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exterior scene of a building with red walls, a black and gray roof, a red banner with Japanese script, and red and white hanging lanterns flanking the open door; inside, two seated gray figures are just visible; a gray path runs along the foreground with a black structure outside the door, and the corner of another building on the R; green trees visible in background

Print (sōsaku hanga), 1963?

Saitō Kiyoshi

Not on View
five carved wooden blocks, each with a different stage of woodblock print process; blocks mounted to wooden frame; at bottom center is the finished print of a baby's face enveloped in its mothers arms; mother is wearing green kimono with pink and white motif

%C2%A9 Micah Schwaberow

Print blocks (gendai hanga), second half 20th century

Micah Schwaberow

Not on View
unsigned; two ladies wearing brightly-patterned dresses seated at a table in foreground; woman at right wears black dress with blue and brown leaf pattern and red hat with white feather and flowers and green and gold feathered fan; woman at left wears peach and yellow dress with white, yellow and blue flowers; red flowered garment on back of same woman's chair; four dancing couples in center middle ground

Dancing at the New Carlton Café in Shanghai, 1924

Yamamura Kōka (Toyonari); Publisher: Yamamura Kōka Hanga Kankōkai

Not on View
three women and one child wearing kimono, standing two by two; child is holding umbrella; Western style lamps at each corner of composition; yellow background

%C2%A9 Kawakami Sumio

Title unknown [four figures and four lanterns], May 23, 1971

Kawakami Sumio; Publisher: Kawakami Sumio Jisen Hanga Hanbukai

Not on View
head and shoulders of man in profile from PL; blue kimono decorated with white, brown, and light blue flowers

Actor Nakamura Kichiemon I as Hoshikage Doemon, 1921

Yamamura Kōka (Toyonari); Publisher: Yamamura Kōka Hanga Kankōkai

Not on View
head and shoulders of frowning man, looking up to R; wearing black kimono with floral crests and a red undergarment

Actor Matsumoto Kōshirō VII as Sukeroku, 1920

Yamamura Kōka (Toyonari); Publisher: Yamamura Kōka Hanga Kankōkai

Not on View
mica or gofun on background and sash; woman in profile from PL, wearing brown floral kimono and red and shiny green obi

Maiko, 1924

Yamamura Kōka (Toyonari); Publisher: Yamamura Kōka Hanga Kankōkai

Not on View
head and shoulders of man in profile from PL side; blue and white kimono with orange collar

Actor Nakamura Ganjirō I as Akaneya Hanshichi, 1920

Yamamura Kōka (Toyonari); Publisher: Yamamura Kōka Hanga Kankōkai

Not on View
man with wrinkled brow, curly red hair, wearing grey shirt; dark grey ground

Actor Morita Kan'ya XIII as Jean Valjean, 1921

Yamamura Kōka (Toyonari); Publisher: Yamamura Kōka Hanga Kankōkai

Not on View
head and torso of man with large nose, head turned to PL side, wearing black and blue garments, holding a baby in purple and brown striped cloth

Actor Ichimura Uzaemon XV as the Gardener Kichigorō, 1921

Yamamura Kōka (Toyonari); Publisher: Yamamura Kōka Hanga Kankōkai

Not on View
portrait of older man in profile, PR; frowning expression; man holds white rolled paper (?) in PL hand; man wears green striped kimono with black trim; yellow background

Actor Onoe Matsusuke IV as Gorōji in Kagatobi, 1920

Yamamura Kōka (Toyonari); Publisher: Yamamura Kōka Hanga Kankōkai

Not on View
hanging rack; wire structure with fourteen wood balls attached to projecting wires; wood balls painted various colors

%C2%A9 Eames Office

Hang-It-All, c. 1955 (designed 1953)

