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arc terminating in dragon heads; mounted on black cloth-covered board with L2003.116.2.2

Dragon-head Huang Plaque, 2nd-3rd century

China

G215

arc terminating in dragon heads; mounted on black cloth-covered board with L2003.116.4.2

Dragon-head Huang Plaque, 2nd-3rd century

China

G215

arc terminating in dragon heads; mounted on black cloth-covered board with L2003.116.3.2

Dragon-head Huang Plaque, 2nd-3rd century

China

G215

two animals back to back in thread relief form the arc band pendant; incised curve-linear design on both sides, identically; perforation at each end; pale green translucent jade; traces of red pigment

Huang Crescent Shaped Pendant, 475-221 BCE

China

G215

arched pendant; the main body is formed of two single eyed animals (with human profile) interlocking each other into a single band; the pendant ends in an open hook form; incised design on both sides providing the general features of the creature (the design on the back is not clear); grey-ivory jade; incrusted; traces of red pigment

Huang Crescent Shaped Pendant, 480-221 BCE

China

G215

River scene in grey, blue, black and pink; three figures in a canopied boat at center; group of buildings behind on bank; mountains in background

Copyright of the artist%2C artist%27s estate%2C or assignees

River Landscape, 20th century

Huang Binhong

Not on View
large expanse of sky at top of image with mountains in background; very tall trees in front of a small building in LLC

Landscape in the Manner of Ni Zan, 1717

Huang Ding, 1660-1730

Not on View
elaborate landscape with mountains, trees, buildings and lake with waterfall in black, green and tan; 2 figures in building in front; man in boat near center; stored and shipped rolled

Landscape After Huang Gongwang, 1752

Wang Yu

Not on View
green, brown and black landscape of mountains with dense trees in foreground; buildings near center and at LRC

Landscape After Huang Kung-wang, 1670

Wang Shimin

Not on View
landscape scene with mountainous forest in background with two buildings; more forest in midground with a stone bridge, 3 groups of buildings and paths alongside 2 waterfalls and winding streams; several people are visible inside the buildings; streams and forest open in foreground into body of water and individual trees; small boat on water in LR with four people onboard

Chinese Landscape after Huang Gongwang, 18th-19th century

Shi Wenjing; Inscriber: Inscription on box by Gejo Keikoku

Not on View
three rocky mountain peaks covered in fog, with sparse trees

Copyright %C2%A9 2018 Bureau de Marc Riboud %2F Les amis de Marc Riboud%2C All rights reserved.

Huang Shan, The Mountain of Chinese Painters, 20th-21st century

Marc Riboud

Not on View
unsigned; scene with figures in foregreound: group of attendants on L with man in white facing woman in white; landscape with water in background on R; interior on L; gold leaf background

Emperor Ming Huang and Yang Guifei, around 1600

attributed to Kano Naganobu

Not on View

Couplet in seal script, 1856

Huang Picheng

Not on View

Couplet in seal script, 1856

Huang Picheng

Not on View
twenty-three lines of black text

Buddhist Text: Fragment from Tun Huang Cave Sanctuary, c. 600

Dunhuang

Not on View

Landscape After Huang Gongwang, 1643

Lan Ying

Not on View
3 volumes with yellow cloth covers in a yellow album cover; 6 page frontispiece with the Emperor seated under a canopy with a table in front of him, surrounded by figures in swirling clouds

The Marvelous Words of the Supreme Jade Emperor (Kao-shang yu-huang pen-hsing chi-ching), c. 1500

China

Not on View

Viewing Pavilion at Huang-Shan, c. 1695

Mei Geng

Not on View
mountainous landscape in green and tan; buildings nestled in trees; seated figure in LLQ; bridge right of center over calm water; inscription in URQ with two red seals

Landscape after Gao Kegong, 1679

LĂŒ Huancheng

G203

Feng Huang (phoenix), large; sheet gold, granulation, repousse, hollow work.

Phoenix Hair Ornament, 7th-8th century

China

G208

head, torso and arms of a man with Chinese characters written in black on his face, arms and body

%C2%A9 Zhang Huan Studio%2C courtesy The Pace Gallery

1/2 (Text), 1998

Zhang Huan

Not on View
3 full and one partial line of calligraphy, with 4 seals

Calligraphy in Running Grass Script, c. 1550

Fang YĂŒan-huan

Not on View
one of a pair of ornaments, Feng Huang (phoenix), stamped on back, open work.

