showing 100 of 3643 results matching department:"Japanese and Korean Art". (load 200 more)

advanced
info
unsigned; scene with figures in foregreound: group of attendants on L with man in white facing woman in white; landscape with water in background on R; interior on L; gold leaf background

Emperor Ming Huang and Yang Guifei, around 1600

attributed to Kano Naganobu

Not on View
suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century

Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

Not on View
studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand

Helmet with ornament bearing seed syllable for Fudƍ Myƍƍ, 17th century

Unknown Japanese

G219

flat bottom; bulbous, slightly flattened bottom section; vertical wide neck with ribs; pair of irregular blocky handles; thick inverted mouth ring; entire piece intentionally asymmetrical/misshapen/slightly collapsed, with broken incised wavy line on bottom section and inherent cracking; green, light brown and tan glaze; brown lacquer cover with faceted top knob

"Burst bag" Freshwater Jar, late 16th - early 17th century

Unknown Japanese

G224

lacquered writing box with heavily decorated cover and sides; zigzag down center divides pine tree with plum blossoms against a black background, from motif of chrysanthemums and leaves against reddish background; motifs continue on sides; ink stone and two empty boxes inside

Writing box with pines, plum, chrysanthemums, and paulownia, 16th century

Unknown Japanese

Not on View
figure slightly smaller than life size, seated cross-legged with hands one of top the other in lap; eyes closed; mottled green glaze with silver liquid-appearing beads and drips overall

%C2%A9 Kond%C5%8D Takahiro

Reduction I, 2013

Kondƍ Takahiro

G200

standing wavelike form with pointed, outturned corners; horizontal waving bands in matte dark blue, with gold flecks, matte black, and shiny black; small cutout near center; one of pair

%C2%A9 Sasai Fumie

Look, 1994

Sasai Fumie

Not on View
three levels: bottom section is round base topped by football-shaped body with some squared-off corners at sides, top rounded rectangular opening, with outward-flaring top; glazed brown with some light brown drips/splotches inside mouth; orange-red and green splotchy glaze elements on exterior

%C2%A9 Kawai Kanjiro

Vase, c. 1960

Kawai Kanjirƍ

G223

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck

Helmet in dragonfly shape, 17th century

Unknown Japanese

G219

flat, wide, outward-flaring rim; protruding triangular band around thick neck; shallow grooved line drawn into edge of rim; two black spots on body, one on rim; tan patina; small flat foot

Wide-Mouthed Jar, 1st century BCE- 1st century CE

Unknown Japanese

G205

round bronze disk mounted to wood; raised figure seated on lotus at center, with PR hand resting in lap, and PL hand at heart clutching delicate metal flowers; elaborate golden filigree behind figure; tall urns with delicate wire and bounded metal lotus leaves on either side of figure; thin metal "awning" above figure with lotus detail and hanging charms; lion head with claws on either side of top; border with round studs

Kakebotoke, 14th century

Unknown Japanese

G220

bald headed, friendly-appearing figure at left holding a bag open between his hands, which extends toward left; two bold text characters on bag and three thinner characters; two red seals at left center at bottom of bag; blue and brown mount

Budai Opening His Sack, mid 18th century

Hakuin Ekaku

G222

images of men and women--primarily couples, several small groups of figures--of various ethnicities, wearing various costumes and with differing hairstyles and headgear; Asian, European, African and North American figures; map of Northern Hemisphere at end of scroll; inscriptions above each group of figures

People of Many Nations, 1649

Unknown Japanese

Not on View
octagonal stepped base with lotus flower at top of base; clear glass globe at top with three vertical metal "flames" around it; glass globe filled with multicolored pebbles

Buddhist Reliquary in the Shape of a Wish-Granting Jewel, 16th-17th century

Unknown Japanese

G220

mounted fan painting: man in white robe holding a calligraphy brush up to the side of a small cliff or rock formation covered with foliage; shorter man behind him leans over a rock, looking on; ivory roller ends

Hanshan and Shide, mid 16th century

attributed to Kano Yukinobu

Not on View
unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right

Whose Sleeves?, early 17th century

Unknown Japanese

Not on View
unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting

Okuni Kabuki, first quarter 17th century

Unknown Japanese

Not on View
The details of the figure are made up of calligraphic allusions to the deity's attributes and qualities.

