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doll, cloth with leather moccasins, two beaded shoulder bags, one containing wood arrows in a quiver, doll has human hair.

Doll, c. 1900

Anishinaabe (Ojibwe)

G260

Side chair, c. 1903

Frank Lloyd Wright; Maker: John W. Ayers

G300

Tapestry coat, made up of small strips and squares of cloth sewed together.

(Tapestry Coat), 19th century

Unknown Japanese

Not on View
Standing female figure. Linear markings on body, scarification on face. Elongated neck. Cloth loin cloth.

Figure, late 19th-early 20th century

Bamana

G250

%C2%A9 Richard Hunt%2C C.M.%2C O.B.C.

Transformation Mask, 1993

Richard Hunt

G261

Basket woven with plant fiber and heavily beaded with black, white, orange, blue and red beads. Flared stem base with cone-shaped lid. Two straps cross over the top and are secured at sides.

Basket, early 20th century

Unknown

G254

cloth pouch with front flap decorated with beads; design of three stylized faces with interlocking geometric designs; braided leather tassels and handles; attached to square black mount

Bag, 20th century

Yoruba

G254

gold and silver patina; gold bands with text in relief at top and bottom of cylindrical portion; diamond floral designs; orange beads at top of cylinder; top finial and removable finials have pendant bells on chains

Torah scroll case (Tik), early 20th century

Iraq

G362

functioning handled screw device with a blade at bottom, pointed toward a cloth-covered, padded area on horizontal board; portions painted red and white

%C2%A9 Mark Brusse

Soft Machine II, 1963

Mark Brusse

G376

Steel with etched bands of stylized trophies alternating with polished bands and cartouches framing classical and biblical figures. The figure of Judith with the head of Holofernes is at center of the breast plate. Leather straps hold tassets of one plate, embossed and etched to simulate separate articulated horizontal lames. Includes a cabasset helmet with brass rivets in stylized flower shape around brim.

Half armor, c. 1570–1580

Italy

G340

long somewhat flat snake-like blade that includes three curves, a center ridge, and a handle on one end; a short-pointed prong extends from inside the center curve; the handle is wrapped in a fiber-like material; there is a loose ring attached to the end of the handle and one attached at the middle curve

Emblem, 1900-1950

Mafa

G236

folded-over pages of hand-written text with some geometric drawings inside a leather case with two open sides and a flap closure; three additional leather slipcases, each with one open side; all cases are brown with lightly pigmented geometric patterns; approx. 127 pages

Islamic manuscript in case, c. 1900

G242

paintings of birds, foliage and water; predominant greens, blues and oranges

Paired Birds and Flowers, early 20th century

Unknown Korean

G206

quadruped animal form with four short, stubby legs; rounded body with sloping back; small, stubby tail; rounded head with opening roughly at mouth area; extremely heavy encrustations overall, with deep and heavy crackle throughout; brown, earth-colored, with a darker brown round area on PR side of head and in several areas on front legs and feet

Kono altar, second quarter of 20th century

Bamana

G250

slipper chair or child's chair, walnut and upholstery; offered as a gift in 1962, accessioned 1987

Slipper chair, c. 1760-1790

United States

Not on View

Side chair, 1810-1820

attributed to Slover and Taylor

Not on View
Jacket (woman's) of red and gold brocade. Serpentine bands of formalized flowers in gold are woven diagonally across of rich red ground covered with gold leaf-shaped designs. A broad gold braid edges front and bottom of jacket, which has narrow facing of Persian shawl cloth projecting slightly beyond the braid. Lined throughout with a flower print of cotton cloth. The pointed ends of the sleeves are faced with shawl cloth and edged with metal braid of gold, green, red and blue. Jacket fits tightly at the waist and projects sharply over the hips. Underarm seams are left open and slightly cut away. Metal cloth.

Jacket, 18th century

Iran

Not on View
abstract scene with billowing, somewhat angular white forms punctuated with black and gray geometric shapes; pale mountain-like cone shapes ULQ; faint pinkish highlights; dark background

%C2%A9 Ujiie Minoru

Village Shrine, second half 20th century

Ujiie Minoru

Not on View
five indigo-dyed vertical panels stitched together

Bedding cover (futonji), late 19th-early 20th century

Unknown

Not on View
indigo, light blue, off-white; short rectangular sleeves; indigo woven texture on sleeves, shoulders, upper body and collar; indigo fabric with quilted diamond stitching along lower jacket openings, waist band and along bottom; off-white band of fabric with blue diamond quilted stitching slightly below waist; large red circle outlined in white on upper back, with white-outlined indigo character inside circle; off-white woven characters on both sides of lower collar hem; off-white ribbon sewn into opening hem between characters on each side for tying jacket closed; light blue lining throughout interior