Ornament, one of a pair, 7th-10th century

China

G208

one of a pair of ornaments, Feng Huang (phoenix), stamped on back, open work.

Ornament, one of a pair, 7th-10th century

China

G208

one of a pair of hairpins, Feng Huang (Phoenix), filigree, openwork, gold, green patina;

Hairpin, one of a pair, 12th-17th century

China

G208

Mottled tan jade, traces of red pigment. Huang shaped plaque showing deity that is part human, part bird.

Bird Plaque (Fitting), 1766-1122 BCE

China

G215

triptych; middle hanging scroll; Hill # R-19

Zheng Huangniu riding an ox [center of a triptych of Zheng Huangniu, Kingfisher, and Wagtail], 19th century

Attributed to Kano Naonobu

Not on View
rocky, jagged mountain peak with trees emerging from fog; tree top in LRC

%C2%A9 Michael Kenna Photography %7C All Rights Reserved

Huangshan Mountains, Study 11, Anhui, China, 2008 (printed 2009)

Michael Kenna

Not on View
circular huang hua-li stool; four piece ribbed frame around central circle at top, ribbing of side individual pieces of wood, four piece foot with five feet

Drum Stool with Lobed Body, one of a pair, late 17th century

China

G218

huang hua-li yoke back arm chair; cane seat, s-shape arms and splat, round legs, apron at underside of seat

Yokeback Armchair, one of a pair, c. 1600

China

G218

Highly calcified jade with little remnant of the original grey-green color. Bird in huang shape on plaque-pendant. Four perforations in the pendant.

Bird Pendant, 1100-771 BCE

China

G215

lid, with Feng Huang (phoenix); lid has tendrils and foliage and flying ducks of gold wire with large granulation on silver; silver with gold filigree.

Vessel lid with phoenix motif, 17th-19th century

China

G208

one of a pair of hairpins or ornaments, open work and stamping, double-pronged with peacock and phoenix motif in landscape (feng huang); sheet gold.

Hairpin or ornament, one of a pair, 14th-17th century

China

G208

one of a pair of hairpins of ornaments, open work and stamping, double-pronged with peacock and phoenix motif in landscape (feng huang); sheet gold.

Hairpin or ornament, one of a pair, 14th-17th century

China

G208

Portable huang hua-li table; deconstructs into nine pieces; scroll ends at table top; open work panes in legs; cloud design sides at leg joint; apron completely around

Portable Long Table, 16th-17th century

China

G218

upright rectangular shape with five shelves; center shelf has two drawers below; square drawer pulls mounted to chrysanthemum back plates

Bookshelf, late 17th century

China

G216

pale green translucent jade with light brown clouds; plain surface; serrated edge derived from chi axe

Chi Huan Disc with Notches, 775-480 BCE

China

G215

vertical ƍban triptych

Our Soldiers, Occupying the Huangjinshan Artillery Base at LĂŒshun Port, December 1894?

Ozaki Toshitane

Not on View
narrower lower portion with slightly larger upper portion; paper with huang hua-li supports; geometric designs at top and bottom corners of upper section and on edges of lower section

Lantern, one of a pair, late 17th-early 18th century

China

G218

animal pendant; highly calcified, opaque ivory jade, little remnant of the original green color, traces of red pigment; Huang shaped pendant with bird beak, tiger body and a fish tail; lei-wan design around eye

Pendant in the Form of an Animal, 1100-771 BCE

China

G215

hair ornament, FĂȘng Huang (Phoenix), double prong hairpin, lost pearls on breast, turquoise inlay in wings, repousse, bezels with lost stones, hallowed, soldered granulation, wire connecting gold tailfeathers; gold

Phoenix Hair Ornament, 7th-10th century

China

G208

huang hua-li painting table; sides four-square with large leg to table top bracing; hoof feet; minimal key pattern band at underside of table to top third of legs

Corner-leg Painting Table, late 17th century

China

G216

narrower lower portion with slightly larger upper portion; paper with huang hua-li supports; geometric designs at top and bottom corners of upper section and on edges of lower section

