showing 70 results matching medium:"Color offset lithography, letterpress; bound volume"

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Saddle stitched binding, photomechanical images of books with designs and text printed in orange offset lithography on beige wove paper covers; 24 pp.

Counter Intelligence: catalogue of self-published and autonomous print-creations, 1995

Jason Skeet , et al.; Publisher: Jason Skeet , et al., London

Not on View
Saddle stitched binding, image printed in offset lithography with letterpressed text on wove cover; 12 pp.

Cartoon Saloon, 2007

Martin Fagan , et al.; Publisher: Cartoon Saloon, Kilkenny

Not on View
Saddle stitched binding, full bleed, color lithographic image and letterpressed text printed on cover; 12 pp.

Books Published by Art Resources Transfer Inc., 1996

A.R.T. Press, New York

Not on View
Saddle stitched, with image and designs printed in color offset lithography; 60 pp.

Anarchist Bicycle Rally Confidential Mad Libs, 21st century

Joe Biel; Publisher: Joe Biel , Portland

Not on View
Saddle stitched binding, photomechanical image of two figures with designs and text printed in magenta offset lithography on newsprint covers; 46 pp.

Comic Arts Brooklyn, 2013

Desert Island, New York

Not on View
Saddle stitched binding, letterpress text and a photomechanical illustration of a pattern of tea bags and handguns printed in color offset lithography on wove paper covers; 15 pp.

Colonialism, February 2012

Josh MacPhee; Author: Maia Ramnath; Printer: P&L Printing, Denver; Publisher: Institute for Anarchist Studies

Not on View
Saddle stitched binding, photographic portraits of clowns with letterpress text printed in color offset lithography on newsprint; 30 pp.

Mono Grafico, 21st century

Sonia Pulido , et al.

Not on View
Saddle stitched binding, abstract design and letterpress text printed in color offset lithography on coated paper cover; 34 pp.

Ka-Bla-Mo, no. 1, 2008

Edwin Vazkez , et al.; Publisher: A Perfect Empire

Not on View
Saddle stitched binding, photographic image of female figure with text printed in offset lithography on coated paper covers; 28 pp.

Honey West, no. 1, 2010

Cynthia Martin; Author: Trina Robbins; Publisher: Moonstone, Calumet City, Ill.

Not on View
Saddle stitched binding, illustration of two men deserted on a boat, surrounded by various ocean animals; 8 pp.

The Yes Men in Judgement Day, 21st century

Rebecca Migdal

Not on View
Saddle stitched binding, photographic image of beach and crowd with letterpress text printed in color offset lithography on woe paper covers; 23 pp.

None Shall Escape: Radical Perpectives in the Caribbean, 2006

Fundi; Artist: One Thousand Emotions, St. Louis, Mo.

Not on View
Saddle stitched binding, full bleed, color illustration of a city street, with a man in a pin-striped suit walking down the sidewalk, featuring children and other figures, with text; 36 pp.

Eightball, no. 22, 2001

Daniel Clowes; Publisher: Fantagraphics Books, Seattle

Not on View
Saddle stitched binding, photomechanical illustration of expressionist landscape with text printed in color offset lithography on coated paper covers; 12 pp.

Our Time, late 20th-early 21st century

Fly NYC , et al.; Publisher: Lower East Side Girls Club, New York

Not on View
Saddle stitched binding, aerial photograph of a parking lot, street, and city block, with text; 48 pp.

Elements of composition [As above, so below], 2011

Bik Van der Pol

Not on View
Saddle stitched binding, image of tuxedo skeleton with roses printed in color offset lithography with letterpress text on coated paper covers; 77 pp.

Juxtapoz, vol. 3, no. 1, 1996

Lizzie Balogh , et al.; Publisher: High Speed Productions, San Francisco

Not on View
Bound with two paper clips, text and photographic image of a person, with a speech bubble that reads "I'M HILDA TERRY. / IF ANYONE IS LOOKING FOR ME..."; 16 pp.

Forgotton Has-Beens, 2016

8 Henderson Place Foundation, New York

Not on View
Saddle stitched binding, letterpress text and designs printed in color offset lithography on wove paper covers and photographic portrait printed in color offset lithography on coated paper that is corner hinged into the front cover; 75 pp.

ABC, issue 5: Names, 2007

Jane LeCroy; Publisher: Booklyn Artists Alliance, New York

Not on View
Saddle stitched binding, letterpress text and designs printed in color offset lithography on wove paper covers; 18 pp.

Open Magazine, Pamphlet no. 18: Reproductive Freedom: Our Right to Decide, April 1992

Marlene Fried; Author: Loretta Ross; Publisher: Open Media Pamphlet Series , Westfield, N.J.

Not on View
Perfect bound volume, photomechanical images of comic panels with text and designs printed in color offset lithography on coated paper covers; 150 pp.

