🔎 daum | Mia

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Glass with metal inclusions; presented in wrought-iron mounts — Vase with metal mounts, c. 1930
Daum Frères; Designer: Mountmaker: Louis Majorelle

G379

Vase, Daum Frères — Vase, c. 1895
Daum Frères

Not on View

The Fugitives, Honoré Daumier — The Fugitives, c. 1868–70
Honoré Daumier

G354

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4 — The Fugitives, modeled c. 1850 (casting date unknown)
Honoré Daumier

G354

black clamshell box containing objects attached to red backing board with red thread, under a Plexi cover; objects are: small crumpled pieces of newspaper (with Greek text), bundle of straw, loops of raffia or other plant fibers, bundle of small sticks, bottle-shaped vial of clear liquid (gasoline?), cylindrical gold lighter, silver metal file, book of pink matches and box of wooden matches with cartoon image of a purse snatching; yellow card printed with cartoon drawing in red and black of a smiling boy watching a burning house — Le petit Incendiare: Homage à René Daumal (The Little Arsonist: Homage to René Daumal), 1965
Maurice Henry; Publisher: Karl Gerstner; Publisher: Daniel Spoerri; Publisher: Galerie der Spiegel, Cologne, Germany

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clear glass lidded vessel; wide, bulbous foot; vessel has high shoulder with inward flare toward mouth; inverted bell-shaped cover; clear glass with engraving overall--Art Deco-style patterns, band of repeated stick figures along mouth and band of stick figure-like men standing on stools, flying bird-shaped kites — Men Flying Kites, 1975
Dan Dailey

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Monsieur Daumier, votre série... est... charmante... (Robert Macaire), from Le Charivari, Honoré Daumier — Monsieur Daumier, votre série... est... charmante... (Robert Macaire), from Le Charivari, 1838
Honoré Daumier

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gun shape, with ball-like end on back of barrel and protruding element on front of barrel; clear glass with bubbles — Space Gun, c. 1985
Dan Dailey

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Plate 2 — Cette Annee encore des Venus..., from Croquis Pris au Salon par Daumier, Vol. IX. pub. in Le Charivari, 1864
Honoré Daumier; Lithographer: Destouches; Publisher: Charles Philipon

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Le Charenton Ministériel, Honoré Daumier — Le Charenton Ministériel, 1832
Honoré Daumier

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The mother is in the fire of composition, the baby is in the water of the bath!, Honoré Daumier — The mother is in the fire of composition, the baby is in the water of the bath!, 1844
Honoré Daumier

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Les cadeaux de Noël de 1868 (Actualités), from Le Charivari, Honoré Daumier — Les cadeaux de Noël de 1868 (Actualités), from Le Charivari, 1868
Honoré Daumier

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La partie de volant (Actualités), from Le Charivari, Honoré Daumier — La partie de volant (Actualités), from Le Charivari, 1869
Honoré Daumier

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Mr. Fruch, Honoré Daumier — Mr. Fruch, 1833
Honoré Daumier

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Le passé. Le présent. L'Avenir (Louis-Philippe), Honoré Daumier — Le passé. Le présent. L'Avenir (Louis-Philippe), 1834
Honoré Daumier

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Moderne Galilée, "Et pourtant elle marche" (from La Caricature), Honoré Daumier — Moderne Galilée, "Et pourtant elle marche" (from La Caricature), 1834
Honoré Daumier

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1830 et 1833 (Louis-Philippe), from La Caricature, Honoré Daumier — 1830 et 1833 (Louis-Philippe), from La Caricature, 1833
Honoré Daumier

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Mr. Kératr, Honoré Daumier — Mr. Kératr, 1856
Honoré Daumier

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Grrrrrand Demenagement Du Constitutionnel, from Le Charivari, Honoré Daumier — Grrrrrand Demenagement Du Constitutionnel, from Le Charivari, June 8, 1846
Honoré Daumier

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Plate 76 — La rentee entre onze heures et minuit (Le Bons Bourgeois), 19th century
Honoré Daumier