Lantern, one of a pair, late 17th-early 18th century

China

G218

huang hua-li book carrying case; double door, square hinges, handles and corner hardware; interior of three shelves and bank of three drawers slightly above center; decorative frame with handle similar to picnic boxes

Book Carrying Cabinet, 17th century

China

G216

small rectangular table; hidden drawer at short side; burlwood top framed with huang hua-li; short apron and tin legs with joints at the knee

High-Waisted Table, late 16th century

China

Not on View
huang hua-li table screen with a framed green marble sheet at center; rolled scroll feet; pierced frame

Table Screen, 17th century

China

Not on View

Kingfisher with Lotus and Reeds [left of a triptych of Zheng Huangniu, Kingfisher, and Wagtail], 19th century

Attributed to Kano Naonobu

Not on View
triptych; right hanging scroll; Hill # R-19

Wagtail on a Lotus [right of a triptych of Zheng Huangniu, Kingfisher, and Wagtail], 19th century

Attributed to Kano Naonobu

Not on View

Foam Face, 2007

Zhang Huan

Not on View
box, circular, lid with devil dancer and thunder monster or thunder drums (man with boar's head in vigorous motion) surrounded with lotus motif and denticulation; side of lid has seven Feng Huang (phoenixes) and griffins; bottom of box has five figures devil dancer, dog, winged dog, convoluted spotted dog, and winged rabbit; base undecorated and inside undecorated; silver.

Covered box, 9th century

China

G208

“On the ink bamboo” by Lin Huan (1375-1415) in running script, Date Unknown

Tang Hong; Author: Lin Huan

Not on View
huang hua-li rectangular stool; mat seat; four reeds joined form design of legs and horizontal supports organic leaf design at apron corners; double bead under seat frame

Pair of stools, 17th century

China

Not on View
rectangular huang hua-li tray; floating bottom panel; sides imitate bamboo, two tiered railing around perimeter; bottom panel made from one piece of wood

Stationary tray, 18th century

China

Not on View
huang hua-li chest; lift lid top, double door front, seven drawer interior behind doors; metal handles, pulls, corner elements and large latch plate

Table-top chest, 17th century

China

Not on View
huang hua-li rectangular stool; mat seat; four reeds joined form design of legs and horizontal supports organic leaf design at apron corners; double bead under seat frame

Recessed-Leg Rectangular Stool, 17th century

China

Not on View
large rectangular huang hua-li cabinet; two doors, removable center mullion; two drawers, three shelves; front and sides tapered toward top

Large Tapered Cabinet, early 17th century

China

Not on View
playing surface of one piece of huang huali; framed with 5/8 in. border of zitan; corners of brass; inlay forms playing surface

Game Board, 17th century

China

Not on View
circular huang hua-li stool; four piece ribbed frame around central circle at top, ribbing of side individual pieces of wood, four piece foot with five feet

Drum Stool with Lobed Body, one of a pair, late 17th century

China

Not on View
flying dragon with curving body; long, straight tail; black mount; incised scales and details

Flying Dragon, one of a pair, 7th-10th century

China

G103

flying dragon with curving body; long, straight tail; black mount; incised scales and details

Flying Dragon, one of a pair, 8th century

China

G103

Huangpu Duan Monument Album, 1821-1850

Ouyang Xun

Not on View
boy wearing a cap with tassels, plaid jacket and jeans leanding against a large raock in front of a graffitti-covered wall

%C2%A9 David Parker

Laborer, Huanuni, Bolivia, 1998

David Parker

Not on View
Cane seat; flaring apron carved with row of circles in relief; 4 legs, curving outward and back in at bottom, attached to a round base carved with another row of relief circles

Drum stool, 18th century

China

Not on View

Square Corner Cabinet with Latticework Upper Doors, c. 1600

China

G216

main body waisted, four hoofed legs, removable seat frame, beaded apron and legs; two sides and back each made from single pieces of wood; slightly rounded at top; beaded fronts and back; coiled hornless dragons adorn front of back and arms

