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Taoist priest robe of black satin embroidered in couched gold threads and couched twist in colors. On the back conventional Taoist motives and large medallions with Buddhist symbols. On shoulders, large, trailing sprays of lotus. On the front the Yang and Yin symbol. Borders of Buddhist emblems and lotus, edged with Greek key meander in couched yellow twist. Lining of leaf green satin with scattered leaf and flower design.

Daoist priest’s robe (jiangyi), 1662-1722

China

Not on View
Taoist priest robe of embroidered tea-leaf green satin. On the back conventional Taoist motives, large medallions with Buddhist symbols, bats, and butterflies; lotus blossoms and good luck symbols in couched gold threads, and couched twist in colors. On the front two sacred pagodas. Borders of black satin with dragons, Buddhist and other symbols, and clouds in couched gold threads and couched twist in colors. Lining of heavy gold tribute silk of good luck symbol design.

Daoist priest’s robe (jiangyi), 1662-1722

China

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Robe of a Taoist Priest with Buddhist and Taoist symbols embroidered in gold and colors.

Daoist Priest's Robe (jiang yi), Late 18th century

China

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seated man wearing a green robe with yellow trim, white belt, and turquoise colored necklace, with a cap of curving design tied under his chin; man has his PL hand on his knee and his PR hand held palm out with his thumb touching his second finger; man seated on a raised green and yellow platform; lower portion of platform is separate ceramic piece

Figure of the Daoist Deity Tianzun, 16th-17th century

China

G201

seated elderly man with a long pointed beard and elongated earlobes, with eyes nearly closed; hands in lap; feet flat on floor; man wears a gold robe with long black tie beneath his bears, a cap with flap on the back, red slipper shoes and white socks

Seated Daoist deity, 19th century

China

G201

Inscribed Taoist Priest't Robe of embroidered red satin. The ground of the back is completely covered with couched gold threads in an all-over running spiral pattern. On this ground, in lozenge-shaped medallions made up of loose cloud forms in couched silk threads, appear Taoist and Buddhist symbols. In the field are bats, white cranes, small pagodas in medallions, phoenix, and various characters. The round central medallion of the back carries a large pagoda and white cranes in couched silk threads. The Sun and Moon symbols appear on the shoulders. The embroidered area of the back extends over the shoulders in front, where the cloud medallions are filled with Precious Things and flanked by white cranes. Wide bottom border of pale green satin embroidered with chilin, turtles, carp, white cranes, clouds, and Taoist emblems in couched silk and gold threads. The narrow side and front borders carry dragons, clouds, and white cranes in couched silk and gold threads. Narrow strips of gold flank all borders. Colors extraordinarily rich ad soft. Canvas lining. Satin worn in places and threads loose.The inscription painted on the back lining reads'This robe was worn and displayed by the monk of the Lung-ho (Dragon Tiger) Hill in the Winter of the 11th year (1746) of the reign of the Ch'ien Lung' The robe was made for the Head of a Taoist monastery, the Chen Jen Fu ('Pope') Chang of Lung Hu Shen.

Daoist priest’s robe (jiangyi), Qianlong period, 1736-1795

China

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seated man wearing robes with Big Dipper on sleeves and dragon on belt; tortoise at man's feet; man has long dark hair and goatee; brown, cream and tan; T'zu-Chon ware

Zhenwu, the Daoist Deity of the North, 14th-15th century

China

G103

Taoist priest robe of embroidered black satin. All-over tendril background of couched gold threads. Conventional Taoist motives, Buddhist symbols, bats, clouds, etc., in couched gold medallions * are figures of the Eight Immortals, chilin, bear, and various birds in colored satin stitch. On front border are phoenix medallions, white tiger, etc. All borders edged with Greek key meander in couched yellow twist. Lining of yellow satin of dragon medallion design. A magnificent example. *late additions

Daoist priest’s robe (jiangyi), Kangxi Period, 1662-1722

China

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Lama priest robe of painted, pearl-grey gauze. All-over wave diaper in gold and blue. Conventional sacred pagoda motif in center back; small landscape medallions, clouds, bats,four clawed daagons, cranes, trigrams and various characters in shades of blue, red, pink, green, yellow and violet. Constellation discs of applied, gold foil. Bottom border of dragons, clouds, Eternal Sea, etc. Collar and front band with Buddhist symbols, clouds, white tiger. Cuffs painted with phoenix and dragon, and lengthened with bands of lime green brocaded silk. Lining of coarse blue cotton.