Charles Eames; Designer: Ray Eames; Artist: Tigrett Enterprises

G378

Album containing 39 lithographs by and after Géricault

Hangar de Maréchal-Ferrant, 1823

Jean Louis André Théodore Géricault

Not on View

Le Hangar, 19th century

Alphonse Legros

Not on View
three separate sheet; standing man at center wearing armor and undergarment with khaki ground and green and white foliage patterning; crouching woman with face only partially visible through garments covering her, holding a black drum with red cord; garments around woman and white with tan foliage, tan with circle and star pattern and green with white squares; crouching man at right wearing armor and grey garment with green patterning; waterfall at right; falling snow, with snow in mountains and on trees at left and right

Picture of Shizuka and Hangan Parting at Yoshino, 1886

Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Watanabe Yatarō

Not on View
male figure in black looking down PR shoulder; overlapping letters with calligraphy in background at L; night sky with moon, silhouetted reeds

Actor Sawamura Tosshō II as Hangan Takasada, 1862, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Gifuya Seichichi

Not on View
abstract image; biomorphic and geometric form in black with brightly colored geometric elements; yellow-green radiating background; shin hanga (fūkei-ga)

%C2%A9 Yoshida T%C5%8Dshi

Festival in Spring, 1962

Yoshida Tōshi (self-published)

Not on View
view of orange, green and grey rooftops of a crowded city; thin tree in foreground; foliage with pink and orange blooms at bottom; grey sky; shin hanga (fūkei-ga)

%C2%A9 Yoshida T%C5%8Dshi

San Francisco, 1985

Yoshida Tōshi (self-published)

Not on View
white swans swimming on blue water with brown wall at left and short brown wall at right; green vertical lines of foliage at top; suggestions of rooftops in ULQ; some embossing; lightly abstracted image; shin hanga (fūkei-ga)

%C2%A9 Yoshida T%C5%8Dshi

Bruges, 1955

Yoshida Tōshi (self-published)

Not on View
view through the silhouette of an archway, with silhouetted heads of seated and standing figures before railing at bottom in foreground; building with orange tile roof; people on street; street lights at right; shin hanga (fūkei-ga)

%C2%A9 Yoshida T%C5%8Dshi

Havana in 1954, 1985

Yoshida Tōshi (self-published)

Not on View
landscape; 3 plants with red and brown flowers (or seed pods?) bending in wind in foreground; grasses with brown seed pods in background; bird in grey sky

Before a Thunderstorm, March 1920

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
Hanging of gold colored cut velvet with design of large lotus blossoms and twining leaves in blue and coral color on gold thread ground. Tin the corners of the field archaic dragons (?). Outer border of profile dragons and Heavenly Jewel in colors of the field. Inner border of Greek key meander. Piece made up of two widths seamed length-wise. Lining of mustard yellow cotton. Inscription

Hanging Rug, 18th century

China

Not on View
Hanging of light olive-green satin brocade. Five five-clawed dragons in gold one large seated one at upper center; the others prowling at his sides and beneath him. In the field are loosely drawn, straggling clouds and the Heavenly Jewel. Below the eternal sea with deeply rolling waves dotted with loose clouds, and the sacred mountain. Border of yellow silk brocaded in gold with various symbols hard to identify because the gold threads are worn away. Along lower border two rounded-arch patches of the satin have been set in. Lining of thin yellow silk.

Hanging, Kangxi period, 1662-1722

China

Not on View
man hanging upside down with a rope tied around his ankle and suspended from a tree branch that is supported by two trees; Roman numeral XII printed on top border and LE PENDU printed on bottom; from a deck of 78 hand-colored triumph playing cards

The Hanged Man, 1751

Claude Burdel

Not on View
bed hanging, blue and white bucolic scene

Bed Hanging, 19th century

United States

Not on View
large blocks of green, red, and pink; metallic stripes run through the blocks; red verso; zari with traditional arrowhead pattern

Hanging, c. 1900

India

Not on View
Saddle stitched binding, photographic image of ABC No Rio building with text printed in offset lithography on wove paper covers; 28 pp.

