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Vessel with figure band painted around the outside and interior is painted as well. Red, brown and orange throughout.

Vase, c. 800 - 900 CE

Maya

G260

reddish ceramic jar with incised decoration on four sides; groove design feature, around lip indicates the jar has a screw on cover

Chocolate Pot, c. 750

Maya

Not on View
Bowl, wide-mouthed wit slightly constricted neck, painted in polychrome. The decoration occupies two bands, set off from each other by a glyph* border about two-thirds of the way up the body. The lower band is divided into six panels, three of which contain seated personages elaborately dressed and carrying ceremonial objects in the left hand. These panels, painted brick red and black on a pale orange ground, alternate with fluted panels, painted brick red. The upper band is decorated with a line of seated personages wearing peaked turbans and separated one form the other by serpent and feathered motifs. The colors repeat those of the lower band. Inside the rim is a wide band of pale orange with a line of stylized heads with towering, paddle-shaped headdresses. Restored. 123993-image-data-overwrite.json build bulk current-updates-objects1.log current-updates-objects2.log department_features.csv diff-redis-and-api.sh echo Makefile manually-added-images mappings.json node_modules nohup.out override-image-validity.csv overwrite-image-validity.sh package.json queries search.js stream-updates test-related.sh tracking update.bash update-image-for-123993-temp-2019-03-07.sh updates-2019-10-07-1570485673.txt updates-2019-10-15-1571150301.txt updates-2019-10-21-1571691698.txt wedding-robe-titles.txt Glyphs are pseudo-glyphs

Bowl, c. 800-1200 CE

Maya

G260

covered pot with incised design around dome-shaped lid, central knob with hole through center; body has straight sides rising from sharply slanting bottom; 4 decorative rectangles with incised design on sides; pottery-beige clay with burnished brown slip

Serving Vessel, c. 600-900 CE

Maya

G260

Whistle in the form of a Dignitary; Island of Jaina style. Figure stands with arms crossed and feet spread well apart. The costume consists of a short, two-tiered skirt with a wide panel descending to feet in center front. Stylized hair with feathered headdress, pectoral, earrings. The face is well modelled, with arched nose and flattened brow. A whistle, modelled in left shoulder blade, makes clear musical note when blown. Painted in blue, red, black,and white. An unusually fine example.

Whistle, 600-900

Maya

Not on View
oval face with large nose and long ears, dimple on chin; one hole at bottom of each ear; one hole at top and bottom of each side; dark green in color with brown on PL side of nose at bottom and PR upper forehead

Maskette, c. 550 - 900

Maya

G260

Sculpture determined to be a copy of a work from Chichen Itza, Yucatan Peninsula. Reclining figure resting on elbows, head turned sharply to right, legs drawn up and feet resting flat. The hands are placed on the thighs. Flat, cap-like headdress with elaborate ear ornaments carved only in front. Large pectoral, wristlets resembling three rows of fringe, anklets, thonged sandels. Right knee cap restored, lower neck restored, left hand restored, right hand cracked. The base is chipped near the left foot, and a piece is missing at the left corner below figure's shoulder. Authenticity in doubt: 1975.

Chacmool, 20th century

Maya

Not on View
rattle in the form of a man; arms upraised, fingers incised, scroll in each palm; the figure wears a short tunic, heavy breastplate, bracelets, and disk earrings; formal headdress; plain back; four pierced holes, two in front and two in back for rattle sounds; figure made from mould

Rattle in the form of a Dignitary, 900-1199

Maya

Not on View
plate, standing man, ceramic, Mexican-Guatemalan

Plate, c. 500-800 CE

Maya

Not on View
Vase, orange and black clay

Vase, 7th-9th century

Maya

Not on View
sewn to form skirt, multicolored stripes, warp and weft stripes in indigo, cotton warp, silk weft

Skirt, 20th century

Maya

Not on View
Elaborately decorated hair ribbon; designs formed with a variety of tapestry techniques, including interlocking, slit, eccentric weft; geometric and figurative motifs, birds, dancing women, rabbits; puffy pompoms on each end with looped and wrapped tassles emerging from the pompoms.

Hair ribbon (Cinta), early 20th century

Maya

Not on View
seated female figure, mold made, arms held up at sides, red earthenware

Seated Female Figure, 600-900

Maya

Not on View
standing female figure, mold made, arms held up at sides, buff colored earrthenware; stand for this object in E1.9

Standing female figure, 6th-10th century

Maya

Not on View
Supplementary and discontinuous supplementary weft patterning on red and white warp-stripe ground. Birds, animals and geometric patterning in red predominantly and other colors.

