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Loose, folded leaves, photographic images printed in color offset lithography with letterpress text on newsprint; 40 pp.

Villager Express, vol. 1, no. 6, June 23, 2016

Yannic Rack , et al.; Publisher: Villager Express, New York

Not on View
Seascape. German Expressionism.

%C2%A9 Nolde Stiftung Seeb%C3%BCll

Evening Glow, 1915

Emil Nolde (born Emil Hansen)

G377

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View

Abstract Expressionism, from Trinket Carro/ChucherĂ­a Cart, 2001

Douglas Padilla; Artist: Packaged by Alexa Horochowski

Not on View
Saddle stitched binding, letterpress text printed on wove paper covers; 16 pp.

Expressions of Mortality: From Anatomy to Vanity, March 17-April 10, 1996

Patricia Arrott , et al.; Publisher: Spring Studio, New York

Not on View

Contest for the Prize for a Study of the Head and Expression, 1763

Jean-Jacques Flipart; Artist: After Charles-Nicolas Cochin II

Not on View
black and white close-up of woven textile; title URC

Expressions textiles nordiques. angers, france. 3-2, 15-3, 1973, 1973

France

Not on View
Crucifixion of Christ. Expressionism. Religious.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Crucifixion, early 1920s

Georges Rouault

G377

Saddle stitched binding, xerographic image of etching of a religious/mythological scene with text printed on wove paper covers; 24 pp.

Croatan Express, no. 2, 1993

Hakim Bey , et al.; Publisher: AmbiTAZ, San Francisco

Not on View
Saddle stitched binding, photocopied image of abstracted figures with text printed in xerography on wove paper covers; 24 pp.

Croatan Express, no. 1, 1993

Hakim Bey , et al.; Editor: Rev. Sasha K , et al.; Publisher: AmbiTAZ, San Francisco

Not on View
Train engine, left half of image; five slanted vertical white lines on blue ground, right third of image

%C2%A9 %26 TM. MOURON - AM.CASSANDRE. All Rights Reserved. www.cassandre.fr

Nord Express, 1927

Adolphe Mouron Cassandre; Designer: A. M. Cassandre; Printer: Hatchard et Cie.

Not on View
Landscape. German Expressionism. View of Dresden.

View of Dresden: Schlossplatz, 1926

Ernst Ludwig Kirchner

G371

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female

Modern Bohemia, 1924

Ernst Ludwig Kirchner

G371

%C2%A9 Stuart D. Klipper

Express Bus, Parkchester, Bronx, N.Y., 1974

Stuart D. Klipper

Not on View

Bob Butterfield, Veteran Engineer, Empire State Express, 1930s

Lewis W. Hine

Not on View

Nihonbashi: Expressway, July 1960

Sekino Jun'ichirƍ; Printer: Iwase Kƍichi

Not on View

Artpolice Express, No. 2/3, December 1982

Edited and contributions by Joe McDonnell; Artist: Edited and contributions by William McKearn; Artist: Holly Anderson; Artist: Andy Baird; Artist: Michael Brehm; Artist: Robert Corbit; Artist: Frank Gaard; Artist: Michael Haiduck; Artist: Lillian Koponen; Artist: Greg Miller; Artist: Ken Moylan; Artist: Ed Rath; Artist: Deb Silver; Artist: Doug Smock; Artist: Fritz Wolfmeyer; Publisher: Artpolice, Minneapolis

Not on View

Artpolice Express, Vol. 1, No. 1, December 31, 1980

Edited and contributions by Joe McDonnell; Artist: Mark Akgulian; Artist: Holly Anderson; Artist: Andy Baird; Artist: Michael Brehm; Artist: Robert Corbit; Artist: Carol Gaard; Artist: Frank Gaard; Artist: William McKearn; Artist: Greg Miller; Artist: Ann Morgan; Artist: Ed Rath; Artist: John Rath; Artist: Jon West; Artist: Fritz Wolfmeyer; Artist: Chris Woodward; Publisher: Artpolice, Minneapolis

Not on View
black and white manipulated photographic images; bowl of fruit with bananas at center bottom; blurry man's face at center background; blurry image of standing nude woman with arm raised at right with mirror image in white at left