Hanging Out at No Rio, May-October 2009

Brendan Carroll , et al.; Author: Erin Sickler; Publisher: ABC No Rio, New York

Not on View
hanging, wool with multicolored chainstitch embroidery; motifs include lion, elephant, stool, swords, birds, crocodiles, fish

Hanging, 20th century

Asante

Not on View
3 embroidered floral medallions with embroidered floral borders in red, white, green, blue, yellow and purple outlined in black; mounted

Hanging, 18th century

Algeria

Not on View
Hanging of deep yellow satin brocade with large interlocking medallions in ground. Five five-clawed dragons in gold, the central one in a medallion. Details in lacquer red. Wide border of blue and gold Greek key diaper brocade. Lining of tan cotton. At top and bottom two rigid rods have been inserted in order to weight hanging.

Hanging, 19th century

China

Not on View
hanging, silk, metallic threads, ikat dyed, metallic braid

Hanging, 19th century

Indonesia

Not on View
gold brocade square, badge of military rank, with lion in green, gold, blue and red, sejeant on a ground of loose cloud forms. Below, rolly waves dotted with some of the eight precious things. The square was woven in two sections and is now seamed together. This is a square of military official rank, and since it bears the lion it may have been worn by a member of the Second Rank.

Hanging, 1662-1722

China

Not on View
Suzani embroidery on green, red and white ikat ground; stylized motifs in white, red, blue, purple, orange, black; red polka dot binding

Hanging, mid 19th century

Uzbekistan

Not on View
red and white with gold metallic trim; three rows of three blocks with floral medallions and pairs of figures with birds

Copyright of the artist%2C artist%27s estate%2C or assignees

Hanging, c. 1998

G. Meher

Not on View
Opalescent glass shade with brass fittings; arrived with its own mount

Hanging lantern, c. 1895

William Arthur Smith Benson

G378

unattached diptych; male figure at R thrusting fan across image, toward figure at L; figure at L is in blue clothing with swirling tan/yellow cloud pattern on sleeves; figure at R has brown clothing with white floral pattern; each figure has a sword

Actors Bandō Kamezō I as Kō no Moronao (R) and Sawamura Tosshō II as Enya Hangan, 1862, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Gifuya Seichichi

Not on View

Le petit hangar, 19th century

Alphonse Legros

Not on View

Le petit hangar, 19th century

Alphonse Legros

Not on View

Les hangars, Dunkerque, 20th century

Pierre Louis Moreau

Not on View
white ground; pink, yellow, purple, green, turqouise tulip-like pattern; purple trim; blue, tan, orange print backing

Ikat wall hanging, c. 1850-1875

Uzbekistan

G240

oil lamp converted into electrified hanging lamp; candelabra with 4 candle cups (converted to lamp sockets) extending from scrolling arms near base; four organic, protruding arms near top above candle cups; applied star-shaped base with separate cup-shaped hanging pendant; electrical works removed per request of E. Maurer for installation 6/16/2000

Hanging lamp for Sabbath and festivals, 19th century

France

G362

Curtain Hangings, pair of faded lacquer-red k'ossu. Design of two five-clawed dragons in gold in a field of large, loose clouds in shades of blue, green, yellow, brown, peach, pink, and dull gold. Note use of peacock feathers for details in dragons and Heavenly Jewel. At bottom, the Eternal Sea, with wide wavy stripes and deeply rolling waves among which appear cloud heads and symbols of the Eight Precious things. Across the top, a twelve-inch valance on which appear three gold medallions containing five-clawed dragons in blue. Clouds in the surrounding field. Lining and hanging band of faded pink satin of floral medallion design.

Pair of imperial curtain hangings, mid 18th century

China

G103

legs and lower bodies of kimono-clad figures wearing geta sandals, with their upper bodies hidden by large umbrellas; falling rain; multicolors

Umbrellas, 1915

Friedrich (Fritz) Capelari; Publisher: Watanabe Shōzaburō

Not on View
view of the Grand Canyon; rust, salmon, olive, tan, blues, grey, yellow; yellow line at horizon; grey sky; high horizon line

%C2%A9 Paul Binnie

Travels with the Master: Cloud Shadows, Grand Canyon (Meishou To No Tabi: Guranndo Kyanionn), 2004-2007

Paul Binnie

Not on View
Large altar hanging; white satin ground on which medallions of figures in a floral background have been embroidered; green and red fringe along one side.