Daoist priest's robe, 19th century

China

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Taoist priest robe of embroidered rust-rose satin. Back and shoulders embroidered with all-over tenders embroidered with all-over tendril ground in couched gold threads. On back conventional Taoist motives large butterfly medallions and Buddhist symbols in couched gold threads and couched twist in colors. On the front are dragon medallions and two large dragons in couched twist stitch. Borders of black satin with Buddhist symbols, dragons, and lotus in couched twist stitch in colors and gold. Faded. Lining of rose-red silk of dragon medallion design.

Daoist priest’s robe (jiangyi), Kangxi period, 1662-1722

China

Not on View
Taoist Priest robe (theatrical ?) of red k'ossu weave. Design includes five large medallions containing the white crane with sacred fungus; loose clouds, phoenix, sun and moon symbols on shoulders, five-clawed gold dragons, Taoist symbols and numerous good-luck characters in shades of blue, green, pink, red, yellow, peach and violent purple. In the sleeve bands are medallions with the sacred trigrams, On the back panel a border that is conventional except for the fact the the striped area breaks through the rolling wave area in places. Tight clouds; waves scattered with large blossoms, swastikas, bats, Buddhist, and other symbols. Crane and bat border in front. Long collar band of yellow with swastika fret diaper in blue, bats, cranes, and clouds. Below , on each side, a band of white k'ossu with Foo dog on one side; dragon on other. Lining of coarse pink cotton. Taoist priest robes in k'ossu are rare.

Daoist priest's robe (daopao), 1821-1850

China

Not on View
three robed figures standing at the base of a waterfall at L; branches of a blossoming tree at top; man at R holds a fan, while center man stands in profile with open mouth, and clasped hands; man at L is holding up one hand

Daoist Figures, late 15th-early 16th century

Attributed to Liu Jun

Not on View

Daoist priest's robe (daopao), Jiaqing period, 1796-1820

China

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Imperial theratrical robe for a warrior; crimson velvet with panels of imported European brocade.

Theatrical Robe, 1662-1722

China

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Theatrical robe (for a Taoist immortal) of yellow satin embroidered with large scale design of peaches, bats in medallions, and floral sprays. Collar-band, extending to waist, of embroidered white satin. Cuffs and all-around border of black satin embroidered with running floral pattern. Belt section, stitched at upper edge only, of embroidered black satin, and two narrow hanging panels of the same at each side of front opening. Long, very wide sleeves, chiefly satin and couched stitch. Lining of thin pink silk. Note This robe reputed to have been worn by a Tibetan prince.

Theatrical Robe for a Taoist Immortal, Kangxi period, 1662-1722

China

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Imperial 12-symbol robe of Kangxi blue kesiwith nine 5-clawed dragons in gold, those in profile grasping the Heavenly Jewel. Scattered through ground are loose cloud forms, bats, the double peach, swastika, and sprays of flowers. On this robe the twelve symbols, with exception of the sun, moon, constellation, and mountains, appear ont he border, which is formed of a rather narrow area of slanting wavy stripes with rolly waves, clouds, and Buddhist and Daoist symbols. A similar border in miniature at elbows where sleeves continue with a wide band of wave and earthe designs embroidered on poor quality blue sild, and end in an embroidered cuff edged all around with band of modern gold and black brocade. Collar and front band of dark blue kesi edged with same gold and black brocade. The disposition of the twelve ancient symbols is thought to indicate an early practice. On front border appear the phoenix, dragons, and the cups; dragons, phoenix, and cups with some painting. On back border are the fire, water, weed, millet, the axe. Coat slit at sides and lined with thin blue silk. Kesi worn and patched. Color appears faded in spots, but may be soiled.

