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long skinny silver piece that looks like a river on a map; has four mounting pins

%C2%A9 Maya Lin Studio%2C courtesy Pace Gallery

Silver River--Housatonic, 2011

Maya Lin

Not on View
map-like image in dark teal; land plates of various sizes separated by wide and narrow snaking waterways

%C2%A9 Maya Lin Studio%2C courtesy Pace Gallery

Geography Lesson 9, 1999

Maya Lin

Not on View
portrait of Maya Lin; subject in BR corner, viewed from shoulders up, facing viewer; large white circles above and to the left

Maya Lin, 1998

Nancy Lee Katz

Not on View
white-robed female figure in profile laying horizontally, red circle with black outline at chest; red line extending from circle at chest down top of robe to ankles; black and blue necklace, black hair; transparent blue cloth behind head; black background

%C2%A9 Yoshida Hodaka

Maya's Sacrifice, 1955

Yoshida Hodaka (self-published)

Not on View

Maya, 20th century

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
map-like image in light teal; land plates of various sizes separated by wide and narrow snaking waterways

%C2%A9 Maya Lin Studio%2C courtesy Pace Gallery

Geography Lesson 9, Ghost, 1999

Maya Lin; Publisher: Solo Impression, New York

Not on View

Maya Balik, 20th century

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
standing male figure wearing hooked hat/headgear with flat brim; eyes are white buttons; deep rectangular cavity in abdomen; wide, flat nose; vertical scarifications on face; wide mouth with thin protruding lips; wedge-shaped beard (?); medium wood tone; attached to black base

Power figure, late 19th-early 20th century

Master of Mayama , or his workshop

Not on View
first edition

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Conversatons with the Tax Collector about Poetry, 1926

Aleksandr Mikhailovich Rodchenko; Author: Vladimir Vladimirovich Mayakovsky; Publisher: Zakkniga

Not on View
Face with small sunken eyes, flat nose, moustache and open mouth with tongue sticking out; wearing headband with quatrefoil medallion at front

Mask, c. 250-600

Maya

G260

transferred from Record Book in 1982; from tortoise shell album with 30 albumen prints

Moon Temple at Mayasan Kobe, c. 1891

Tamamura K.

Not on View

%C2%A9 Estate Alexander Rodchenko %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Photomontage for Vladimir Mayakovsky's book "Pro Eto", 1923

Alexander Rodchenko

Not on View
From a print portfolio consisting of five black-and-white lithographs, plus the title and colophon pages, illustrating the Maya Angelou poem "Our Grandmothers" (1990); housed in cloth-covered clamshell box

%C2%A9 John Biggers

Untitled (Altar with Elephant Motif), 1994

John Biggers; Printer: Trestle Editions Limited, New York; Publisher: The Limited Editions Club

Not on View
From a print portfolio consisting of five black-and-white lithographs, plus the title and colophon pages, illustrating the Maya Angelou poem "Our Grandmothers" (1990); housed in cloth-covered clamshell box

%C2%A9 John Biggers

Untitled (Woman, Structures, and Figural Group), 1994

John Biggers; Printer: Trestle Editions Limited, New York; Publisher: The Limited Editions Club

Not on View
From a print portfolio consisting of five black-and-white lithographs, plus the title and colophon pages, illustrating the Maya Angelou poem "Our Grandmothers" (1990); housed in cloth-covered clamshell box

%C2%A9 John Biggers

Untitled (Female Figure), 1994

John Biggers; Printer: Trestle Editions Limited, New York; Publisher: The Limited Editions Club

Not on View
From a print portfolio consisting of five black-and-white lithographs, plus the title and colophon pages, illustrating the Maya Angelou poem "Our Grandmothers" (1990); housed in cloth-covered clamshell box

%C2%A9 John Biggers

Untitled (Floating Structure with Birds and Turtle), 1994

John Biggers; Printer: Trestle Editions Limited, New York; Publisher: The Limited Editions Club

Not on View
From a print portfolio consisting of five black-and-white lithographs, plus the title and colophon pages, illustrating the Maya Angelou poem "Our Grandmothers" (1990); housed in cloth-covered clamshell box

%C2%A9 John Biggers

Untitled (Female Figure with Two Youths), 1994

John Biggers; Printer: Trestle Editions Limited, New York; Publisher: The Limited Editions Club

Not on View
binding: printed paper covers in black and red on orange paper; 74 pp.

