sleeve ends and bottom; indigo rectangles at bottom of front opening flaps; large off-white circular design of flower and spiraling leaves on upper back; katazome technique

Sleeping kimono (yogi), late 19th century

Unknown Japanese

Not on View
blue-grey jacket with short, rectangular sleeves; darker blue-grey strip forms collar and frontal opening hems of jacket; dyed design using red, off-white, pinkish-red, grey and purple: octagons containing squares filled with liner geometric design; butterfly-shaped fan design formed by long lines with symmetrical curved line borders on either side, containing chevron shapes and two calligraphic characters; designs overlap on back; red rectangle with grey character outlined in white on back below collar; folded and stitched hem at bottom; dark blue inner hem lining on sleeves; white thread stitching along collar/opening hem strip; tsutsugaki technique

Short festival coat (matsuri hanten), late 19th century

Unknown Japanese

Not on View
indigo hanging with blue and off-white design; off-white lines and filled spaces form design of off-white lotus flowers and buds rising out of water on stalks; indigo and blue circular flowers in water and rising on off-white stalks; design in lower half of hanging with upper half plain indigo; nine tab loops across top hem for hanging; tsutsugaki technique

Temple hanging (noren), 19th century

Unknown Japanese

Not on View
uneven bands of darker and lighter indigo shades horizontally across jacket, except vertical on lower panels of sleeves; thick woven texture throughout, except collar and hems around bottom and sleeve openings; collar and hems deep blue; short sleeves have triangular batwing-like shape

Working jacket (sakiori shigotogi), 19th century

Unknown Japanese

Not on View
medium length coat with open front and short side slits; cream colored at bottom and sleeves; pale grey upper body; purple stripes under sleeves, at front opening and beneath pale grey areas on front and back; holes in outer thickly gathered layer; torn strips of fabric (khaki, green, purple, blue, brown), tied together, threaded through holes, basket weave fashion; grey lining

%C2%A9 Tim Harding

Tundra greatcoat, 1987

Tim Harding

Not on View
pullover openwork vest made of grid of fabric strips of fraying cotton, creating pile--black, dark grey, blue, green; tassel-like fringe at bottom made of similar fabric strips

%C2%A9 Tim Harding

Net vest, 1986

Tim Harding

Not on View
T-shaped blouse with rounded neckline with V opening in front; short sleeves; vents on either side at bottom hem; printed fabric; red background with black V's and spotted pumpkin-like gourds, alternating in orange with brown spots and brown with orange spots

%C2%A9 Ruby Jay-Pang Somerson

"Kongo" blouse, 2018

Ruby Elena Jay-Pang Somerson

Not on View
dark blue woven panel with alternating lined sections of green, white, pink and pale blue forming abstract shapes; two ends are folded and hemmed, forming a 3- 7/8" cuff

Man's toga cloth, 20th century

Yoruba

Not on View
black and blue woven textile with light blue threads speckling throughout the background; red and purple stripes run horizontally; top and bottom of panel are folded and stitched; pale blue edging lines the non-folded sides of the panel

Panel, 20th century

Yoruba

Not on View
indigo dyed cotton panel with cream-colored ovals alternating diagonally across textile; panel is rectangular-shaped and consists of six strips of fabric sewn together to create shape; one end of rectangular is frayed; opposite side has some fraying, possibly due to wear

Panel, 20th century

Dogon

Not on View
eighteen strips of fabric hand stitched together to form a panel; multi-colored fabric consisting of horizontal and vertical stripes; areas of woven thread alternate throughout overall design

Panel, 20th century

Ewe

Not on View
light blue panel with overlapping pink vertical lines with alternating dark blue lined sections; pale pink slit shapes alternate on several of the dark blue areas; shorter ends of panel are frayed

Panel, 20th century

Baule

Not on View
stitched panel with checkered pattern; red fabric alternates with blue and white patterned fabric; two ends of panel and lined with fringe with same blue and white fabric

Panel, 20th century

Ewe

Not on View
red and white checkered panel; short ends of panel are fringed with white thread

Panel, 20th century

Baule

Not on View
medium blue gingham with openwork designs in blue of scrolling S-shapes and squares flanked by pairs of bars; fragments of cloth stitched together

"Pelete bite" lower wrapper, late 19th century

Kalabari

Not on View
center strip of dark blue and white plaid with openwork zigzags, square and rectangles in dark blue; top and bottom strips are blue and white striped and blue triangular patterns with yellow, blue and white horizontal stripes