Woman's ceremonial blouse (Huipil), c. 1955

Maya

Not on View
handspun cotton, red ground with black and purple stripes

Man’s Sash (banda), 1960s

Maya

Not on View
a. trousers-white ground with black ikat stripes and discontinuous supplementary weft patterning in red, pink, green, purple, and orange; 40 1/4 X 25 1/4 inches at waist; b. sash-red ground with ikat and royal blue stripes; 79 X 8 5/8 inches. Surface ornamentation (Dyed)

Man's sash (banda) and trousers, c. 1950

Maya

Not on View
red, cream, and brown ground with discontinuous supplementary weft and warp patterning in purple, yellow, white, and brown

Woman's Belt (faja), 20th century

Maya

Not on View
long band with orange, green, black, pink, white flowers against magenta ground; ends in colored fringe

Woman's ceremonial belt (faja), 1945-1950

Maya

Not on View
Plate with decoration in orange, red and brown; central male figure; rim with alternating designs of large circles with flower-like designs inside, concentric pairs of circles and figures. Completely broken and badly re-glued back together.

Plate, 600-900

Maya

Not on View
Stela II, priest in corn-planting ceremony. Face and wrist restored.

Stela fragment, c. 800

Maya

Not on View
Shawl, from Totonicopan, 1930-40, cotton, silk, jaspeado, knotted fringe.

Shawl, 1930-1940

Maya

Not on View

Vessel, 7th-9th century

Maya

Not on View
Three panel huipil with square-cut neck opening; White ground cloth with red and yellow supplemental weft patterning; Designs inclued, animals, bird in tree patterns, figures, diamonds.

Woman's blouse (Huipil), 20th century

Maya

Not on View
Tzute (head covering), from Chichicastenango. Cotton, silk, wool.

Cloth (tzute), 20th century

Maya

Not on View
White cotton with brocaded bird, feathered serpent and plant designs on top 1/2 in purple, green, black, blue and yellow; striped embroidered randas across shoulders and joining sections of fabric in yellow, green, maroon, purple and red; floral embroidery is appliquéd on square neck

Woman's blouse (Huipil), c. 1965

Maya

Not on View
Two panel huipil with square cut neck opening; red ground cloth with thin stripes in brown, blue, yellow and purple; randa extends down entire center seam; open on sides; pair of brocaded birds, predominantly in purple, on front and back below collar with multicolored brocaded geometric patterns at shoulders and down center of chest and back; blue velvet at collar and shoulders.

Woman's blouse (Huipil), c. 1965

Maya

Not on View
white cotton plain weave with multicolor supplemental weft

Cloth (tzute), 1965-1970

Maya

Not on View
cotton warp-faced red, yellow, purple; silk supplemental weft in blue, white, yellow

Cloth (tzute), 20th century

Maya

Not on View
white warp-faced ribbed cotton with supplemental weft; mostly red, also yellow, blue and white; fringe on one end; beige bands run vertically down edges

Cofradia table cover, 1955

Maya

Not on View
tzute; warp-faced red and white cotton with silk supplementary weft in blue, yellow and white; black band runs vertically through center

Cloth (tzute), 1955-1960

Maya

Not on View
Two-panel huipil with randa; plain weave, white ground with multicolor supplementary weft patterning; pattern consists primarily of rows of birds with occasional rows of unidentifed form - possibly ceiba tree or urn with plant life; design predominantly red with yellow, green, blue, pink and purple accents multicolor embroidered neck.

Woman's blouse (Huipil), c. 1970

Maya

Not on View
white plain cotton weave with white supplemental weft and color (tan, purple, pink, green); supplementary weft at borders

Cofradia Tzute, 1955-1960

Maya

Not on View
Two panel huipil with v-cut neck opening; brown cotton ground with narrow white stripe; supplementary weft patterning (? embroidery?) in purple, pink, yellow, green; designs include bird figures, rayed diamonds, chevrons.

Woman's blouse (Huipil), 1930-1940

Maya

Not on View
Shirt made of brown cotton, said to be ixcaco, with narrow natural white stripes; narrow bands of silk supplementary weft patterning at ends of sleeves and at hem in pink, magenta, yellow, green and white.