Altar Hanging, 19th century

China

Not on View
#1121 Former Classification: Textiles - Tapestry

Temple hanging, 18th century

China

Not on View
Tent Hanging, embroidered; composed of four strips of burlap-like material in alternating colors - red, pale blue, yellow, darker blue all of which are embroidered with geometric designs. There are several long pieces of wool or hair knotted into the warp threads - to ward off the evil eye. Wool

Tent Hanging, 19th century

Turkey

Not on View
bamboo rod with woven loop at one end; carved, telescoping hook at opposite end with intersecting bamboo piece connected with twine

Bamboo Hanging Rod, early 20th century

Wada Waichisai II

Not on View
two letters written in cursive mounted together on a hanging scroll

Hanging scroll, early 18th century

Arai Hakuseki; Artist: Gion Nankai

Not on View
portion of landscape painting: a few trees on a rocky cliff at L; small hut on flat cliff at LRQ; brown mount

Hanging scroll, mid 18th century

attributed to Ike Taiga

Not on View
two lines of cursive calligraphy; bold characters

%C2%A9 Ishikawa Kak%C5%8D

Hanging scroll, 1971

Ishikawa Kakō

Not on View
light tan cloth block printed overall in purple, gold, green and orange; shields, floral designs and scrolls; four different designs; hanging tabs at top

Wall Hanging, 20th century

The Minneapolis Handicraft Project WPA; Designer: E. Erickson; Maker: C. Hagen

Not on View
coarse woven tan ground with red edging; symmetrical design painted in orange, green, khaki and brown with roundels, birds, pairs of human figures, elephants and plants; flower band and lappet band at bottom; grey marks on back may be faded inscription

Wall hanging, mid 20th century

Kanbi (?)

Not on View
appliqué overall in various brightly -colored solid color and printed fabrics; flower and leaf bands around edges; central Tree of Life motif on dark blue with three pairs of birds-pink, white and yellow; lappet panels at top and bottom

Wall hanging, early 20th century

India

Not on View
Plain-weave heading on knotted fringe with tassels, fringe with warp-twined heading, Pieced, block-printed lining. The ground fabric is pieced from cotton flannel and cotton velvet dyed red and black. There is polychrome silk embridery and a cotton fringe. The backing is printed cotton fabric.

Tent hanging, 20th century

Dasht-i-Kipchak

Not on View
Printed cloth bands Printed lining Printed cloth bands Printed lining Printed cloth bands Printed lining Printed lining. Printed cloth bands. Overall silk cross stitch embroidery on a cotton ground. There is a printed cotton edge binding, except for a three inch section at one corner, which is silk. The embroidery is backed with a printed cotton fabric. One cross design at center near top is not filled with cross stitch. Center vertical stitching.

Tent hanging, 19th century

Dasht-i-Kipchak (probably Lakai)

Not on View
No backing cloth, striped lining. Polychrome colors. Overall cross stitch in two vertical columns with center sem. Lined in stirped cotton. Two long side tassels include metal wrappings. Five bottom edge tassels metal and silk wrapping with yellow and black beads.

Tent hanging, 19th-20th century

Lakai

Not on View
All cotton ground, pieced with a red center and black borders. Polychrome silk embroidery. The edges are bound in several different solid and printed cotton fabrics. There is a braided cotton fringe with wrapped tassels in cotton and metallic threads. Hanging tabs are present. On the reverse, there is a black and white 'ikat' printed cotton fabric and red printed cotton edging. Applied braided fringe and tassels are in sections of different lengths and colors; red, black, gold, and tan.

