Looking for medina, metius, media, medic?

Judith Beheads Holofernes, Lovis Corinth — Judith Beheads Holofernes, 1910
Lovis Corinth

Not on View

The Chap-Book: The Blue Lady, William H. Bradley; Publisher: Stone and Kimball, Chicago — The Chap-Book: The Blue Lady, December 1894
William H. Bradley; Publisher: Stone and Kimball, Chicago

G379

Family Dog poster no. 57; spiral in pink, red, green, and blue with female figure behind; text in blue and pink; yellow border; red typewritten text at bottom — "Swirly," The Doors, Miller Blues Band, Haji Baba, April 14-15, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 68; curling text in blue and green over red with two circles at center; green along one long side and blue along other long side, each with white typewritten text — Quicksilver Messenger Service, Mount Rushmore, Big Brother and the Holding Company, Horns of Plenty, June 29-30, July 1-2, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

Bill Graham poster no. 38; yellow text over black on R; figure on L holding yellow peace sign; gray border — Grateful Dead, James Cotton Blue Band, Lothar & the Hand People, November 18-20, Fillmore Auditorium, 1966
Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

white and yellow arcing grid on orange with yellow sun orb at top center; silhouette of a figure attached of purple and green wings on top of sun orb; blue and yellow curving elements at bottom with orange text; pink typewritten text at bottom — "Sky Web," The Charlatans, Buddy Guy, September 22-24, Avalon Ballroom, 1967
Bob Fried; Publisher: Family Dog Productions, San Francisco

G316

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Squiggly Trinity," Bo Didley, Lee Michaels, November 17-19, Avalon Ballroom, 1967

William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

black ground; large round element at top in red, yellow, and white, with looping designs and faint skull element at center; arcs with bubble letters at bottom; white typewritten text at top — "Rorschach Test," Blues Project, It's A Beautiful Day, Nazz Are Blues Band, April 5-7, Avalon Ballroom, 1968
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

red text on either side of a blue and red image of person with afro; blue background — Moby Grape, The Other Half, It's a Beautiful Day, Tim Hardin, January 24-25, Winterland, 1969
San Andreas Fault (Tad Hunter); Publisher: Family Dog Productions, San Francisco

G316

Art Deco style; woman with long, twisting, green hair wearing a purple dress and holding a cigarette in her PR hand; printed in orange, purple, black, and green — "The Woman with Green Hair," Jim Kweskin Jug Band, Big Brother and the Holding Company, Electric Train, Avalon Ballroom, October 7-8, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

G316

Bill Graham poster no. 136; blue background; hand holding torch over heart at center; red, yellow, and black text — "Heart and Torch," Big Brother & the Holding Company, Santana, Chicago Transit Authority, September 12-14, Filmore West, 1968
Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

black and white; image in an archway of a skeleton with an oversized skull wearing a tiny cowboy hat and a black jacket, with a cigar in its mouth; bubble letters — The Quick and The Dead: The Grateful Dead, Quicksilver Messenger Service, The New Tweedy Brothers, June 10-11, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 26; skeleton surrounded by red and white roses and wearing a crown of roses against blue background — "Skull and Roses," Grateful Dead, Oxford Circle, September 16-17, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

man's face in orange stripes on turquoise ground; orange pyramids surmounted with radiating triangles with eyes in bottom corners — "Zebra Man," 13th Floor Elevators, Quicksilver Messenger Service, September 30-October 1, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 61; blue background with pink and orange text; pixilated blurry figure wearing a full skirt with four wings (?) in blue, red, and yellow on purple ground; "ANNABELLES BUTTERFLY DANCE" below figure in blue; purple typewritten text at bottom — "Butterfly Lady," The Doors, The Sparrow, May 12-13, Avalon Ballroom, 1967
Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

orange and pink close up image of a woman's face wearing sunglasses; blue text fit into shape of lenses; blue and pink borders — The Chambers Brothers, March 28-30, 1967, April 4-6, The Matrix, 1967
Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

head and torso of a topless woman with long hair, printed in green, against a red ground with a black snake with lettering twined around her; green text at top: "SIN DANCE" — Sin Dance: The Grass Roots, The Sons of Adam, Big Brother and the Holding Company, April 29-30, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

pink image of person on blue background; orange and pink flower shapes around image, petals contain text; pink and orange border; — The Wildflower, March 3-5, The Matrix, 1967
Victor Moscoso; Photographer: Elaine Mayes; Publisher: Neon Rose, San Francisco