Dlya Golosa, 1923

El Lissitzky (Lazar Markovich Lissitzky); Designer: El Lissitzky (Lazar Markovich Lissitzky); Author: Vladimir Vladimirovich Mayakovsky; Publisher: Gosizdat , Berlin

Not on View
reddish ceramic jar with incised decoration on four sides; groove design feature, around lip indicates the jar has a screw on cover

Chocolate Pot, c. 750

Maya

Not on View
covered pot with incised design around dome-shaped lid, central knob with hole through center; body has straight sides rising from sharply slanting bottom; 4 decorative rectangles with incised design on sides; pottery-beige clay with burnished brown slip

Serving Vessel, c. 600-900 CE

Maya

G260

Three panel huipil; supplementary weft patterning covers 3/4 of the garment; elaborate embroidery encircles the neck opening and four "U" shapes extend from neck opening; white ground cloth with patterning primarily in green with accents in purple, blue, orange and red; design consists of rows of stylized bird and tree pattern alternating with rows of diamonds; four small 'twisted thread' motifs extend from lowest row of pattern (a signature of this town's style).

Woman's blouse (Huipil), 20th century

Ixil Maya

Not on View
Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine.

Yoke, c. 600-900

Nopiloa (Veracruz)

G260

plate, standing man, ceramic, Mexican-Guatemalan

Plate, c. 500-800 CE

Maya

Not on View

%C2%A9 Luis Gonz%C3%A1lez Palma%2C Courtesy of Schneider Gallery

La Fidelidad del Dolor (The Fidelity of Pain), 1991

Luis González Palma

Not on View
black and white photographic image of a steam locomotive; white text in LLC

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

John Mayall, Big Mama Thornton, Black Pearl, Avalon Ballroom, September 13-15, 1968, 1968

Wes Wilson

Not on View
black text integrated into illustrated collage of various objects--clock, US flag, chandelier, street light, sidewalk path, mountains; orange background

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Canned Heat, John Mayall, Sir Douglas Quintet, Winterland, October 31, 1968, 1968

Randy Tuten; Printer: Tea Lautrec Litho, San Francisco

Not on View
Man's face with long nose; red skin; gold hair with curls in front of ears,long moustache and pointed beard; white teeth

Mask, 19th century

Maya

Not on View
red with thin multicolored stripes; embroidered neckline with birds, flowers, feather and triangle designs in bright colors

Woman's ceremonial blouse (Huipil), c. 1950s

Kaqchikel Maya

Not on View
Whistle in the form of a Dignitary; Island of Jaina style. Figure stands with arms crossed and feet spread well apart. The costume consists of a short, two-tiered skirt with a wide panel descending to feet in center front. Stylized hair with feathered headdress, pectoral, earrings. The face is well modelled, with arched nose and flattened brow. A whistle, modelled in left shoulder blade, makes clear musical note when blown. Painted in blue, red, black,and white. An unusually fine example.

Whistle, 600-900

Maya

Not on View

Tragedy, 1914

David Davidovich Burliuk; Artist: Vladimir Burliuk; Author: Vladimir Vladimirovich Mayakovsky; Publisher: Futurist Hylaea, Moscow

Not on View
cylindrical vase, turning slightly inward at mouth; body stamped with circles containing 3 dots; 2 adult monkeys, incised and painted, each with a baby on its back; one monkey holds a large orange fruit

Vase, c. 450-700 CE

Maya

Not on View
White, two-paneled cotton huipil with multicolored embroidery of abstract geometric patterns in turquoise, yellow, blue, orange, purple and pink.

