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Pomegranates and Dead Bird, early 19th century

Unknown

Not on View

Portrait of Countess Phelps Resse, 1914

Tyra Kleen

Not on View

Plant, Showing Leaves with Green Upper Sides and Red Lower Sides, 1800-1833

Unknown

Not on View

Cabbage Plant, 19th century

Unknown

Not on View

Study of a Woman's Head, 19th century

Paul-Adolphe Rajon

Not on View

Woman in Profile, 19th century

Sir George Clausen

Not on View
sketch of a seated lab-type dog; three-quarter view from R with head turned to PR

Seated Dog, 1710-1715

Francesco Solimena

Not on View
kneeling man wearing long cape-like drapery; bare feet; arms held out toward PR with hands outstretched; suggestion of halo; black border drawn around edge

Study of Kneeling Figure from the Back, 16th-17th century

Giulio Cesare Procaccini

Not on View
recto: partially reclining body with long hair, leaning on his PL elbow, PR knee raised, looking up; boy wears jacket and knickers; verso: young man wearing long vest and knickers, with bare lower legs and feet, bending over to grasp a small barrel-like object; received framed with both sides of drawing visible

Study of a Seated Boy (recto); Study of a Youth Standing (verso), 18th century

Pieter Jacob Horemans

Not on View
portrait of a child with curly hair and very large eyes, in black chalk; labeled in black ink on the image: #87; mounted on sheet with 2 other small drawings--further drawings have been removed; other drawings present are labeled: #85, #86; see L2009.52.66a and L2009.52.66b

Portrait of a Child, 18th century

Circle of Cavaliere d'Arpino

Not on View
drawing of sculpted head of woman with round face and rather thick neck; hair in waves--wearing headband

Head of Empress Sabina, c. 1776

Marie-Christine Vagliengo Campana

Not on View
portraits of three men place close together--each wearing black caps; front most man at bottom center looking out of picture plane, with faces of men at left and right looking toward with side, turned 3/4; profiles of two additional men in ULC and URC; silver and tortoise shell frame with linen liner

Copyright of the artist%2C artist%27s estate%2C or assignees

Volendam Fisherman, 1935

Willem van den Berg

Not on View
young girl in profile, PR, in graphite; labeled in black ink on the image: #85; mounted on sheet with 2 other small drawings--further drawings have been removed; other drawings present are labeled: #86, #87; see L2009.52.66b and L2009.52.66c

Head of a Boy in Profile, 17th century

Workshop of Cavaliere d'Arpino

Not on View
male and female figures engaged in sexual intercourse

Satyr and Faun Embracing, 18th century

Attributed to Hubert Robert

Not on View
smiling boy with short wavy hair

Head of a Young Boy from Sculpture, 17th century

Circle of Annibale Carracci

Not on View
seated male figure with drapery on lap; PR arm raised with elbow bent; head turned to PR in profile

Study of a Young Male Nude Seated, 18th-19th century

Giuseppe Bernardino Bison

Not on View
female allegory or angel, resting on clouds, holding a torch in PR hand; wearing flowing draperies; bare-chested

Female Allegory, 18th century

Lorenzo de' Ferrari

Not on View
standing man looking down; man wears a hat and short cloak or blanket around his upper body and holds a short walking stick; blank negative space behind man at right side of sheet

Standing Man, 17th century

Attributed to Cornelis Bega

Not on View
standing male nude, looking up to PL, with left arm extended out straight with left hand in a fist; right hand on top of head; PR leg supporting weight and slightly ahead of PL leg, with PL foot turned outward; long curly hair

Standing Male Nude, 1760s-1780s

Nicolas-Bernard Lépicié

Not on View
portrait profile from PL of balding man with curly hair and pronounced Adam's apple, in red chalk; labeled on sheet in blue ink: H.82; mounted on sheet with 3 other small drawings--further drawings have been removed; other drawings present are labeled on the sheet in blue ink: H.83, H.84, H.85; see also L2009.52.67b-d

Head of a Young Man in Profile, 17th century

Unknown Italian, 17th century; Artist: Circle of Cavaliere d'Arpino

Not on View
study of male animal's genitals, in red chalk; labeled on sheet in blue ink: H.83; mounted on sheet with 3 other small drawings--further drawings have been removed; other drawings present are labeled on the sheet in blue ink: H.82, H.84, H.85; see also L2009.52.67a,c,d

Study of Male Genitals, 17th century

Unknown Italian, 17th century; Artist: Circle of Cavaliere d'Arpino

Not on View
portrait of a bearded man with PR hand on chin, in red chalk; labeled on sheet in blue ink: H.84; mounted on sheet with 3 other small drawings--further drawings have been removed; other drawings present are labeled on the sheet in blue ink: H.82, H.83, H.85; see also L2009.52.67a,b,d

Head of a Bearded Man Looking Down, 16th-17th century

Cesare Rossetti; Artist: Formerly attributed to Cavaliere d'Arpino

Not on View
recto: Mary at top center kneeling on clouds, praying, surrounded by cherubs; figures at bottom kneeling and gesturing, with three figures looking in through a window at center; verso: small sketch of a man's face

Assumption of the Virgin after Domenico Passignano (recto); Head of a Man (verso), 18th century

Jean-Robert Ango; Artist: After Domenico Passignano

Not on View
body carried to by two men; another figure at L; structure in distance

Saint Abdon and Saint Sennen Bury Christian Martyrs, 1653-1657

Guglielmo Cortese; Artist: Formerly attributed to Giacinto Brandi

Not on View
standing male saint holding large book in PR hand and gesturing with forefinger of extended PL hand; long, full robe with cape

Standing Male Saint, c. 1517-1525

Attributed to Fra Paolino; Artist: after Fra Bartolommeo

Not on View
two studies of Mary and infant Jesus at left; study with two heads at center; arm and head and right; head turned to PR at top center; very light sketch of seated figure on back

Studies of the Madonna and Child (recto); Kneeling Virgin (verso), 16th-17th century

Giulio Cesare Procaccini

Not on View
red chalk drawing of a woman at center with her arms out stretched looking skyward; clouds at her feet; flanked by two putti

Assumption of the Virgin, 1759-1770

Jean-Robert Ango; Artist: After Domenichino Zampieri; Artist: Formerly attributed to Jean-Honoré Fragonard

Not on View
recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed

Studies of a Head and a Foreshortened Hand, 17th century

Unknown Italian (Bologna?), 17th century; Artist: Formerly attributed to Agostino Carracci

Not on View
woman leaning over and pouring water into a basin viewed from behind; the drawing is a preliminary sketch for the lithograph of the same subject in the series 'Elles' published in 1896

Woman at the Tub, 1896

Henri de Toulouse-Lautrec

Not on View
standing figure with head turned to his PL and holding cape open slightly

Actor Standing with Head Turned to the Right, 1719-1720

Antoine Watteau

Not on View
medallion design with birth of Venus; verso, on white paper, laid down on the blue mount in graphite: an architectural view with standing male figure with left hand, an overdoor gallery with a monkey holding a parrot

Design for a Token: Marine, 1744, c. 1743

Edmé Bouchardon

Not on View

Portrait of a Man, 19th century

Alphonse Legros

Not on View

Male Nude: Academic Study, 1787

Benjamin West

Not on View

Studies of a painting of St. Sebastian, 19th century

Claude Ferdinand Galliard

Not on View

Portrait of a Woman in Profile, 1785

Joseph Benoît Suvée

Not on View

Study of a painting of St. Sebastian, 19th century

Claude Ferdinand Galliard

Not on View
Sketches of figures

Studies of the Madonna and Child, 1770s

Anton Raphael Mengs

Not on View

In the Park, 1906

William J. Glackens

Not on View
muscular figure kneeling with head resting on a block; hands clasped in front of block