G316

fuchsia, orange, purple, turquoise; geometric lines and rectangles with radiating letters of various typefaces; central photographic image of a woman's face, upside down, in fuchsia on orange; white typewritten text at bottom — "One Hundred Six," Youngbloods, Mount Rushmore, Phoenix, February 16-18, Avalon Ballroom, 1968
William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

blue text dissapating behind green image of singer; neon orange background; green text with blue background along bottom; blue border — Junior Wells and his Chicago Blues Band, Steve Mann, December 27, 1966-January 8, The Matrix, 1966
Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

eyeball with various appendages--pair of wings, pair of reptilian legs of which one is holding a skull, and a rattlesnake-like tail--climbing through firey hole at center; black text with gold outlines on top and bottom; red background — “The Flying Eyeball,” Jimi Hendrix Experience, John Mayall and the Bluesbreakers, Albert King, February 1, 4, Fillmore Auditorium, February 2, 3, Winterland, 1968
Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Family Dog poster no. 101; black ground with red text; illustration of bleeding heart with roots and branches at center; blue typewritten text at bottom — "Eternal Reservoir," Quicksilver Messenger Service, Kaleidoscope, Charley Musselwhite, January 12-14, Avalon Ballroom, 1968
Rick Griffin; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 88; red background with green flame-like design and text; purple and green text in center in a T shape; white typewritten text at bottom of main design motif — "Ohm," Van Morrison, Daily Flash, Hair, Avalon Ballroom, October 20-22, 1967, 1967
Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

16-color lithograph and screenprint. — Streaming, 2009
Lisa Nankivil; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

14-color lithograph and screenprint. — Equinox, 2008
Lisa Nankivil; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

14-color lithograph and screenprint. — Lacuna, 2008
Lisa Nankivil; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Lithograph printed from three plates in light gray, brown, and black depicting a coyote laying on its back holding four shadow puppets. Printing order: light grey, brown, and black. — Revisionist History Lesson, 2014
Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

Lithograph printed from four plates: two reds, brown, and black. Depicting a fox holding a turtle and Japanese character Dōmo-kun. Printing order: red flat, red wash, brown, and black. — Fox Tussle, 2015
Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

A four-color lithographic print with chine collé published by Highpoint Editions. Four lithographic drawings by the artist were printed from lithographic plates on four pieces of gampi paper. The four separate gampi sheets were layered using wheat starch paste and then attached to the Somerset backing sheet, also using wheat starch paste. Entropia: Construction is related to an earlier work co-published in 2004 by Highpoint Editions and the Walker Art Center, Entropia (review). Three drawings previously used in Entropia (review) were merged with a fourth new drawing by Julie Mehretu to create Entropia: Construction. There are no further variants or prints using these drawings. — Entropia: Construction, 2005
Julie Mehretu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G266-G274

red, black and green on white paper; text: [Musea der Gem's Grarenhage/Tentoonstelling/Aanuinsten/Moderne Kunst/Zeestraat 65B] — Moderne Kunst, 1925
Netherlands

Not on View

The Bathers (Large Plate), Paul Cézanne — The Bathers (Large Plate), 1898
Paul Cézanne

Not on View

Marchand des quatre-saisons, Pierre Bonnard; Publisher: Ambroise Vollard — Marchand des quatre-saisons, c. 1897 (published 1899)
Pierre Bonnard; Publisher: Ambroise Vollard

Not on View

Spirals, Alexander Calder — Spirals, 1969
Alexander Calder

Not on View

Job, Alphonse Mucha; Printer: F. Champenois, Paris — Job, 1896
Alphonse Mucha; Printer: F. Champenois, Paris

Not on View

Au Theatre, Pierre Bonnard; Publisher: Published for Ambroise Vollard — Au Theatre, c. 1897-98 (published 1899)
Pierre Bonnard; Publisher: Published for Ambroise Vollard

Not on View

Villa by the Sea, plate 4 from "Metamorphosis" suite, Giorgio de Chirico — Villa by the Sea, plate 4 from "Metamorphosis" suite, 1929
Giorgio de Chirico