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Quelle Sale Representation, Mon Dieu! (from La Caricature, June 18, 1835), Honoré Daumier — Quelle Sale Representation, Mon Dieu! (from La Caricature, June 18, 1835), 19th century
Honoré Daumier

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L'Equilibre Européen (Actualités), from Le Charivari, Honoré Daumier — L'Equilibre Européen (Actualités), from Le Charivari, 1866
Honoré Daumier

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Wood is expensive and the Arts are not doing well, Honoré Daumier — Wood is expensive and the Arts are not doing well, 1833
Honoré Daumier

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couple in the rain; man is attempting to flag a coach, with his PL arm up, and wears a tan coat, black hat and striped pants; woman at left wears brown shawl, blue dress and white bonnet with veil; coach in the distance at right, with one horse — Une course au coucou. (Pastorales No. 43), 1846
Honoré Daumier

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seated man wearing a black coat and blue checked pants, looking at a picture that he holds; woman wearing a plaid dress and a bonnet holding a child in a pinafore and bonnet standing at right; large, loose, cursive hand-written inscriptions at each edge in margins in brown watercolor — Papa contemplant l'image de son image. (Les Bons Bourgeois No. 40), from Le Charivari, 1847 (colored 1865)
Honoré Daumier

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heavy-set man wearing a brown jacket and grey striped pants, with his PR hand inside his vest, seated on a balcony, with three clamps holding his head in place while a standing photographer behind his black cloth takes the man's picture — Position réputée la plus commode pour avoir un joli portrait au Daguerréotype. (Les Bons Bourgeois No. 49), from Le Charivari, 1847
Honoré Daumier

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two horizontal images; cartoonish figures with large heads; top image: photographer behind black cloth at left; man wearing a high white collar seated in a chair; woman wearing white cap, red blouse and blue skirt at center; bottom image: seated man with his head held high at left, leaning his PR elbow on a table with a blue tablecloth; photographer at right in plaid coat, adjusting his camera — Pose de l'homme de la nature... Pose de l'homme civilisé. (Croquis Parisiens No. 2), from Le Charivari, 1853
Honoré Daumier

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man in brown cloak and checked brown pants and left holding a daguerreotype; man at right in blue coat with tan striped pants looks at photograph; little boy wearing blue pants and green jacket at center, seen from back; camera on tripod at left — Le Portrait au Daguéréotype. (Les Estrangers à Paris No. 16), from Le Charivari, 1844
Honoré Daumier

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man with a shovel, leaning against a short wall outdoors, with a small potted plant behind his PL elbow; watering can next to wall at man's feet; photographer at left behind his black cloth — Posant en membre des comice d'Agriculture de son département. (Les Bons Bourgeois No. 1), from Charivari, 1865
Honoré Daumier

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The orchestra during a tragedy, Honoré Daumier — The orchestra during a tragedy, 1852
Honoré Daumier

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A Frenchman Portrayed by himself, Honoré Daumier — A Frenchman Portrayed by himself, 1848
Honoré Daumier

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Vous-avez la parole, expliquez-vous, vous êtes libre!, Honoré Daumier — Vous-avez la parole, expliquez-vous, vous êtes libre!, 1835
Honoré Daumier

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The Conqueror Menelaus, Honoré Daumier — The Conqueror Menelaus, 1841
Honoré Daumier

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C'est tout d'même flatteur d'avoir son portrait à l'exposition, Honoré Daumier — C'est tout d'même flatteur d'avoir son portrait à l'exposition, 1857
Honoré Daumier

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Triste contenance de la Sculpture placée au milieu de la Peinture, Honoré Daumier — Triste contenance de la Sculpture placée au milieu de la Peinture, 1857
Honoré Daumier

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Amateurs classiques de plus en plus convaincus que l'art est perdu en France, Honoré Daumier — Amateurs classiques de plus en plus convaincus que l'art est perdu en France, 1852
Honoré Daumier

