showing 63 results matching culture:"Bamana"

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quadruped animal form with four short, stubby legs; rounded body with sloping back; small, stubby tail; rounded head with opening roughly at mouth area; extremely heavy encrustations overall, with deep and heavy crackle throughout; brown, earth-colored, with a darker brown round area on PR side of head and in several areas on front legs and feet

Kono altar, second quarter of 20th century

Bamana

G250

abstract animal shape; four legs; lozenge-shaped body; long horns and long pointed ears; one cowrie shell hanging from element on animal's forehead; maroon thread tassels at ends of ears; black patina; attached to dark wood base

Tyiwara headcrest, first half of 20th century

Bamana

G250

Standing female figure. Linear markings on body, scarification on face. Elongated neck. Cloth loin cloth.

Figure, late 19th-early 20th century

Bamana

G250

resist-dyed; brown and natural geometric designs; pompon tassles from neck and from under one sleeve; (Nenendono design)

Tunic, 20th century

Tenenkou Traore

G236

long, thin face with open rectangular mouth; 4-sided eyes; human nose; vertical horns; dark patina

Kore Society Mask, Date Unknown

Bamana

Not on View
black and tan textile; constructed of eight long strips stitched together; short edges have fringe; textile is decorated with the recurring symbols of an "x" and a line bent at a right angle; other designs that occur are crosses, chevrons, zig zags, and diamonds

Skirt, 20th century

Bamana

Not on View
tan and black textile decorated with stripes and rows of squares; constructed of seven long strips; stripes of textile run parallel to the longer edge of textile

Mud cloth skirt, 1900-1999

Bamana

Not on View
headcrest in the figure of a bird; top has two tall, carved plumes, which rest on top of carved square piece with slim, long arms extending from each corner; face is flat and square; bird has prominent eyes and a large curved beak; bottom ends in four-legged base, with the knees slightly bent; wood is dark brown

Headcrest, 20th century

Bamana

Not on View
one of a pair of dance headpieces adorned with a small wooden figure of an antelope; figure rests on top of woven basket; antelope has long snout with an open mouth and slightly protruding tongue; its eyes are almond shaped and positioned on the upper side of either side of the head; its ears are oval and situated on either side of the head, each with a red loop tied through it like an earring; the animal's head and back are decorated with carvings; long antlers are carved in spiral patterns and protrude out away from the figure; a long, thick neck connects to the round but lithe body of the antelope; the animals rests back on its haunches and has a rope tied around its neck; a metal band is also present at the animal's neck; the figure sits on a woven mound that resembles an upside down basket; the entire body of the antelope is the dark brown of the wood from which it is carved

Dance headpiece, 20th century

Bamana

Not on View
one of a pair of dance headpieces adorned with a small wooden figure of an antelope; figure rests on top of woven basket; antelope has long snout with an open mouth and slightly protruding tongue; its eyes are round and placed on the front of the head and its ears are oval and situated on either side of the head; the animal's head and back are decorated with carvings; long antlers are carved in spiral patterns and protrude out away from the figure; a long, thick neck connects to the round but lithe body of the antelope; the animals rests back on its haunches and has a rope tied around its neck; a metal band is also present at the animal's neck; the figure sits on a woven mound that resembles an upside down basket; the entire body of the antelope is the dark brown of the wood from which it is carved

Dance headpiece, 20th century

Bamana

Not on View
dark blue strips of cotton alternate lighter blue dyed cotton with two dark strips, 3/8" in length, overlapping; strips are loosely stitched together with light blue thread; two shorter ends of panel are frayed with raw edges

Panel, 20th century

Bamana

Not on View
blue and white panel with fringed ends on two sides; checker pattern alternates with blue and white stripes; ten strips of fabric are stitched together for form panel

Panel, 20th century

Bamana

Not on View
mudcloth skirt; Fuag Feere or public square design in this cloth is typical of village of Nerekoro

Skirt for a Married Woman, 20th century

Djege Coulibaly

Not on View

Tunic, 20th century

Djege Coulibaly

Not on View
mudcloth skirt; design: Mari or crocodile with koni or key pattern.

Skirt for a Married Woman, 20th century

Nansun Coulibaly

Not on View
mudcloth skirt; design type: Mari or mari dunan (crocodile)

Skirt for a Married Woman, 20th century

Djowari Suko

Not on View
mudcloth skirt; design name: Samory ni toubabou keleyouro Woywayando da la - the battlefield at the edge of Woywayanko where Samory and the white man fought

Skirt for a Married Woman, 20th century

Bacho Tarawale

Not on View
golden tan fabric; rows of stitching form geometric pattern on top and vertical stripes on sides; two rows of bumps of yarn-like fibers on inside

Hunter's hat, Date Unknown

Bamana

Not on View
brown/black geometric print; nine panels; motifs include X and L shapes, triangles and lines

Mudcloth, Date Unknown

Guanese Tanawale; Designer: Fugan Feere

Not on View
tan cloth with brown printed geometric design; eight panels joined together; designs include crosses; zigzag, triangles, lines and diamonds

Mudcloth, Date Unknown

Bamana

Not on View
mudcloth skirt; design: Saa ni kili (body of the serpent coiled around her eggs.)