Not on View

The Hat Pin, Pierre Auguste Renoir — The Hat Pin, 1898
Pierre Auguste Renoir

Not on View

Ambassadeurs: Aristide Bruant dans son cabaret, Henri de Toulouse-Lautrec — Ambassadeurs: Aristide Bruant dans son cabaret, 1892
Henri de Toulouse-Lautrec

Not on View

see object file for complete description of contents — Au square (In the Square), November 1897
Henri-Jacques-Edouard Evenepoel

Not on View

Coin de rue, Pierre Bonnard; Publisher: Ambroise Vollard — Coin de rue, 1899
Pierre Bonnard; Publisher: Ambroise Vollard

Not on View

The Pastry Shop, Edouard Vuillard — The Pastry Shop, 1899
Edouard Vuillard

Not on View

Perro Aullando, Rufino Tamayo — Perro Aullando, 1960
Rufino Tamayo

Not on View

Rue le soir sous la pluie, Pierre Bonnard; Publisher: Ambroise Vollard — Rue le soir sous la pluie, c. 1896-97 (published 1899)
Pierre Bonnard; Publisher: Ambroise Vollard

Not on View

Rue vue d'en Haut, Pierre Bonnard; Publisher: Ambroise Vollard — Rue vue d'en Haut, 1899
Pierre Bonnard; Publisher: Ambroise Vollard

Not on View

Montroig 3, Joan Miró; Publisher: Edicions Polígrafa, Barcelona — Montroig 3, 1974
Joan Miró; Publisher: Edicions Polígrafa, Barcelona

Not on View

The Garden behind the Studio, Edouard Vuillard — The Garden behind the Studio, 1901
Edouard Vuillard

Not on View

The Indiscreet Jewels, René Magritte; Printer: Mourlot Freres, Paris — The Indiscreet Jewels, 1963
René Magritte; Printer: Mourlot Freres, Paris

Not on View

Landscape at Camaret, Maximilien Luce — Landscape at Camaret, c. 1897
Maximilien Luce

Not on View

Avenue in the Bois de Boulogne, Pierre Bonnard; Publisher: Published for Ambroise Vollard — Avenue in the Bois de Boulogne, c. 1898 (published 1899)
Pierre Bonnard; Publisher: Published for Ambroise Vollard

Not on View

Le Pont des Arts, Pierre Bonnard; Publisher: Ambroise Vollard — Le Pont des Arts, c. 1897 (published 1899)
Pierre Bonnard; Publisher: Ambroise Vollard

Not on View

La partie de campagne, Henri de Toulouse-Lautrec — La partie de campagne, 1897
Henri de Toulouse-Lautrec

Not on View

The Arc de Triomphe, Pierre Bonnard; Publisher: Ambroise Vollard — The Arc de Triomphe, c. 1897 (published 1899)
Pierre Bonnard; Publisher: Ambroise Vollard

Not on View

abstract compostion with five biomorphic forms printed in gray, black,and blue on an ochre-yellow ground — Composition with Five Forms, 1964
Hans (Jean) Arp

Not on View

When a Leak..., James Rosenquist; Publisher: Gemini Editions Ltd., Los Angeles — When a Leak..., 1980
James Rosenquist; Publisher: Gemini Editions Ltd., Los Angeles

Not on View

Dance of the Pascola and the Deer, Carlos Mérida — Dance of the Pascola and the Deer, 1937
Carlos Mérida

Not on View

Dance of the Santiagos, Carlos Mérida — Dance of the Santiagos, 1937
Carlos Mérida

Not on View

Tentoonstelling Voor de Kunst (De Ruiter), Bart van der Leck; Publisher: Willem Scherjon — Tentoonstelling Voor de Kunst (De Ruiter), 1919
Bart van der Leck; Publisher: Willem Scherjon

Not on View

54 color lithographs; 2 color lithographs on covers; lithographed text in artist's hand, printed in black within lithographed borders — Frontispiece, from The Poems of Charles of Orléans, 1950
Henri Matisse; Author: Charles d’Orléans; Publisher: Tériade, Paris, France; Printer: Mourlot Freres, Paris

Not on View

Summer Stream, Ansei Uchima — Summer Stream, 1962
Ansei Uchima

Not on View

The Debaucher, Henri de Toulouse-Lautrec — The Debaucher, 1896
Henri de Toulouse-Lautrec

