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eight figures in a lines, each wearing identical costumes with kachina masks; pueblos in background; flat turquoise sky; tan, brown and turquoise

%C2%A9 Fritz Scholder

Kachina Dancers, 1970-1971

Fritz Scholder

G259

Lithograph printed from three plates in light gray, brown, and black depicting a coyote laying on its back holding four shadow puppets. Printing order: light grey, brown, and black.

Copyright %C2%A9 Julie Buffalohead%2C published by Highpoint Editions

Revisionist History Lesson, 2014

Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G259

purple image in background center of a building plan and various text; "TRIBE" and "COMMUNITY" at top and bottom in purple; sketches of rabbits' heads at right and left in purple; small images of hands, buffalo, paws, figures, fish and bags in purple at bottom; horses' heads, Native American on horse and figures with guns and bows at top edge in purple; large yellow and red rabbit at center, standing on hind legs with front paws on hips

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

Survival: Tribe/Community, 1996

Jaune Quick-to-See Smith; Publisher: Zanatta Editions, Shawnee, Kansas

G303

%C2%A9 Estate Carlos M%C3%A9rida %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Dance of the Santiagos, 1937

Carlos Mérida

Not on View
tan and red on black ground; text includes date '1.3.2.1933'

Copyright of the artist%2C artist%27s estate%2C or assignees

Invasion, 1933

Victor Shestakov

Not on View

Interior with Pink Wallpaper I, 1899

Edouard Vuillard

Not on View
Perched bird of prey peering at a mouse; no. 9 from a portfolio of 25 lithographs

%C2%A9 The Estate of Graham Sutherland

Bird and Mouse, 1968

Graham Sutherland; Printer: Atelier Mourlot, Paris; Publisher: Marlborough Fine Art Ltd., London

Not on View
seated woman in a yellow dress; man in background weaving at a loom (?)

La Fileuse, 1900

Jules Chéret; Printer: Imprimerie Chaix, Paris; Publisher: De Malherbe, éditeurs

Not on View
brown-haired woman in green dress floating in the air with birds; wearing a headress of moons and a star; yellow background; text on bottom half; 2 birds are wearing glasses

Cendrillon, 1899

Emile Bertrand

Not on View

Robert Rauschenberg%2C Tides%2C 1969 %C2%A9 Robert Rauschenberg Foundation

Tides, 1969

Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)

Not on View

%C2%A9 1971 Tom Holland %2F Bridgeman Copyright

O'Donnell, 1972

Tom Holland

Not on View

%C2%A9 Jedd Garet

Blood, 1982

Jedd Garet; Printer: Cirrus Editions, Ltd., Los Angeles

Not on View

Delft Salad Oil, 1895

Jan Theodoor Toorop; Publisher: Lankhout & Co., The Hague

Not on View
Portfolio with 10 multicolored prints, title page, 'Drawing' (hand stamp) and cover print.

%C2%A9 Emmett Williams. All rights reserved.

Title Page for Ten Autobiographical Sketches portfolio, 1979

Emmett Williams; Publisher: Edition Hansjörg Mayer, Stuttgart, London, Reykjavik

Not on View
Portfolio with 10 multicolored prints, title page, 'Drawing' (hand stamp) and cover print.

%C2%A9 Emmett Williams. All rights reserved.

Untitled, plate from Ten Autobiographical Sketches portfolio, 1979

Emmett Williams; Publisher: Edition Hansjörg Mayer, Stuttgart, London, Reykjavik

Not on View

Robert Rauschenberg%2C Drifts%2C 1969 %C2%A9 Robert Rauschenberg Foundation

Drifts, 1969

Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)

Not on View
Portfolio with 10 multicolored prints, title page, 'Drawing' (hand stamp) and cover print.

%C2%A9 Emmett Williams. All rights reserved.

Untitled, plate from Ten Autobiographical Sketches portfolio, 1979

Emmett Williams; Publisher: Edition Hansjörg Mayer, Stuttgart, London, Reykjavik

Not on View
Portfolio with 10 multicolored prints, title page, 'Drawing' (hand stamp) and cover print.

%C2%A9 Emmett Williams. All rights reserved.