Saint John the Baptist Prepared for Decapitation, 17th century

Attributed to Mattia Preti

Not on View
head of a young man with short dark hair with a bald spot on the top of his head; man's head tilted slighlty downward

Portrait of a Young Man, c. 1585-1595

Attributed to Annibale Carracci

Not on View
Madonna and Christ child seated at top center; standing male saint with hooked staff at left, with long beard; male saint at right kneeling on PR knee, hands in prayer; partially squared off in a grid

Madonna and Child Adored by Two Male Saints, 17th century

Alonzo Rodriguez

Not on View
figures in a small clearing; Apollo seated at center, holding a lyre and wearing a draping garment on his lap and a laurel wreath; muses surrounding Apollo roughly in a circle, with their attributes (scrolls, books, globes, calipers, daggers); Pegasus at left; shaggy-haired man seated in LRC, looking back over his shoulder at muses; two birds behind man

Apollo and the Muses, 17th-18th century

François Verdier

G317

%C2%A9 2019 Banco de M%C3%A9xico Diego Rivera Frida Kahlo Museums Trust%2C Mexico%2C D.F. %2F Artists Rights Society %28ARS%29%2C New York

Head of a Young Girl, c. 1940-50

Attributed to Diego Rivera

G255

standing man at left wearing dark coat and hat, with an X-shaped tool affixed to the end of a pole; seated man in dark coat next to a fire with blue smoke at right

Woodworkers, Forest of Montlignon, 1908

Auguste Louis Lepère

Not on View
standing figure wearing a billowing cape; tall, fluffy hairstyle; figure holds a staff in his PR hand; red drapery behind figure

Study for a Portrait of a Field Marshal, 17th-18th century

Jacopo Amigoni

Not on View
seascape with hill/land mass at center and left; beach and water at right; sketchy figures sitting on beach in LRC; standing figure on shoreline beyond seated figures; green, tan, grey and blue

Grotto of Tiberius at Sperlonga, 18th-19th century

Carlo Labruzzi

Not on View
landscape; view through a rock archway with foliage growing on top and at left side; more foliage beyond visible through opening

Cava di Tufa, 18th century

Louis-Gabriel Blanchet

Not on View
landscape with heavy trees at L behind a ruined wall; ruined archway at L; 2 figures at R, sketchy figure under archway

Landscape with Trees, Ruin and Three Figures, 18th-19th century

Carlo Labruzzi

Not on View
small sketch of a dog from PR side, barking; long tail with tuft on end

Barking Dog, Seen from Behind, 1593-1596

Attributed to Francesco Vanni; Artist: Formerly attributed to Cornelis Saftleven

Not on View
seated man looking down, with PL hand on PL knee and PR foot under PL knee; man has beard and wears cap and jacket

%C2%A9 Anna Ticho %2F The Israel Museum

Portrait of a Man, 20th century

Anna Ticho

Not on View
three male figures with folded hands huddled together; the face of a clock is to the left of the figure in the center

The Longing, 1917

Walter Gramatté

Not on View
loosely rendered portrait of a man in colored chalk; short hair, gazing toward PL; green lined jacket with pale red tie; blue-gray shirt with collar; green eyes

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Portrait of Carl Waring Jones (1887–1957), c. 1952

Oskar Kokoschka

Not on View
woman wearing a lace collar with pulled-back hair, in black and red chalk; labeled in black ink on the image: #86; mounted on sheet with 2 other small drawings--further drawings have been removed; other drawings present are labeled: #85, #87; see L2009.52.66a and L2009.52.66c

Portrait of Woman, 17th century

Circle of Cavaliere d'Arpino

Not on View
recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed

Study of Figures in a Dome (recto); Figure Study (verso), 1650s

Attributed to Baldassare Franceschini (il Volterrano); Artist: Formerly attributed to Correggio (Antonio Allegri)

Not on View
portrait of a young woman with long dark curly hair, in graphite and black chalk; labeled on sheet in blue ink: H.85; mounted on sheet with 3 other small drawings--further drawings have been removed; other drawings present are labeled on the sheet in blue ink: H.82, H.83, H.84; see also L2009.52.67a-c

Head of a Woman, 17th century

Attributed to Cesare Rossetti; Artist: Fromerly attributed to Cavaliere d'Arpino

Not on View
head and torso of dead figure of Christ, lying with head up on drapery; bare-chested; hands unfinished; verso not examined--received framed

Pietà: The Dead Christ (recto); The Mourning Virgin (verso), 16th century

Unknown Italian; Artist: after Sebastiano del Piombo; Artist: Formerly attributed to Francesco Salviati; Artist: Formerly attributed to Michelangelo Buonarroti

Not on View
standing, slightly foreshortened male figure, viewed from low angle; arms upraised--PR upper arm covers face; squared off in grid

Nude Male Standing with Arms Raised, 17th century

Attributed to Giovanni Lanfranco

Not on View
standing figure wearing heavy, long drapery; figure stands in profile from PR, with head turned to PR; bottom half of face delineated, but not finished

Standing Male Figure, 17th century

Adriaen van de Velde

Not on View
dark buildings with rust-red tile gable roofs; part of a sign at left on front of building; two figures in dark cloaks (?) with white highlights on heads and hands; dark arched doorway in LRQ; tan paper; received in black frame

The Dead City, Bruges (Die tote Stadt, Brügge), c. 1911

Julien Celos

Not on View

The Eustache Estate near Cherbourg, c. 1865

Charles François Eustache

Not on View
figures in a landscape, recto; farm building, verso

Drawing, 1834 recto (verso 1825)

Théodore Rousseau

Not on View

Tree Study, 19th century

Walter Shirlaw

Not on View
standing female nude holding a rope in each hand

Standing Female Nude, Study for Saint Bathilde, 1843-1844

Jean-Auguste-Dominique Ingres

Not on View

Studies of Male Figure, late 19th-early 20th century

Charles Ricketts

Not on View

Studies of Men Turning a Cider Press, 1863-1864

Pierre Puvis de Chavannes

Not on View

Seated Angel, 1883

Simeon Solomon

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Harbor, 1944

Lyonel Feininger

Not on View

Studies of Children and a Young Centaur, 1890

Charles Haselwood Shannon

Not on View
mounted on ivory paper with red-brown borders; face with wide open, wild eyes, open mouth with teeth visible and unkempt hair

Self-Portrait Screaming in Terror, 1780s-90s

Joseph Ducreux

Not on View

%C2%A9 Lennart Anderson

Seated Nude, 1915-1965

Lennart Anderson

Not on View

Sketch of a Woman, 19th century

François-Claudius Compte-Calix

Not on View

Head of a Grotesque Male Head (facing right), 16th century

Camillo Procaccini

Not on View
View of Third Avenue Bridge in Minneapolis, under construction

Building the Bridge, Minneapolis, 1915

Joseph Pennell

Not on View

%C2%A9 Estate Leo Katz %2F Leo Katz Foundation

Untitled, 1941

Leo Katz

Not on View
Overhead view of a long crowded pier that extends from a city in the background to a sea of boats in the foreground; the pier is adorned with sculptures of various shapes and sizes; predominant colors: red, yellow, blue, green, brown

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Mayor Byrne's Mile of Sculpture, 1982

Red Grooms

Not on View

%C2%A9 DeWitt Hardy

Untitled (Reclining Nude), c. 1980

DeWitt Hardy

Not on View

On the Ferry, 1919

Jules Pascin

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Objet d' Art - Montparnasse (Dreaming Dreams No One Had Dared to Dream Before), 1931