Tent hanging, 19th century

Kyrgyz

Not on View
Cloth band, No backing cloth, pieced and printed lining. Red wool ground fabric pieced with black cotton pieced velvet border, embroidered with silk threads. The backing is printed cotton fabric. One hanging tab at top. Chain stitch, herrinbone.

Tent hanging, 19th-20th century

Kyrgyz or Kazak

Not on View
square composed of nine squares bordered by 2-1/4" black border; satin stitch floral embroidery in blue, red, green; white raised tape criss-crosses squares centered with four attached fabric flowers; four flowers missing; wood rod on back

Wall Hanging, Date Unknown

Miao

Not on View
Fringes with warp-twined (LM) heading, wide embroidered bands . Overall cross stitch embroidery in silk, synthetic, and cotton threads on a cotton ground with center vertical join. The borders are attached red wool bands with chain stitch dominating, backed with cotton fabric. The panel is trimmed with cotton fringe. There are two intact hanging loops. No backing is present; the construction technique is clearly visible on the reverse.

Wall hanging, 19th century

Shahrisabs or Kitab center with Kungrat borders

Not on View
Wool-felt ground cloth. Thick natural brown wool felt with red wool embroidery. There is no backing or edge finish; the edges are overcast with cotton thread. Handmade felt?

Tent hanging, late 19th-early 20th century

Kyrgyz

Not on View
No backing cloth. Hand jwoven indigo-dyed pieced wool ground with polychrome wool and silk embroidery. There is no finishing treatment on the edges. Red dominates. Large center square pattern with 2 1/2" - 3" border all sides.

Tent hanging, early 20th century

Kyrgyz or Kazak

Not on View
three lines of widely spaced, carefully composed characters; rectangular intaglio stamp URC; two square intaglio stamps LLC

Hanging scroll, mid 19th century

Kikuchi Gozan

Not on View
six lines of calligraphy; dark green, gold, and tan mount

Hanging scroll, 1868

Yanagawa Kōran

Not on View

Ceremonial Hanging, Date Unknown

Yao

Not on View
top blue border; red center with black floral cross stitch overlaid on three sides by light green rayon tape; wide embroidered flor and bird pattern in shades of pink, green, blue and black surrounds center red panel; some unfinished embroidery

Wall Hanging, Date Unknown

Miao

Not on View
top 2-1/4" blue border; center fuschia panel with black embroidery in cross stitch floral pattern, surrounded by 4-1/2" white (?) border with embroidered flowers, birds, insects in many colors

Wall Hanging, Date Unknown

Miao

Not on View

Ceremonial Hanging, Date Unknown

Yao

Not on View
unlined cerise rectangle with pictorial corss stitch embroidery; two sides and bottom have floral and fauna embroidery on white in purples, blue, greens and gold; inner border tape of green embroidery; blue binding on three edges

Embroidered Hanging, Date Unknown

Miao

Not on View
a: round iron vessel with semi-circular handles hanging on each side; bird in open circle below one handle and standing creature with shovel (?) in open circle below other handle; openings cut out in organic shaped designs on body; L-shaped hooks attached to each side to hold open doors; wing-shaped doors below that lift upwards, attached with two hinges; incised decoration on each door; solid bottom inside that is raised from very bottom with openwork around base in oval forms with points at top of each; b: brass insert with wing-shaped opening on each side; c, d: open brass handles

Hanging lantern, 8th century

Unknown Japanese

Not on View
2 layers in weft-faced plain weave; bottom layer is base to which longer top layer intermittently interweaves to form 15 varigated horizontal wales; dowel through topmost wale

%C2%A9 Susan Padwee

Wall Hanging, c. 1974

Susan Padwee

Not on View
stripes of various widths and colors, mainly red, grey and pink; silver colored thread; ends folded over at top and bottom and finished with black cloth; wooded hanging bracket at top

%C2%A9 Morgan Clifford

Wall Hanging, 20th century

Morgan Clifford

Not on View

%C2%A9 Eero Saarinen %2F Studio Loja Saarinen

Wall hanging, c. 1934

Eero Saarinen; Maker: Studio Loja Saarinen, Bloomfield Hills, Michigan; Maker: Loja Saarinen