Untitled, plate from Ten Autobiographical Sketches portfolio, 1979

Emmett Williams; Publisher: Edition Hansjörg Mayer, Stuttgart, London, Reykjavik

Not on View

%C2%A9 Gary Alan Bukovnik

Easter Lillies, 1982

Gary Alan Bukovnik

Not on View
abstract face of bearded man at L; abstract dancing nude couple at R; light blue, purple, green and black

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Cover for an Exhibition Catalogue: Picasso, Dessins d'un Demi-Siècle, 1956

Pablo Picasso; Publisher: Berggruen and Company

Not on View
image of woman smoking a cigarette and holding a pack of cigarettes on a green background

Smoke Cancerettes, Pox in Every Puff, 1970

Seymour Chwast; Collaborator: Art direction by Martin Geisler

Not on View
skyline of building and architectural drawings

Ben Shahn: A Retrospective 1898-1969. October 20, 1976-January 2, 1977, 1977

The Jewish Museum

Not on View
scene of buildings with sun and orange, blue and yellow sky above

Loewer Tapisseries. 17 Juin-17 Septembre 1972, 1972

Maison de la Culture de Bourges, Bourges, France

Not on View
Pooh Bear and Piglet walking into sunset

%C2%A9 Stanley Mouse %2F Bindweed Press

Peace-Joan Baez, 1966

Stanley Mouse; Publisher: The Bindweed Press

Not on View
black and gold dripping paint design, "Soulages" in white at UR

Soulages. 22 mars-21 mai 1967, 1967

Musée National d'Art Moderne, Paris

Not on View
white print on black background; two red diagonal stripes

We cannot change unless we survive but we will not survive unless we change, 1983

Maigen Elske; Printer: Inkworks Press, Berkeley, Calif.; Publisher: No Secrets Press, San Francisco

Not on View
blue ground; simplified music stand in yellows, orange, red and white; small red and yellow text at top and LRC

Lincoln Center for the Performing Arts: Music, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
red ground; pair of blue and yellow opera glasses; small text in yellow and blue at top and bottom

Lincoln Center for the Performing Arts: Opera, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
blue ground; lighter blue coat rack with red, white and blue comedy and tragedy masks with large noses hanging from hooks; small yellow and red text at top and LRC

Lincoln Center for the Performing Arts: Theater, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
red ground; blue and white director's chair; small text in blue and yellow at top and LLC

Lincoln Center for the Performing Arts: Film, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
commercially printed Christmas card with small image of Astroboy flying around a dragon carrying two older men at LRQ; long typed message on card

Greeting Cards to H.E. Robison, second half 20th century

Unknown Japanese

Not on View
group of grotesque or cartoonish abstract, overlapping figures on a green field with a blue sky; bird-like figure in ULQ in flight; bright colors of blue, green, yellow, reds and black

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Chez le Roi de Pologne, plate III from "Ubu Roi", 1966

Joan Miró; Publisher: Tériade, Paris, France

Not on View
woman wearing brown skirt, checked apron, blue blouse and white bonnet, rushing after three cows walking down a path with puddles in the rain; ducks, LRC; stone buildings, URC; water in background with two sailboats

%C2%A9 Estate of Henri Rivi%C3%A8re %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Downpour, from The Enchanted Hours, 1901

Henri Rivière; Publisher: Eugène Verneau

Not on View
three women digging with pickaxes on a beach; each woman has a white bowl; three boats on shore at left; boats on water in URC

%C2%A9 Estate of Henri Rivi%C3%A8re %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Port of Loguivy at Low Tide, 1905

Henri Rivière

Not on View
reclining man, LLC; other figures below him, LRC; dock with boats in background; buildings on opposite shore; two figures, including man with sack on his back, at left; printed in khaki green and salmon

The Dockman, Monday, 1897

Auguste Louis Lepère

Not on View
two women seated at a table outdoors with a standing man with a moustache, holding a bottle, at right; woman in foreground holds a glass for the baby on her lap to drink; other figures in middle ground and background, including a girl wearing a checked blouse leaning over the back of a bench, seen from back; printed in salmon pink and green

Sunday at the Tavern, 1897

Auguste Louis Lepère

Not on View
boat at right; rocks at left; setting sun at left; grey-purple sky

%C2%A9 Estate of Henri Rivi%C3%A8re %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Sunset, from The Enchanted Hours, 1901

Henri Rivière

Not on View
two people sleeping on a pile of logs in foreground; four other figures in background; printed in brown and green