Couch Bed, 17th century

China

Not on View
base with iridescent light green glaze and 2 animals, one standing on the back of the other; long post topped with openwork bird finial; 4 long branches at top: 3 depict figures dancing and holding objects and a figure under a canopy on top of branch and figures and radiating coins below branch; one depicts same scene except an animal replaces the figure under canopy; 20 rectangular branches, 19 with figures, horses, deer and figure under canopy with coins sprouting from branches; one with same scene except animal and figure(?) replace figure under canopy; 40 small branches with 3 radiating coins; pendant of monkey with a coin

Money Tree, 1st-2nd century

China

G201

low rectangular huang hua-li table; framed two-panel top with thin bead at top outer edge; relief carving of opposed dragons at apron centers; lion masks at apron corners; cabriole shaped leg terminates in a claw foot

Kang Table, early 17th century

China

Not on View
three tier huang hua-li picnic box with securing pin and lock with key; underside of cover has additional wood piece which allows securing pin to insert into box without problems

Picnic Box, 17th century

China

Not on View
small huang hua-li table; upper surface terminated at ends by stops; simple apron with open floral design at leg corners; legs have central panel between outer surface carved with floral design (stems, leaves and flowers)

Small Painting Table (qiaotouan), late 16th-ealy 17th century

China

Not on View
rectangular huang hua-li table; plain apron with abstract truncated cloud shaped spandrels and plain end apron; square legs with convex face moulded on either side to the front surface; double leg braces at short sides; framed single panel top

Rectangular Table, 17th century

China

Not on View
red-orange bowl with tan accretions overall

Bowl, c. 4500 BCE

Yangshao

G204

vertical rock with linear striations of red and brown; wood stand attached

Scholar's Rock, 19th century

China

G218

Hairpin, one of a pair, 7th-8th century

China

G208

Young Samurai and a Manservant as Mitate of Huanshigong and Zhang Lian, c. 1690

Hishikawa Moronobu

Not on View
dark huang hua-li T-shaped box with silver inset hardware at all corners and a large central circular latch on front; inside there are two small compartments with flip lids on either side of a removable rectangular tray at center

Sedan Document Box, 17th century

China

Not on View

Hair Ornament, 17th-19th century

China

Not on View

Phoenix Ornament, 1644-1912

China

Not on View

Phoenix Ornament, 1644-1912

China

Not on View

Phoenix Brooch, 17th-19th century

China

Not on View

Phoenix, Date Unknown

China

Not on View

Hair Ornament, 7th-10th century

China

Not on View

Ornament, one of a pair, 17th-19th century

China

Not on View

Ornament, 7th-10th century

China

Not on View

Ornament, one of a pair, 17th-19th century

China

Not on View

Phoenix Ornament, one of a pair, 17th-19th century

China

Not on View

Hair Ornament, 17th-19th century

China

Not on View
Very long table with apron on all four sides with carved clouds and geometric designs; two support legs near short ends with openwork dragons inside geometric framework; short ends of table raised and curved

Recessed-leg Altar Table, 16th-18th century

China

G201

Imperial green gold brocade robe for a prince of the court (8 dragons instead of the imperial 9). The symbol of a crowing cock backed by the rising sun appears on the front and sleeves, indicating the robe might have belonged to the heir apparent.

Manchu Man's Semiformal Court Robe, 1662-1722

China

Not on View
large vessel with pair of lug handles; small flat foot, flaring outward to pointed shoulder; straight neck with outward-flaring rim; swirl, linear and crosshatch painted designs in black and white

Storage Jar, c. 3000 BCE

Majiayao

G204

Yokeback Armchair, one of a pair, c. 1600

China

G218

Stand, early 19th century

China

Not on View

Hair Ornament, 7th-10th century

China

Not on View

Huan Disc, 480-221 BCE

China

Not on View

Phoenix Hair Ornament, one of a pair, 11th-12th century

China

Not on View
walking bird with wings and tail-feathers outstretched; large claws; pierced with round, crescent and tri-lobed holes; mounted on black cloth-covered board

Phoenix Plaque, 2nd century

China

G215

half-circle table with 4 legs around rounded side; short barbed apron on front with curved supports below connecting legs

Half Moon Table, early 17th century

China

Not on View

Hair Ornament, 7th-10th century

China

Not on View

Hair Ornament, one of three, 7th-10th century

China

Not on View

Hair Ornament, one of a pair, Date Unknown

China

Not on View

Hair Ornament, one of three, 7th-10th century

China

Not on View

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