Woman's blouse (Huipil), c. 1990

Kaqchikel Maya

Not on View
One-panel huipil of white cotton commercial fabric; round-cut neck opening; hand-sewn hem at lower edge. Yellow, rayed sun embroidery circles neck opening; burgundy embroidered area 3 1/2" wide provides background for upper half of pattern; highly abstracted animal and bird figures embroidered with hombre floss in non-realistic colors encircle the sun border. Figures include peacocks, quetzal, owl?, misc. mythological birds; rabbits, fox?, cat? other highly stylized animals, real and imagined.

Woman's blouse (Huipil), 20th century

K'iche' Maya

Not on View
eyeball with various appendages--pair of wings, pair of reptilian legs of which one is holding a skull, and a rattlesnake-like tail--climbing through firey hole at center; black text with gold outlines on top and bottom; red background

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

“The Flying Eyeball,” Jimi Hendrix Experience, John Mayall and the Bluesbreakers, Albert King, February 1, 4, Fillmore Auditorium, February 2, 3, Winterland, 1968

Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

Not on View
body of Buddha at center, placed on his PR side, surrounded by mourning figures; animals at bottom; 4 figures on clouds in sky, URC

Parinirvana of Sakyamuni, the Historical Buddha, 1863

Harada Keigaku

Not on View
Buddha reposed at center on dias surrounded by many crying figures; animals in foreground; trees surrounding dias with full moon at top center; part of mount painted with large flowers

Parinirvana of Sakyamuni, the Historical Buddha, 1682

Unknown Japanese

Not on View
ceremonial spindle wheel with carved sun-face and rays

Ceremonial spindle whorl, 10th-15th century

Maya

Not on View
Two-panel huipil joined with a randa;round-cut, embroidered neckline; ground is white with purple, green, red stripes on one side, solid red stripe on other side of panel; brocade designs in purple and red cotton; zoomorphic figures, including peacock, eagle, ; main band of figures includes two ceiba trees and one eagle on each panel; unusual letter-like shapes interspersed with figures.

Woman's blouse (Huipil), c. 1960s

Kaqchikel Maya

Not on View

Dlya Golosa (For Reading Out Loud), 1923

El Lissitzky (Lazar Markovich Lissitzky); Designer: El Lissitzky (Lazar Markovich Lissitzky); Author: Vladimir Vladimirovich Mayakovsky; Publisher: Gosizdat RSFSR

Not on View
Bird Head, carved basalt relief (called Hacha), El Tajin style

Hacha, c. 600-900 CE

Veracruz

Not on View

I Know Why The Caged Bird Sings, 2019

Bisa Butler

G322

Mourning huipil, 20th century

K'iche' Maya

Not on View

Woman's blouse (Huipil), 20th century

Poqomchi' Maya

Not on View

Woman's ceremonial blouse (Huipil), c. 1930

Mam Maya

Not on View

Woman's skirt (Corte), 20th century

Mam Maya

Not on View
red cotton plain weave; ikat stripes (yellow, black, green)

Woman's skirt (Corte), 20th century

Maya

G260

Vessel with figure band painted around the outside and interior is painted as well. Red, brown and orange throughout.

Vase, c. 800 - 900 CE

Maya

G260

Plate with decoration in orange, red and brown; central male figure; rim with alternating designs of large circles with flower-like designs inside, concentric pairs of circles and figures. Completely broken and badly re-glued back together.