On Monday, Sweet Repose, 1897

Auguste Louis Lepère

Not on View
two women seated at a table outdoors with a standing man with a moustache, holding a bottle, at right; woman in foreground holds a glass for the baby on her lap to drink; other figures in middle ground and background, including a girl wearing a checked blouse leaning over the back of a bench, seen from back; printed in salmon pink and green

Sunday at a Tavern, 1897

Auguste Louis Lepère

Not on View
men standing on a boat with brown sails, rowing with two large oars; buoys and rocks at right

%C2%A9 Estate of Henri Rivi%C3%A8re %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Le Calme plat, plate 11 from "La Féerie des heures", 1902

Henri Rivière

Not on View
irregular black forms including bars at left, part of triangle and square at right and circle flanked by ovoids left of center; some black splatters on ground around black shapes; touches of silvery blue at right edge, round lower part of right ovoid and between left ovoid and bar

%C2%A9 Estate Robert Motherwell %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Elegy Black Black, 1983

Robert Motherwell; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York; Printer: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
Family Dog poster no. 79; bright blue ground; illustration at center of multiple figures including woman with snake, Quaker Oats man, Lipton Tea man, woman with baked goods, woman with grapes, and corn, wheat, pumpkin, and mushrooms, with red can at top; red, yellow, green and brown border and text

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Big Brother and the Holding Company, Blue Cheer, Eighth Penny Matter, September 8-9, Denver, 1967

Rick Griffin; Publisher: Family Dog Productions, San Francisco

Not on View
Family Dog poster no. 67; brown ground; black and white photograph of two men wearing hats leaning on table with lamp in foreground

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

The Charlatans, The 13th Floor Elevators, Avalon Ballroom, June 22-25, 1967, 1967

Rick Griffin; Photographer: Herb Greene; Publisher: Family Dog Productions, San Francisco

Not on View
Family Dog poster no. 89; comic strip in multi-colors with "The Family Dog" at top; mouse and blonde surfer characters; pink typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Quicksilver Messenger Service, Sons of Champlin, Taj Mahal and the Blue Flames, October 27-29, Avalon Ballroom, 1967

Rick Griffin; Publisher: Family Dog Productions, San Francisco

Not on View
abstract image in black and brown; round black elements filled with hexagonal shapes in black; some round elements have tail-like protrusions; brown circle with black outline at right center; black bar at left; smudges throughout background

%C2%A9 Terry Winters

Double Standard, 1984

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
Red square is in the LL corner of a larger yellow square, which is in the LL corner of a larger Blue square; white border; linen wrapped mat with gold frame

%C2%A9 Ellsworth Kelly Foundation

Red Yellow Blue, 2000

Ellsworth Kelly; Printer: Gemini G.E.L., Los Angeles; Publisher: Gemini G.E.L., Los Angeles

Not on View
lioness with flaming red, white and blue darts in her back and shoulders, and with a bleeding wound in her belly; cracked stacked tower behind lionness; orange and yellow flames in background and smoke at top

%C2%A9 Estate of Luis A. Jimenez%2C Jr. %2F Artists Rights Society %28ARS%29%2C New York

Assyrian Lion, 2004

Luis Jimenez; Printer: Michael Sims; Publisher: Roswell Artist-in-Residence Foundation, Roswell, N.M.

Not on View
Family Dog poster no. 71; brown with black and green text; black and white photograph of seated man with candlestick

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

The Charlatans, The Youngbloods, The Other Half, July 13-16, Avalon Ballroom, 1967

Bob Fried; Photographer: Herb Greene; Publisher: Family Dog Productions, San Francisco

Not on View
Family Dog poster no. 41; orange background with illustration of back of sailing ship ship on water in center, with "1967" on back

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Country Joe and the Fish, Moby Grape, Lee Michaels, Avalon Ballroom, December 30-31, 1966, 1966

Alton Kelley; Artist: Stanley Mouse

Not on View
Family Dog poster no. 45; gold background with standing female figure with very long golden hair wearing a green robe leaning on a tall vase against red circle; green text

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

The Grateful Dead, Quicksilver Messenger Service, January 27-28, Avalon Ballroom, 1967