Not on View

white, blue, orange and yellow circles, squares and triangles on light blue background — Bauhaus 1919-1969, 1969
Herbert Bayer; Publisher: Musée National d'Art Moderne, Paris; Publisher: Musée d'Art Moderne de la Ville de Paris

Not on View

musicians playing instruments on horse carousel; Original poster for the exhibtion "Mentor: La Grande Parade" Galerie Drouant, Paris, February 4-21, 1970, featuring the work of Blasco Mentor — Mentor: La Grand Parade, 1970
Galerie Drouant, Paris

Not on View

image of woman smoking a cigarette and holding a pack of cigarettes on a green background — Smoke Cancerettes, Pox in Every Puff, 1970
Seymour Chwast; Collaborator: Art direction by Martin Geisler

Not on View

scene of buildings with sun and orange, blue and yellow sky above — Loewer Tapisseries. 17 Juin-17 Septembre 1972, 1972
Maison de la Culture de Bourges, Bourges, France

Not on View

Pooh Bear and Piglet walking into sunset — Peace-Joan Baez, 1966
Stanley Mouse; Publisher: The Bindweed Press

Not on View

number one in white on green background; text on L of number — And even if it seems to you. . ., 1970
Su Negrin; Publisher: Times Change Press, New York

Not on View

helmet with six flowers growing from it; each circle has a photo in center — Anti-Draft Week, March 16-22, 1970
Mark Morris; Publisher: New Mobilization Center to End the War in Vietnam, Washington, D.C.; Printer: The Philadelphia Reistance Press

Not on View

four family members squeezed into a house too small; orange on green background — The Family, 1970
Su Negrin; Publisher: Times Change Press, New York

Not on View

skyline of building and architectural drawings — Ben Shahn: A Retrospective 1898-1969. October 20, 1976-January 2, 1977, 1977
The Jewish Museum, New York

Not on View

white wheel with six spokes and pink center; silver background — Alechinsky images tout à trac. Mai 70, 1970
à la Hune, Paris

Not on View

black and gold dripping paint design, "Soulages" in white at UR — Soulages. 22 mars-21 mai 1967, 1967
Musée National d'Art Moderne, Paris

Not on View

Copyright %C2%A9 2014 Ai Weiwei

Wanted, 2014

Ai Weiwei; Publisher: Francis Naumann Fine Art, New York

Not on View

stylized image of skull; black and two shades of tan — LP3, from "Lampe" portfolio, 2008
John Armleder

Not on View

stylized image of skull; red, brown and blue — LP2, from "Lampe" portfolio, 2008
John Armleder

Not on View

portrait of a woman with green eyes wearing a bright red garment with floral V-neck collar and PL sleeve, with her PL hand against the side of her face, index finger upraised; part of orange wicker chair at right and top; turquoise ground — Untitled (GS-8), 1978
George Segal; Publisher: Edicions Polígrafa, Barcelona

Not on View

curving line of performers extending from LLC back into dark blue night sky with moon; figure dressed as Pirot playing a lute and dancing in LLC; red-haired woman in a yellow costume with orange flower at her breast and flower on her hat at center, with a jester figure wearing a yellow and orange costume behind her in the shadows; man in red riding a mule behind woman in yellow, to right; very large vase of flowers at left; Japanese lanterns in ULQ — Musée Grevin, Théatre les Fantoches de John Hewelt, 1900
Jules Chéret

Not on View

stylized image of skull; red, rust and tan — LP1, from "Lampe" portfolio, 2008
John Armleder

Not on View

gold drip spots with tiny linear splatters; white margin at left — Untitled, plate 6 from "Spirale Blanche", 2008
John Armleder

Not on View

abstract image in red and yellow; some fish-like forms at bottom left and right; white margin at left — Untitled, plate 8 from "Spirale Blanche", 2008
John Armleder

Not on View

interior view featuring five prints with still lives and landscapes in green and red on a round table with a red and white tablecloth; small grey cat in LRQ on top of table, batting at a crumpled piece of paper; text in URQ: "6 rue Laffitte / 2e année / ALBUM / D'ESTAMPES / ORIGINALES / DE / LA GALERIE / VOLLARD / 1897" — Cover of the "Album d'estampes originales de la Galerie Vollard", 1897
Pierre Bonnard; Publisher: Ambroise Vollard, Éditeur; Printer: Auguste Clot

Not on View

abstract design in blue, green and yellow on white; some tentacle-like forms at center in LLQ; white strip at right edge — Untitled, plate 9 from "Spirale Blanche", 2008
John Armleder

Not on View

abstract image with purple, red and yellow forms; fish-like form in ULC — Untitled, plate 3 from "Spirale Blanche", 2008
John Armleder

Not on View

abstract image in green and lavender; fish-like form in LLC; white margin at right — Untitled, plate 5 from "Spirale Blanche", 2008
John Armleder

Not on View

purple spots and smears on white; fish-like form in LRC — Untitled, plate 10 from "Spirale Blanche", 2008
John Armleder; Publisher: World House Editions, Middlebury, Conn.