"Pelete bite" long wrapper, mid 20th century

Amonia Akoko

Not on View
over-the-head garment with wide, open sleeves; tan with off-white stripes vertically on torso and horizontal on sleeves and on square layer on proper left front torso; bottom hem open except for seams at bottoms of sleeves; V neckline; interior lining panels at hems on front and back torso bottoms is tan with yellow and white diagonal stripes; tan embroidery: large spiral on back with circled formed of eyelet stitches crossed by lines to form diamond pattern; small solid half circle on back of neck; large spiral on upper proper left chest with circled formed by eyelet stitches crossed by lines to form diamond pattern; triangle, four-loop knot, diamond and rectangle embroidery with cabled texture in larger areas on proper right upper torso

Agbada, 20th century

Yoruba

Not on View
tan with light beige stripes; stripes run horizontally on sleeves and vertically on torso; over-the-head with V-neck opening at center; long, wide sleeves; open along bottom hem except where stitched at corners to create sleeve openings; tan embroidery thread: large spiral on upper back containing four four-loop knots in grid pattern; half circle on back of neck; large spiral with four four-loop knots in grid pattern on proper right chest; cable pattern in embroidered triangles, half-circles, rectangles and checker pattern on proper left chest and collar; geometric and spiral design on proper left chest; woven fabric triangle on proper right side neckline; light blue lining on upper back and chest interior

Agbada, 20th century

Hausa

Not on View
tan; over-the-head garment; oval neckline; long, wide sleeves; bottom hem open except for seams at bottoms of sleeves; off-white stripes horizontal on sleeves and on square patch on proper left chest, vertical on torso; slit-style pocket on proper right front at waist height; tan embroidery: four-diamond pattern and ovals around pocket; spiral on upper proper right chest filled with dot embroidery stitches in shape of circle with lines across it; off-white braid stitch and woven triangle on proper right collar; triangles, squares and loop embroidery on proper left upper chest, with cabled texture in larger embroidered areas; spiral with circle with lines across it formed by dot stitches on upper left back

Agbada, 1950s

Yoruba

Not on View
over-the-head garment, folded at shoulders; rectangular fabric with rectangle neck hole in center; grey and black striped fabric; stripes horizontal across shoulder and upper body area, vertical on lower body and lower parts of sleeves; design formed by white fabric with cutouts sewn onto visible side of garment; vertical stripes of triangles pointing sideways on lower front and back; large concentric circles filled with bands of diamonds and diamond-checkerboard pattern in center; rectangular diamond-checker pattern with stripes on either side running along top fold on one side

Agbada, 20th century

Hausa

Not on View
over-the-head garment; V-shaped neckline; wide, open sleeves; bottom hem is open, except for short seam at bottom of each sleeve; indigo with thin off-white stripes, running vertically on torso and horizontally on sleeves; tan embroidery: large spiral on proper right chest, with circle filled with dot stitches in geometric square-diamond pattern; woven thread triangle and embroidered border on proper right neckline; proper left torso entirely embroidered with rectangle, diamond, triangle and drop shapes filled with dot or chain embroidery stitches, bordered with straight line stitching; upper back has large spiral filled with large circle containing diamond-square design of dot embroidery stitches; inner bottom hem on back is bright pink with green, yellow and white diagonal stripes

Agbada, early 20th century

Yoruba

Not on View
over-the-head garment with wide, open sleeves; open along bottom hem except seams at bottoms of sleeves; dark blue with thin white striping in weave running horizontally on sleeves and in rectangle on proper left torso, weave runs vertically on torso; off-white embroidery: large spiral on back with center circle filled with eyelet stitches and line stitching in diamond pattern; solid half-oval on back of neck collar with cabled texture inside; large spiral on proper right chest with center circled filled with eyelet and line stitching in diamond pattern; braid and woven triangle on proper right front collar; proper left chest and waist covered with solid embroidery with cabled texture, in large rectangle shapes, two long triangles, diamonds, looping circular and four-loop knot designs; V neckline; light blue fabric lining in torso

Riding (?) agbada, 20th century

Yoruba

Not on View
woven cotton panel with gray, purple and light blue stripes; embroidered red, yellow, white and blue geometric shapes alternate across panes; two end have gold embroidery lining ends; two of the opposite corners have the word 'SALLI' embroidered in capital letters