Tenjin on His Way to China, mid 18th century

Hakuin Ekaku

G222

seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position

Shinto God, 12th-13th century

Unknown Japanese

G220

female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back

Shinto Goddess, 12th-13th century

Unknown Japanese

G220

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom

Jar with flared mouth, 5th century

Unknown Japanese

G205

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze

Jar, 3rd-7th century

Unknown Japanese

G205

short, round bottle with narrow neck; beige glaze with paulownia leaves and blossoms in black and blue

Sake bottle with paulownia, 17th century

Unknown Japanese

G221

tall, narrow caddy with short, outward-curving mouth and incised line around the middle of the body; dark-brown glaze applied over a brown underglaze; bottommost portion unglazed; tiny ivory lid with concentric, incised lines

Tea caddy, after 1657

Nonomura Ninsei

G224

white gourd-shaped flask with grapevine design painted in underglaze iron oxide

Gourd-shaped flask with grapevines, early 17th century

Unknown Japanese

G221

bowl with rounded square shape with rounded corners; three small square feet; blue-grey with white slip design of twining flowers; arc-shaped trellis (?) at one side; lines and scrolls around border; deep swirl at bottom center

Plate with grapevines, trellis, and geometric design, late 16th century

Unknown Japanese

G225

picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle

Picnic set with plants from the four seasons, 18th century

Unknown Japanese

Not on View
drum core in shape of two adjoined chalices; black lacquer with gold flecked grape vines, leaves, and squirrels

Large hand-drum core with grapevines and squirrels, late 16th century

Unknown Japanese

Not on View
unembellished cup with lid and saucer; small finial on top of lid

Container for rubbing incense, 14th century

Unknown Japanese

G220

long-necked ewer with motif of dragons on handle and lid; bulbous body, gently curving spout with scalloped design around base

Ewer, 15th-16th century

Rihei

G220

incense burner in the shape of an antique Chinese bronze basin with three legs, tall slotted handles and lid; lions in relief over a tao-tieh design on front and back and larger lion with ball on the top on a cloud design of the lid; perhaps originally coated with black lacquer

Incense burner with Chinese lions, 16th century

Unknown Japanese

G220

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites

Ritual bell with handle in the shape of the vajra, 18th century

Unknown Japanese

G220

flower vase with squat, round body, high neck, and high foot; ornately decorated with figures in relief; figure of a sage and a crane on each side of neck; two handles

Vase with Rin Nasei (Ch. Lin Hejing) and crane, 18th-19th century

Unknown Japanese

G225

stoneware jar with brownish ash glaze evenly distributed, mostly on the upper shoulder; wide, low shape with wide mouth and short, straight lip; foot pierced in five places with small rectangular openings; five band design around upper shoulder with alternating motifs of concentric circles and triangles with cross-hatching; bands separated by incised lines

Small Jar with Perforated Foot and Stamped and Incised Designs, late 6th - early 7th century

Unknown Korean

G206

black stoneware decorated with close, thin vertical incised lines around body; squat shape with flat shoulder, short neck, flat, flared mouth

Oil bottle, 9th century

Unknown Korean

G206

pitcher shaped like a melon; short, curved spout; handle rises above spout height at top; small cover with tiny loop on top, resembling a melon vine

Ewer in the shape of a melon, first half 12th century

Unknown Korean

G206

tall vessel with graceful widening near top; fluted into six sections; short, thin neck with high mouth; two concentric inscribed circles below neck; horizontal inscribed markings around center

Lobed maebyeong, 13th century

Unknown Korean

G206

small, light gray-blue lidded container with inlaid design of stylized chrysanthemums and dark, arabesque stems; organic design around outer border

Covered box with chrysanthemums, 13th century

Unknown Korean

G206

white bottle with looping floral decoration on body; incised lines around base of neck and body; narrow neck, wide body, narrow foot slightly flaring mouth

Bottle with floral design, late 15th century

Unknown Korean

G206

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukƍzuke), early 18th century

Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukƍzuke), early 18th century

Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukƍzuke), early 18th century

Unknown Japanese

G225

many small children playing with and climbing on a white elephant that is lying down

Chinese Children Playing with an Elephant [right of a pair], late 18th-mid 19th century

Style of Nagasawa Rosetsu

Not on View
white falcon at UR in twisting dive after large white goose at center; goose is lunging downward with legs splayed and mouth wide open; large clumps of fluffy snow fill scene; snow-covered foliage at bottom