Alton Kelley; Designer: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View
Family Dog poster no. 78; blue background with nude female figure with wings; orange and pink; purple typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Miller Blues Band, Mother Earth, Bukka White, Avalon Ballroom, September 1-3, 1967, 1967

Alton Kelley; Artist: Stanley Mouse

Not on View
Bill Graham poster no. 38; yellow text over black on R; figure on L holding yellow peace sign; gray border

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Grateful Dead, James Cotton Blue Band, Lothar & the Hand People, November 18-20, Fillmore Auditorium, 1966

Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Publisher: Bill Graham Presents, San Francisco

Not on View
pink text around blue camel; orange background;

%C2%A9 Victor Moscoso

Sopwith Camel, Only Alternative, February 6-12, The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

Not on View
yellow, peach and olive green; profile of a woman in foreground, facing a yellow glow at right outside picture plane; two arched doorways behind woman; figure with a horse in left doorway; peach and green checkerboard floor; muted colors

The Knight Did Not Die in the Crusade, from "Love", 1892-1899

Maurice Denis

Not on View
printed in tan; woman at left accepting a flower from a hand at right; trees and foliage in background; window, ULC

The Morning Bouquet, the Tears, from "Love", 1892-1899

Maurice Denis

Not on View
black and grey featureless head, except PL ear and large red lips, in front of grey chainlink and purple ground

%C2%A9 Norman Catherine

Condemned, 1981

Norman Catherine; Printer: Broederstroom Press, Johannesburg, South Africa

Not on View
Abstract depiction of a court room with angular, simplified objects; on R, a large, pale orange podium with standing (or seated) figure; on L, three long rows with several figures; front row is pale green, second and third row is pale orange; section of American flag on R border; background is pale brown

%C2%A9 Tom Attridge

Court Order, 1984

Tom Attridge

Not on View
head and upper torso of a woman at right with yellow, tan and green tones in her hair; small flower bouquet in LLC; green and yellow ground with leafy or floral textures; muted colors

She Was More Beautiful Than Dreams, from "Love", 1892-1899

Maurice Denis

Not on View
woman at right wearing white dress with blue flowers, holding flowers in her PL hand and looking down at a blonde man kissing her PR hand; landscape in background; muted colors

And It Is the Caress of Her Hands, from "Love", 1892-1899

Maurice Denis

Not on View
predominately orange and flesh tones; female nude with blonde hair holds her PL hand over her breast and a drape over her lower legs; window in URC; touches of blue-green; muted colors

But It Is the Heart Which Beats Too Quickly, from "Love", 1892-1899

Maurice Denis

Not on View
group of boats with bare masts in foreground; small groups of figures on each boat; two sailboats with extended sails at top

%C2%A9 Estate of Henri Rivi%C3%A8re %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Bateaux au mouillage à Tréboul, plate 5 from "Le Beau Pays de Bretagne", 1902

Henri Rivière

Not on View
yellow ground; pair of legs--one blue, one orange; small text in orange at top and bottom

Lincoln Center for the Performing Arts: Dance, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
geometric shape rendered three-dimensionally, floating in space, with three open spaces in shape; rust-orange color

%C2%A9 Charles Huntington

General Mills, 1973

Charles Huntington

Not on View
thick undulating lines of blue, green, and pink overlapping each other throughout sheet; BAT proof

%C2%A9 Melissa Meyer

Untitled, 1992

Melissa Meyer

Not on View
one standing woman and one kneeling woman, hanging large round orange lanterns over a balcony; city scene with fireworks at R; books and artist's palette and brushes, LLC; pencil sketch of reclining nude on back- very small

Lanterns Chinoises (Chinese Lanterns), 1893

Alexandre Lunois

Not on View
head, arms and torso of nude young girl with a cloth draped over her PR arm; girl twists the ends of her long blonde hair; muted colors: pinks, greys, yellow, green

Young Girl at Her Bath, 1895

Maurice Denis

Not on View
Abstract depiction of a court room with angular, simplified objects; on R, a large, grey-orange podium with standing (or seated) figure; on L, three long rows with several figures; front row is grey-green, second and third row is grey-orange; section of American flag on R border; background is grey-brown

%C2%A9 Tom Attridge

Court Order, 1984

Tom Attridge

Not on View
Abstract depiction of a court room with angular, simplified objects; on R, an outline of a large podium with standing (or seated) figure; on L, three long rows with several figures; front row is pale green, second and third row is pale orange; section of American flag on R border