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They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans, Honoré Daumier — They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans, 1864
Honoré Daumier

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Muse of the tavern, Honoré Daumier — Muse of the tavern, 1864
Honoré Daumier

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I should regret this style. . . These great ladies make my work less every day!, Honoré Daumier — I should regret this style. . . These great ladies make my work less every day!, 1857
Honoré Daumier

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Wrong place!, Honoré Daumier — Wrong place!, 1840
Honoré Daumier

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Saprelotte! si les femmes continuent à porter des jupons en acier, . . . (Actualités), from Le Charivari, Honoré Daumier — Saprelotte! si les femmes continuent à porter des jupons en acier, . . . (Actualités), from Le Charivari, 1857
Honoré Daumier

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Arrive donc marsoin at-on vu ce caniche là ça veut être marin, ça se fait des bateaux avec des coquilles de noix et ça craint les bains à quatre sous, Honoré Daumier — Arrive donc marsoin at-on vu ce caniche là ça veut être marin, ça se fait des bateaux avec des coquilles de noix et ça craint les bains à quatre sous, 1844
Honoré Daumier

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La Femme De Menage (Silhouettes #4), Honoré Daumier — La Femme De Menage (Silhouettes #4), 1840
Honoré Daumier

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Cette année encore des Vénus. . . toujours des Vénus! . . . comme s'il y avait des femmes faites comme ça!. . ., Honoré Daumier — Cette année encore des Vénus. . . toujours des Vénus! . . . comme s'il y avait des femmes faites comme ça!. . ., 1864
Honoré Daumier

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La dernière semaine avant l'ouverture du salon de peinture. . . (Actualités), from Le Charivari, Honoré Daumier — La dernière semaine avant l'ouverture du salon de peinture. . . (Actualités), from Le Charivari, 1856
Honoré Daumier

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Leandre. (Histoirie Ancienne), from Le Charivari, Honoré Daumier — Leandre. (Histoirie Ancienne), from Le Charivari, 1842
Honoré Daumier

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L'Odorat (Les Cinq Sens), from La Caricature, Honoré Daumier — L'Odorat (Les Cinq Sens), from La Caricature, 1839
Honoré Daumier

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Le Toucher (Les Cinq Sens), from La Caricature, Honoré Daumier — Le Toucher (Les Cinq Sens), from La Caricature, 1839
Honoré Daumier

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Un Cauchemar de Mr. de Bismark. Merci! (Actualités), from Le Charivari, Honoré Daumier — Un Cauchemar de Mr. de Bismark. Merci! (Actualités), from Le Charivari, 1870
Honoré Daumier

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One way of using skirts that have just come into style, Honoré Daumier — One way of using skirts that have just come into style, 1856
Honoré Daumier

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Travelers showing less and less appreciation for third-class carriages in winter, Honoré Daumier — Travelers showing less and less appreciation for third-class carriages in winter, 1856
Honoré Daumier

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Eh! bien en regardant ce tableau de près on finit par y découvrir des qualités, on voit que la couleur est bonne., Honoré Daumier — Eh! bien en regardant ce tableau de près on finit par y découvrir des qualités, on voit que la couleur est bonne., 1865
Honoré Daumier

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Tu te plains toujours tu n'es jamis, Moeurs Conjugales, pl. 8, Honoré Daumier — Tu te plains toujours tu n'es jamis, Moeurs Conjugales, pl. 8, 19th century
Honoré Daumier

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Le Feu d'artifice (Fireworks) Actualities No. 4, Honoré Daumier — Le Feu d'artifice (Fireworks) Actualities No. 4, 19th century
Honoré Daumier

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five tall, thin men in black suits in a mock funeral procession, with heads bowed; man at right has a walking stick; man at center carries an urn partially covered by a black cloth — Les garçon en habit noir (The Waiters in Black Suits), from "Croquis Parisiens", 1855
Honoré Daumier