The Great Women Cartoonists, 2001

Trina Robbins; Publisher: Watson-Guptill Publications, New York

Not on View
Saddle stitched binding, photographic image of protestors with letterpress text printed in color offset lithography on wove paper covers; 15 pp.

Profiles of Provocateurs: recent case studies; warning signs; practical advice, 2011

Kristian Williams; Distributor: In Our Hearts, New York

Not on View
Saddle stitched binding, photomechanical illustration of figure in mid-punch, with text and designs printed in color offset lithography on yellow wove paper covers; 64 pp.

Purée Noire, no. 11, late 20th century

Vincent Trefex , et al.; Publisher: Purée Noire, Caen, France

Not on View
Perfect bound volume, letterpress text and photographic portrait of a white male wearing glasses printed in color offset lithography on wove paper covers; 48 pp.

Applicant, October 2006

Jesse Reklaw; Publisher: Microcosm Publishing, Bloomington, Ind.

Not on View
Saddle stitched binding, photomechanical image of various drawings, designs, and text printed in color offset lithography on coated paper covers; 18 pp.

How to Start to Think About Learning to Draw Comics, 2006

Kevin Huizenga; Printer: Stinehour Press, Lunnenberg, Vermont; Publisher: The Center for Cartoon Studies, White River Junction, Vt.

Not on View
Saddle stitched binding, full bleed, photomechanical image of figure with designs and letterpress text printed in color offset lithography on coated paper covers; 5 pp.

Helvetika Bold, Issue No. 1, 2013

Gan Golan; Author: Betsy Richards; Author: Gan Golan; Publisher: The Opportunity Agenda

Not on View
Saddle stitched binding, photomechanical text and illustration of two figures printed in color offset lithography on wove paper covers; 16 pp.

Dole Scum [Missive Device], 1996

Nigel Auchterlounie; Publisher: Slab-O-Concrete, Hove, U.K.

Not on View
Saddle stitched binding, photographic image of three figures with text and designs printed in blue offset lithography on wove paper covers; 52 pp.

My Evil Twin Sister, no. 2: Hometown Interstate-5 [REPRINT], 2002

Stacy Wakefield; Author: Amber Gayle; Publisher: Evil Twin Publications, New York

Not on View
Saddle stitched binding, text and a photomechanical illustration of a cartoon cat facing backward printed on wove paper covers; 16 pp.

Hello Pussy [Missive Device], late 20th-early 21st century

Craig Conlan; Publisher: Slab-O-Concrete, Hove, U.K.

Not on View
Saddle stitched binding, letterpress text and photomechanical illustration of a helicopter landing on rural land printed in color offset lithography on wove paper covers; 31 pp.

The CIA Makes Science Fiction Unexciting, no. 4: The FBI Assassination of Puerto Rican independence leader Filiberto Ojeda Rios, 2006

Keith Rosson; Author: Abner Smith; Printer: Eberhardt Press, Portland; Publisher: Microcosm Publishing, Bloomington, Ind.

Not on View
Saddle stitched binding, letterpress text within a blue circle, printed on wove paper covers; 22 pp.

NIMBY [Missive Device], 21st century

ILYA; Publisher: Slab-O-Concrete, Hove, U.K.

Not on View
Saddle stitched binding, letterpress text and photomechanical illustration of a woman in the sea wearing a crown of chains printed in color offset lithography on coated paper covers; 26 pp.

Feral Tides, late 20th-early 21st century

Da'Shen; Publisher: Arctype Press, New York

Not on View
Saddle stitched binding, letterpress and a photomechanical illustration of a cassette being rewound, printed in color offset lithography on wove paper covers; 32 pp.

Perfect Mix Tape Segue, no.4, March 15, 2007

Joe Biel; Publisher: Microcosm Publishing, Bloomington, Ind.

Not on View
Saddle stitched binding, text and pattern of batteries printed in color offset lithography on wove paper covers; 15 pp.

Power, 2012

Josh MacPhee; Author: Todd May; Publisher: Institute for Anarchist Studies

Not on View
Saddle stitched binding, letterpress text and photomechanical illustration of a figure walking into a door with a file labeled "YOU" printed in color offset lithography on wove paper covers; 39 pp.

The CIA Makes Science Fiction Unexciting, no. 3: A look at the way the PATRIOT act and post 9/11 "security" changed our civil liberties and infringed upon basic American rights, 2006

Keith Rosson; Author: Gena Mason , et al.; Publisher: Microcosm Publishing, Bloomington, Ind.

Not on View
Saddle stitched binding, photomechanical illustration of an arabesque, floral design, with letterpress, printed in offset lithography on wove paper covers; 8 pp.

There Was an Old Woman Live Under The Hill, 2009

Antonia Magliocchetti

Not on View
Saddle stitched binding, photomechanical text and illustration of a large bear playing with two children, printed in color offset lithography on coated paper covers; 16 pp.