Not on View

abstract image in yellow and green on white; white margin at left; some fish-like and tenticle-like forms — Untitled, plate 7 from "Spirale Blanche", 2008
John Armleder

Not on View

gold splatter — Untitled, plate 2 from "Spirale Blanche", 2008
John Armleder

Not on View

overlapping concentric splatters in red, yellow and blue — Untitled, plate 4 from "Spirale Blanche", 2008
John Armleder

Not on View

abstract image with orange, bright pink, yellow, white, blue and green ribbon-like elements — Ressac, 1973 (published 1974)
Stanley William Hayter; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Etablissements Guillard, Cachan, France

Not on View

black splatter — Untitled, plate 1 from "Spirale Blanche", 2008
John Armleder

Not on View

unsigned; photographic image of tiny flowers and grasses with manipulated colors; inner square with horizontal band of black and white at center, greenish tones at bottom and light, more natural colors at top; outer square with blue and green grasses at bottom and purple, green and blue at top — Nature Grass No. 4, 1990
Endō Susumu

Not on View

standing purple and blue bird seen from PR, squawking, with beak open — Chula, 1987
Luis Jimenez; Publisher: Segura Arts Studio, South Bend, Ind.

Not on View

standing figure with white hair, bushy white eyebrows, large white moustache, wearing a hat with a rounded top, colorful jacket and knickers, and one red stocking and one green stocking, with orange shoes, holding a walking stick; text printed at bottom — Polichinelle, 1876
Édouard Manet; Printer: Lemercier & Cie., Paris

Not on View

two men outdoors; man at right wears blue pants, clogs, white shirt and greenish hat and leans on a shovel; man at left wears plaid pants, long white coat, black vest and white hat, smoking a cigar; man at left has long tan beard; figures in farm fields and houses in background — Le député aux champs (The Field Delegate), 1893
Théophile-Alexandre Steinlen

Not on View

blue, green, black and white; line drawing style crouching nude male figure with curly short hair and his PL arm up, reaching down with his PR hand; blotchy white forms overall — Le Dessinateur II, 1954
Hans Erni

Not on View

boat at right; rocks at left; setting sun at left; grey-purple sky — Sunset, from The Enchanted Hours, 1901
Henri Rivière

Not on View

two people sleeping on a pile of logs in foreground; four other figures in background; printed in brown and green — On Monday, Sweet Repose, 1897
Auguste Louis Lepère

Not on View

woman wearing a black and orange dress and a large black hat, with red hair, holding up her skirts, exposing her white and orange underskirts; other figures wearing bright clothing in background — Danseuse au Moulin Rouge, 1899
Jacques Villon

Not on View

group of grotesque or cartoonish abstract, overlapping figures on a green field with a blue sky; bird-like figure in ULQ in flight; bright colors of blue, green, yellow, reds and black — Chez le Roi de Pologne, plate III from "Ubu Roi", 1966
Joan Miró; Publisher: Tériade, Paris, France

Not on View

two women seated at a table outdoors with a standing man with a moustache, holding a bottle, at right; woman in foreground holds a glass for the baby on her lap to drink; other figures in middle ground and background, including a girl wearing a checked blouse leaning over the back of a bench, seen from back; printed in salmon pink and green — Sunday at the Tavern, 1897
Auguste Louis Lepère

Not on View

two standing women at left; leftmost woman has her hands over her face; rightmost woman looks up at legs of crucified Christ on cross; women wear dark and light blue and salmon robes; seated writing figure in LRC — Mourners at the Foot of the Cross, 20th century
Artist Unknown , 20th century

Not on View

showing 100 of 1925 results matching medium:"Color lithograph". (load 200 more)

Download results as CSV