Panel, 1900-1999

Nupe

Not on View
yellow, blue and red striped panel with approximately 3" x 5" woven cotton rectangle patches with red, green, purple and gray stripes; two end are hemmed forming a seam

Kente cloth, 1900-1999

Ewe

Not on View
blue and white woven panel; blue dyed background with white lines and dots forming triangle and circular patterns; seven strips of fabric stitched together to form panel; two ends of panel are folded and stitched to form seam

Panel, 20th century

Wara

Not on View
nine strips of fabric stitched together to form panel; blue dyed background with nine white stripes running length-wise; white stripes are divided by thing blue stripe; white ringed ovals edge stripes

Panel, 1900-1999

Wara

Not on View
blue dyed panel with overlapping white stripes and dots that form triangle and rectangle shapes; seven strips are sewn together to form panel; two ends are stitched forming a seam

Panel, 1900-1999

Wara

Not on View
woven panel with blue background; horizontal thin white stripes alternate orange stripes; two ends are fringed; seven strips stitched together to form panel

Panel, 1900-1999

Baule

Not on View
dark indigo with tie-dyed circles; bands of zigzags and vertical lines separated by horizontal bands

Adire ohiko (tie-dyed panel), 20th century

Yoruba

Not on View
woven strips sewn together; predominately blue, red, white, yellow and orange; red, white and blue striped strips woven with striped bands in predominately orange or yellow--inner strips have some alternating thin white or yellow stripes

Panel, 20th century

Ewe

Not on View
patterned strips stitched together; multicolored--predominately orange and blue; strips have either wide green and pink or red stripes, or wide blue and narrow white stripes, alternating with multicolored striped bands with some patterns; each end has orange and yellow lines alternating with diamond or lozenge patterning; fringe on short ends

Wrapper, Date Unknown

Ewe

Not on View
indigo and light blue tie-dye; large square patches with different repeating motifs: tight lattice pattern; alternating spots and stars; checkers with stars; triangles with circles

Adire wrapper, 20th century

Aleko

Not on View
indigo background; alternating pattern of spotted squares, and squares with a flower; has heading band

Adire wrapper, 20th century

Yoruba

Not on View
purple, green and off-white; over-the-head with wide, flared sleeves; thin panels stitched horizontally at sleeves and vertically at torso; sleeves are triangular shape with opening from shoulder to bottom; openings at neck and along bottom; slit openings to two pockets at waist; purple fabric with off-white stripes bordered with green horizontally on sleeves and vertically on torso; off-white stripes without borders vertical on sleeves, horizontal on torso; green thread embroidery in ovals around neck and pocket openings, with four-loop knot embroidered medallions around openings; large four-loop knot embroidered medallion and loop pattern on back below neck; blue hem strips inside bottom, neck and pocket openings

Riding jacket (agbada), mid 20th century

Nupe

Not on View
sixteen long narrow panels, sewn together at long edges; alternating panels: pink with grey-green grid lines and bands of yellow, red and grey embroidery; light and dark blue abstract pattern with red stripe; red and pink bands with black stripes; dark blue, light blue and white stripes; short folded and sewn hem along short edges

Wrapper, 20th century

Baule

Not on View
blue and cream rectangle-shaped panel; cream fringed edges on two shorter sides; nine strips of fabric stitched together to form panel; each strip of fabric has a blue background with cream horizontal lines forming a diamond shape, framed by cream edging lining each strip; four darker blue squares added throughout design

Panel, 20th century

Baule

Not on View
woven strips sewn together; alternating stripes; primarily magenta stripes with green and yellow geometric bands; checked blue and pale pink stripes with bold magenta geometric patterns; magenta threads have slight sheen

Woman's wrapper, 20th century

Yoruba

Not on View
woven strips sewn together; central strip is white with black stripes of various widths; four outer strips are white with primarily blue stripes with blocks at center and each end with turquoise, blue and red stripe; remaining two strips are white with red, blue and brown stripes

Panel, 1900-1950

Baule

Not on View
woven strips sewn together; black with subtle dark blue stripes alternating with purple, black and white striped bands with purple woven designs

Wrapper, 20th century

Yoruba

Not on View
woven strips sewn together; medium indigo with tie dyed designs--rows of concentric circles separated by round forms with spoke-like elements; fringe on short ends