Fireman's interior coat (hikeshi shitagi) for a volunteer, late 19th-early 20th century

Unknown Japanese

Not on View
indigo woven panel

Cloth indigo dyed, late 19th-early 20th century

Unknown

Not on View
thin, long panel with tiny geometric cube shapes in shades of teal, rust and tan

Sarasa-type cloth with cube pattern, early 20th century

Unknown

Not on View
long, thin cloth panel with alternating blue and brown gradated stripes

Cloth with blue gradated stripes, late 19th-early 20th century

Unknown Japanese

Not on View
Sewn using a ‘back stitch, kyakushi

Buddhist clergy garment (kesa), 17th-19th century

Unknown Japanese

Not on View
kimono with pale blue body and white cloth at sleeves and at bottom

Undergarment [from a set of robe and undergarment], 19th century

Unknown Japanese

Not on View
kimono with printed design in grey, brown, tan, and black; skull on back with fan, foliage, fly whisk, and building

Undergarment (juban) decorated with a skull and a fly whisk, 1930s

Unknown Japanese

Not on View
small ball with multicolored beads in a spiraling design

Beaded Ball, late 19th-early 20th century

LakÈŸĂłta

Not on View

Bandolier Bag, early 20th century

Anishinaabe (Ojibwe)

Not on View
De Luxe model with automatic cord control; aluminum cased vacuum with cloth bag

"Deluxe" model vacuum cleaner, 1938

Malcolm S. Park; Manufacturer: Singer Manufacturing Company

Not on View
Tabwa Mask, colored glass beads, feathers, cloth raffia and skin, Zambia late XIX-early XXc.

Mask, second quarter of 20th century

Tabwa

G236

navy coat with wide white applique in organic, swirling pattern; sleeves are contrasting fabric with charcoal background and light stripes; vertical yellow bars near front collar

Blue and white kaparamip robe with grey and white striped sleeves, first half 20th century

Unknown Ainu

G222

Mask, 20th century

Dan

Not on View
one piece of wood carved into T-shape; top of 'T' is carved into convex rectangle; an old zipper runs through a hole in the center pole

Headrest, 20th century

Pokot

Not on View
two-pointed blade, straight point at center, curved point at back, two protrusions at back of blade, handle wrapped with cloth and rope

Throwing knife, early 20th century

Ngbaka

Not on View
Panel of kincob cloth with pattern of chrysanthemums in gold on deep blue silk ground. Border stripe on one side.

Panel of Kincob cloth, 19th century

India

Not on View
small figure lying on an oval slab, painted red on side and decorated with 8 beads at top edges; figure has red hair, incised holes for mouth, eyes and nostrils and wears a blue and white cloth skirt

Jesus in a Manger, from a nativity scene, 20th century

Samburu or Turkana

Not on View
standing female figure wearing tan and black patterned loincloth, coiled neck rings and earrings and holding breasts in hands; waxy brown patina

Female Figure, early 20th century

Vili

Not on View
wood stake topped with flaring form with 2 vertical protrusions; upper portion beaded with zigzags and bands in black and white

Bottle Stopper, 20th century

Cameroon

Not on View
horn decorated with enamel-like material in red, yellow and silver; dragon and crabs at top; bird and fish at center; scattered geometric and floral designs; fabric loop through hole at tip

Drinking Horn, Date Unknown

Miao

Not on View
white-skinned male figure and red-skinned female figure embracing in central circle with 20 figures surrounding them inside a circle and a square; 9 seated figures at top and bottom edge; multicolored pigments; leather hanging cord

Chakrasamvara and Vajravarahi Mandala, 1400-1500

Tibet

Not on View
khaki colored shirt with black hand painted circles simulating leopard spots; large bag-shaped pouch on front of shirt; chest high band across front with signature (by owner): "Kelarikulubali Kabara"; "yeniye" written under last part of signature; medium length sleeves with painted black bands at bottom; open fabric band on PL shoulder on back

Hunter's shirt, 20th century

Mali

Not on View
Small turtle, snake and grasshopper climbing up shaft; female figure with scarifications on her body stands with arms above head, holding a curved segment supporting three lobed top; piece of cloth tied around figure's waist cord

Staff, Date Unknown

Zela

Not on View
Gothic Revival Chair

Gothic Revival chair, c. 1860

Possibly J.W. Meeks

Not on View
long horsehair tail with beaded finial in the shape of an elephant with a long tail and cowrie shell eyes

