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dove standing on the head of a crying clown; numbers 6102305 below clown

%C2%A9 Estate Mauricio Lasansky

Kaddish 5, 1978

Mauricio Lasansky

G262

%C2%A9 Carroll Dunham

Wave, 1988-1990

Carroll Dunham; Publisher: Universal Limited Art Editions (ULAE)

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Blackburnian Warbler, 1954

Maurice R. Bebb

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

The Midgette, 1950

Maurice R. Bebb

Not on View

Tineuse de cartes, 1891

Charles Maurin

Not on View

Bei Dachau, 19th Century

Johann Brockhoff

Not on View
Diptych, right image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
Diptych, right image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
blue image of farm and fields, with electrical poles at left; farm house, barn and other buildings at right

%C2%A9 Larry Welo

Fallow, 2007

Larry Welo

Not on View
Caricature; No. 565

Farmer Giles & his Wife, shewing off their daughter Betty to their Neighbours, on her return from School, January 1, 1809

James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

Not on View

Le retour du lavoir, 19th century

Théophile-Alexandre Steinlen

Not on View
nude female in profile from PL at right; partially seated nude female at left with PL foot drawn behind PR knee and PL arm behind her head; nude male in profile from PR, with head turned to PR, behind partially seated woman; tree in URC; architecture and tile paving

%C2%A9 Paul Delvaux %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Untitled [two female nudes and one male nude], c. 1971

Paul Delvaux

Not on View

%C2%A9 E. Mark Adams and Beth Van Hoesen Trust

Tattooed Man, 1966

Beth Van Hoesen; Publisher: Beth Van Hoesen; Printer: Crown Point Press, San Francisco

Not on View
in green ink a woman's head and neck with a hand under her face on the right side of the image

Girl with Hand (Sonia Gramatté), 1923

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; in green ink the head and shoulders of a boy looking directly at the viewer; a wisp of hair stands upright at the top of his head; diagonal lines set closely together cover parts of his forehead, his cheeks, and across a portion of his neck; area around eyes, tip and under the nose, chin, and a portion of the neck are colored in pale pink

Boy's Head (Self-Portrait), Plate 8 from Das Gesicht (The Face), 1922-1923

Walter Gramatté

Not on View
frontal view of the head and shoulders of a man in a green collarless garment with his eyes closed; background is in dark blue/gray and the face has a pinkish hue

Tired Man (Self-Portrait), 1922

Walter Gramatté

Not on View
frontal view of the head and shoulders of a man in a green collarless garment with his eyes closed; background is a dark blue/gray

Tired Man (Self-Portrait), 1922

Walter Gramatté

Not on View
head and shoulders of a young man with vertical lines running across the forehead and below the nose to the bottom of the neck; background in blue-green

Male Face (Self-Portrait), 1923

Walter Gramatté

Not on View
woman's head and facial features in simple blue lines; background colored in blue ink with dense blue lines forming a circular pattern around the head

Sonia, 1927

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; head and shoulders of man in the foreground with smaller figures over his left and right shoulders; eyes, lips, and part of his forehead colored with green ink

Man in Room (Self-Portrait), Plate 1 from Das Gesicht (The Face), 1923

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; head and shoulders of man in the foreground with smaller figures over his left and right shoulders; eyes, lips, and shirt colored with green ink

Man in Room (Self-Portrait), Plate 1 from Das Gesicht (The Face), 1923

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; man in the foreground on the right side looking directly at the viewer; behind his left shoulder is a woman in profile with eyes downcast; print in green ink with a large band of dense green ink running horizontally across the sheet just above the center of the print; this band of ink runs across the forehead of the man

The Couple (Self-Portrait with Wife), Plate 6 from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; in blue-green ink a bust-length image of a woman with a coat with a large collar and cuffs holding one hand to her chest and the other resting on an open book

Bird Girl (Sonia Gramatté), Plate 4 from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; in green ink the head and shoulders of a man with a smile on his face

Smiling Head (Self-Portrait), Plate 2 from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View