Man's ceremonial shirt (camisa), c. 1955

Maya

Not on View
red and white with multicolored embroidered diamonds; purple and green bands around armholes; red and green bands around neckhole

Woman's blouse (Huipil), 20th century

Maya

Not on View
Cotton plain weave in red with multicolor (yellow, orange pink, green, blue , purple); supplemental weft

Cloth (tzute), 1975-1980

Maya

Not on View
huipil; red stripe cotton; plain weave; embroidered neck

Saint's Huipil, 1965-1970

Maya

Not on View
blue/white warp-faced cotton stripe with silk embroidered band vertically through center (purple, yellow, pink)

Cloth (tzute), 1950

Maya

Not on View
red cotton plain weave; ikat stripes (yellow, black, green)

Woman's skirt (Corte), 20th century

Maya

Not on View
Red body with thin vertical stripes in white, blues, green, purple, pink, yellow and maroon; round neckline decorated with multicolored embroidered rectangles; snap at front of neck. Surface ornamentation (Needlework)

Woman's blouse, c. 1975

Maya

Not on View
White with tan, blue, green, yellow and pink brocading at chest, upper back and shoulders; multicolred seam stiching

Woman’s blouse (Huipil), c. 1930

Maya

Not on View
2 panels sewn together; red fabric with thin stripes in blues, green and purple; brocaded band at bottom in blue, black and purple; fringe on top and bottom of brocade band and on one end

Woman's tzute, 1950-1960

Maya

Not on View
Female molded figure; clay. Hollow, loose clay inside to used as whistle

Female molded figure, 6th-9th century

Maya

Not on View
Bowl, ceramic, Mexican-Guatemalan (Mayan), VII-IXc cat. card dims H. 3 Dia. 6-3/4' NO PHOTO ON CAT. CARD

Bowl with Geometric Design, 7th-9th century

Maya

Not on View
fabric piece; 2 pieces with 4 selvages each seamed at center; bands of multicolored zig-zag design created by supplementary weft

Fabric piece, 20th century

Maya

Not on View
fabric piece; white with multicolored pattern created by discontinuous supplementary weft; 4 selvages

Fabric piece, 20th century

Maya

Not on View
fabric piece; red and white stripes with multicolored discontinuous supplementary weft striped design; 3 selvages, one fringed edge

Fabric piece, 20th century

Maya

Not on View
fabric piece; purple and yellow design created by supplementary weft on natural; 2 selvages

Fabric piece, 20th century

Maya

Not on View
central red area with repeated floral design, bordered by 2 vertical bands on each side; 2 selvages; patterning formed by discontinuous supplementary weft

Fabric piece, 20th century

Maya

Not on View
ceremonial spindle wheel with carved sun-face and rays

Ceremonial spindle whorl, 10th-15th century

Maya

Not on View
standing female figure, mold made, with hands together, cream colored earthenware

Sculpture, 6th-9th century

Maya

Not on View
standing female figure, mold made, arms held up at sides, cream slip on red earthenware, 500-900 A.D.

Standing female figure, 6th-10th century

Maya

Not on View
standing female figure, mold made, arms held up at sides, cream colored earthenware with orange pigment, Mexican (Mayan, Island of Jaina),500-900 A.D. object is mounted to metal base cat. card dims H 4'

Standing female figure, 6th-10th century

Maya

Not on View
maskette, clay with brown and white pigments, Mayan, 900-1200AD (late Classic)

Maskette, 10th-13th century

Maya

Not on View
Cloth, about 1960, cotton. Woven in Totonicopan. Called a "mouth wiping cloth" for use by the Cofradia. Called a "Subalchi."

Cloth (Subalchi), c. 1960

Maya

Not on View
Cloth, 1920-1940, cotton and silk, openwork, fringed border. Woven in Totonicopan for use in Quetzaltenango. Called a "mouth wiping cloth" for use by Cofradia. Called a Subalchi.

Cloth (Subalchi), c. 1920-1940

Maya

Not on View
Two panel huipil with round cut neck opening; randa joins two sections; red ground cloth with very thin multi-colored warp stripes; elaborate floral embroidery encircles the neck and shoulder area. Surface ornamentation (Needlework)

Woman's blouse, 1975

Maya

Not on View
silk, warp-faced, some ikat, multicolor stripes (pink, red, yellow, purple); multicolor fringe

Wrap, 1945-1950

Maya

Not on View
Man's face with long nose; red skin; gold hair with curls in front of ears,long moustache and pointed beard; white teeth

Mask, 19th century

Maya

Not on View
elaborate randa; red background with green, blue and yellow warp strips; two panels are stitched together with randa in yellow, pink, blue, purple; two rows of geometric design at center; small brocaded designs throughout the piece; three selvedges

Cargador, c. 1950

Maya

Not on View
cylindrical vase, turning slightly inward at mouth; body stamped with circles containing 3 dots; 2 adult monkeys, incised and painted, each with a baby on its back; one monkey holds a large orange fruit

Vase, c. 450-700 CE

Maya

Not on View
polychromed ceramic

Plate, c. 550 - 950 CE

Maya

Not on View
White background (sheer) with supplementary weft patterning; embroidery at neckline and arms, black, red, blue, yellow, orange, green, pink.