Gyrfalcon Hunting a Goose in Snow, 1928

Fukuda Suikƍ

Not on View
horizontally oriented finlike form; rectangular form rising slightly at center

%C2%A9 Fukami Sueharu

Moment II, 2003

Fukami Sueharu

Not on View
in center, 3 headed 8 armed figure with head of fire motions; figure entangled in flames, waves, snakes; two warriors stand guard in LL and LR corners; top center, Buddha in a bubble with blessing gesture

Daigensui Myƍƍ, 1868

Kano Hƍgai

Not on View
cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom

Ash container with three birds, late 16th century

Unknown Japanese

G225

oval bottle with very narrow foot and cap; vertical bands of colored enamel with overlapping decorations of butterflies, flowers, and vine designs; separate cap with bright floral motifs against black enamel

Covered bottle with butterflies, flowers, and vine designs, around 1900

Namikawa Yasuyuki

G239

black lacquer table; scalloped cutouts on sides between base and rim; curved, scrolling, upturned feet

Black altar table, 15th-16th century

Unknown Japanese

G221

pitcher with very narrow neck with decorative disk within neck, and narrower, needle-like mouth; short, squat, segmented spout with loose cap; thin incised lines around soft shoulder; green patina

Water vessel (Kundika), 918-1392

Unknown Korean

G206

unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned

Cranes under Pine Trees, 16th century

Unknown Japanese

G221

ink drawing of skinny elderly man in straw hat running toward L, carrying a long pole that he aims at a dangling object in a tree at UL; inscription at R

Bird Catcher, 18th century

Hakuin Ekaku

G222

seven lines of text; two square red seals, LLC; light rectangular red seal, URC

Du Fu's Eight Immortals of the Wine Cup, second half 17th century

Kitajima Setsuzan

G252

first of two albums; tan silk covered cardboard covers; inside of front cover has abstracted foliage imagery with gold leaf; double-sided pages of calligraphy with four characters per page; primarily bold characters; four pages near front of scroll with characters made of very thin lines

Model Book of the "Thousand Character Classic", pt. 1, second half 17th century

Sasaki Shizuma

G252

six richly painted scenes: couple sitting close at R with approaching figure; male and female sitting across from one another in small structures; female figure in stylized rickshaw with male figure nearby; two male figures fighting; male figure at end with sword and open fan

Six No and Kyogen Pieces, 17th century

Unknown Japanese

G219

three long lines of text; shorter (horizontal?) line of text, LLQ; two tusk-shaped elements with radiating spirals at top and bottom; scalloped lines at top and bottom; cream paper fading at top and bottom to pink tone; seal, LLQ

How Amazing, late 18th - early 19th century

Sakai Hƍitsu

G252

small panda figure with PR arm raised; stands on PR foot on square base covered in strips of mother-of-pearl; bear is covered in mother-of-pearl chips with black lacquered face and inner ears; eyes, nose, and cheeks painted in gold

%C2%A9 Akira Sano

Bear: Glittering, 2010

Sano Akira

Not on View
second of two albums; tan silk covered cardboard covers; inside of front cover has abstracted foliage imagery with gold leaf; double-sided pages of calligraphy with primarily four characters per page; primarily bold characters; some characters are very pointed; two pages of thin, closely-spaced, freeform characters; two pages of very looping, organic characters

Model Book of the "Thousand Character Classic", pt. 2, second half 17th century

Sasaki Shizuma

G252

snow-covered rocks at L with wilted, snow-covered reeds; hazy snowy mountain in background; patches of light gold wash; inscription at R

“River and Sky in Evening Snow,” from the Eight Views of the Xiao and Xiang Rivers, c. 1602-1603

Kaihƍ YĆ«shƍ; Author: Inscribed by Saishƍ Jƍtai

Not on View
six figures set against a silver ground; from L to R: standing man with parasol; standing man with gold hand fan; two seated musicians facing two seated figures, one of whom is an elder

Scenes from Kyƍgen Theater [left of a pair], mid 19th century

Fukushima Chikaharu

G219

male figure in gray and white striped kimono grabs the wrist of a young female attendant who was handing him a red dish; other young women and geisha serve tea, play instruments, and dance around the man; small feast in front of man on ground, including large red snapper; scene takes place on a green dock over water