%C2%A9 Estate Mauricio Lasansky

Freud, 1984

Mauricio Lasansky

G262

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Allusion, 1968

Roberto Matta

Not on View
Frontispiece

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Le Dedans & Le Dehors, 1966

Joan MirĂł; Publisher: Guy LĂ©vis Mano, Paris

Not on View
portrait of man standing at center, gazing to R with PL hand on hip; small trees planted on either side of man; brick structure and smoke stack in background, releasing blue smoke into blue sky

%C2%A9 Sandro Chia %2F Artists Rights Society %28ARS%29%2C New York

Factory Worker, 1989

Sandro Chia; Publisher: Edizioni Della Pergola, Pesaro, Italy

Not on View
Purchased at the 1991 Print and Drawing Sale and Exhibition

%C2%A9 Hugh Merrill

North/South Man II, 1989

Hugh Merrill

Not on View

Vienna: Graben, 19th century

Emil Singer

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Sparrow Hawk, 1966

Maurice R. Bebb

Not on View

BrĂĽnn: Krautmarkt im Schnee, 1910

Emil Singer

Not on View

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Droit de regarde, 1968

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Tell Me), 1980

Steven Sorman

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Come In), 1980

Steven Sorman

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Eat), 1980

Steven Sorman

Not on View

%C2%A9 Estate Gabor Peterdi

Exodus, 1952

Gabor Peterdi

Not on View

Menagere et enfants rentrant du lavoir, 19th century

Théophile-Alexandre Steinlen

Not on View
abstracted image of silhouettes of figures in black against yellow in foreground; rust colored hills; blue sky

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Refugees, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image with black, yellow, white and touches of red in LRC, around center, and ULQ; white form at bottom center; tank-like image at center

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Dead Soldiers, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image of factory scene in rust and black with black clouds of smoke; white at top and bottom

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

Industrial Park, October 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image with sketchy buildings in rust on black; creamy white with red at front; black clouds in sky, with some blue sky and clouds at center, ULC, and right edge

%C2%A9 Donald Sultan %2F Artists Rights Society %28ARS%29%2C New York

The Shelling of Dubrovnik 1999, August 2004

Donald Sultan; Printer: Maurice Payne, London; Publisher: Arte y Naturaleza, Madrid

Not on View
abstracted image; black linearly depicted woman's face at top center; breast at left in ULQ; hips and woman's genitals at bottom left of center; pair of hands slightly left of center; scroll with star at center in URQ; geometric design made up of pale peach dots at left

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Le Fil d'Adriane, 1973 (published 1974)

André Masson; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York

Not on View
abstract image; tan-grey ground with scratchy black marks; rust-colored form at bottom

%C2%A9 Georg Baselitz

Pferd (Horse), 1986

Georg Baselitz (born Hans-Georg Kern)

Not on View

Bouquet de Fantaisie, from Nouvelle Suitte De Cahiers De Fleurs Ideales, late 18th century

Jean-Baptiste Pillement; Engraver: Anne Allen

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Sit Down), 1980

Steven Sorman

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Rest), 1980

Steven Sorman

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Picasso Goes to Heaven II, 1976

Red Grooms; Publisher: Brooke Alexander, New York; Publisher: Marlborough Graphics, New York

Not on View
abstract image with boat-like shapes at R in browns, rust and green; grey blocks in LLC; yellow and grey half-circle, ULC; small green, white, black and light grey stacked shapes at top

Copyright of the artist%2C artist%27s estate%2C or assignees

Abstract Composition, 20th century

Suzanne Runacher

Not on View

%C2%A9 Philip J. von Raabe

Ich bin der Weit Abhanden gekomen, 1968

Philip J. von Raabe

Not on View

%C2%A9 Marino Marini %2F Artists Rights Society %28ARS%29%2C New York

The Surviving Rider, 1963

Marino Marini

Not on View

%C2%A9 Estate Shusaku Arakawa

The Signified Or If, 1975-1976

Arakawa (Shusaku Arakawa)

Not on View
absract

%C2%A9 Suzuka Yoshiyasu

Poem 69-013, 1969

Suzuka Yoshiyasu

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; head and shoulders of a woman with a large collar and closed eyes turned to the left; background colored in blue