Woman's blouse (Huipil), c. 1990

Maya

Not on View
Face with small sunken eyes, flat nose, moustache and open mouth with tongue sticking out; wearing headband with quatrefoil medallion at front

Mask, c. 250-600

Maya

Not on View
Mexican/Guatemalan

Vessel, 7th-9th century

Maya

Not on View
Black and white warp-faced striped ground; center one-third is covered by magenta wrapping which is couched to ground cloth; floral embroidery accomplished in satin, chain and plaited stitches.

Woman’s belt (Faja), 20th century

Maya

Not on View
straw hat with wide brim; red tassel at top; red and green ribbons hanging from rim; red and orange-yellow yarn trim; leather chin strap

Ceremonial hat, 20th century

Maya

Not on View
two white panels stitched together; patterns in supplementary weft patterning: at the center, double eagle motif (red, orange, yellow); one edge is hemmed with red and purple stitches; four birds along the hem; central randa in purple and red

Cloth (tzute), first half of the 20th century

Maya

Not on View
supplementary weft patterning, missing lace collar; warp faced plain weave fabric with weft design with red, blue, yellow (faded); wide contral panel with narrow panels on other sides; same design front and back; narrow panels have shoulder designs (birds)

CofradĂ­a blouse (huipil), c. 1910

Maya

Not on View
two white paneled cotton huipil; embroidered randa in red and purple; supplementary weft patterning; two rows of birds in red and purple; neckline embroidered

Woman's blouse (Huipil), c. 1930

Maya

Not on View
the embroidery (brocade) on back is likely to be teaching or practice by a child; beige ground with red and yellow warp stripes with embroidery (birds); neckline and armholes embroidered blue, red, yellow

Woman's overblouse (Sobre-huipil), c. 1940-1950

Maya

Not on View
rare; white plain weave ground with red, yellow, purple bands of designs (geometric and figures) dominate upper half front and back; lower half--technique of cut weft patterning with trees and figures (white); white gathered lace collar and short lace sleeves in white; collar has finished seam at center front

Woman's CofradĂ­a blouse (Huipil), c. 1920

Maya

Not on View
two panels; white and red cotton plaid; rows of decorative elements (supplementary weft patterning)--birds and flowers in white, purple and pink silk

Woman's CofradĂ­a Tzute, c. 1930

Maya

Not on View
plaid; two panels joined with red stitches; four selvedges; red background with green, blue fine lines, vertical and horizontal; supplementary weft pattern with rows of birds and other zoomorphic figures in blue, yellow, green, pink, white, purple and pink; stylized floral motifs and geometric patterning at both borders

Cloth (tzute), 1960

Maya

Not on View
two panels joined together with red randa; two ends hemmed; off-white ground with wide beige and white warp stripes, divided by narrow blue and yellow stripes

Cargador, 1920-1930

Maya

Not on View
two panels stitched together with purple, orange, green, yellow, white, purple randa; background of stripes--red, blue, ikat red and blue; two rows of zoomorphic figures--double-headed eagle, rooster, turkey and copulating deer; three selvedges

Ceremonial Tzute, c. 1910-1920

Maya

Not on View
orange cotton ceremonial "banner"; inscription reads, "Recoerdo de Eulogio Tocay 1er Mayordomo de la Virgen Mario Rosario Octobre 7 de 1967"; four rows of multicolor facsimile of fauna and flora; green selvedge on sides

Ceremonial Tzute, 1967

Maya

Not on View
white long sleeve open neck with collar; front patch pocket; narrow strips of supplementary weft design in green, red, eyllow, purple; wider band across middle back

Man's Ceremonial Shirt, 1998

Maya

Not on View
white cotton with supplementary weft bands, 1"-4" in red, blue, green and yellow in goemetric shapes

Man's Ceremonial Head dress (Tzute), 1998

Maya

Not on View
red cotton with approx. 8" supplementary weft on ends and 1-1/2" near center in green, purple and yellow; twisted warp thread fringe with knotted ends

Man's Ceremonial Sash, 1998

Maya

Not on View
white woven long pants with open front placket with tie; narrow strips of supplementary weft design in red, green, yellow, purple