Flywhisk, First Quarter of 20th century

Bamileke

Not on View
hide soles; canvas uppers; black and red cloth collars around ankles; geometric designs of red, white and dark blue on light blue ground

Pair of Moccasins, c. 1890

Pikuni (Blackfeet) or Nēhiyawak (Cree)

Not on View
hide soles; canvas uppers; blue and brown cloth collar around ankles; vamps beaded with dark blue, red and yellow geometric deisngs on light blue ground

Pair of Moccasins, c. 1890

Nēhiyawak (Cree)

Not on View
half-length shirt with whimsical patterns; blue striped body, with repeating pattern of boxes of crayons, globes, and sheet music with Mickey Mouse on it; sleeves are patterned with wide black stripes, and repeating pattern of horses, flags and tanks

Half-length undergarment (hanjuban) with Mickey Mouse and military motif, first half 20th century

Unknown Japanese

Not on View
blue silk panel with blue brocade flowers in a repeating pattern in background; branches with pink flowers throughout; tree with thick bark and curving fan-like leaves in bottom R and extends upwards toward top R; green bamboo branches behind larger tree

Rinzu bedding cover (futonji) with pine, bamboo, and plum (shƍchikubai) motif, late 19th-early 20th century

Unknown

Not on View
tan coat with embroidered circular element on back top center; attachment at PR arm with same embroidery with blue silk lining

Fireman’s parade coat (kajibaori), 19th century

Unknown Japanese

Not on View
child's kimono with orange and white checkered pattern, with colorful, circular repeating patterns of toys such as airplanes, trucks and ships

Child’s kimono with military motif, first half 20th century

Unknown Japanese

Not on View
exterior covered in handmade paper in mottled blues; paper and cloth tab on cover at LRC; interior lined with hand-dyed fabric in mottled purples

%C2%A9 Sandra Brick

Box for Mezuzah, 2000-2004

Sandra Brick

Not on View
blue silk kimono, with band of white with linear repeating pattern in center; two embroidered emblems on PR and PL chest area, as well as on back PR, C and PL sleeves

Samurai class man's formal kimono (buke noshime kosode) [from a set of robe and undergarment], 19th century

Unknown Japanese

Not on View
rust-colored leather; circular emblem on back in T center in cream color; geometric linear design across bottom as well as along collar

Fireman's parade leather coat (kawabaori) with ƌhisa family crest, 19th century

Unknown Japanese

Not on View
deep navy blue robe with ornate, copper colored embroidery around sleeve cuffs, yoke, chest, and lower half

Chijiri robe with yellow embroidery, early 20th century

Unknown Ainu

Not on View
pair of leggings in dark blue cotton; thick, woven applique in light blue and tan thread; mounted on frame

Pair of leggings (hoshi), late 19th-early 20th century

Unknown Ainu

Not on View
brown coat; circular emblem on back at T center in cream color; cream colored designs at bottom

Fireman's parade leather coat (kawabaori) with family crest, 19th century

Unknown Japanese

Not on View
navy blue robe with organic taupe colored embroidery over sleeve cuffs, chest, yoke, and lower half; embroidery pattern is organically flowing with swirls and points

Chijiri robe with taupe embroidery, early 20th century

Unknown Ainu

Not on View
rust-brown leather coat with triangular crest on back at T; black interior and edging; braided strap

Fireman's parade leather coat (kawabaori) with Hon family crest, 19th century

Unknown Japanese

Not on View
Cloth-bound portfolio box containing twelve soft-ground etchings drawn by the artist and printed in black on natural gampi chine collé and white Somerset Satin paper, a soft-ground etching text written by the artist and printed in black on white Somerset Satin paper, and a screenprinted title page.

Copyright %C2%A9 Mary E. Esch%2C published by Highpoint Editions

Three Questions Portfolio, 2003

Mary Esch; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
tanned soles and uppers; geometric beading on tops overall in red, green and yellow on blue ground; red and white polka-dotted cloth around ankles

Pair of Moccasins, 19th century

Nēhiyawak (Cree)

Not on View
rawhide soles; tanned uppers; beaded geometric designs in pink, black and white on blue ground; fringed tongues; pink plaid cloth around ankles

Pair of Moccasins, c. 1890

A'aninin (Gros Ventre)

Not on View
tanned hide soles and uppers; geometricized floral beaded design on vamps; beaded stripes around heels; blue and red cloth around ankles

Pair of Moccasins, c. 1890

ApsĂĄalooke (Crow)

Not on View
bandolier bag, face of bag covered with beaded design of floral pattern on white ground; tassels attached to bottom edge; section of beaded design on black velvet; long beaded shoulder strap