%C2%A9 Tom Attridge

Court Order, 1984

Tom Attridge

Not on View
head and torso of a yelling man with open mouth and closed eyes; red, yellow and green skin; pink inside mouth; blue background

%C2%A9 Norman Catherine

Self-portrait, 1980

Norman Catherine; Printer: Broederstroom Press, Johannesburg, South Africa

Not on View
Abstract depiction of a court room with angular, simplified objects; on R, a large, pale orange podium with standing (or seated) figure; on L, three long rows with several figures; front row is pale green, second and third row is pale orange; section of American flag on R border; background is pale brown

%C2%A9 Tom Attridge

Court Order, 1984

Tom Attridge

Not on View
a portfolio of ten prints, one frontispiece, one collaged cover and one pencil drawing (79.56)

%C2%A9 Dieter Roth Estate Courtesy Hauser %26 Wirth

Untitled from Two Times Five Trophies, 1978

Dieter Roth

Not on View
Potrait of master printer Steven Andersen, intended for the portfolio Sex in the Midwest (unrealized), along with Croissant Crusher (cat. no. 100), Rosie's Closet (cat. no. 103), the Pancake Eater (cat. no. 110), The Tattoo Artist (cat. no. 111), and Lion Licker (never printed as an edition and not included in the archive). Groom's flamboyant lithograph was inspired by Andrew Wyeth's Christina's World (1948), an icon of 20th-century American painting.

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Croissant Crusher, 1979 (published 1999)

Red Grooms

Not on View
a portfolio of ten prints, one frontispiece, one collaged cover and one pencil drawing (79.56)

%C2%A9 Dieter Roth Estate Courtesy Hauser %26 Wirth

Untitled from Two Times Five Trophies, 1978

Dieter Roth

Not on View
a portfolio of ten prints, one frontispiece, one collaged cover and one pencil drawing (79.56)

%C2%A9 Dieter Roth Estate Courtesy Hauser %26 Wirth

Untitled from Two Times Five Trophies, 1978

Dieter Roth

Not on View
a portfolio of ten prints, one frontispiece, one collaged cover and one pencil drawing (79.56)

%C2%A9 Dieter Roth Estate Courtesy Hauser %26 Wirth

Untitled from Two Times Five Trophies, 1978

Dieter Roth

Not on View
a portfolio of ten prints, one frontispiece, one collaged cover and one pencil drawing (79.56)

%C2%A9 Dieter Roth Estate Courtesy Hauser %26 Wirth

Untitled from Two Times Five Trophies, 1978

Dieter Roth

Not on View
a portfolio of ten prints, one frontispiece, one collaged cover and one pencil drawing (79.56)

%C2%A9 Dieter Roth Estate Courtesy Hauser %26 Wirth

Untitled from Two Times Five Trophies, 1978

Dieter Roth

Not on View
sketchy image of figure bathing with child at L, accompanied by standing figure; another leaning figure R of center; heavy trees and foliage; greens and brown

Bathers, 1899

Ker-Xavier Roussel

Not on View
abstracted, blurry image in brown, blue and white of standing woman with three small figures (putti?)

Cupids Playing near a Nymph, 1899

Ker-Xavier Roussel

Not on View
yellow, blue and white; abstracted image of figures at center and foliage in ULC

Women in the Countryside, 1899

Ker-Xavier Roussel

Not on View
sketchy images of two figures at center flanking a tree; water at R; another figure- bathing? - in LRC; greens, purple and flesh tones

People at the Seashore, 1899

Ker-Xavier Roussel

Not on View
a portfolio of ten prints, one frontispiece, one collaged cover and one pencil drawing (79.56)

%C2%A9 Dieter Roth Estate Courtesy Hauser %26 Wirth

Two Times Five Trophies, 1978

Dieter Roth

Not on View
grey, blue-grey and black; palm tree-like element in center--vertical crisscrossing shoelace with slightly drooping bow at top; U-shaped tennis shoe tongue in LRQ; some grey spots and black and grey curving lines scattered around image