Suger Booger, no. 1, 2001

Kevin Scalzo; Publisher: Busybody Books

Not on View
Saddle stitched binding, designs, text, and a photomechanical illustration of an alien printed in color offset lithography on wove paper covers; 16 pp.

Baby URI, no. 23 [Missive Device], late 20th-early 21st century

Unknown; Publisher: Slab-O-Concrete, Hove, U.K.

Not on View
Saddle stitched binding, designs, letterpress text, and graphic "Biking rules" logo printed in color offset lithography on coated paper covers; 51 pp.

Biking Rules: A New Streetcode for NYC Cyclists, late 20th-early 21st century

Steve Nishimoto; Publisher: Transportation Alternatives, New York

Not on View
Saddle stitched biding, full bleed photographic image of skulls, with gothic text, printed in color offset lithography on wove paper covers; 44 pp.

Terminal Impermanence, 2016

Beau Patrick Coulon; Publisher: Beau Patrick Coulon , New Orleans

Not on View
Perfect bound volume reinforced with tape, psychedelic-kaleidoscope-like image printed in color offset lithography on coated paper; 10 pp.

Acrylic Paintings on Canvas by Motohiko Takuta, 1993-1995

Motohiko Tokuta; Publisher: Pangea Art Gallery, Chicago

Not on View
Perfect bound volume, photographic image of figure lying in a forest, photomechanical reproduction of red abstract design with legible brush marks, and text printed in color offset lithography on wove paper covers; 155 pp.

my evil twin sister, no. 3: Ramble Right, 1997

Stacy Wakefield; Author: Amber Gayle; Publisher: Evil Twin Publications, New York

Not on View
Saddle stitched binding, full bleed, photomechanical image of figure with gun, and letterpress text printed in color offset lithography on coated paper covers; 24 pp.

The Mack Bolan Poems, 1985

Mark Lamba; Publisher: Gesture Press, Toronto

Not on View
Saddle stitched binding, photomechanical illustration of abstracted figure with text and designs printed in color offset lithography on coated paper covers; 63 pp.

Nozone, no. 5, 1993

Mark Marek , et al.; Publisher: Nozone, New York

Not on View
Saddle stitched binding, abstracted photograph of a bus in the rain, framed by wood textures with text; 36 pp.

You Dork #1: Water Tower Home Again, Home Again And blah, blah, blah!, 2004

Beki Howl; Publisher: The Purple Thistle Center, Vancouver

Not on View
Saddle stitched binding, letterpress text and pink and yellow photographic image of a woman eating a donut printed in color offset lithography on coated paper covers

Soft Skull Press 1999 Fun Book, 1999

Unknown; Publisher: Soft Skull Press, New York

Not on View
Saddle stitched binding, photomechanical reproduction of the Great Seal of the United States, with letterpress text, printed in color offset lithography on coated paper covers; 14 pp.

Revolutionary, Dangerous Gear for Dangerous Times: Boycott Corporate America, 2004

Lee Harvey; Publisher: Lee Harvey , New York

Not on View
Saddle stitched binding, photomechanical illustration of figure with hammer-and-sickle symbol on mask, with designs and text printed in color offset lithography on coated paper covers; 26 pp.

Psycho Moto Zine, no. 24, 2015

Dimitri Drjuchin; Publisher: Antagonist Art Movement Press, New York

Not on View
Saddle stitched binding, photographic image of female figure against garage door, with text and designs, printed in color offset lithography on coated paper covers; 36 pp.

Ruby True, 2012

Puma Perl; Publisher: Erbacce-press, Liverpool, U.K.

Not on View
Perfect bound volume, text and illustration of two teens hopping a train; 203 pp.

Yours for the Revolution, 2002

Jeff Wilson; Author: Carissa van den Berk-Clark; Publisher: Bloodlink Press, Philadelphia

Not on View
Saddle stitched binding, text and photographic image of three punk figures printed in color offset lithography on coated paper covers; 64 pp.

Punk Magazine #20, 2007

John Holmstrom , et al.; Publisher: John Holmstrom , New York

Not on View
Perfect bound volume, illlustration of a person writing in a notebook, with illustrations of four punk figures and a city in separate panels behind them; 200 pp.

Urban Hermitt: The Flow Chronicles, 2002

Andre Hewitt; Publisher: Microcosm Publishing, Bloomington, Ind.

Not on View
Saddle stitched binding, white and red text on a background of image in a book, with text in the bottom that appears as it was written in sharpie; 16 pp.

Fearless Antifascist Punk Rock Hip Hop Political Science: The Revolutionary Vanguard of Publishing, 2001

Soft Skull Press, New York

Not on View
Saddle stitched binding, abstracted photographic image of repeated figure and designs, with letterpress text, printed in color offset lithography on coated paper covers; 49 pp.