Tired Girl's Head (Sonia Gramatté), Plate 7 from Das Gesicht (The Face), 1923

Walter Gramatté

Not on View
profile in green of a woman's face with jagged eyebrows; small female figure in lower right corner

Head in Profile, 1923

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; head and shoulders of a woman with a large collar and closed eyes turned to the left; background colored in teal and area around the eyes in pink

Tired Girl's Head (Sonia Gramatté), Plate 7 from Das Gesicht (The Face), 1923

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; in green and pink ink a man's head and eyes are tilted down and to the left; shoulders of man are barely visible beneath a band of dark green ink that runs across the bottom of the image

Tired Head (Self-Portrait), Plate 3 from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View

A Couple of Sweethearts, 1901

Edgar Chahine

Not on View
portrait (head and torso) of a seated man with a short pointed beard and close cropped hair, wearing a black jacket, grey tie and vest and white shirt; man in left section of image, with black and grey patterned curtain behind his head; view over man's PL shoulder of room with black cat in LRC, pictures frames on wall, and sculpture, plants and other objects on a table; room in pastel colors

Portrait of Huysmans, 1894

Eugène Delâtre

Not on View
people exiting a boat on a long ramp; woman in foreground at left wearing a short black cape and white dress with blue flowers, carrying a small bouquet of flowers; boats on background on water

Landing Stage at the River La Garonne, Bordeaux, 1897

Auguste Louis Lepère

Not on View
two women carrying bundles standing at the top of a staircase; off-white mat

Laundresses, 1893

Auguste Louis Lepère

Not on View
three figures wearing decorated skirts, standing together against greenish background; figure at L stands with hands over head; C figure crosses arms over body, with hands at shoulders; R figure faces the other two

%C2%A9 Bruce Onobrakpeya

Ekpaem Mue'li Ráme (Green Base), 1971

Bruce Onobrakpeya

Not on View
abstracted image of green human-like figure at LL reaching toward large, blue, catlike creature with geometric patterns; abstracted trees at L and R with diamond-shaped leaves extending across upper edge

%C2%A9 Bruce Onobrakpeya

Fight with One-eyed Leopard, 1970

Bruce Onobrakpeya

Not on View
figure at L pulling a passenger in chariot; third figure in background holds parasol over passenger; bright orange and yellow background with abstracted geometric designs in black

%C2%A9 Bruce Onobrakpeya

A Ride in the City of Golden Dust, 1971

Bruce Onobrakpeya

Not on View
human figures with geometrically decorated dress and body markings seated along with various pots and bowls; some figures are holding children, some are stirring bowls, and one is resting head in hands; blue tones

%C2%A9 Bruce Onobrakpeya

Moods in a Market, 1971

Bruce Onobrakpeya

Not on View
pillar-like abstracted human forms standing in tiers at R with hands extended in offering; central figure facing L holding two staffs in hands; four totem-like figures at L, under snakelike figure with 8 heads; bright red-orange background

%C2%A9 Bruce Onobrakpeya

Izobo (Red Base), 1971

Bruce Onobrakpeya

Not on View
band of shields and masks against blue background across C; band of black anthropomorphic and humanoid figures against green, yellow, and orange background along top; white background

%C2%A9 Bruce Onobrakpeya

Spirit Go II, 1969

Bruce Onobrakpeya

Not on View

%C2%A9 Estate Gabor Peterdi

Surf, 1969

Gabor Peterdi

Not on View
Vertical yellow lines along R side; green circle near top center with blue lines and shapes below; one vertical brown and blue streak along L side; small green and red spot at bottom center; flat profile, natural hardwood frame

%C2%A9 Estate of Helen Frankenthaler %2F Artists Rights Society %28ARS%29%2C NY

Sunshine after Rain, 1987

Helen Frankenthaler; Publisher: 2RC Edizioni d'Arte, Rome

Not on View

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

Untitled, 1968

Arthur Luiz Piza

Not on View
red and black ink

The Tonga Pilot (page from proposed New Zealand etchings), 1856

Charles Meryon

Not on View

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

The Green Cosmos, 1969

Arthur Luiz Piza; Publisher: La Hune, Paris

Not on View
Predominantly blue abstraction with red markings; a house or building with a pitched roof at center