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The Dream of the Inventor of the Modern Rifle, on All Saints Day, Honoré Daumier — The Dream of the Inventor of the Modern Rifle, on All Saints Day, 1866
Honoré Daumier

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L'artist ma represente (Les Bas-Bleus, Pl. 23), Honoré Daumier — L'artist ma represente (Les Bas-Bleus, Pl. 23), 19th century
Honoré Daumier

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So you want to meddle with the press!, Honoré Daumier — So you want to meddle with the press!, 1833
Honoré Daumier

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So this is all we got ourselves killed for!, Honoré Daumier — So this is all we got ourselves killed for!, 1835
Honoré Daumier

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Page d'Histoire, Honoré Daumier — Page d'Histoire, 19th century
Honoré Daumier

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2 prints, 1 sheet — Decret de la commune and Projet Dufaure, Aritrage amiable. (Question des Loyers) from Le Charivari, April 3, 1871
Honoré Daumier

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Landscape Painter at Work, Honoré Daumier — Landscape Painter at Work, 1862
Honoré Daumier

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Moderne Galilée. Et pourtant elle marche, Honoré Daumier — Moderne Galilée. Et pourtant elle marche, 19th century
Honoré Daumier

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Après vous! (Actualités), from Le Charivari, Honoré Daumier — Après vous! (Actualités), from Le Charivari, 1868
Honoré Daumier

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The Lover of Oysters (Galerie Physionomique), from Le Charivari, Honoré Daumier — The Lover of Oysters (Galerie Physionomique), from Le Charivari, 1836
Honoré Daumier

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Le Fantôme (from La Caricature), Honoré Daumier — Le Fantôme (from La Caricature), 1835
Honoré Daumier

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Le Charenton Ministériel, Honoré Daumier — Le Charenton Ministériel, 1832
Honoré Daumier

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Un quart d'heure apres sa mort il etait encore en vie (Actualités), from Le Charivari, Honoré Daumier — Un quart d'heure apres sa mort il etait encore en vie (Actualités), from Le Charivari, 1866
Honoré Daumier

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La Cour du Roi Petaud, Honoré Daumier — La Cour du Roi Petaud, 1832
Honoré Daumier

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Pygmalion, Honoré Daumier — Pygmalion, 1842
Honoré Daumier

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Galilée très-surpris du nouvel aspect qu'offre la surface de la terre (Actualités), from Le Charivari, Honoré Daumier — Galilée très-surpris du nouvel aspect qu'offre la surface de la terre (Actualités), from Le Charivari, 1867
Honoré Daumier

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Appelles et Campastes (Histoire Ancienne, Pl. 36), Honoré Daumier — Appelles et Campastes (Histoire Ancienne, Pl. 36), 19th century
Honoré Daumier

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Est-il joli! . . .ce cherubin! (Croquis d'expressions), from Le Charivari, Honoré Daumier — Est-il joli! . . .ce cherubin! (Croquis d'expressions), from Le Charivari, 1839
Honoré Daumier

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Now my flowerpot will have some sunshine. . . I will finally know whether it is a rose or a gillyflower!, Honoré Daumier — Now my flowerpot will have some sunshine. . . I will finally know whether it is a rose or a gillyflower!, 1852
Honoré Daumier

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Eh bien, mon cher, vous avez perdu. . . (Croquis Parisiens), from Le Charivari, Honoré Daumier — Eh bien, mon cher, vous avez perdu. . . (Croquis Parisiens), from Le Charivari, 1864
Honoré Daumier

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Le Charenton Ministériel, Honoré Daumier — Le Charenton Ministériel, 1832
Honoré Daumier

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Un Homme Sensible (Caricaturana 43), Honoré Daumier — Un Homme Sensible (Caricaturana 43), 19th century
Honoré Daumier

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La Tentation du Nouveau Saint Antoine (Le Dr. Veron), Honoré Daumier — La Tentation du Nouveau Saint Antoine (Le Dr. Veron), October 24, 1849
Honoré Daumier