Plate, 600-900

Maya

Not on View
Bowl with three legs shaped like bird's heads; tan glaze with designs in brown and red; reclining figures alternating with horizontal stripes along interior rim; legs are hollow with a ball inside each one and three holes (eyes and on mouth)

Tripod-leg Bowl, 500

Maya

Not on View
one paneled black skirt with five white cotton stripes

Skirt, c. 1930

Tzotzil Maya

Not on View

Hairtie (Cinta), 20th century

Kaqchikel Maya

Not on View
handspun cotton, red ground with black and purple stripes

Man’s Sash (banda), 1960s

Maya

Not on View
Mexican/Guatemalan

Vessel, 7th-9th century

Maya

Not on View
Vase, orange and black clay

Vase, 7th-9th century

Maya

Not on View
sewn to form skirt, multicolored stripes, warp and weft stripes in indigo, cotton warp, silk weft

Skirt, 20th century

Maya

Not on View
Stela II, priest in corn-planting ceremony. Face and wrist restored.

Stela fragment, c. 800

Maya

Not on View

Vessel, 7th-9th century

Maya

Not on View
Shawl, from Totonicopan, 1930-40, cotton, silk, jaspeado, knotted fringe.

Shawl, 1930-1940

Maya

Not on View
polychromed ceramic

Plate, c. 550 - 950 CE

Maya

Not on View
silk, warp-faced, some ikat, multicolor stripes (pink, red, yellow, purple); multicolor fringe

Wrap, 1945-1950

Maya

Not on View
indigo ground with discontiuous supplementary weft patterning in magenta, aqua, and yellow

Panel, 20th century

Maya

Not on View
fabric piece; purple and yellow design created by supplementary weft on natural; 2 selvages

Fabric piece, 20th century

Maya

Not on View
huipil; red stripe cotton; plain weave; embroidered neck

Saint's Huipil, 1965-1970

Maya

Not on View
Embroidered

Woman's sash (faja), 20th century

Kaqchikel Maya

Not on View
red ground with black and purple thin stripes; warp faced weave; knotted fringe at ends

Man's Sash, 1945-1950

Maya

Not on View
fabric piece; white with multicolored pattern created by discontinuous supplementary weft; 4 selvages

Fabric piece, 20th century

Maya

Not on View
white cotton plain weave with multicolor supplemental weft

Cloth (tzute), 1965-1970

Maya

Not on View
blue/white warp-faced cotton stripe with silk embroidered band vertically through center (purple, yellow, pink)

Cloth (tzute), 1950

Maya

Not on View
navy colored; wool

Man's Trousers, c. 1940s

Kaqchikel Maya

Not on View
plain indigo blue; tubular skirt made of 2 horizontal panels sewn together

Woman's Skirt, c. 1980

Tzotzil Maya

Not on View
cut weft pile stripes in orange, red, natural on oddly-dyed tan ground

Mantle, early 20th century

Maya

Not on View
weft stripes in red, blue, brown, white and green on collar

Man's Shirt (Camisa), c. 1940

Maya

Not on View
Multicolored, purple, yellow, red horizontal stripes

Saint's Rebozo, early 20th century

Maya

Not on View
weft pile stripes in green, yellow, red, purple, pink on natural white ground

Mantle, c. 1915

Maya

Not on View
Bowl, wide-mouthed wit slightly constricted neck, painted in polychrome. The decoration occupies two bands, set off from each other by a glyph* border about two-thirds of the way up the body. The lower band is divided into six panels, three of which contain seated personages elaborately dressed and carrying ceremonial objects in the left hand. These panels, painted brick red and black on a pale orange ground, alternate with fluted panels, painted brick red. The upper band is decorated with a line of seated personages wearing peaked turbans and separated one form the other by serpent and feathered motifs. The colors repeat those of the lower band. Inside the rim is a wide band of pale orange with a line of stylized heads with towering, paddle-shaped headdresses. Restored. * Glyphs are pseudo-glyphs

Bowl, c. 800-1200 CE

Maya

G260

wide sash with triple black, red and black stripes, with multicolored acrylic brocade on both ends

Man's Sash, c. 1980

Tzotzil Maya

Not on View
white two-paneled cotton pants, woven; white cotton drawstring

Man's Pants, c. 1980

Tzotzil Maya

Not on View
two-paneled red striped cotton; stripes in purple, dark and light green, orange, peach and indigo blue ikat designs

Saint's Shirt, c. 1965

Maya

Not on View
White background with geometric brocaded design. Supplementary weft is in burgundy. Black velvet ribbon binding around neckline and arm holes.