Peggy Bacon

Not on View
An open book (or diary) with writing on one page and drawing on the opposite page; on R panel (page): the rear end of a canoe superimposed against a background of messy writing, much of which has been crossed out or partially erased; the L panel (page) is a predominantly blue composition with moments of other colors; annotations and blue scribbling around margins

%C2%A9 Philip J. Barber

Study for "Either or (both)", 1981

Philip J. Barber; Artist: Michael Reid

Not on View

Bull of the Roman Campagna, 1891

Evert van Muyden

Not on View
head of a man in 3/4 view, turned slightly toward PR, looking up; neutral mouth; multicolors

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Head of a Man, 1962

Oskar Kokoschka

Not on View
Man wearing a top hat and glasses and a man with a whip seated in a carriage drawn by a horse wearing blinders; fluffy dog running next to horse

Le Docteur Tapié de Celeyran dans son cabriolet, accompagné d'un paysan, son chien courantáses cotes, 1894

Henri de Toulouse-Lautrec

Not on View
seated bare-chested man with a long white beard and wild hair, with a large drapery over his lap, holding a thick pole with his PL hand, with a snake twined around it, and a thin staff in his PR hand

Moses and the Brazen Serpent, 1787

Benjamin West

Not on View
same record as L2004.287.4 cat. 13; man seated at desk; arm floats in corner; brown paper; white mat; gold rim around sight; gold frame with small sphere designs

Study for "The Civil Marriage", 1881

Henri Gervex

Not on View
tiger lying down with eyes open

Royal Tiger, 1829

Eugène Delacroix

Not on View

Study for the painting 'Le Destin', 1889

Lucien-Marie-Francois Metivet

Not on View
recto: dead Christ's body in zigzag shape, with head bent back, legs bent at hips and knees, seen from PR; curly hair; verso: loose rendering of a young man's head, upper arm and hand

The Dead Christ (recto); Studies of a Young Man, His Arm and Hands (verso), c. 1721

Antonio Balestra

Not on View
Christ shown being disrobed among anguished figures

Christ Stripped of His Garments, 1600-1606

Francesco Vanni

Not on View

Fashion Figure, 19th century

Unknown

Not on View
Kneeling figure resting on PL knee and PR foot, hands together; 3/4 view from PL, back; hair drawn into low bun; figure wears loose garment, gathered at waist

Study of a Female Figure Praying, Kneeling on Left Knee, 19th century

Camille-Auguste Gastine

Not on View
recto: old man with long beard and moustache, wearing a hooded cloak, with his PL arm and part of his body hidden by a wall; verso: study of a nude winged figure with arms up toward right, looking toward left; study of a hand holding a curved baton (?) in ULC

Study for Notre Dame de la Croix, Paris (recto); Nude Angel (verso), c. 1870

Jules Louis Machard

Not on View
recto: pair of standing winged women flaking an open ovoid area (undefined cartouche); both women wear heavily folded draperies; woman at left extends her PR arm across her body along top edge of cartouche; woman at right rests her PR elbow on edge of cartouche and holds a large bouquet (?) in her PL hand, which rests on her hip; verso: pair of standing women flanking an open circular area; woman at left is winged and is writing, leaning her paper on edge of cartouche; woman at right rests PR elbow on cartouche with hand held upward

Study of Two Female Allegories Flanking a Cartouche (recto and verso), late 18th century

Unknown French, 18th century

Not on View
seated man wearing a coat with a wide collar and knickers; man has drapery over his PL shoulder; long curly hair; head lightly sketched, not fully completed

Portrait of an Alderman, 17th century

Attributed to Anthony van Dyck

Not on View
standing man with his PL hand on his hip, resting his PR elbow on a ledge; heavy-set man wears a small brimmed hat; long sheepskin overcoat, coat with large buttons and knickers

Standing Man in a Sheepskin Coat, 1778

N. Grenicher

Not on View
sketch of Madonna and Child at top center with figures in the sky at L and R; other adoring figures standing below, including two figures in liturgical hats and bald man at L

Madonna and Child with Saint Charles Borromeo and Other Saints, c. 1610-1615

Alessandro Tiarini

Not on View
head of a woman, turned 3/4 toward PR, with short, shaggy hair; light tan paper

%C2%A9 Domenic Cretara

Head Study, 2014

Domenic Cretara

Not on View
boy standing holding a pitcher

Serving Boy (recto), 1623–1626

Jacopo da Empoli

Not on View
village scene with buildings on either side of a road packed with wagons, horses and people; church steeple at left; low horizon line

Landscape, c. 1656

Jan van Goyen

Not on View
sketch in multicolors of river scene with bridges with archways and boats; buildings at left, with domed building in ULC

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

View of the Thames from the Strand Hotel, 1954

Oskar Kokoschka

Not on View
cat. 29; female figure with weaver in his workshop at center; grey mat; gold frame with black paint on ridge and in crevice

The Weaver (Le tisserand), 1887

Léon-Augustin Lhermitte

Not on View
seated bearded man in voluminous draperies, including cloak-like drapery tied around his neck; man looks up to PR; PR hand held out

Saint Augustine, 18th century

Charles-Nicolas Cochin II; Artist: after Giovanni Lanfranco

Not on View
drapery over back and PL arm of a kneeling figure; very light, very sketchy head and hand

Drapery Study, 1711

Bernard Picart

Not on View
standing figure wearing a draping cloak with only the PL arm exposed, with PL hand holding a round object; long wavy beard and wavy hair; smiling face; wavy fur visible beneath cloak

Study of a Statue of Pan, 1520s

Attributed to Polidoro da Caravaggio

Not on View
standing Madonna holding baby Jesus, who has outstretched arms; kneeling bearded man with PL hand on chest holds an object out to Christ child

Adoration of the Magi, 1701

Unknown; Artist: After Carlo Maratti; Artist: Formerly attributed to Jacques Blanchard

Not on View
Jesus standing left of center, wearing a loincloth, with John the Baptist right of center, pouring water on Jesus' head; two figures at left, one kneeling figure at right; sketchy angels at right edge; several other sketchy figures at left; tiny face in black ink, URC

Baptism of Christ, 17th century

Orazio Borgianni; Artist: After school of Raphael (Raffaello Sanzio)

Not on View
head, torso and upper legs of standing figure, holding partially reclining boy down by his head; man holds dagger in PR hand; man turns to look at small angel behind man holds man's PL arm; sketchy; watermarks (or pencil sketches?) on back of mount--shield and circle with bird

Sacrifice of Isaac, 17th century

Attributed to Giovanni Andrea de' Ferrari; Artist: Formerly attributed to Gioacchino Assereto

Not on View
standing young person with shoulder length, straight, dark hair, curled under at ends, looking down, with PR hand on chest, wearing a knee-length robe; light sketch of a head to left of youth's head; verso: line sketch of pair of legs, LLC

Draped Youth Standing, 19th century

Louis-Georges Brillouin

Not on View
standing male nude with muscular build; torso bent slightly downward toward PL; PR arm upraised; PL arm down, holding object in PL hand; grey paper

Standing Male Nude, 17th-18th century

Attributed to Benedetto Luti

Not on View
image of right hand and arm, with arm stretched out horizontally and hand held palm up

Right Hand and Arm, c. 1625-46

Circle of Francesco Furini; Artist: Formerly attributed to Ludovico Cigoli

Not on View
seated nude (seated on a leaning against blocky structures) seen from PR side, holding a book in his PR hand; PR leg bent with foot to side; figure leans on PL elbow; slightly cartoonish face, looking out of picture plane