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Buddy Miles Express, Dino Valenti, Country Weather, Avalon Ballroom, October 25-27, 1968, 1968

Wes Wilson

Not on View
Cover sheet illustrated by Nicolas Calas

%C2%A9 Claes Oldenburg

Proposal for a Broome Street Expressway in the Form of a Cigarette and Smoke, from "Reality and Paradoxes" portfolio, 1973

Claes Oldenburg; Illustrator: Nicolas Calas; Printer: Styria Studio, New York; Publisher: Multiples, Inc., New York

Not on View
Seated girl. Franzi Fehrmann. German Expressionism. Figure shown nearly full length, filling almost all of the picture space, seated on vivid blue divan dressed in bright red dress with yellow trim and black polka dots on green sleeves. Small nude figure at left a frequent motif in Kirchner's art. Strong color utilized, applied in broad areas with an eye to contrast and balance. Harsh contour lines add a decorative element to the composition. These strong contour lines reveal the influence of the woodcutting technique which Kirchner also practiced to great effect. Composition is simplified and economy of line and form reveal influence of Japanese art and primitive African sculpture. No signature - checked 8-21-96.

Seated Girl (FrÀnzi Fehrmann), 1910 (altered 1920)

Ernst Ludwig Kirchner

G371

German Expressionism. The picture encloses four figures in a tight, absurd configuration defined by a picture frame and a door frame. Two men dressed as harlequins raise a daringly balanced woman muffled up in winter attire. A waiter in tails with a tray full of champagne glasses slides between the figures. In the background is a broad sky, low-lying snow covered mountains, and two figures in a horse costume.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

The Skaters, 1932

Max Beckmann

G371

Composition is very similar to L'Intrigue by Ensor in collection of Royal Museum of Fine Arts, Antwerp, which measures 35 1/2' x 59' and is dated 1890.

The Intrigue, 1911

James Ensor

G371

red-eyed and balding telegraph operator at desk in foreground; postman in uniform, R background

%C2%A9 Albert Birkle %2F Artists Rights Society %28ARS%29%2C New York

The Telegraph Operator, 1927

Albert Birkle

G377

%C2%A9 The Willem de Kooning Foundation %2F Artists Rights Society %28ARS%29%2C New York

Landscape at Stanton Street, 1971

Willem de Kooning; Publisher: Hollander Workshop, New York , and Fourcade, New York

Not on View
stoneware with low-fire glaze and acrylic paint; on mount

%C2%A9 Peter Voulkos

Plate, 1957

Peter Voulkos

Not on View

Stehende, 1912

Erich Heckel

Not on View
abstract image; hard-edge black linear elements separating brown, blue, purple and red areas; two textured red rectangles at right; football-shaped light blue textured element at top center with black shadow-like crescent below

%C2%A9 1961 Estate of Karl Benjamin

T&G #27, 1961

Karl Benjamin

Not on View
astract image; mostly square, rectangle, and triangular shaped torn pieces of paper and fabric in muted tans, pale orange, greys, creams, and some collage elements with drips and lines of black and blue ink; in white shadowbox frame

%C2%A9 Estate of Anne Ryan

Untitled (No. 708), 1953

Anne Ryan

G369

Nude, 1918

Childe Hassam

Not on View
abstracted image of a horse seen from back, galloping; large, blocky body; head partially out of picture plane

%C2%A9 Pat Trivigno

Study of a Galloping Horse from Behind, 20th century

Pat Trivigno

Not on View

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled (New York), 1954

George Morrison

G261

abstract image with ovoid forms and wavy lines; black, blue, grey, red and dark rose; received in distressed wood frame

Black Ravine, 1949

George Morrison

G261

La Crucifixion, c. 1890-93 (published 1894)

Émile Bernard

Not on View
abstract image with overlapping blocky red, black, and gray forms against white background; framed

%C2%A9 Afro Basaldella %2F Artists Rights Society %28ARS%29%2C New York

Compostion II, 1962

Afro Basaldella; Publisher: Enrico Castelli, Rome

Not on View

%C2%A9 Estate of Roy Lichtenstein

Brushstrokes, 1967

Roy Lichtenstein; Publisher: Leo Castelli Gallery , for the Pasadena Art Museum, California; Printer: Aetna Silkscreen Products, New York

Not on View

%C2%A9 Enzo Cucchi

Il Respiro del Cavallo, 1982

Enzo Cucchi; Publisher: Edition Schellmann & Kluser, Munich & New York

Not on View

The Acrobat, 1921

Conrad FelixmĂŒller

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Portrait of William Spratling, Taxco, 1931

David Alfaro Siqueiros; Printer: George C. Miller

Not on View
House in a landscape at sunset

House with Sunset, c. 1914-1916

Aloys Wach

Not on View
Abstraction.