Bandolier Bag, c. 1900

Anishinaabe (Ojibwe)

Not on View
rawhide soles; tanned uppers; geometric beaded designs over top in blues, red, pink and yellow; blue plaid cloth around ankles

Pair of Moccasins, 1890

Nakoda (Assiniboine)

Not on View
blue beaded ground; white and red cross-like design with blue and orange cross at center in beadwork; pink and white floral cloth; red trim; mount inside each legging

Pair of Girl's Leggings, c. 1870

Nakoda (Assiniboine)

Not on View
long red petal shaped form with top edges curving inward; horizontally oriented

%C2%A9 Nobuyuki Tanaka

The Tactile Memory: Floral Impression (2011-II), 2011

Tanaka Nobuyuki

Not on View
red lacquer; abstract, irregular form resembling the shape of a cat's head; small slit near upper center surrounded by rugged, raised surface; hole in bottom echoing shape of figure, exposing black interior with beige paint; rests on dark blue pillow

%C2%A9 Sasai Fumie

Acceptable, 1999

Sasai Fumie

Not on View
large, rippled black form resembling a wrinkled, windblown tarp

%C2%A9 Kofushiwaki Tsukasa %2F licensed by Minneapolis Institute of Art

Flag-01, 2013

Kofushiwaki Tsukasa

Not on View
tall, wavy wall; dark on one side, reddish-brown wood-grain pattern on other side

%C2%A9 Nobuyuki Tanaka

Inner Side—Outer Side, 2014

Tanaka Nobuyuki

Not on View
large, "folded-over" organic form, asymmetrical design; dark brown, wood grain texture

%C2%A9 Nobuyuki Tanaka

Form Remaining in Memory 2012, 2012

Tanaka Nobuyuki

Not on View
abstract image; brown vertical form at right with a mottled grey square and red-orange spot in LRC; orange form with curving lines at lower enter and vertical line and square on top of form; grey form with a triangle and half-circle on top in ULQ; bar of various colors (red-orange, brown, dark blue, green) beneath grey form in ULQ; brown Orval at top left of center; long orange diagonal from LRC to URC; inscription in URC; ground is cream, heavy coated cloth--may be mounted?; received in gilt frame

Untitled (12 Januar 60), January 12, 1960

Julius Heinrich Bissier

Not on View
blue canon and raised structure with bull's-eye opening on opposite sides on top of rectangular box; holes on all sides with projections of fort on top; American flag on top

"Hold the Fort, 7 Holes" mechanical bank, c. 1877

Samuel Clark

Not on View

Beaded Apron (Jocolo), 20th century

South Africa

G236

Easy chair, c. 1903

Frank Lloyd Wright; Maker: Attributed to John W. Ayers

G300

Coat of Gold Cloth, 19th century

Tunisia

Not on View

Album of Twelve Inkstone Paintings, slipcase, 1729

Bian Shoumin

Not on View
Standing figure carved from wood, has cotton cloth wrapped around legs; has double strand blue glass bead necklace on; hands are on sides of stomach that his extended;

Standing figure, 19th-20th century

Nsapo

Not on View
mudcloth shirt; designs: Tieblinke kun and Dongangolo

Young Man's Shirt (dloki), 20th century

Nakunte Diarra

Not on View
curtain, jacquard woven double cloth designed for his home at Kelmscott House; tones of blue with touches of fawn and red; pairs of birds face each other

Birds, 1878

William Morris

Not on View
Wood mask with protruding eyes and ridge down center of forehead; painted white upper, red nose and cheeks with blue lower; cloth wrapped about lower half imitating a beard with single row of seventeen bells attached along bottom edge

Mask, 20th century

Dan or Wobe

Not on View
standing figure wearing red head and neck covering with 4 protrusions on top of head and 3 beads at forehead; white, black, green and yellow skirt; white earspools; with short, thick arms and incised holes for eyes, mouth and nostrils

Shepherd, from a nativity scene, 20th century

Samburu or Turkana

Not on View
standing female figure with short, thick arms; short black hair and small beard; yellow, green, black and red skirt; incised holes for mouth, eyes and nostrils and holes in ears; carrying a small jug by a strap in PR hand and a short staff in PL hand

Joseph, from a nativity scene, 20th century

Samburu or Turkana

Not on View
standing female figure with short, thick arms; red necklace; black and red hat (or hair); coiled wire earrings; red, black and yellow skirt; white protruding lower lip piercing and incised holes for mouth, eyes and nostrils