Seated Male Youth Reading a Book, 16th century

Attributed to Pietro Faccini

Not on View
dead boy lying in foreground wearing a simple long-sleeved garment, with a foliate crown; same boy seated behind body, with his PL hand on chest of dead body and PR arm raised, head in profile from PL

Study of Two Boys (after Andrea del Sarto's "Resurrection of a Dead Child at the Deathbed of Saint Filippo Benizi"), 16th-17th century

Unknown; Artist: After Andrea del Sarto; Artist: Cristoforo Roncalli (il Pomarancio)

Not on View

Study for Raising of Lazarus, c. 1677

François Verdier

Not on View

Head of a Woman, c. 1786

Gilles Demarteau; Artist: after William Vincent

Not on View

A Youth in Marmiton Costume, 1899

Charles Haselwood Shannon

Not on View
Study for a linocut

%C2%A9 The Estate of Cyril Power %2F Bridgeman Copyright

The Giant Racer, c. 1930

Cyril E. Power

Not on View

%C2%A9 John Piper %2F Artists Rights Society %28ARS%29%2C New York

Dansker; Costume Design for Benjamin Britten's Opera 'Billy Budd', 1951

John Piper

Not on View

Portrait of a Boy, the Artist's Son, 1904

William Strang

Not on View

Portrait of a Man, 17th century

Unknown English, 17th century; Artist: Formerly attributed to Robert Nanteuil

Not on View

Sidi Mahad, December 2, 1889

Elihu Vedder

Not on View
reclining woman in foreground, leaning on her PR elbow, looking up at a man who kneels, looking up, behind her; four other figures also looking up in background; clouds, ULQ; squared off in a grid

A Miraculous Cure, 16th-17th century

Attributed to Bartolomeo Cesi

Not on View

%C2%A9 Donald Perlis

Untitled, 1966

Donald Perlis

Not on View

Fashion Figure, 19th century

Unknown

Not on View

Fashion Figure, 19th century

Unknown

Not on View
recto: winged figure partially reclining on a curved element; figure holds a staff (?) in PR hand with outstretched arm; slightly foreshortened head; squared off in a grid; verso not examined--received framed

Fame (recto); Fame and Studies of Putti (verso), 17th-18th century

Francesco Solimena

Not on View
mounted to ivory sheet with pale red borders; sketchy figures in clouds; two central figures look down; figures at left conversing together; one figure in URC looks up; verso not examined--received framed

Angels Looking Down from Clouds (recto and verso), 17th-18th century

Matteo Bonechi

Not on View

View of the Colonnade and St. Peter's Basilica, Rome, early 1760s

Hubert Robert

Not on View
seated nude male with long curly hair; PL arm across lap, PR arm resting on top of backrest, head lying to backrest, leaning back to PL, ankles crossed; study of an arm in LLQ

Seated Male Nude, c. 1620-1650

Unknown (Italian, Bologna or Rome, 17th century); Artist: Formerly circle of Andrea Sacchi; Artist: Formerly circle of Pietro da Cortona (Pietro Berrettini)

Not on View

Saint John the Baptist, c. 1605

Attributed to Theodor Matham

Not on View
two figures--one standing, rowing--in a small boat, LLC; figure walking down steps to riverbank in LRC; figures with a horse standing under a small open roofed structure at center, with one tall tree to right; another horse to right of tree; several buildings

River Landscape with Blacksmith at Work outside a Village, 1653

Jan van Goyen

G344

nymphs, satyrs and humans surround a status of Ceres with scythe and wheat sheaves; figures dance, play music and make offerings; clearing at L; mounted on a board

Bacchanal with a Statue of Ceres, 1794

Paul Gregoire

G317

standing nude woman; contraposto pose with PL arm out with elbow slightly bent; head tilted to PR

Standing Female Nude, c. 1650-1689

Conrad Meyer

Not on View

Man Carrying a Bundle, 1870s-1880s

Richard Beavis R.W.S.

Not on View
blue geometric form with central area with pink and black checkerboard; small pink linear geometric form at top center; orange linear form at bottom L; pink lines and smudgy notations and marks in background

%C2%A9 John Newman

Zwischen Punkte (Between Points), 1985

John Newman

Not on View
two-sided drawing; sailboats on calm water on one side; three birds and foliage on opposite side; black ink with red chalk highlights on brown paper

Study for "Snow Grouse and Dicentra Flowers", 1926

Yoshida Hiroshi (self-published)

Not on View
standing woman, frontal view; short wavy hair; woman wears heavy draperies and has hands clasped in prayer

Standing Draped Figure, 19th century

Edward Coley Burne-Jones

Not on View
view through arches with square columns at right

View of the Tabularium, Rome, 1847

Louis-Georges Brillouin

Not on View
recto: sheet divided into two sections with vertical line in black chalk; right section mostly blank, with small sketchy study of figures in LRC; left section has sketch of horse with front legs down, with rider falling from his mount; rider holds a long staff or spear vertically; verso: study of a PR hand with sketchy drapery (?) above

Man Fallen from Horse, Study for Conversion of Saint Paul or Battle of Constantine (recto); Study of a Hand (verso), 17th century

Attributed to Jacques Courtois (called Borgognone); Artist: Attributed to Guglielmo Cortese

Not on View
standing man wearing a cap and a long robe-like garment, holding a staff with both hands; head turned to PL

Standing Draped Man with a Staff, 16th-17th century

Circle of Antonio Circignani (il Pomarancio)

Not on View
jogging man wearing short skirt and cape exposing upper back; 3/4 view from back; hear turned partially to PL; wild, long, curly hair; PL arm held up, PR arm down, holding a baton (?)

Male Figure Running, 17th-18th century

François Verdier

Not on View
recto: sculpted male head with wavy hair in chunky pieces; wide bridge of nose; head turned slightly to PL; verso: standing nude male figure seen from back, with head bent down; heels together, with PR foot slightly in front, toes apart; PR hand on back of hip bone; some geometric perspective sketches, LRC

Head of Meleager (recto); Unfinished Study of the Farnese Hercules from the Back (verso), 18th-19th century

Pietro Fancelli

Not on View
standing figure wearing heavy robes; PR arm slightly raised; sketchy head up and turned to PR

Study for the Drapery of a Standing Figure, 16th-17th century

Carlo Bonone

Not on View
head and torso of a man wearing a heavy garment, with PR elbow resting on a stack of books, head in hand; PL hand also rests on books; face sketchy--drapery study; corners clipped

Saint Thomas Aquinas in Meditation, 17th century

Circle of Giacomo Cavedone

Not on View
seated figure in a high-backed chair, seen in profile from PL, wearing voluminous robes and bishop's hat; head turned toward PR; mounted on heavy blue paper

Study of a Seated Model Wearing a Bishop's Chasuble and Mitre, 18th century

Attributed to Joseph-Marie Vien; Artist: Attributed to Eustache Le Sueur

Not on View
head of a man with a medium-length curly beard and shaggy, curly hair; man has solemn expression

Portrait of a Bearded Man, 17th century

Attributed to Nicolas Lagneau

Not on View
2 figures at center - one wearing blue, the other wearing red; view inside a barrel-vaulted structure with 6 arched openings at R; foliage in crevices; sketchy style

The Doric Nymphaeum at the Villa Domitian, c. 1789

Carlo Labruzzi

Not on View
nude female figure crouching, facing R, wearing sandals; bobbed brown hair; framed

%C2%A9 Sir William Russell Flint %2F Russell Flint Family

Lavinia in Sandals, 20th century

William Russell Flint

Not on View
two loosely rendered standing figures; R figure shaded with black pigment, with PR arm draped on shoulder of L figure; outlined figures formed in a crowd in background on L

Untitled (Street demonstration), 1963

John Wilson

Not on View
sketch of pile of debris resembling a wrecked ship with chain links hanging from an open hull