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1960

George Morrison

Not on View
irregular black forms including bars at left, part of triangle and square at right and circle flanked by ovoids left of center; some black splatters on ground around black shapes; touches of silvery blue at right edge, round lower part of right ovoid and between left ovoid and bar

%C2%A9 Estate Robert Motherwell %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Elegy Black Black, 1983

Robert Motherwell; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York; Printer: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
slightly abstract image; seated brunette woman wearing a loose white garment, with her arms up and crossed over her head; green ground

%C2%A9 Eric Fischl

Untitled (Seated female figure), 1985

Eric Fischl

Not on View
justification page with list of plates; printed in blue

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Justification page from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
Rootlike coiled forms in shades of orange to red and gold; emerging from a beige woven ground

%C2%A9 Ritzi and Peter Jacobi

Exotica, 1977

Ritzi Jacobi; Artist: Peter Jacobi

Not on View
2-1/3 repeats; bkg. ecru; sunflowers motifs black, brown, dark and light green

%C2%A9 Heal%27s Fabrics%2C London%2C Howard Carter%2C 1962

Sunflower, 1962

Howard Carter; Manufacturer: Heal's Fabrics

Not on View
Porcelain with blue crystalline glaze

Vase, c. 1900

Carl Frederick Liisberg; Manufacturer: Royal Copenhagen Porcelain Manufactory, Copenhagen, Denmark

Not on View
color pencil sketch of Colosseum with Arch of Constantine in LRC foreground; very few details included in sketch; drawn with brown, red, yellow, green, with some blue and white

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Colosseum and Arch of Constantine, 1949

Oskar Kokoschka

Not on View
abstract image; brown ground with green at bottom edge; brown and black form with two blue circles and white "horn" at top; green rectangular form around central form; pink area with central black spots, LLQ

%C2%A9 Estate of Theodoros Stamos

First Cyclops, #I, 1947

Theodoros Stamos

Not on View
abstract image; black ground; two biomorphic forms with crescent in URC; stick figure on "belly" of form at right

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Communication, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in three colors--light orange, dark orange, black; light orange ground with scattered dark orange biomorphic forms; linear elements in black on top--stick figures and geometric shapes

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Water Problems, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in five colors--red, black, blue, green, yellow; predominately red; curving and loosely geometric forms; painterly style

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

The Weak Point, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in two colors--purple and black; black ground; geometric purple form with purple triangle in ULC; black circles, lines, S-curve, zigzags on top of purple form

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

The Opposition Wants to Overthrow the Government, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
Painting on cardboard. simplified face in red, green, grey and black with large eyes; inherent pigment spots and smudges in negative space

%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York

Untitled (Face), 1959

Jim Dine

Not on View
stylized drawing of a nude woman reclining in tight pose on PR side, propping upper up on elbows, with PR hand supporting head; PL leg is tucked upward, closing off body; woman is looking toward her knee; long, dark hair falling over shoulder; green linear outlines and markings

%C2%A9 Frank Lobdell Trust

Nude Reclining in a Landscape (Figure Drawing Series No. 13), 1974

Frank Lobdell

Not on View
colorful, abstract image of a pointed red and orange loop against a gray background L of C; yellow cone-shaped form at R against black background with two brown triangles; orange wedge LRC; red bar along L side

%C2%A9 Frank Lobdell Trust

Untitled (Tyler Preparatory Drawing No. 4, Skowhegan), 1984

Frank Lobdell

Not on View
stylized drawing of foreshortened nude female figure laying on her back on a striped sheet; PR leg extends off paper surface; figure is looking up to L with hands above head