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Un tournebroche destine. . . (L'Exposition Universelle), from Le Charivari, Honoré Daumier — Un tournebroche destine. . . (L'Exposition Universelle), from Le Charivari, 1855
Honoré Daumier

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Masks of 1831, Honoré Daumier — Masks of 1831, 1832
Honoré Daumier

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Plate 4 — Between dips, 1847
Honoré Daumier

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The grand staircase of the Palais de Justice: View of Faces, Honoré Daumier — The grand staircase of the Palais de Justice: View of Faces, 1848
Honoré Daumier

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Plate 1 — Water nymphs of the Seine, 1847
Honoré Daumier

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You have lost your case, it is true. . . but you must have enjoyed hearing me plead it, Honoré Daumier — You have lost your case, it is true. . . but you must have enjoyed hearing me plead it, 1848
Honoré Daumier

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Mr. Chose, Premier Saltimbanque d'Europe (Caricatures Politiques), Honoré Daumier — Mr. Chose, Premier Saltimbanque d'Europe (Caricatures Politiques), 1833
Honoré Daumier

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Charming view available exclusively to residents of basements, Honoré Daumier — Charming view available exclusively to residents of basements, 1856
Honoré Daumier

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-And so Mr. Gendrouillet, how do you find yourself in your new lodgings? -Not too bad, except for the rheumatism and the mushrooms, Honoré Daumier — -And so Mr. Gendrouillet, how do you find yourself in your new lodgings? -Not too bad, except for the rheumatism and the mushrooms, 1856
Honoré Daumier

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Le Gout. Fichtre! je m'etonné pas ..... (Les Cinq Sens), from La Caricature, Honoré Daumier — Le Gout. Fichtre! je m'etonné pas ..... (Les Cinq Sens), from La Caricature, 1839
Honoré Daumier

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Concerning the advantage of a crinoline for cheating the toll-house, Honoré Daumier — Concerning the advantage of a crinoline for cheating the toll-house, 1857
Honoré Daumier

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Souvenirs., from La Caricature Provisoire, Honoré Daumier — Souvenirs., from La Caricature Provisoire, 1840
Honoré Daumier

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Heave-ho!. . . Heave-ho! Heave-ho!, Honoré Daumier — Heave-ho!. . . Heave-ho! Heave-ho!, 1832
Honoré Daumier

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Celui-la, on peut le mettre en liberté! il n'est plus dangereux. (from La Caricature), Honoré Daumier — Celui-la, on peut le mettre en liberté! il n'est plus dangereux. (from La Caricature), 1834
Honoré Daumier

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Humanist woman of letters, taking up Man, has heady philosphical thoughts!, Honoré Daumier — Humanist woman of letters, taking up Man, has heady philosphical thoughts!, 1844
Honoré Daumier

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Grand Defile de l'armee qui vient d'etre levee...., Honoré Daumier — Grand Defile de l'armee qui vient d'etre levee...., July 6, 1850
Honoré Daumier

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Regrets, Honoré Daumier — Regrets, 1840
Honoré Daumier

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The danger of wearing petticoat-ballons during the season of strong gales, Honoré Daumier — The danger of wearing petticoat-ballons during the season of strong gales, 1857
Honoré Daumier

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L'Ouie. Nini, reveille-toi donc! .... (Les Cinq Sens), from La Caricature, Honoré Daumier — L'Ouie. Nini, reveille-toi donc! .... (Les Cinq Sens), from La Caricature, 1839
Honoré Daumier

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La Vue (Les Cinq Sens), from La Caricature, Honoré Daumier — La Vue (Les Cinq Sens), from La Caricature, 1839
Honoré Daumier

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Épouvantée de l'heritage, Honoré Daumier — Épouvantée de l'heritage, 1871
Honoré Daumier

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Pour un pauvre Américain, s'il vous plaît. (from La Caricature), Honoré Daumier — Pour un pauvre Américain, s'il vous plaît. (from La Caricature), 1835
Honoré Daumier

Not on View

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