showing 23 results

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #1, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #2, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #3, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #4, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #5, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #6, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #7, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #8, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A diptych printed from six laser-engraved Plexiglas plates in the shape of four bird heads, a woman's legs, and an ape in red and blue inks. The plates were printed in an overlapping arrangement designed by the artist. One panel of the diptych was printed with the plates inked and wiped intaglio style. The second panel was printed after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flat. — Skeleton Images – Azar Compositions Duo, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A figure printed from two Plexiglas plates, one in the shape of a woman's upper torso and the other in the shape of a woman's legs with laser-engraved lines. The legs plate was inked and wiped intaglio style with black ink and relief rolled with transparent black ink; the torso was relief rolled in transparent black ink and they were printed in two overlapping runs. The intaglio printed black lines stand visibly on the relief printed flat. — Hybrid Solid Composition #1, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A figure printed from three laser-engraved Plexiglas plates in the shape of two birds and a woman's legs. The plates were inked and wiped intaglio style with black ink, relief rolled with transparent black ink, and printed in two overlapping runs. The intaglio printed black lines stand visibly on the relief printed flat. — Hybrid Solid Composition #2, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A figure printed from two laser-engraved Plexiglas plates in the shape of a bird's head and woman's legs. The plates were inked and wiped intaglio style with black ink, relief rolled with transparent black ink, and printed. The intaglio printed black lines stand visibly on the relief printed flat. — Hybrid Solid Composition #3, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eagle head shapes printed 109 times in 12 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #1, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eagle head shapes printed 86 times in 9 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #2, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eagle head shapes printed 116 times in 11 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #3, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eagle head shapes printed 122 times in 8 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #4, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eagle head shapes printed 157 times in 14 runs from laser-engraved Plexiglas plates. The plates were inked and wiped intaglio style, relief rolled with transparent black ink, and printed in an overlapping configuration as drawn by the artist. — Snake Glyph #5, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping. — Useless Wonder Map #1, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping. — Useless Wonder Map #2, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping. — Useless Wonder Map #3, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping. — Useless Wonder Map #4, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Line Printout, 2011

Carlos Amorales

Not on View

Triptych printed in light gray and black from two photolitho plates made from the artist's drawing on Denril drawing medium using toner powder and water. The left panel has the positive birds plate printed in black and the background plate printed in gray; the center panel has the positive birds plate printed in black and the background plate is also printed in black; the right panel has the positive birds plate printed in gray and the background plate is printed in black. — Bird Sticker, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

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