Not on View
Picture panel of pale apricot satin with self diapered ground embroidered in shades of blue, green, pink, yellow, rust, red, and black applique. The design represents an emperor and an empress with their attendants. In the background are large sprays of lotus. Border of black satin embroidered with flowers and symbols in colors and gold. The applique motifs are done chiefly in satin stitch, but couched, knot, chain, and laid stitches also used. Lining of course orange gauze. Note dragon design of emperor's robe; phoenix design of Empress'.

Pictorial Hanging, c. 1825

China

Not on View
Large picture hanging of embroidered blue-black satin. The design represents the birthday of the Western Queen Mother who is being waited on by attendants bringing gifts. Landscape with branching pine trees, flowers, sun disc, and clouds. Embroidery in satin, laid, couched, and knot stitch in shades of blue, tan, brown, green, rust, pink, and pale gray. The hanging is made up of two widths of satin seamed length-wise. Binding of black satin with inner strip of very narrow red and black braid. Lining of gold-colored raw silk. Inscription on back. Former Classification: Textiles - Tapestry

Picture Hanging, 16th-17th century

China

Not on View
Altar hanging; red satin ground embroidered in elaborate bird and flower design.

Altar Hanging, 19th century

China

Not on View
batik cotton with indigo blue floral design

Wall Hanging, late 20th century

Miao

Not on View
Single element of original multiple grouping, -- thick hanks of linen thread bound in three places along length with colored wool and silk thread in burgundy, purple, orange, pink, blue, red and saffron

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Wall Hanging, 1988

Sheila Hicks

Not on View
Picture hanging of embroidered gold-colored satin. the design represents a landscape in which wide-branching floral trees grow from a low hill. Two birds perch on the branches. In the lower foreground grow branches of pine, and to the right is a mountain. Embroidery in very fine satin stitch in shades of blue pink, green, pale tan, light rust, and eggshell. Border of Yellow satin brocaded in colors and gold of dragon-medallion and cloud design. At upper right of picture is a four-character inscription embroidered in blue silk. Lining of mustard yellow raw silk. Former Classification: Textiles - Tapestry

Picture Hanging, 1662-1722

K'ang Hsi

Not on View
Temple hanging, framed, of satin applique on satin. The design represents Buddha seated on lotus in a field of floral sprays and clouds. The colors, tan, brown, and blue have taken on a prevailing dark rather rusty tone. The Buddha is shown in the gesture of calling the earth to witness.

Temple Hanging, 1368-1644

China

Not on View
several cut-outs of figures swinging by nooses beneath a bridge

%C2%A9 Arthur Tress. All rights reserved.

Hanging Men, New York, 1983

Arthur Tress

Not on View
ex coll.Grosjean Coll. Imperial Palace Fond D'or Sapphire blue velvet hanging. Deep blue velvet, voided to show a sumptuous design in gold picked out in cinnamon brown. The field is patterned with six formulized lotus blossoms surrounding a large central blossom, all supported on interlaced leaf scrolling, three fret and floral borders.

Palace Hanging, 18th century

China

Not on View
Large Hanging of golden tan satin brocade composed of two widths seamed up the middle. All-over design of peonies, lotus, and trailing leaves in shades of blue. green, magenta, pink, mulberry, violet, grey, pink, brown, and yellow with gold. Lining of yellow raw silk. Inscription. Cf. 42.8.137,.138 for same general type of pattern.

Large Hanging, 20th century copy

China

Not on View
Tent hanging, strip of, embroidered in shades of rust red, blue and green, in stripes, one wide strip alternating with a broad one. The design is geometrical and so closely embroidered that it looks woven. Probably Kurdish. Embroidery.

