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Plate 5

The Woman on the Beast, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 3

The British Lion, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View

Cover from War: Mystical Images of War, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 4

The French (Gallic) Rooster, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 8

Holy Vision (Apparition), 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 6

Peresvet and Oslyabya, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 10

Angels and Airplanes, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 1

Saint George the Victorius, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 14

Saint Alexandr Nevsky, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 11

The Doomed City, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 12

The Pale Horse, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 9

Christ-loving Warriors, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 2

The White Eagle, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 7

Michael the Archangel, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 13

A Common Grave, 1914

Natalia Sergeevna Goncharova; Quill Worker: V. N. Kashin, Moscow

Not on View
slightly abstracted image of bamboo branches and leaves in snow; separate panel with text and two seals above image

Bamboo in Snow, mid 18th century

Miyazaki Impo; Author: Inscription by Kashiwagi Jotei

Not on View
snowy pastoral scene: three human figures, one towing a sleigh loaded with packaged goods, make their way through the snow and into a snow-covered house; collection of buildings at center; trees and other buildings in distance at R; mountains in background; river and trees at R

Snow in Kashiwabara, 1927

Yoshida Hiroshi (self-published)

Not on View

Offering, 1830s

Murata Kashō

Not on View

Okame and Pine, 1830s

Murata Kashō

Not on View

Kashan rug, c. 1910

Iran

Not on View
set of Fuchi-Kashira of a cat and rats; .1 decorated with one maise sitting on a gold-colored broom on front, another mouse on back; oval opening on top, semi-rectangular opening on bottom; .2 decorated with gold-colored cat; rectangular openings on 2 sides, oval opening on back; both in one wood box w/ purple lining

Sword hilt collar and pommel (fuchi-kashira), Date Unknown

Unknown Japanese

Not on View

Kashiwahara Rest Area by the Pond with View of Mt. Fuji, Hara, c. 1841-1842

Utagawa Hiroshige; Publisher: Ezakiya Kichibei

Not on View
four robed figures in foreground on a plateau overlooking a village; water and mountains in background

%C2%A9Henri Cartier-Bresson %2F Magnum Photos

Srinagar, Kashmir, 1948

Henri Cartier-Bresson

Not on View
backs of four robed people standing on a hill over looking a valley, mountains in the background

%C2%A9Henri Cartier-Bresson %2F Magnum Photos

Srinagar, Kashmir, 1948

Henri Cartier-Bresson

Not on View
Kashmir, Amli-rumel, or square embroidered shawl, worked in darn and stem stitch in a design of cones and floral arabesque in shades of red, blue, green, and yellow on a white ground. Border of serpentine scrolls and rosettes with outer border of floral panels. Fringed edges. A very fine example. #4 of exhibition.

Kashmir, Amli-rumal, 19th century

India

Not on View
Buddhist priest robe of fine quality kesi woven in squares and strips of different color to represent the rags of Buddha in his mendicant days. Yellow is predominant, with pieces of red, black, gold, green, blue, white, brown, and pale blue. Designs include Buddhist symbols, sacred vessels, cursive profile dragons, loose clouds, chilin, elephant, peonies, phoenix, Foo dog, and imperial five-clawed dragon in shades of blue, red, green, pink, puce, black, olive-green, yellow, and mauve. The border contains a running design of large peonies and leaves. Note some of the weaving done with peacock feathers. Lining of burnt orange damask of large cloud pattern.

Buddhist Priest's Robe (kashaya), 1662-1722

China

Not on View
Buddhist priest robe of K'ang Hsi blue k'ossu with gored end. Mnay five-clawed dragons in gold, those in the border having th symbolic universe design below. The small squares representing Buddha's mendicant days are alternately filled with gold dragons and large peony blossoms in shades of red, pink, and green. The shaped gores are filled with peony blossom and trailing tendrils. Upper border contains loose cloud forms and bats in end sections. Colors include green, red, pink, yellow, olive green , puce, mauve, yellow coral, peach and burnt orange. Compare treatment of clouds, wave border and dragons with the K'ang Hsi robes. K'ossu broken in many spots. The squared and gored areas set off with bindings of yellow satin. Lined with thin rose silk. Canopy flap with standard design, at center of upper top.

Buddhist Priest's Robe (kashaya), early 18th century

China

Not on View
Buddhist priest robe of embroidered yellow satin with one end gored. Int he many small squares symbolical of Buddha's mendicant days, are embroidered five-clawed dragons in couched gold, and large peony blossoms with leafy tendrils in shades of red, pink, blue, and green. The gored sections contain two peony blossoms with trailing branches. In the borders and larger dragon panels appear the universe motif, with coral, swastikas, and other symbols appearing in the waves. Loosely drawn clouds. In the end sections of the upper border, bats appear. The 'patched' character of the robe is accentuated by bindings of ivory satin which mark off the various squares. Lining of pink silk. Colors are clear, and include shades of blue, green, red, pink, yellow, mauve, and brown. Atached to center of upper border a flap with embroidered canopy to shield wearer from dragon's eyes. This robe close in design to 42.8.134. Cf. dragons, clouds, and wave areas with other K'ang Hsi robes.

Buddhist Priest's Robe (kashaya), Kangxi period (1662–1722)

China

Not on View

View of the Grounds of the Konpira Shrine on Mount Kurakake in Kashiwagura, Yashū, 1870s

Utagawa Kunisada III; Carver: Katada Chōjirō

Not on View

Kashmir Velour, 1972

Larsen Design Studio, New York; Mill: Heeksuede, Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Kashmir Velour, 1972

Larsen Design Studio, New York; Mill: Heeksuede, Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Kashmir Velour, 1972

Larsen Design Studio, New York; Mill: Heeksuede, Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

Kashmir Velour, 1972

Larsen Design Studio, New York; Mill: Heeksuede, Inc.; Producer: Jack Lenor Larsen, Inc.

Not on View

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