Summer Party on the Bank of the Kamo River, around 1800

Utagawa Toyohiro

Not on View
mask of a slightly smiling female face; lips slightly parted with black teeth; eyes looking straight forward; painted eyebrows near top of forehead; painted black hair framing face; ivory pigment with gray shading

Noh mask of a woman, 18th-19th century

Unknown Japanese

G219

eight panel screen; lotus leaves with pink blossoms and foliage in pond; blue and black birds perched on or hovering around blossoms; each panel has unique image

Lotus Flowers and Birds, late 19th century

Unknown Korean

G206

golden fan painted with morning glories in blossom supported by wooden posts; calligraphy throughout image

Morning Glories, 17th century

Unknown Japanese

G225

two lines of fat, bold calligraphy

%C2%A9 Kaneko Tohta

The Carp in the Valley, 1972 (?)

Kaneko Tohta

G251

slightly concave bottom; waisted vessel--widest point at waist; wide ring mouth; browns with four tan, light brown and green designs below mouth of floral form inside circle

Vase, 20th century

Hamada Shƍji

G223

three full lines and one partial line of bold text; two short lines of smaller text below partial line of text at left edge; two square red seals, LLQ

Mount Fuji, late 18th century

Shibano Ritsuzan

G252

two larger characters in horizontal format; two small characters with two red seals at left; one red seal, URC

Window Snow, late 17th - early 18th century

Kƍ Gentai

G253

male figures on a white-curtained balcony; one man is standing, aiming a longbow toward a cloud carrying grotesque figures brandishing weapons

Fragment from Tengu zƍshi emaki, around 1500

Unknown Japanese

G221

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow

Bonten, the Creator, late 10th century

Unknown Japanese

G220

four large, bold characters arranged vertically; large square intaglio stamp LL edge; large rectangular intaglio stamp LL edge

%C2%A9 Suda Kokuta

God of Heaven, Spirits of the Earth, 1980s

Suda Kokuta

G251

loose connected characters, both saturated and dry brush marks

Li Bai's Preface for a Spring Evening Banquet with Cousins in a Peach Plum Garden, first half 17th century

Shƍjƍ Shƍkadƍ

G252

mask of male face with large nose, round eyes with carved out eyeholes; narrow grin with top teeth visible; wrinkles in forehead; holes drilled into eyebrows, moustache, and chin possibly once for hair

Noh Mask of a Man, 16th century

Unknown Japanese

G219

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base

Amida, the Buddha of Infinite Light, early 12th century

Unknown Japanese

G220

three figures set against a silver background in various poses; from L to R, a smiling man in a tall blue hat and red kimono dances with a fan; a kneeling figure in black and another in green gesture toward him with right arms extended up and back and left arms extended down, their hands grasping fans; a lone pine frond decorates the second panel from the L

Scenes from Kyƍgen Theater [right of a pair], mid 19th century

Fukushima Chikaharu

G219

male figure seated on raised chair with shoes on ground; holds metal object in PR hand and an open black object in PL; spotted white robe with black grid pattern, and green sashes; figure is bald and has large earlobes

Portrait of Rigen Daishi, 16th century

Unknown Japanese

G220

five large, bold characters; two red seals at left edge above bottom character

Peaceful Words, second half 17th century

Kitajima Setsuzan

G252

large stepped mountains with boulders, pines, and waterfall at back; small open pavilion on flat topped rock just below waterfall; pathway ascending lower stepped rock formation at center; a few houses on stilts in water at L center, surrounded by pines; two figures cross bridge at LL

Landscape in the Manner of Dong Yuan, mid 19th century

Nakabayashi Chikutƍ

G223

standing figure with a conical hat with ear flaps, long skirt and cloak draped over the left shoulder; figure is standing on rock formation with palms up and crossed at the wrist across the chest; base

Zaƍ Gongen, Manifestation of Mount Kinpu, 12th century

Unknown Japanese

G220

twelve masks with cords attached to ears; each mask represents a vastly different character: Buddhist figures, demon, elderly man and woman, and various emotions

Noh and Kyogen Masks, early 20th century

Ueda Tekkƍ

G219

one vertical line of eight characters; two red seals LC with line of smaller characters above

A Confucian principle, 1771

Itsuzan

G251

suit of armor in crouching position seated on box; head lowered, arms spread with hands on thighs; blue and gold motif on pads; breastplate in gold with raised gold crest of three leaves