Tent Hanging, 19th century

Turkey

Not on View
Rare temple hanging of leaf green brocade. All-over pattern composed of various square, octagon, and trefoil bordered medallions, each beating floral sprays or stylized blossoms. The medallions all carry floral or diapered borders, producing an effect of great richness and intricacy. The color is chiefly green, with shades of red, blue, yellow and pink contributing a lightness to the scheme. Border of gold and blue brocade of interlocking 'Y' design. The piece is made up of two widths sewed together, and is limed with a fine eggshell silk with wild goose medallions in openwork. Medallions also carry two characters of rather archaic flavor.

Temple Hanging, 1368-1644

China

Not on View
Mosaic hanging of blue felt with mosaic design of large flowers in red which have been set into the ground. Three applied borders which have undulating floral and vine designs.; Cleaned and repaired by Jamgotch, summer, 1941.

Mosaic Hanging, 19th century

India

Not on View
Valance shaped, of faded rust-red, K'ossu bordered by a dark blue band carrying sprays of various flowers. In the field, five five-clawed dragons, three in gold and two in pale blue, pursue the heavenly jewel among lossely drawn clouds and bats. At the base of the side panels, slanting wavy stripes scattered with jui-type clouds and rolling billows. Spray, jewels and artemesia leaf emerge from waves. Across the top of the valance a broad band of bluish-green K;ossu carrying large sparys of peonies flanked by phoenix in flight. Dominant colors are rust, blue, brown, cream and deep peach. K'ossu closely woven. Lining of tan cotton.

Door hanging, 1662-1722

China

Not on View
Three strips of linen sewed together. Each strip is embroidered down the center with rose spray device with blue and henna-colored flowers. Probably part of a bed hanging. Linen.

Part of a Bed Hanging, 19th century

Turkey

Not on View
Tent hanging, part of, embroidered at each end with ten rows of conventionalized tree-in-pot design. Red, blue, green and white on a mustard colored background. Sides turned under; one end finished wit twisted warp fringe, the other with short loose warp fringe.

Tent hanging, 19th century

Greece

Not on View
no # on label Former Classification: Textiles - Tapestry

Temple hanging, 18th century

China

Not on View
#1123 Former Classification: Textiles - Tapestry

Temple hanging, 18th century

China

Not on View

Wall Hanging, c. 1850-1875

China

Not on View
Embroidered with red, black, greens, orange, pink around central panel Ikat (later addition); black border with machine stitching; lining is ecru and red floral printed fabric.

Wall hanging, c. 1890

Uzbekistan

Not on View
brown ground with ikat design in cream, blue and orange; repeating pattern of 2 alligators flanking a man and 2 men flanking on object with 4 human heads; 2 strips sewn together

Ikat Hanging, 20th century

Indonesia

Not on View
monkey hanging from branch; snow on branches

Monkey Hanging from a Branch, Spring 1770

Maruyama Ōkyo

Not on View
cone-shaped hanging basket with vertical, open weave; ends in point with twisted sticks; uneven, scalloped, wide mouth

%C2%A9 Suemura Sh%C5%8Dbun

Old Man Hanging Flower Basket, mid 20th century

Suemura Shōbun

Not on View
narrow triangular vase with rough glaze in earth tones; rusted metal post with jump ring near top

%C2%A9 Tsujimura Kai

Hanging vase (kakehana), early 21st century

Tsujimura Kai

Not on View
black borders at sides and top, trimmed in rust, with central triangular piece; lower center is red, white, yellow, purple, olive and brown ikat; black areas decorated with curvilinear designs alternating with orange medallions surrounding shooting stars and flowers; medallion on triangle with flower in center; text embroidered at top edge

Tush kyiz (hanging), mid 20th century

Kyrgyzstan

Not on View
black bands at top and sides with central triangular overlay; red at center and red trim; bands embroidered with outer running flower pattern and inner organic medallions in multicolors; triangular section embroidered with a seal with a sunset over mountains, cotton, wheat and a hammer and sickle; "1962" below seal

Tush kyiz (hanging), c. 1962

Kyrgyzstan

Not on View

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