showing 13 results matching medium:"Color screenprint and lithograph"

advanced

Looking for medina, metius, media, medic?

abstract image; blue ground fading subtly into grey at right edge; triangular forms in LRC in pale green, yellow, orange, red and pale blue--color shading subtly into other hues

%C2%A9 Steve Wilson

Intrusion, 1968

Steve Wilson

Not on View
Lithograph and screenprint in 16 layers on the backside of the paper with irregular edges cut using a template creating a tromp-l'oeil depiction of the words "Something Real Authentic True" in transparent Scotch brand tape dirtied with dust and fingerprints. Printing order: Run 1: Drawing using dust, hair, and fibers to create a positive lithographic plate printed in dark gray. Run 2: Drawing using the artist's fingerprints in ink to create a positive lithographic plate printed in brown and gray using the split fountain technique. Runs 3-8: Drawing made with Rubylith brand tape to create vertical letter strokes on a screen and printed 6 times to build physical thickness in very transparent yellowish green gloss screen printing ink. Runs 9-14: Drawing made with Rubylith brand tape to create horizontal and diagonal letter strokes on a screen and printed 6 times to build physical thickness in very transparent yellowish green gloss screenprinting ink.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Something Real Authentic True, 2011

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Screenprint and lithograph printed with multiple screen runs to produce a trompe l'oeil effect of the words "Endless, Ceaseless, Boundless Joy" appearing to be written in masking tape overlapping each other on a scuffed and dirty sheet of paper with irregular edges and three trompe l'oeil pieces of yellowed Scotch brand tape on the top edge. The top and bottom edges were cut using an irregularly shaped template designed by the artist. Run 1: Lithographic drawing of scuffs and dust in medium gray ink Runs 2-6: Masking tape screen stencil #1 in opaque white Runs 7-11: Masking tape screen stencil #2 in opaque white Runs 12-16: Masking tape screen stencil #3 in opaque white Run 17: Masking tape screen stencil #1 in transparent tan Run 18: Masking tape screen #2 in transparent tan Run 19: Masking tape screen #3 in transparent tan Run 20: Scotch tape screen stencil #1 in transparent greenish yellow Run 21: Scotch tape screen stencil #2 in very transparent greenish yellow Runs 22-28: Scotch tape screen stencil #2 in gloss overprint varnish The top and bottom edges were cut using an irregularly shaped template designed by the artist.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Wayland, 2013

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
32-color screenprint and lithograph co-published by Highpoint and the Walker Art Center produced from computer files and drawings by the artist hand-printed from photosensitive screens and lithographic plates. The four lithographic elements were retained for possible reworking and inclusion in separate project.

Copyright %C2%A9 Julie Mehretu%2C published by Highpoint Editions and Walker Art Center

Entropia (review), 2004

Julie Mehretu; Printer: Highpoint Editions, Minneapolis; Publisher: Co-published by Highpoint Editions, Minneapolis; Publisher: Co-published by Walker Art Center, Minneapolis

Not on View
Lithograph and screenprint on two sheets of paper. Right panel is bleed printed from three plates in blue, light pink, and dark pink depicting a coyote in a tutu. Left panel is bleed printed from one plate in blue and screenprinted from one screen in black and satin gloss depicting a rabbit in a skirt with a wand.

Copyright %C2%A9 Julie Buffalohead%2C published by Highpoint Editions

The Trickster Showdown, 2015

Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

%C2%A9 Don Cailliez

Grandma's Kitchen, 1981

Don Cailliez

Not on View
Untitled (Spotlights) A: Lithograph and screenprint in five colors: sage green printed texture of oriented strand board (OSB) plywood on a light creamy yellow background with five solid flat shapes in black, teal blue, and red. (The artist intended the OSB plywood texture to be relief printed directly from the plywood, but it was transferred to a lithographic plate when it was determined the OSB plywood matrix was too unstable to edition.) Untitled (Spotlights) B: Relief and screenprint in four colors: indigo blue printed texture of Luan mahogany plywood with four solid flat shapes in lemon yellow, lime green, and red.

Copyright %C2%A9 Sarah Crowner%2C published by Highpoint Editions

Untitled (Spotlights), 2013

Sarah Crowner; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

M/ABC/A, 1975

Marco Gastini; Printer: Cirrus Editions, Ltd., Los Angeles

Not on View

M/ABC/B, 1975

Marco Gastini; Printer: Cirrus Editions, Ltd., Los Angeles

Not on View

M/ABC/C, 1975

Marco Gastini; Printer: Cirrus Editions, Ltd., Los Angeles

Not on View

Untitled (Screw and Nut), 1975

Steven M. Andersen

Not on View

Three Junipers, 1985

Brad Davis

Not on View

Three Junipers, 1985

Brad Davis

Not on View

showing 13 results matching medium:"Color screenprint and lithograph"

Download results as CSV