Untitled, 20th century

Richard N. Sussman

Not on View
sketch of a railroad overpass; bridge across top sections with a sign of the support at L; buildings visible in background with sign; saw horse in LRC

Untitled, 20th century

Richard N. Sussman

Not on View
sketch of a dilapidated structure with a ladder at L and a figure walking in the LRC; structure is open, with floors, walls, and interior visible

Untitled, 20th century

Richard N. Sussman

Not on View
sketch of an industrial complex with conveyance structures at L, an elevator/storage building at C, and a standing structure at R

Untitled, 20th century

Richard N. Sussman

Not on View
residential street scene with figure walking in LLQ; several houses and buildings in background

Untitled, 20th century

Richard N. Sussman

Not on View
street scene with lamppost at C and figure in LL; structures and walls sketched behind lamppost, and power lines are visible in background

Untitled, 20th century

Richard N. Sussman

Not on View
sketch of a building at C with debris in LL and fencing in LR

Untitled [Railroad bridge retaining wall], 20th century

Richard N. Sussman

Not on View
black and white of portrait of a young man standing in front of an open window; PL arm rests on ledge; wears buttoned up coat, high waist pants neck scarf with upturned collar; faint clouds in sky through window

Self-Portrait, c. 1804

Charles-Alexandre-Pierre Brugière de Barante

Not on View
Christ on the cross in controposto pose, wearing crown of thorns and a small bit of flowing drapery; Christ looks upward toward PR; arms upraised; feet nailed separately

Crucifixion, mid 19th century

Louis Gallait

Not on View

Montagnes Paysage de Rève, 1897

Lucien Lévy-Dhurmer

Not on View
mounted on heavy paper with grey and black borders; green overmat; profile of man from PL side; man is balding, with stray tufts of hair on front of head, thin scraggly beard and moustache, and long eyebrow hairs; man has closed eyes and open mouth; wearing red shirt and grey cloak

A Grosteque Male Head, 16th-17th century

Camillo Procaccini

Not on View

Sketches of Mother and Child, 19th century

François-Claudius Compte-Calix

Not on View
same record as L2004.287.7 cat. 35; church scene with men writing in book at L and many men standing in back; gold trim; beige paper; cream mat; gold frame with black undertones

Feast of the Company of Archers, 1872

Léon-Augustin Lhermitte

Not on View
sketchy image of sailboats on choppy water under grey and blue clouds; pink, blue and grey sheets of rain

Boats Sailing on the Sea, c. 1900-1935

Paul Signac

Not on View
portrait of a middle-aged woman with her head tilted toward PR, wearing a white cap with untied ties

Head of a Peasant Woman, 1874

Léon-Augustin Lhermitte

Not on View
sketchy style; seated Madonna at R with head drawn in two different poses, holding infant Jesus; another figure at L behind St. John

Madonna and Child with Saint Elizabeth and the Infant Saint John the Baptist, c. 1600-1635

Attributed to Giovan Paolo Pisani; Artist: Unknown Italian (Tuscan), mid-16th century; Artist: Formerly attributed to Alessandro di Agostino Casolani

Not on View
2 women at L, one holding a baby, in front of a wall of windows (or paintings?); wall at L with rounded steps up to a doorway; other structures in background center

City Street in Genoa, with the Lighthouse and Port in the Background, early 19th century

Unknown Italian, early 19th century

Not on View
owl perched on an ovoid element

Owl, 18th century

Pier Antonio Novelli

Not on View
recto: two sketches--at left, PR hand and drapery sleeve; at right, PL hand holding drapery in folds on shoulder and PL arm; verso: midsection of seated figure with PL hand resting on chair arm

Study of Hands and Drapery (recto); Study of Chest and Arms of a Seated Cleric (verso), 17th century

Attributed to Alessandro Tiarini

Not on View
landscape; very tall rock formations forming a narrow cave/grotto left of center; three figures under trees, LRC; two standing figures in LLQ

Ear of Dionysius, 1842

Edward Lear

Not on View
landscape; slightly abstracted; dark cloud, URC; high horizon line; dark shapes/grasses in foreground

Segesta, 1842

Edward Lear

Not on View
tree branches at top center, heavy with leaves, hanging over tall walls; 2 figures wearing hats visible through open doorway L of center

Landscape with Ruins, early 19th century

Unknown German or French ?, early 19th century

Not on View
two seated women seen from back, wearing long dresses and head kerchiefs, URQ and LRQ; two women seated next to each other wearing similar clothing, ULQ--woman at left has her hands folded; sketch of a woman's face in profile above shoulder of woman on right in ULQ

Seated Female Figures, Studies for Burial in the Vendeen Marsh, 19th century

Auguste Louis Lepère

Not on View
sketch of a striding heavily draped figure; brown ink

Study of a Male Beggar, 17th century

Attributed to Francesco Allegrini; Artist: Unknown Italian, 17th century

Not on View
recto: reclining woman, with head bent backwards, eyes closed; PL hand in lap, PR arm hanging down; study of drapery folds on garment; verso: study of PR leg of standing man, with foreshortened foot; PL leg behind, with feet at right angles

Drapery Study of a Reclining Woman (recto); Study of a Leg (verso), 18th-19th century

Pietro Fancelli

Not on View
recto: sketchy study of head and upper body of woman with her hair up, wearing a crown, with heavy draperies on her shoulders; from PL side; verso: study of the head, torso and outstretched PL arm of a draped woman with her hair in a bun, from PL side

Study of a Crowned Woman Kneeling, 17th-18th century

Luigi Garzi

Not on View
head of an African-American woman upside down at top of sheet with long twisted dreadlocks in shades of grey and black hanging down toward bottom of sheet

%C2%A9 2008 Mequitta Ahuja

Tress IV, 2008

Mequitta Ahuja

Not on View
view of St. Peter's Basilica in Rome from entrance to Vatican Square-carriages, pedestrians and figures on horseback in foreground; two running fountains at middle ground

View of Saint Peter's Square and Basilica in Rome, c. 1846

Attributed to Ippolito Caffi

Not on View
portrait of a man looking toward right; man has a white beard and hair and dark moustache; man wears a suit jacket, vest, shirt and tie; green ground; green frame with inner gilt molding

Portrait of Fritz Meyer-Fierz, 1909

Jan Theodoor Toorop

Not on View
portrait of a woman looking directly out of picture plane, with pulled-back curly hair wearing a white rose on her PL lapel; round gold pin at her neck; green ground; green frame with inner gilt molding

Portrait of Nina Meyer-Fierz, 1909

Jan Theodoor Toorop

Not on View
landscape sketch of beach with cliffs in background; groups of blue and green trees; a small building and a standing human figure at C; blue water at BL; matted; wood frame painted silver; no D-rings or wire

Hütte am Strand, 1912

Erich Heckel

Not on View
study of drapery on a standing figure viewed from PL; torso and legs, with feet and lower legs differentiated; arms not differentiated

Drapery Study, 17th-18th century

Carlo Maratti

Not on View
two studies of a man's torso; top study has sketched-in head and face; each study in the same pose, with PL arm across stomach

Recto: Studies of a Male Torso, 17th century

Baldassare Franceschini (il Volterrano)

Not on View
woman walking, seen from front; woman has long wavy hair and wears a gown with a slit in PL side, allowing a view of tall sandals; gown tied with a sash at waist; scooped neckline; PL arm at side; PR arm held away from body, with arm unfinished and hand out of picture plane; grey wash overall on background

Woman in a Neoclassical Dress, 18th century

Attributed to Jean Grandjean

Not on View
reclining foreshortened figure, lying on PR side, with knees bent and feet drawn up; sketchy