%C2%A9 Claes Oldenburg

Sneaker Lace in Landscape - Gray, 1991

Claes Oldenburg; Publisher: Gemini G.E.L., Los Angeles

Not on View
red and grey with puce; palm tree-like element in center--vertical crisscrossing shoelace with slightly drooping bow at top; U-shaped tennis shoe tongue in LLQ; some puce and grey spots and red and grey curving lines scattered around image

%C2%A9 Claes Oldenburg

Sneaker Lace in Landscape - Red, 1991

Claes Oldenburg; Publisher: Gemini G.E.L., Los Angeles

Not on View
blue and grey; vertical crisscrossing shoelaces with slightly drooping bow at top; U-shaped element at bottom; vertical elements flanking laces

%C2%A9 Claes Oldenburg

Study for Sneaker Lace - White, 1991

Claes Oldenburg; Publisher: Gemini G.E.L., Los Angeles

Not on View
two standing women at left; leftmost woman has her hands over her face; rightmost woman looks up at legs of crucified Christ on cross; women wear dark and light blue and salmon robes; seated writing figure in LRC

Mourners at the Foot of the Cross, 20th century

Artist Unknown , 20th century

Not on View
"Wanted" poster in red, black, and white with profile and straight on images from artist's passport and paragraph inviting a reward for information leading to Ai Weiwei's release; set against green square with white border

Copyright %C2%A9 2014 Ai Weiwei

Wanted, 2014

Ai Weiwei; Publisher: Francis Naumann Fine Art, New York

Not on View
abstract image with orange, bright pink, yellow, white, blue and green ribbon-like elements

%C2%A9 Stanley William Hayter %2F Artists Rights Society %28ARS%29%2C New York

Ressac, 1973 (published 1974)

Stanley William Hayter; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Etablissements Guillard, Cachan, France

Not on View
three brown fedora hats arranged vertically; orange color washes and grey lines in background

%C2%A9 Claes Oldenburg

Three Hats, 1974

Claes Oldenburg; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Styria Studio, New York

Not on View
gold splatter

%C2%A9 John Armleder

Untitled, plate 2 from "Spirale Blanche", 2008

John Armleder

Not on View
overlapping concentric splatters in red, yellow and blue

%C2%A9 John Armleder

Untitled, plate 4 from "Spirale Blanche", 2008

John Armleder

Not on View
purple spots and smears on white; fish-like form in LRC

%C2%A9 John Armleder

Untitled, plate 10 from "Spirale Blanche", 2008

John Armleder; Publisher: World House Editions, Middlebury, Conn.

Not on View
abstract image in yellow and green on white; white margin at left; some fish-like and tenticle-like forms

%C2%A9 John Armleder

Untitled, plate 7 from "Spirale Blanche", 2008

John Armleder

Not on View
abstract image in red and yellow; some fish-like forms at bottom left and right; white margin at left

%C2%A9 John Armleder

Untitled, plate 8 from "Spirale Blanche", 2008

John Armleder

Not on View
black splatter

%C2%A9 John Armleder

Untitled, plate 1 from "Spirale Blanche", 2008

John Armleder

Not on View
abstract image with purple, red and yellow forms; fish-like form in ULC

%C2%A9 John Armleder

Untitled, plate 3 from "Spirale Blanche", 2008

John Armleder

Not on View
abstract image in green and lavender; fish-like form in LLC; white margin at right

%C2%A9 John Armleder

Untitled, plate 5 from "Spirale Blanche", 2008

John Armleder

Not on View
gold drip spots with tiny linear splatters; white margin at left

%C2%A9 John Armleder

Untitled, plate 6 from "Spirale Blanche", 2008

John Armleder

Not on View
abstract design in blue, green and yellow on white; some tentacle-like forms at center in LLQ; white strip at right edge

%C2%A9 John Armleder

Untitled, plate 9 from "Spirale Blanche", 2008

John Armleder

Not on View
interior view featuring five prints with still lives and landscapes in green and red on a round table with a red and white tablecloth; small grey cat in LRQ on top of table, batting at a crumpled piece of paper; text in URQ: "6 rue Laffitte / 2e année / ALBUM / D'ESTAMPES / ORIGINALES / DE / LA GALERIE / VOLLARD / 1897"

Cover of the "Album d'estampes originales de la Galerie Vollard", 1897

Pierre Bonnard; Publisher: Ambroise Vollard, Éditeur; Printer: Auguste Clot

Not on View

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