Sandbox, no. 7: ART VS. STATE: reclaiming public space through art, 2000

Frank Guerrero , et al.; Publisher: Sylvie Myerson , et al., New York

Not on View
Perfect bound volume, letterpress and an illustration of a rolleflex camera, printed in color offset lithography on beige wove paper covers; 66 pp.

woozy #14: phound photos, 1996

Choozy Distribution, Melbourne, Australia; Editor: Iain McIntyre; Printer: Knust Press, Nijmegen, Netherlands

Not on View
Stab stitched binding, romanticized illustration of a courtyard wth people and a fountain of lions, with title text below; 28 pp.

Squatters of the Alhambra, 2008

Unknown; Publisher: Strangers In A Tangled WIlderness

Not on View
Saddle stitched binding, text and an image of a woman dressed in black wearing necklaces, against an abstracted background of German text; 64 pp.

Fantastic Erotica: The Best of Circlet Press 2008 - 2012, 2012

Cecilia Tan et al.; Publisher: Circlet Press, Cambridge, Mass.

Not on View
Perfect bound volume with white text on a red ground; 48 pp.

Lydia Lunch: So Real It Hurts, 2015

Howl! Happening, New York

Not on View
Perfect bound volume, letterpress and three photographs of railyards printed in color offset lithography on coated paper covers; 96 pp.

Transient Ways, 1996

Jessica Hahn; Publisher: Passing Through Publications, Ha'alehu, H.I.

Not on View
Saddle stitched binding, illustrationnn of a group of people outside a locked building, prominently featuring a woman in a purple shirt holding a bike above her head; 8 pp.

Time's Up! Zine collaboration, 2007

Fly NYC; Publisher: Time's Up!, New York

Not on View
Saddle stitched binding, photomechanical illustration of the silhouette of a heel with an old woman sitting in the background, printed in color offset lithography on wove paper covers; 12 pp.

We Are Sentenced... ...To a Lifetime of Shit My Son! [Missive Device], late 20th-early 21st century

Cicciolina; Publisher: Slab-O-Concrete, Hove, U.K.

Not on View
Saddle stitched binding, photomechanical text and graphic of an imagined street-view of Brooklyn, printed in color offset lithography on coated paper covers; 36 pp.

Urban Folk Art Gallery: 2011 Year in Review, 2011

Unknown; Publisher: Urban Folk Art Studios, New York

Not on View
Saddle stitched binding, full bleed, photomechanical image of surrealist field of clocks with letterpress text printed in color offset lithography on wove paper covers; 30 pp.

Mediaval, no. 4, 2003

Unknown; Publisher: Knust Press, Nijmegen, Netherlands

Not on View
Saddle stitched binding, letterpress and blue tone printed on wove paper covers; 32 pp.; part of a set of three

the things they were sorry about, 2006

Brandy Fedoruk

Not on View
Saddle stitched binding, letterpress and green tone printed in color offset lithography on wove paper covers; 32 pp.; part of a set of three

the things they loved, 2005

Brandy Fedoruk

Not on View
Saddle stitched binding, letterpress and yellow tone printed on wove paper covers; 30 pp.; part of a set of three

the things they hated, 2003

Brandy Fedoruk

Not on View
Saddle stitched binding, letterpress and pattern of a steming pie and a burning cross, printed in color off set lithography on wove paper covers; 16 pp.

White Supremacy, 2012

Joel Olson; Designer: Josh MacPhee; Printer: P&L Printing, Denver; Publisher: Institute for Anarchist Studies

Not on View
Saddle stitched binding, letterpress text and photomechanical illustration of a motel printed in color offset lithography on wove paper covers; 24 pp.

The CIA Makes Science Fiction Unexciting, no. 1: The Assassination of Martin Luther King Jr., 2002

Sarah Oleksyk , et al.; Author: Abner Smith , et al.; Publisher: Microcosm Publishing, Bloomington, Ind.

Not on View
Hardcover bound volume, fabric patch with text and "DISPLAY COPY" label adhered to black hardcover; 136 pp.

I Could Tell You But Then You Would Have To Be Destroyed By Me, 2008

Trevor Paglen; Publisher: Melville House Publishing, New York

Not on View

Up From Harlem, 1975

Tom Skinner; Publisher: Barbour & Company, Uhrichsville, Oh.

Not on View

We are the Market, 2018

Freek Lomme , et al.; Printer: Coers & Roest ArtLibro, Arnhem, Netherlands; Publisher: Onomatopee Projects, Eindhoven, Netherlands

Not on View

lumpen, no. 87: We Want To Live., 2002

Paul Chan , et al.; Publisher: Lumpen Magazine, Milwaukee, Chicago

Not on View

showing 70 results matching medium:"Color offset lithography, letterpress; bound volume"

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