Panel, early 20th century

Samo or Wara

Not on View
woven strips sewn together; medium indigo with tie dyed designs--rows of short lines and repeating bands of small V shapes

Panel, early 20th century

Samo or Wara

Not on View
indigo with tie-dye; large gridlines with star shapes

Adire wrapper, 20th century

Adire

Not on View
stripes of small blue and white checks; thinner strips of blue checks; wide borders at short ends with white and blue pinstripes; blue embroidery at wide borders with stripes and bars with triangles

Wrapper, 20th century

Yoruba

Not on View
red ground with black and purple thin stripes; warp faced weave; knotted fringe at ends

Man's Sash, 1945-1950

Maya

Not on View
three woven panels sewn together; blue, yellow, green, white, and rust geometric design; border at both short ends of two panels; one panel has darker border on short end only

Comforter Cover, 19th century

Miao

Not on View
front brown velvet with red panel; multicolored embroidery on red panels; one blue button loop on each side at top; blue back

Purse, mid 20th century

Miao

Not on View
rectangular panel, ties at upper corners; batik band at sides and lower edge also a rectangular area at center with two circular designs and border reflective of outer border; red and black embroidery between batik, squares with diamond and curl patterns in gold thread

Apron (ge-jia), early 20th century

Miao

Not on View
Coarsely woven mat with bands at top and bottom of red and dark blue ad, in the center, three wide red stripes on a blue ground. Finished at top and bottom with white warp fringe.

Mat, 19th century

India

Not on View
Sarong, white with red and black stripe decoration and elephant and bird motives. Cotton.

Sarong, 20th century

Sri Lanka

Not on View
Horizontal stripes of white, brown, tan, grey, yellow, orange, white and blue with large central blue stripe with 6 rows of repeating birds and organic motifs; 2 narrow blue stripes with birds and organic motifs

Man's textile (Selimut), 20th century

Indonesia

Not on View
4 woven panels sewn together; geometric linear diamond design with brown, tan, white, light green and dark blue on medium blue ground

Comforter cover, 19th century

Miao

Not on View
2 panels sewn together; brocaded fabric with light brown ground; light green, tan and dark blue floral motif

Comforter cover, 19th century

Miao

Not on View
three woven panels sewn together; yellow, blue, white, and rust geometric design; strips of fabric sewn together to form blue inner border and rust outer border

Comforter cover, 19th century

Miao

Not on View
3 brocaded panels with diamond design in yellow, white, tan and blue sewn together; double border with black on interior and blue on exterior

Comforter cover, 19th century

Miao

Not on View
three woven panels sewn together; tan and blue geometric pattern including blue diamonds throughout and tan and pink diamonds in central panel

Comforter cover, 19th century

Miao

Not on View
cylindrical shape; ribbed rim with blue, orange and white stripes; overall openwork design in white with short protruding blue tendrils; concentric circles with geometric design at center on top in orange, blue and white; crochet

Prestige Hat (Ashetu), mid 20th century

Cameroon

Not on View
3 brocaded panels with tan, white, light green, light blue, dark blue and yellow on gold ground; dark blue border

Comforter cover, 19th century

Miao

Not on View
2 woven panels sewn together; geometric pattern with diamonds in white, tan, blue and yellow; double border of brown surrounded by blue

Comforter cover, 19th century

Miao

Not on View
white with fringe on both short sides and around corners; multicolored embroidered bands at both short sides, corners and center of short sides with colored pompoms. Surface ornamentation (Needlework)

Amendil, 20th century

Ait Ammeln Amazigh (Berber)

Not on View
Sarong (?); diaper weave, black and ornage cotton

Sarong (?), 19th century

India

Not on View
short jacket, cotton, warp and weft ikat

(Woman's Oshima Tsumugu Haori), 1915-1935

Unknown Japanese

Not on View
rectangular scarf with square border; central bust of Samuel Slater and images at corners of Old Slater Mill, David Harley & Co.; Old Slater Sunday School and Pawtucket Falls and Bridge 1890 printed in black on a white field

Samuel Slater Scarf, 1890

A. L. Bodwell; Engraver: James Provan & Sons; Manufacturer: Cranston Print Works Company

Not on View
Black and red basket pattern center with black warp borders, each of which have 3 open worked areas

Wrapper, 20th century

Igbo

Not on View

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