%C2%A9 Frank Lobdell Trust

Reclining Nude (Figure Drawing Series No. 58), 1963

Frank Lobdell

Not on View
abstract black and white image with two sections: lower section with white squiggles at C against gray and white hash-marked background; black scribbles at UL and LRC with dots; thick border in black and white; squares and triangles around border; at top: black and gray horizontal rectangles at C with overlapping black scribbles; triangles and squares along lower border

%C2%A9 Frank Lobdell Trust

Kelso No. 27, 1989

Frank Lobdell

Not on View
abstract image; seated woman with legs apart and hands over her crotch, URQ; face to left of woman's PR knee; stick figures to left of woman's PR foot; seated man with standing woman holding a baby at left center; lion, LLC; various marks and lines throughout

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Concept, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in three colors--green, tan, red; green, tan and white ground with biomorphic forms; red linear elements on top with standing stick figure at left and some geometric shapes

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Stones and Shadows, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; biomorphic openwork forms with some triangles and circles, all in grey with black lines and marks on top of grey; some abstracted figures, including standing large figure in profile from PR with two smaller figures behind, right of center; some circles in LLC

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Middle East Complexities, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; grey ground; black biomorphic forms

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Snow in Jerusalem, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; horizontal grey marks across background--darker at bottom; two connected forms, with form on right appearing slightly like a stick figure and figure on left like an animal with long ears standing on its hind legs; thin black linear elements at center between two forms

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Idea for Sculpture No. 3, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; standing man with child, LLQ; face to left of pair of figures; standing nude man holding candle holder at top center; diagonal lines with hatching; some stick figures, ULQ; square and reversed Z in URQ; triangle and three circles at center; cube and rectangular three-dimensional shapes in LLQ

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Thoughts in a Kibbutz, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in five colors--black, orange, red, purple and blue; black form at center extending outward; some blue spots around center; curving forms; painterly style

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

The Strong Point, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
hand-written text in black in two columns with a vertical line between them, titled "Expedition to the Holyland"

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Introduction for "Expedition to the Holyland", 1983

Text by A. R. Penck (Ralf Winkler); Publisher: Joshua Gessel, Jerusalem; Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; black ground; biomorphic form with black and white circles, zigzags, squares, figure eights and various other designs and shapes

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Idea for Sculpture No. 1, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in three colors--purple, yellow and black; purple and yellow ground, with horizontal wavelike lines; black abstracted standing man with a round form above his PL hand at left; black diagonal lines, circle and three biomorphic forms

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

View of the Rocks, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; large stick figure holding a rifle at right; various symbols along left edge at top; figure with sheep (?) in ULQ; very thin standing nude male in profile from PR at left edge; various marks and lines throughout

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

A Taste of the Desert, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; grey ground with swirling marks; three vertical dark grey biomorphic forms with round holes/openings

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Idea for Sculpture No. 2, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
incised marks on copper plate; abstract image; standing man with child, LRQ; face to right of pair of figures; standing nude man holding candle holder at top center; diagonal lines with hatching; some stick figures, URQ; square and reversed Z in ULQ; triangle and three circles at center; cube and rectangular three-dimensional shapes in LRQ; holes at corners

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Printing plate for Thoughts in a Kibbutz from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler)

Not on View
abstract image with horizontal color bands in background (from top: grey, red, black); vertical biomorphic shapes in brown, tan, red and black; long inscription in lower margin

%C2%A9 Estate of George Morrison %2F Briand Morrison

Red Rock Variation: Surrealist Landscape, 1987

George Morrison

Not on View
abstract image with arcs, lines, and hatching

%C2%A9 Estate of George Morrison %2F Briand Morrison

Composition, 1945

George Morrison

Not on View
portrait of a girl with an oval face and long nose, wearing a green cap with a white knotted element on the PL front; high white scalloped collar; green dickey; purple blouse; mottled green background

%C2%A9 Estate of Anne Ryan

Girl in a Green Cap, c. 1947-48

Anne Ryan

Not on View
Plate no. 3 from a portfolio of nine intaglio prints

%C2%A9 Richard Diebenkorn Foundation

#3 from the portfolio Nine Drypoints and Etchings, 1977

Richard Diebenkorn; Publisher: Crown Point Press, San Francisco; Printer: Crown Point Press, San Francisco