Manchu Woman's Semiformal Twelve-Symbol Court Robe, Kangxi period, 1662-1722

China

Not on View
Imperial twelve-symbol robe of yellow kesi with nine 5-clawed dragons in field, those in profile clutching the Heavenly Jewel. Diaper background of swastikas and quatrefoil medallions enclosing a conventionalized 4-petal flower, (Cf. 42.8.20) against which appear in addition to the twelve ancient symbols, two versions of long life character, loosely drawn clouds, and bats. Tones of blue, green, red, pink, mauve, violet, yellow, and pink. wide border of slightly wavy slanting stripes in body colors, separated by a line of regularly disposed tight clouds from the spray and overlapping waves in which appear Daoist emblems, swastikas, and branches of coral. Border design repeated on sleeve above a strip of pale corn-colored silk ending in cuffs of dark blue kesi of body design and edged with a strip of fretwork brocade in gold and black. Collar band of the same. Painted areas in wave section of border. Note embroidered eyes of dragons; similarity of design to 42.8.20; and the increased use of violet in color scheme. Appearence of olive green in clouds. Coat slit at sides and lined with thin yellow silk.

Manchu Empress's Semiformal Twelve-Symbol Court Robe (jifu), 1736-1795

China

Not on View
Needlepoint representing the god of Longevity and Eight Immortals. Former Classification: Textiles - Tapestry

Needlepoint representing the god of Longevity and Eight Immortals, 1735-1796

China

Not on View
man with thin black mustache and beard seated on a throne; 2 standing male figures in lower corners; blue sky with clouds at top behind throne; central figure holds red pearl

The Three Purities, one of three, late 16th century

China

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expressive painting of a man standing, facing viewer holding sword in PR hand, shield in PL; red face, bushy beard, eyebrows, and hair; wearing red and tan robe, black boots; calligraphy in upper part of image

Shōki, the Demon Queller, early 20th century

Tomita Keisen

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towering rock at L top; figure at R standing on a high plateau; rushing water at bottom; figure with bare legs and feet seated on a rock at bottom center; touches of red on tips of branches of tree above seated figure

A Scholar Washing his Feet in a Mountain Stream, 16th-17th century

Chen Guan

G203

bearded man wearing fur (?) robe, with his hair tied in a bun with a blue cord, and a woman wearing a white dress with a garland of leaves around her neck tending to two infants in a cauldron with red flames; rock overhang in URQ; mounted on stuff paperboard covered with a light blue/silver brocade fabric

Album leaf, c. 1875

Qian Hui'an

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two-panel screen with two separate images; L panel: scruffy male figure seated on rock with flat bald spot on head, gazing to UR; robes open; holding gourd in PL hand, PR hand on knee; very long and pointed fingernails and toenails; R screen: shaggy male figure in open white robe seated on rock stroking large white frog with PL hand; looks out at viewer with half closed eyes; mouth slightly open showing two pointed teeth; flat bald spot on head

The Immortals Gama Sennin and Tekkai Sennin, early 19th century

Kuroda Ryōzan

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seated man wearing robes trimmed in gold, holding a sceptre in his PR hand and stroking a tiger, emerging from his robes, with his PL hand; orange figure; pink stone base

Lohan and Tiger, 17th century

China

Not on View
One of four wall hangings of embroidered deep blue satin. Each has a design of two of the Eight Immortals. Floral sprays and boughs in the ground. Satin and knot stitch in shades of green, blue, peach, pink, red, yellow, and tan. Border of gold and salmon-color brocade with design of symbols and dragon medallions. Former Classification: Textiles - Tapestry

Panel, one of a set of four, early 20th century

China

Not on View
A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble

Scholar, Crane, and Banana Tree, 1630

Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

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