Seated Boy, 17th century

Jan Both

Not on View
upper torso, arms, head of winged youngster with chubby cheeks, looking up toward URC; torso, arms and head of stretching male figure on back

Putto, 17th century

Cristoforo Roncalli (il Pomarancio)

Not on View
recto: seated Madonna and Child; Mary has bare feet, with PR foot resting on a riser; nude Christ child with arms spread outward; other sketchy figure studies in black chalk around main figures; verso: John seated on clouds accompanied by a large bird at right; John is writing on a tablet; long curly hair; sheet affixed to mount with black tape on recto and verso

Madonna and Child (recto); Saint John the Evangelist (verso), 16th century

Unknown Italian, 16th century

Not on View
mounted on cardboard; Mary holding and looking at baby Jesus with Joseph at right looking on

Holy Family, 17th century

Circle of Simone Cantarini

Not on View

Study for "Father Hennepin Discovering St. Anthony Falls", c. 1905

Douglas Volk

Not on View

The Hamilton Children, 1835

Sir David Wilkie

Not on View
woman leaning on table looking down with garment belted below exposed breasts

Young Woman in Classical Dress, Study for the Month "Thermidor", c. 1804-1805

Louis Lafitte; Artist: Formerly attributed to Baron François-Pascal-Simon Gérard

Not on View
indians of the Crow tribe taking home a group of captive women of the Blackfoot tribe

Stolen Women, 1907

Charles M. Russell

Not on View

Portrait of Hubert Robert, after 1799

After Jean-Baptiste Isabey; Artist: After Simon Charles Miger

Not on View

Landscape with a Cottage and Peasants, c. 1770

Jean-Baptiste Pillement

Not on View
Woman in a ball gown with a distorted body face to face with a skull; candles on candlesticks in left foreground; stone arch bridge in background

%C2%A9 Estate Gustave Adolphe Mossa %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Waltz of Death, 1906

Gustave Adolf Mossa

Not on View

Study of a Seated Veiled Female Figure, 19th century

attributed to William-Adolphe Bouguereau

Not on View

On The Bank of the River, 19th century

Paul Signac

Not on View

Half-length Study of a Woman's Right Arm Extended, Seen from the Back View, 19th century

Alfred Stevens

Not on View

Haymaker and a Study of a Head, 19th century

Jean-François Millet

Not on View
Note: a light sketch of seated figure on verso in charcoal

Nymphs, c. 1911

Maurice Denis

Not on View

Augustin de Saint-Aubin Seated before an Easel in his Studio, c. 1775

Gabriel de Saint-Aubin

Not on View

Seated Female Nude, 1630s-1640s

Attributed to Jacob Adriaensz. Backer; Artist: Attributed to Govaert Flinck

Not on View

Trees and Figures in a Barren Landscape, 1834

Théodore Rousseau

Not on View

Ruined Castle on a Cliff, 1834

Théodore Rousseau

Not on View

The Trinket Seller, 20th century

Sir William Orpen

Not on View
Framed, yellow and beige decorated mat

Bacchus, 1730s

François Lemoyne; Artist: Formerly attributed to Gaspard Duchange

Not on View

Six Studies of a Female Nude, 19th century

Charles Chaplin

Not on View

Two Indian Maidens, c. 1900-1910

Charles M. Russell

Not on View

Studies of Hands, 1770s-1780s

Attributed to Louis Roland Trinquesse

Not on View
Two states of the same print; chalk manner etching and engraving in sanguine ink, states i/ii and ii/ii.

Nereids and Triton, c. 1762

Gilles Demarteau; Artist: after François Boucher

Not on View

Study of a Female Nude, 19th century

Jean-Baptiste Carpeaux

Not on View
recto: study of drapery on a standing figure; head, PR arm and PL upper arm/shoulder slightly differentiated, but features not included; figure holds drapery against PL thigh; some muscles of torso visible through drapery; verso not examined--received framed

Drapery Studies (recto and verso), 1560s-1570s

Unknown Italian (Roman), c. 1560s - 1570s; Artist: Formerly attributed to Girolamo Muziano

Not on View
mounted on tan paper; central female figure with long hair and her drapery flowing behind her head; two putti, each with a bow and arrow, fly in top corners; kissing figures at left; male figure in LRC holding horns (?) with curly hair and beard; putto with sea serpent below female figure

Triumph of Galatea, c. 1630

Cavaliere d'Arpino

Not on View
mounted to ivory paper with brown border; female figure standing, leaning against curved element at left; leafy architectural element to right of woman's head; PR elbow resting up, PL arm down; woman wears draping garments; light brown sketch of a female bust at right

Female Figure in a Spandrel, Study for the Allegory of Modesty, 1583-1585

Bernardino Poccetti

Not on View
Cubist head

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Head Study III, 1919

Otto Dix

Not on View

%C2%A9 Karen Hansen Carson

Holy Matrimony, 1973

Karen Hansen Carson

Not on View

%C2%A9 John Willenbecher

Untitled, 1990

John Willenbecher

Not on View

Landscape with Ruins, 19th century

Carlo Labruzzi

Not on View
Head and shoulders of a 20ish woman in a blouse with something, perhaps a shawl or wrap, over proper left shoulder

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Portrait of a Young Woman, 20th century

André Derain

Not on View

Study for a Figure of Balaam (recto) and Study for a Right Arm (verso), 1682-1683

Carlo Maratti

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Finishing Touches, c. 1937

Peggy Bacon

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Design for Complete Flatware Service, c. 1937

Dorothy Carpenter Thorpe

Not on View

Mother and Children, 20th century

Thomas Schofield Handforth

Not on View
Leon Lhermitte, La Chambre de Durer a Nuremberg, black chalk 1896

Durer's Room in Nuremberg, 1896

Léon-Augustin Lhermitte

Not on View
Woman astride a rearing horse, facing to our right; a dog jumps below horse

%C2%A92001 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Young Woman on Horseback, c. 1925

Marie Laurencin

Not on View
recto: head of a bald man with long dark moustache, beard and eyebrows, in profile from PR, at center; drapery studies at right (very light); seated figure study, ULC; two studies of hands and one of foot, LRQ; verso not examined (received framed)

Head of a Bald Man in Profile and Sketches of a Seated Man and of Drapery (recto); Sketches of a Male Head and Arms (verso), c. 1720

Federico Bencovich

Not on View
sketch; kneeling Christ at center, wearing blindfold, with many dynamically-posed figures surrounding him; archway in background

The Mocking of Christ, 17th century

Luca Giordano

Not on View
mounted on ivory sheet with pale red borders; seated man at left; seated woman at right; four standing figures in background; curtain at right; heavy shadow across center bottom; putto in LLC

Hercules and Omphale, 17th century

Attributed to Gerrit van Honthorst; Artist: after Alessandro Turchi (called Orbetto)

Not on View
male figure seated with child on lap reading book

%C2%A9 John Wilson %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Father and Child Reading, 1973

John Wilson

Not on View
sketchy image of standing soldier in contrapposto pose, with PR leg forward; mounted on another sheet

Standing Soldier, c. 1916-1918

Maximilien Luce

Not on View
cat. 10; man holding limp woman; rearing horse behind them; black chalk highlighted with white chalk on grey-green paper; grey mat; massive antique-looking gold frame with red undertones

Rhadamistus Lowering Zenobia into the Araxes River, 1856

François-Nicolas Chifflart

Not on View
large bouquet of flowers in a vase decorated with putti in relief, sitting on a ledge; other flowers on top of ledge; drawn with grid with red chalk and pencil