Woman's blouse (Huipil), c. 1960

Poqoman Maya

Not on View
White background with supplementary weft patterning; four stripes and multi-colored geometric brocade.

Cloth (tzute), 20th century

Kaqchikel Maya

Not on View
Red and white vertical striped four panel pants, stripes in orange and green; chevron and arrow designs in red supplementary weft patterning; border of square checks.

Ceremonial Pants, 20th century

Mam Maya

Not on View
Ecru background patterned with variegated dots in red blue and white, rows of animal and bird motifs.

Cloth (tzute), c. 1920

Maya

Not on View
One-panel cotton bag with burgundy stripe; geometric patterns in pink, yellow, blue, orange, green.

Woman's bag, c. 1960

Kaqchikel Maya

Not on View
Woven bag; vertical section of multi-colored stripes in purple, yellow, green, and pink.

Man's bag, c. 1985

Kanjobal Maya

Not on View
One panel cotton shirt; silk and cotton brocade; background red with narrow stripes in green, purple; 5 buttons

Ceremonial man's shirt, c. 1960

Kaqchikel Maya

Not on View
blue and red vertical stripes; buttons down front and at cuffs, collar; set-in sleeves; vertical seam down back

Man's Shirt, 20th century

Tz'utujil Maya

Not on View
two panels; white and red cotton plaid; rows of decorative elements (supplementary weft patterning)--birds and flowers in white, purple and pink silk

Woman's Cofradía Tzute, c. 1930

Maya

Not on View
two panels joined together with red randa; two ends hemmed; off-white ground with wide beige and white warp stripes, divided by narrow blue and yellow stripes

Cargador, 1920-1930

Maya

Not on View
white cotton with supplementary weft bands, 1"-4" in red, blue, green and yellow in goemetric shapes

Man's Ceremonial Head dress (Tzute), 1998

Maya

Not on View
white woven long pants with open front placket with tie; narrow strips of supplementary weft design in red, green, yellow, purple

Man's Ceremonial Pants, 1998

Maya

Not on View
red with white embroidered designs of small diamonds, crosses and stripes; neck opening is outlined with chain-stitch embroidered, pointed designs

Woman's blouse (Huipil) collar, 1920

Maya

Not on View
red, yellow, mauve and green; vertical stripes red yellow and mauve with supplementary weft designs of birds and geometrics; four selvedges

Cofradía Tzute for Santos, c. 1940

Maya

Not on View
purple body with frayed hem; geometric designs in blues, purples and greens; rounded neckline trimmed in blue

Woman's blouse (Huipil), c. 2000

Kaqchikel Maya

Not on View
red, purple, brown, yellow, green, orange, pink and white various stripes; twisted fringe at each end

Man's sash, c. 1960s

Kaqchikel Maya

Not on View
very short; black ground fabric woven in bands with geometric bands, stars and deer in bright multicolors; neck lined with black ribbon

Woman's blouse (Huipil), c. 1990

Maya

Not on View
two panels sewn together; white, light tan, light blue, indigo and red stripes

Cargador, 1920-1930

Maya

Not on View
red and black stripes; twisted fringe; woven in multicolors with diamond motif bands, quadrupeds, birds and stepped diamonds

Woman's sash, 20th century

Kaqchikel Maya

Not on View
red and white striped; woven with purples, green and yellow in various geometric bands

Cloth (tzute), c. 1980

K'iche' Maya

Not on View
three panels sewn together; gauzy white fabric woven with subtle animal, bird, flower and geometric designs

Cloth (tzute), 1973

Maya

Not on View
white plain cotton weave with white supplemental weft and color (tan, purple, pink, green); supplementary weft at borders

Cofradia Tzute, 1955-1960

Maya

Not on View

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