Mary, from a nativity scene, 20th century

Samburu or Turkana

Not on View
female face with closed eyes, long nose and small ears; red with black details; cloth over head

Mask, 20th century

Pende

Not on View
bottle stopper in the shape of a lizard-like animal, its legs inserting into bottle mouth; black cloth body decorated with diamond shapes in white, yellow and blue; shells on tail

Bottle Stopper, 20th century

Cameroon

Not on View
Seated Female Goddess

Drawing, 20th century

Bhutan

Not on View
maroon borders with cream-colored stripes and plaids in intersecting striped areas; central black ground section with cream checks, and red and cream ikat-pattern designs; sized/starched

Cloth for woman's veil (Telia dupatta) or man's waist wrap (Telia lungi), late 19th-early 20th century

India

Not on View
Ceremonial rounded blade with pierced design along rim and in center. Square handle with large open circular finial.

Scepter of Authority, mid 20th century

Edo

Not on View
standing male figure wearing long red necklace with ovoid pendant; white skirt with red and black star pattern; 3 green beads at neck; beaded wire earrings; with short black hair and black beard and incised holes for eyes, mouth and nostrils

Shepherd, from a nativity scene, 20th century

Samburu or Turkana

Not on View
stopper in the shape of an animal with a long tail; fused legs coming together to form bottle insert; beaded overall in blue and white with shell facial features

Bottle Stopper, 20th century

Cameroon

Not on View
very large image of Shoki in black robes and black boots holding very tall straight sword in PR hand; very full, windblown beard and hair, fierce face, bushy eyebrows

Festival banner of Shƍki, the Demon Queller, 19th century

Shƍka

Not on View
central image of large dark-skinned figure wearing elaborate costume of white beads and gold, in a squared-off architectural framed work with floral bouquets on vases made of tiny white dots on dark ground, and flanked by four smaller figures in similar costumes; three small figures beneath large figure; eight standing figures wearing orange at left and right, and one pair of figures wearing white at top, flanking the architectural element; five kneeling figures in bright-colored robes with their faces covered at each side below figures wearing orange; L-shaped element at each side of image broken into small rectangles, each with a figure--the majority of which are clothed similarly to central figures; landscape at bottom with three women carrying vessels on their heads and three mean with a pair of white cattle; kneeling figures at bottom with two monkeys; fish and blooming lilies in water at bottom; multicolored floral border around all edges; predominately orange; mounted on brown canvas

Picchavai of Srinathji, late 19th century

India

Not on View
figure wears a small rounded cloth and fiber headdress perched on the top of the head; head is round and smooth with carved hair extending to the back of the head; face has small, carved eyes, a small raised nose and a small carved mouth; figure has a long thick neck; chest has prominent breasts; arms are thin, long and fall straight from the shoulder; abdomen is tall and long and ends in a fiber base; dark wood

Power figure, early 20th century

Kusu or Zimba

Not on View
blue jacket with two symbols on front chest and three across back; open front with two beige ties hanging down front; each beige symbol is a pair of interlocking diamond shapes in a circle

Long-sleeved jacket for kyƍgen theater [from a set], early 20th century

Unknown Japanese

Not on View

Dark blue-ground cloth decorated with arabesques (karakusa) and paulownia crests (go-shichi no kiri), late 19th-early 20th century

Unknown

Not on View

Wrapping cloth (uchikui) with pine, bamboo, and plum (shƍchikubai) motif, 19th century

Unknown Ryukyuan

Not on View
blue and white cloth bedcover; blue background with white umbrellas scattered; linear elements protruding from umbrellas

Bedding cover (futonji) with umbrella motif, first half 20th century

Unknown

Not on View
cotton bedding cover; blue background with a colorful ornamental pattern; circular shapes in ULC and URC, with white curving lines cascading downwards from ULC; white and gold oval shapes coming out of white lines throughout the pattern; bunched parcels at bottom, with gold branches or horns at LR edge

Bedding cover (futonji) decorated with symbols of treasure (takara zukushi), late 19th-early 20th century

Unknown Japanese

Not on View
green silk panel with circular linear pattern made up of small, round white circles; star shapes with rounded edges in blue, gold and maroon, forming a repeating pattern

Fragment with shippo tsunagi motif, late 19th-early 20th century

Unknown

Not on View
indigo-dyed cloth with textured looking background made up of lighter and darker indigo circular shapes; circle designs in dark indigo, with intersecting dotted lines and a smaller circular shape extending from edges in bottom R edge and in center L edge; similar circular shape in top R edge

Fragment [from an identical pair], late 19th-early 20th century

Unknown

Not on View

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