Bouquet of Flowers in a Terracotta Vase, 1723

Jan van Huysum

Not on View
recto: female nude, with lower legs undefined, seen from PR side, with upper body twisted to left; PR arm raised; verso: portion of a drawing with two figures in a boat at center; landscape in background with three standing figures; pointing hand at left edge of sheet

Twisting Nude (recto); Two Figures in a Boat with Landscape (verso), 16th-17th century

Formerly attributed to Ferraù Fenzoni

Not on View

Portrait of an Officer, c. 1822

Louis-Léopold Boilly

Not on View
A double sided drawing with marble base

Seated Boy Holding a Cat (recto); Study of Kittens and a Plate of Milk (verso), c. 1874-1880

François Bonvin

Not on View
sketched studies; torso and head of reclining winged female with a horn (?) at left; lighter sketches of architectural elements at right; verso not examined--received framed

Female Figure Reclining (Allegory of Fame Vanquished by Time), Architectural Studies (recto); Three Studies of a Female Figure Reclining, Studies of Sculptural Ornament (verso), 1660s-1670s

Baldassare Franceschini (il Volterrano)

Not on View
verso: angel standing on cloud at right, with PR arm upraised; kneeling Mary at left with wrists crossed, hands on chest; cherubs in clouds overhead; another smaller angel, ULC; squared off in a grid in red; received framed; see 2012.58.39b for recto

The Annunciation (verso), 17th century

Matteo Rosselli

Not on View

Study of Male with a Shield (recto) and Female Torso, Back (verso), Pages 81 and 82 from a book of studies, c. 1880-1890

Edward Coley Burne-Jones

Not on View
standing robed figure ringing a bell held in his PR hand, with PL hand outstretched; PL foot resting on rock; radiating lines extending from head; mounted on blue paper

Standing Male Saint Holding a Chalice, late 17th century

Unknown Italian (Neapolitan), 17th century

Not on View
standing woman wearing flowing garment and head scarf, with PL hand on chest, in controposto pose with head tilted slightly to PL; radiating lines extending from head; dog seated on PL side of woman, looking up at her; mounted on blue paper

Saint Margaret of Cortona, late 17th century

Unknown Italian (Neapolitan), 17th century

Not on View
four small sheets, each with one figure, mounted together on a larger sheet: each study numbered (left to right): 301 (?), 102, 100, 302 (?); #301 (ULC): male with heavy beard wearing a skirt, leaning on PL leg with bent knee, PL arm up with elbow bent; #102 (URC): nude male wearing a flowing cape, leaning PR knee on an invisible support; #100 (LLC): standing woman wearing a helmet and a log dress with a shield on her PL upper arm; #302 (LRC): striding man wearing loop of flowing fabric, body twisted to PL with PR arm extended downward

Four Figure Studies, 18th century

Unknown French, 18th century

Not on View
figure kneeling on PL knee, with drapery over PR knee; drapery fully finished--figure lightly sketched; squared off in a grid with numbers

Drapery Study, 19th century

Louis-Georges Brillouin

Not on View
two crouching men, back to back; right sketch light and unfinished; man at left wears belted tunic and pants

Two Studies of a Seated Male Figure, 17th century

Unknown Italian, 17th century; Artist: Formerly attributed to Ventura Salimbeni

Not on View
standing woman seen in profile from PR, wearing long skirt and long head covering, also covering her crossed arms; angel to woman's left, slightly bending his knees, with wrists crossed at his chest; angel has curly hair; architectural details in background

Standing Female Saint or Nun and an Angel (after Andrea del Sarto's "Annunciation to Zaccharias"), 16th-17th century

Attributed to Bernardino Poccetti; Artist: after Andrea del Sarto

Not on View
seated nude male figure seen from PL with body slightly turned to PL; PR arm raised, PL arm resting on thigh, with hands in loose fists; dark hair

Nude Male Academy, 18th-19th century

Pietro Fancelli

Not on View
standing youth wearing heavy draperies--cloak over long skirt; figure seen from PL, gesturing

Drapery Study of a Young Man, 17th century

Giovanni da San Giovanni

Not on View
arms, head, torso and upper legs of a nude figure, in profile from PR, with arms outstretched and head down, forming an L shape

Male Figure with Outstretched Arms, Study for the Beethoven Frieze, c.1902

Gustav Klimt

Not on View
abstract image; central biomorphic and geometric form in blue, grey, white and yellow; football shaped element at center with basket-weave design; red and blue grid and guidelines throughout; small sketches in red and blue of three-dimensional forms in ULC and LLC

%C2%A9 John Newman

Untitled, 1988

John Newman

Not on View
recto: face of Christ with long wavy red hair and red beard with four curls; eyes looking upward and slightly to PR; verso: face in profile from PR, with tears on cheek; wearing veil on head, with foliage in hair

Study for "Christus Consolator" (recto); Study of a Female Head in Profile (verso), c. 1837

Ary Scheffer

Not on View
full-length draped figure without head and with only partial PL wrist and foot; drapery folded across bent arm; sketchy study of a bare right foot, LRC

Full-length Drapery Study, with Sketch of a Right Foot, c. 1580 - 1600

Circle of Federico Barocci; Artist: Unknown Italian, 16th century

Not on View
Lower body of putto defined; head and upper body sketchy; chubby legs and stomach

Putto, 1561-1563

Attributed to Federico Barocci

Not on View
4 small sheets, each with one figure, mounted together on a larger sheet; each study numbered (L to R): 70, 50, 111, 56; #70 (ULC): nude male with PR arm upraised, PL hand holding shield, weight on PL leg, PR leg extended back off the ground; #50 (URC): nude male from back, striding, looking back, with PR arm over head; #111 (LLC): seated nude with both hands on head; #56 (LRC): standing nude with PL foot on block, PR arm raised, looking down, holding an object in each hand

Four Studies of Male Nudes, 18th-19th century

Unknown French, 18th century

Not on View
large sailboat with figures on board at left; white domes of San Marco at left; St. Mark's bell tower at right; blue sky

Venice, 1934

Carl Oscar Borg

Not on View
view of trees

Landscape with Trees near Hillegom, c. 1800

Egbert van Drielst

Not on View
2 soldiers at center; soldier at L grabbing the shoulders of soldier at R; caped man at L extends arm and rushes toward soldiers; figures with cow at R; 2 jugs, LLC; black and brown ink

Mucius Scaevola Before Porsena, 1740s

Gaspare Diziani

Not on View
many boats in with many figures; Venice skyline in background; low horizon line; received in gilt frame

The Return of the Buncintoro from S. Nicolò di Lido, c. 1778

Francesco Guardi

Not on View

The Buffalo Hunt, 1897

Charles M. Russell

Not on View
two standing little girls wearing identical black dresses, red tights, and black shoes with large black balls on the uppers, with identical updone hairstyles; each girl has a thick tail emerging from beneath their skirts; girls face each other with hands touching; in black and red on tan paper

%C2%A9 Nicola Hicks

Real Friends, 1997

Nicola Hicks

Not on View
cat. 17; two standing men, one holding walking stick; large trees at R; blue paper; white mat; thin gold frame with ridges and red undertones

The Meeting, 1830s

Philippe Auguste Jeanron

Not on View
upper body and head of seated woman seen from PR, turned toward the viewer, with her PR elbow resting on the chair arm; woman has brown hair and eyes, with a black bonnet with flowers, and wears a gown with small ruffles, earrings, bracelet, and ring, and holds a small pair of spectacles in her PR hand; tan paper

Portrait of a Woman, 1865

Alexandre Abel de Pujol

Not on View
two standing figures at L flogging a crouching figure at center; two standing figures at R

Martyrdom of Saint John the Baptist, 17th century

Francesco Allegrini

Not on View
large open vaulted space with pointed arches; timber ceiling; altar at L; figures scattered through space