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
man wearing blue jacket and brown pants, with peach-colored sack over his shoulder, walking on grassy riverbank; boats on water; bridge with arches in ULQ; buildings on opposite shore

Between Paris and Charenton, 1899

Eugène Béjot

Not on View
abstract image; tan ground; two black organic shapes made up of small black ovoid forms; scratched marks in ground; stamp-like marks in ULC and LRC ("PETIT-SERVA (cut-off) / PLANEUR / PARIS / 71.R.St. (cut-off)")

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

Untitled, c. 1965-1970

Arthur Luiz Piza

Not on View
Predominantly blue abstraction with red markings; a small gold arrow on bottom center margin

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View

The Brook, 1926

George Overby "Pop" Hart

Not on View

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

Equilibre rouge (gray variant), 1967

Arthur Luiz Piza

Not on View

%C2%A9 Estate Shusaku Arakawa

The Signified Or If, 1975-1976

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Estate Shusaku Arakawa

The Signified Or If, 1975-1976

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Estate Shusaku Arakawa

The Signified Or If, 1975-1976

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Estate Shusaku Arakawa

The Signified Or If, 1975-1976

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Estate Shusaku Arakawa

The Signified Or If, 1975-1976

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Estate Shusaku Arakawa

The Signified Or If, 1975-1976

Arakawa (Shusaku Arakawa)

Not on View
Intaglio with natural gampi chine collé printed in burnt orange from one copper plate made by the artist using line etching. The line etching is printed on the collé paper twice overlapping and rotated 180 degrees between printings.

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Untitled, 2003

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
standing, full-length figure with arms crossed and feet apart; dark clothing, hair and moustache; sketchy; tan face

%C2%A9 Estate Mauricio Lasansky

Self-Portrait, 1959

Mauricio Lasansky

G262

%C2%A9 Artists Rights Society %28ARS%29%2C New York%2FADAGP%2C Paris

The Way of Silence II, 1903

František Kupka

Not on View

%C2%A9 Estate Adja Yunkers

Les Pendus, 1980

Adja Yunkers

Not on View

%C2%A9 Estate Malcolm H. Myers

Knight, Death, and the Devil, 1961

Malcolm H. Myers

Not on View

Vienna: St. Stephen's Cathedral, 19th century

Emil Singer

Not on View
From a suite of five prints

%C2%A9 Estate Adja Yunkers

Icon II, 1980

Adja Yunkers

Not on View
Diptych, right image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View

%C2%A9 Christine Benson

Chocolate, 1977

Christine Benson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
abstract image; brown ground with horizontal lines/grains; grey and black brushstroke-like marks at top and through center of image

%C2%A9 Pierre Soulages %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Eau-forte No. V, 1957

Pierre Soulages; Printer: Lacourière, Paris; Publisher: Berggruen & Cie., Paris

Not on View
image of bottle with collage element of wine bottle label printed in red, black and gold; black scribbled lines on ground

%C2%A9 Manolo Valdes

Botello de vino, 1994

Manolo Valdes; Publisher: Marlborough Graphics, New York

Not on View
abstract image of intricate vertical architectural forms; black cloud-like form at center with grey text-like lines; greenish ground; green, black, orange, blue

%C2%A9 Ynez Johnston

Inhabited World, 1962

Ynez Johnston; Publisher: International Graphic Arts Society, New York

Not on View

%C2%A9 Estate Malcolm H. Myers

The Gay Cavalier, 1998

Malcolm H. Myers

Not on View
close-up of a woman's face with closed eyes; background in blue and eyes and lips are red/brown

Tired Girl (Sonia Gramatté), 1923

Walter Gramatté

Not on View
close-up of a woman's face with closed eyes; background in green and eyes and lips in brown ink with touches of red

Tired Girl (Sonia Gramatté), 1923

Walter Gramatté

Not on View

%C2%A9 Wayne Thiebaud %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Shoe Rows, 1979

Wayne Thiebaud; Printer: Stephen Thomas at Crown Point Press, San Francisco; Publisher: Parasol Press Ltd., New York

Not on View

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