Suit of Armor, 1830s

Mihata JƍryĆ«

G219

horned figure with red skin seated, kicking legs up into air; white, bulbous glass eyes; broad, open smile revealing small, pointed teeth; carries drum stick in PR hand; oval "halo" of drums behind figure; black sash with floral decorations loosely wrapped behind figure; base

God of Thunder, 17th - 19th century

Unknown Japanese

G222

blue jacket with two symbols on front chest and three across back; open front with two beige ties hanging down front; each beige symbol is a pair of interlocking diamond shapes in a circle

Long-sleeved jacket for kyƍgen theater [from a set], early 20th century

Unknown Japanese

G219

prominent cluster of trees in foreground surrounding a small hut; tranquil body of water on LR with smaller, wallless hut on R banks; main landscape in background; towering, columnar mountain with trees, a series of waterfalls, and a small collection of buildings on L edge; poem at URC

Landscape with Houses in a Ravine, 1853

Yamamoto Baiitsu

G223

short columns of bold calligraphy; four lines of smaller text at end

Du Fu's Eight Immortals of the Wine Cup, late 17th - early 18th century

Terai Yƍsetsu

G252

black and white image; group of three musicians rendered in geometric style

%C2%A9 Amano Kazumi

Untitled [musicians performing Owara-bushi], late 1950s

Amano Kazumi

G226

abstract; circle made of various forms in predominately red

%C2%A9 Amano Kazumi

Inside and Outside (Round) A, 1968

Amano Kazumi

G237

black and white image; blocky clouds in sky; mountains in center; groups of shrubs and buildings in in LLC

%C2%A9 Amano Kazumi

Untitled [mountain scape with river], late 1950s

Amano Kazumi

G226

abstract; backwards maroon C at top center; blue lever- or arm-like elements

%C2%A9 Amano Kazumi

Inner Motion (Embrace), 1963

Amano Kazumi

G226

abstract; stepped form in black and white with circle and geometric lines; blues, green, brown, and black lines and circle

%C2%A9 Amano Kazumi

Moral (Intention), 1964

Amano Kazumi

G227

abstract image; yellow form with geometric rays; grey paper

%C2%A9 Amano Kazumi

Assemblage (Yellow), October 1962

Amano Kazumi

G226

mountains; village in middle ground; boater at bottom center

%C2%A9 Amano Kazumi

Untitled [mountains, village, and boater], late 1950s

Amano Kazumi

G226

concentric light gray squares upper half within blue frame with interlocking circles and angles; concentric light gray circles lower, within similar red frame

%C2%A9 Amano Kazumi

Moral (Endurance), 1963

Amano Kazumi

G227

Rectangular abstract shape; with half thick red outlineand half blue thin outline; black and grey shape fill in the left side of rectangle; right of retangle is inkless;

%C2%A9 Amano Kazumi

Self-figure (Surround) A, 1966

Amano Kazumi

G227

colorful abstract; blue and green upside-down "P" shape at ULC with yellow and orange circle at its center; curved green and blue shape and curved blue and black shape, both on diagonal, with orange and yellow outlines near C; gray circle URQ; framed by black border at L and top, and orange border at R and bottom

%C2%A9 Amano Kazumi

Disjoint, 1969

Amano Kazumi

G237

three horizontal rectangles, each with colorful U-shaped form and circle inside; top form has green shape with yellow circle; center rectangle has orange shape with white circle; bottom rectangle has black and blue shape with green circle

%C2%A9 Amano Kazumi

From Gauge (Phase) C, 1969

Amano Kazumi

G237

figure 8 shape at center with emobssing; red, orange, and grey curving forms in outline; inner outline of 8 in green

%C2%A9 Amano Kazumi

Inside and Outside (Mold), 1968

Amano Kazumi

G237

red, blue, and green abstracted image; red and green earshaped obects at the center of image with each obect repeat off the side in different colors

%C2%A9 Amano Kazumi

From Gauge (Return), 1969

Amano Kazumi

G237

colorful abstract image; black and white penguin-like form; swooshing bands of yellow, orange, red, green emanating from form; green form swirls from UC

%C2%A9 Amano Kazumi

From Gauge (Rise), 1969

Amano Kazumi

G237

showing 100 of 3643 results matching department:"Japanese and Korean Art". (load 200 more)

Download results as CSV