View of a Church Interior, early 19th century

Attributed to Baldassare Cavallotti

Not on View
view into a small plaza from a vantage under a barrel-vaulted colonnade; Classical style building elements; mounted to green paper

View of an Italian Colonnade and Courtyard, early 19th century

Unknown Italian, 19th century

Not on View
view through an archway at a series of arched doorways and walls in a roofless ruin

Sketch of the Baths of Caracalla, early 19th century

Unknown early 19th century

Not on View
standing man wearing purple pants, short jacket, hat and heavy clogs; man has white hair and holds his hat brim in his PR hand; received attached thick mat board

Standing Man Tipping Hat, Study for "Enterrement en Vendée", 19th century

Auguste Louis Lepère

Not on View
house at center with lights in windows; two bare trees at right in front of house; grey image overall

Street Scene, Paris, 19th century

Luigi Loir

Not on View
recto: man seen from back, wearing a coat with large pockets and stitching on slit at back; man holds papers with text in PR hand; legs of stool visible beneath coat hem; verso: fantastic columnar architectural element with cartouche, swags and foliate scrolls, face and animal legs

Man Seated at a Draftsman's Table, 18th century

Attributed to Carlo Marchionni or; Artist: Attributed to Pier Leone Ghezzi

Not on View
study of drapery; overall roughly triangular shape

Drapery Study, 18th century

Francesco Lorenzi

Not on View
large tree near center; figure standing on steps at R; 2 figures in LLQ next to a shrub; city in background, at L

Italian Landscape with Oak Tree, early 19th century

Unknown German, early 19th century

Not on View
kneeling woman wearing long dress with long sleeves and headscarf, holding a bag (?) open with her hands and mouth; woman looks up

Kneeling Woman, Study for Judith's Servant, c. 1610–15

Carlo Saraceni

Not on View
recto: seated nude male figure with legs apart; PR knee higher than PL knee; arms out, with hands not differentiated; head bent slightly downward; torso well differentiated; verso: arm holding staff and line indicating side of body

Seated Male Nude, 19th century

Luigi Sabatelli

Not on View
image of a woman wearing a long, draping garment; rests with hands behind her head, gazing downward; bare feet

%C2%A9 Estate of Francisco Z%C3%BA%C3%B1iga

Mujer con los Brazos Alzados, 1975

Francisco Zúñiga

Not on View
recto: head of balding man with long, fluffy, curled beard; head tilted to PR;

Head of a Bearded Saint (recto); Study for an Altarpiece with Madonna and Saints (verso), c. 1520-1522

Giovanni Antonio Sogliani

Not on View
Moses on hill; figures raising pole with single branch on L side of pole; serpent curled around pole; figures sprawled around bottom of hill; tree at L edge, R edge and distance

Moses and the Brazen Serpent, c. 1743-1744

Corrado Giaquinto

Not on View
St. Michael with spear; suggestion of wings; stabbing downward

The Archangel Michael Defeating Satan, 17th century

Unknown Italian, 17th century

Not on View
seated pope receiving gift from kneeling man; large family kneeling behind; family figures numbered with key at L; two figures standing to PL of pope and one to PR; two men conversing at R foreground

The Rospigliosi Family Paying Homage to Pope Clement IX, 1667-1669

Attributed to Carlo Maratti

Not on View
abstract image; washy black lines that form an irregular pattern, with black section in CR; washy blue lines in ULQ and at L edge of image; pale blue-gray shading in crayon; notebook holes on L edge of sheet; spots of orange pigment in CL of image

Untitled (Dayton, Ohio), 1962

George Morrison

Not on View
study of drapery folds in roughly an X shape

Drapery Study, 16th century

Attributed to Wolf Huber

Not on View
at left: half-length portrait of frowning man, bent forward on books (?); man wears a cap tilted to PR; at right: half-length figure of a woman resting her chin on her PL hand, reading a letter held in her PR hand, while an old man with a frowning face peers over her shoulder

Half-Length Caricatures of a Suspicious Man and an Ill-Sorted Couple, c. 1820

Unknown (British), 19th century; Artist: Formerly attributed to Francesco Bartolozzi

Not on View
seated man seen from PL, with his upper body twisted or PL, PR hand on PL knee and feet crossed; man wears draping long garment; man has sketchy, large ears

Draped Man Leaning Forward (King Midas?), 17th century

Pietro Bernardi

Not on View
linear sketch of three boats--two in foreground, one in far right background; large boat at left has grey sails; white sailboat at right in foreground; sailboat in background has grey sails; light blue water, dark blue far shoreline; greyish sky

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Blue Coast, 1943

Lyonel Feininger

Not on View
sketched study of a male nude kneeling on PR knee with PL foot on ground, PR hand resting on small rock and PL forearm on PL thigh; foreshortened head; blue paper

Male Academy, Kneeling, Leaning Forward on a Rock, late 18th century

Unknown German or French, 18th century

Not on View
drawing of a standing female figure, leaning against a wagon; jug at feet of figure; white mat board, in a black frame

The Miller’s Wife (La femme du meunier), 19th century

Attributed to Alexandre Cabanel

Not on View
young man wearing knickers, jacket, ruffled collar and cap, seated on a rock; PR hand on lap

Seated Youth, 1660s (?)

Cornelis Saftleven

Not on View
sheet of studies; man in hat, LL corner; figural shapes, top half of sheet; on verso, man semi-reclining

Study of an Old Testament Prophet and other Figure Studies (recto); Study of a Male Figure with a Rope (verso), 17th century

Unknown Dutch, 17th century

Not on View
two arms with fingers extended, as if playing a keyboard; view from PR side of body; figure wears fitted long sleeves

Study of an Arm and Hands Playing an Organ, 1609

Attributed to Francesco Vanni; Artist: Formerly attributed to Bernardino Mei

Not on View
recto: Mary kneeling next to baby Jesus, with her veil behind his head; kneeling and standing figures at left and right; sketchy; verso: sketchy study of legs

Adoration of the Shepherds, 17th-18th century

Attributed to Paolo de Matteis

Not on View
Study for the sculpture "Action at a Distance" (1986).

%C2%A9 John Newman

Untitled (Study for the sculpture "Action at a Distance"), 1986

John Newman

Not on View

Buried Treasure, 1908

Eugène Burnand

Not on View
head of man with unkempt hair looking over PL shoulder

Head of a Mustachioed Man, Three-Quarter View, 1817

Anne-Louis Girodet de Roussy-Trioson

Not on View

The Violinist, c. 1878-1879

Edgar Degas

Not on View

A Seated Female Nude, c. 1793

Attributed to Pierre-Paul Prud'hon

Not on View

Peony, c. 1790-1810

Unknown

Not on View
H-7

Geranium (Pelargonium sp.), c. 1800

Unknown , French, 18th-19th century

Not on View

Indians on Horseback, 1897

Charles M. Russell

Not on View

Allegorical Self-Portrait, 1867-1873

Simeon Solomon

Not on View

L'envoi aux mobilises (For My Husband at the Front ), 19th century

Jean-Louis Forain

Not on View

The Fishermen, 19th century

Bryson Burroughs

Not on View

Landscape, recto; Village in a Landscape, verso, 1834

Théodore Rousseau

Not on View

Farm Building in a Landscape, 1825

Théodore Rousseau

Not on View
standing man wearing cape and holding framed picture; text at bottom

Portrait of Giovanni Battista Maini, 1749

Pier Leone Ghezzi

Not on View

Tree Study, 1825

Théodore Rousseau

Not on View

Village on a Hilltop, 1825

Théodore Rousseau

Not on View

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