Not on View
abstract portrait of a man with his PR hand bent downward under his chin; small moustache; balding; verso: front page of "Der Bildermann," August 5, 1916, with lithographs of a smoking man talking on the telephone and a group of people around a newsstand, along with text in German

Portrait of Carl Sternheim, 1916

Ernst Ludwig Kirchner

Not on View
tall green and orange rounded pillar at center with column of letter pairs down center and four more pairs on left in black; two figures flank the center shape, one on either side; figures are both painted from shoulders up, with tounges sticking out and appear to be wearing handbands with tall projections; black text across top, bottom, and under each figure; abstract yellow, orange, pink, and gray background

%C2%A9 The Nancy Spero and Leon Golub Foundation for the Arts %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C New York

Homage to New York (I Do Not Challenge), 1958

Nancy Spero

Not on View
two women in energetic poses: woman at L in teal woven fabric, leaping onto one foot; woman at R, in dark fabric with multi-colored stripes in wide stride, with hands on top of head; large open-weave textile swaths in background; dangling shapes attached to ribbons; bright plaid woven fabric top and bottom borders

%C2%A9 Emma Amos %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C New York

Out in Front, 1982

Emma Amos

Not on View
large abstract painting; black background with two vertical and one horizontal bar forms that form partial frame within black background; shorter horizontal white bar near LLC; large area of white splatter marks near C and UC

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Untitled, second half 20th century

Shinoda Tƍkƍ

Not on View
framed abstract painting; gray angled form at bottom with black diagonal streak balancing over it starting at L edge and extending towards R; bowed, brushy arc over diagonal streak

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Movement and Stillness, 1964

Shinoda Tƍkƍ

Not on View
two panel small screen; small boat drawn with just a few silver strokes against a dark blue background; silver panel opposite

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Boat, c. 1962

Shinoda Tƍkƍ

Not on View

%C2%A9 Estate Mauricio Lasansky

The Butterfly (La Mariposa), 1944

Mauricio Lasansky; Printer: Atelier 17 , New York

Not on View
abstract image; irregular, primarily vertical floating forms in various colors (primarily oranges and yellow at bottom, brown and purple at top) on top of multicolored ground with high horizon line and blue "sky"

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled (Surrealist Landscape), 1994

George Morrison

Not on View
abstract image; forms with zigzagging edges, grey shading and black outlines floating over orange and purple "ground", black horizon line and dark purple "sky"

%C2%A9 Estate of George Morrison %2F Briand Morrison

Surrealist Landscape, August 8, 1984

George Morrison

Not on View
rubbing in grey and brown of woodgrain patterns on small pieces of wood fit together to form a square; primarily rectangular forms, with two half-circle forms and large form at bottom with curving top

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1977

George Morrison

Not on View
thick black and grey twisting, curving lines primarily clustered in two overlapping areas in LLQ and URQ

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled (Dayton, Ohio), 1960

George Morrison

Not on View
abstract image; rough, irregular grid with some curving lines and circular forms; crosshatching in various patterns

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1948

George Morrison

Not on View
loosely rendered portrait of a man in colored chalk; short hair, gazing toward PL; green lined jacket with pale red tie; blue-gray shirt with collar; green eyes

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Portrait of Carl Waring Jones (1887–1957), c. 1952

Oskar Kokoschka

Not on View
abstract in blues; dark blue along bottom and light blue along top with a few touches of yellow

%C2%A9 David Reed

#563, 2006-2007

David Reed

Not on View
landscape sketch of beach with cliffs in background; groups of blue and green trees; a small building and a standing human figure at C; blue water at BL; matted; wood frame painted silver; no D-rings or wire

HĂŒtte am Strand, 1912

Erich Heckel

Not on View
two vertical white biomorphic forms with light blue shading; field of blue at bottom of image, green at top

%C2%A9 Estate of George Morrison %2F Briand Morrison

Landscape: Surrealist Forms, 1993

George Morrison

Not on View
upper body of man in hat and costume facing African man with arms crossed in front of chest facing viewer; woman with head covering is seen from behind; number six embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Der Neger, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View
head of woman with headband decorated in stars, hoop earring and snake around neck; back of man's body in striped leotard standing at R near curtain; number ten embossed into lower center of window mat

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Schlangendame, from "Jahrmarkt", 1921 (published 1922)

Max Beckmann

Not on View

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