Man's Ceremonial Pants, 1998

Maya

Not on View
red with white embroidered designs of small diamonds, crosses and stripes; neck opening is outlined with chain-stitch embroidered, pointed designs

Woman's blouse (Huipil) collar, 1920

Maya

Not on View
coarse woven white cotton; top, front and back have supplementary weft silk designs including animals; some areas are embroidered over with green and yellow cotton threads forming diamonds; color areas are a secondary, supplementary weft; original color of silk was light mauve; slit neck and 6 3/4" of center seam stitched with silk; PL piece shorter than PR

Woman's blouse (Huipil), 1920-1930

Maya

Not on View
very used, old style; tan; two panels stitched together; appears to have a date embroidered at corner of one selvedge side; two embroideries "framed" at center, geometric and bird like; tight weave; another embroidered emblem at corner opposite dated selvedge

Cloth (tzute), 1930-1940

Maya

Not on View
woven vertical stripes in blue, yellow, black and white with six pink embroidered horses in center of piece; ends were finished in the weaving process

Tzute-Cofradia, 1920-1930

Maya

Not on View
fully embroidered square neck opening with slit bordered in increasingly larger squares of large floral patterns in maroon, blue, pink, green and red; half of snap fastener at neck slit

Woman's blouse (Huipil), mid 20th century

Maya

Not on View
four woven panels with sides sewn together and center seams front and back embroidered together; alternating rows of narrow horizontal stripes and rows of animal and bird figures and geometrics; bottom has "flounce" of off-white; pink, purple and red with solid red yokes with geometric designs; neckline is vertical slits front and back

Woman's blouse (Huipil), 1920-1930

Maya

Not on View
red fine weave with narrow green stripes; slightly off center row of birds and geometric designs with a row above and below of geometric borders; self fringe both ends (4"); "aesthetics very fine"

Man's CofradĂ­a Tzute, 1900-1920

Maya

Not on View
red, yellow, mauve and green; vertical stripes red yellow and mauve with supplementary weft designs of birds and geometrics; four selvedges

CofradĂ­a Tzute for Santos, c. 1940

Maya

Not on View
large garment woven in three panels and stitched together; bottom 12" off-white; top is maroon and gold woven horizontal geometric patterns; four medallions with lace edges forming a circle of multicolor polyester ribbon flowers; neck and sleeves piped in lace

Ceremonial over-blouse (sobrehuipil), 1910-1930

Maya

Not on View
two fine woven panels stitched together; red with narrow green and blue stripes; center is dark green striped; bottom edge has 2-2 1/2" purple horizontal chevron border and self fringe

Cloth (tzute), 1940

Maya

Not on View
woman's huipil embroidered in red and dark blue or black with animals, birds and plants; rickrack in blue and green; floral ribbons; multicolor neck embroidery

Woman's blouse (Huipil), 20th century

Maya

Not on View
two panels of multicolored stripes (predominately pink) sewn together with thick multicolored stitches; woven overall with animals, birds, people, baskets and hearts of various sizes and in various mainly pastel colors

Cargador, 20th century

Maya

Not on View
very short; black ground fabric woven in bands with geometric bands, stars and deer in bright multicolors; neck lined with black ribbon

Woman's blouse (Huipil), c. 1990

Maya

Not on View
two panels sewn together; white, light tan, light blue, indigo and red stripes

Cargador, 1920-1930

Maya

Not on View
white with blue stripes; yellow scalloped crocheted trim at neckline and arm openings; woven at top with long vertical zigzags separated by zigzagging triangles in blue, purple, red and yellow; row of zigzagging triangles below

Woman's blouse (Huipil), 20th century

Maya

Not on View
white (discolored to light pink); woven at top to create T-shape, front and back-various geometric motifs in dark maroon (predominate), dark purple, lilac, lavender, turquoise, medium pink, light pink and coral; black gathered appliqué rondels at chest, upper back and each shoulder; black collar with dark maroon and medium pink trim

Ceremonial blouse (Huipil), c. 1930-1940

Maya

Not on View
cream-colored, woven with subtle white designs on bottom of birds on flowers, diamond grid, zigzags and blocks; top woven in purple, magenta and yellow with flowers, zigzags, birds and geometric designs; embroidered rounded neckline in yellow, mint green, dark blue, purple and magenta

Ceremonial woman's blouse (Huipil), 1950

Maya

Not on View
off-white overall; woven with subtle floral and geometric designs and human forms; off-white netting at neck and sleeves with off-white wide lace

Wedding blouse (Huipil) from a two-piece set, 1930s

Maya

Not on View

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