Skirt for a Married Woman, 1985

Djege Coulibaly

Not on View

%C2%A9 Djege Coulibaly

Bush Cow Mask, early 20th century

Djege Coulibaly

Not on View
mud cloth panel; serpent-egg pattern; Surface ornamentation (Dyed)

Woman's skirt, 20th century

Bamana

Not on View
resist-dyed; Nansogo Kan design; natural and brown overall cross motifs with one border of squares and one border of parallel zigzagged lines

Mud Cloth, 1980s

Noyouro Tradere

Not on View
10 individual strips, 5-½ in. wide, lengths varying slightly, machine zigzag stitched together

Wrapper, 20th century

Djege Coulibaly

Not on View
mudcloth shirt; designs: Tieblinke kun and Dongangolo

Young Man's Shirt (dloki), 20th century

Nakunte Diarra

Not on View
Snake and lizard design band upper half of body; rib and wave patterning around neck

Storage Jar, 20th century

Djege Coulibaly

Not on View
Mud cloth skirt, Stripe pattern alternating between 3 row solid stripe group and solid-dash-solid group

Skirt, 20th century

Bamana

Not on View
mudcloth skirt; patterns: Carree and Tieblinke kun

Skirt for a Married Woman, 20th century

Koniba Diarra from village of Kolokani

Not on View
nine panels; beige field with alternating checkerboard pattern of lattice design and open triangle and lattice designs; checkerboard break down at one side. Surface ornamentation (Dyed)

Woman's Skirt, 20th century

Bamana

Not on View
mudcloth skirt; design in central panel: Saa ni kili

Skirt for a Married Woman, 20th century

Guancho Diarra from village of Kolokani

Not on View
mudcloth skirt; designs: Carree and Tieblinke kun

Woman' skirt, 20th century

Djotene Tarawale

Not on View
Mudcloth skirt; striped pattern of groups of two or three solid stripes

Mudcloth skirt, 20th century

Bamana

Not on View
Mud Cloth skirt; Wele design: striped pattern of groups of two or three solid stripes, with one variation of two dashed stripes enclosed by two solid stripes; one lone edge is printed with a row of triangles.

Mudcloth skirt, 20th century

Bamana

Not on View
blue and white, handspun cotton, possibly commisioned by Sara Brett Smith

Woven Strip, 20th century

Bamana

Not on View
mud cloth; large bands at short ends square center with stripes at longer sides; overall patterning of circles, plus signs, and wavy lines within diamonds; eight panels

Woman's skirt, 1985

Bamana

Not on View
mud cloth; beige field with ink splotch design overall; two finished edges; large and smaller panel joined

Panel, 20th century

Bamana

Not on View
handspun cotton, possibly commisioned by Sara Brett Smith

Strip-Woven Top and Wrapper, 20th century

Bamana

Not on View
handspun cotton, possibly commisioned by Sara Brett Smith

Strip Woven Wrapper, 20th century

Bamana

Not on View
Mud Cloth skirt; Wele design: striped pattern of groups of two or three solid stripes, with one variation of two dashed stripes enclosed by two solid stripes; one lone edge is printed with a row of triangles.

Mudcloth skirt, 20th century

Bamana

Not on View
resist-dyed; natural brown ground; sleeve seams are not sewn together

Jacket - Vest, 20th century

Bamana

Not on View
resist-dyed; Nenekono design; umber and brown stripes, pattern of dot filled squares in center

Panel, 1980s

Malado Diarra

Not on View
resist-dyed; natural and brown overall geometric motifs

Jacket, 1980s

Bamana

Not on View
mudcloth shirt; designs: Mari (crocodile), Dongangolo, and Fou or nothing

Young Man's Shirt, 20th century

Sofen Diarra

Not on View
resist-dyed; Wele design: striped pattern of groups of two or three solid stripes, with one variation of two dashed stripes enclosed by two solid stripes; one lone edge is printed with a row of triangles.; natural and brown stripes; collected Dec.12,1986; made by Nampere

Woman's skirt, 1980s

Nampere

Not on View
resist-dyed; Nansogo Kan design; natural and brown; overall cross motifs; borders of zigzag and connecting diamonds

Mud cloth, 1980s

Deoume Diarisso

Not on View
mudcloth shirt; designs: Dongangolo or drum and Sa djeni or little white snake

Young Man's Shirt, 20th century

Djotene Tarawale

Not on View
man's shirt, cotton, dye, mud, (habu), wolo dye and mud, stripwoven African (Mali) stored in box; (Simmons); stored w/86.100.18,.20,.28,.31; open sides and sleeves, cloth imitates spotted coat of special cow; shirt worn for feast days and ceremonies

Man's Shirt (Woloru Nyawru), 20th century

Bamana

Not on View

Tunic, 20th century

Djege Coulibaly

Not on View
plain weave, indigo and white; stripes and patterns; white fringe at each end

Blanket, 1985

Djege Coulibaly

Not on View
mudcloth skirt; cloth type: Cheli dju

Skirt for a Married Woman, 20th century

Mama Tarawale

Not on View
mudcloth skirt; designs: Tieblinke kun and carree

Child's Skirt, 20th century

Nakun Diarra

Not on View
standing stylized figure with geometric features; resinous coating; nailhead eyes; hands on abdomen, knees slightly bent

Figure, 20th century

Bamana

Not on View
stylized figure seated on the back of a stylized horse; figure has outstretched arms

Horse and Rider, early 20th century

Bamana or Dogon

Not on View

Man's Shirt, 20th century

Bamana

Not on View

Woman's skirt, c. 1980

Niene Diarg Tchelidjou

Not on View

Skirt, c. 1980

Bamana

Not on View

Horse and Rider, 19th-20th century

Bamana

Not on View

Hat, third quarter of 20th century

Bamana

Not on View

Tunic, third quarter of 20th century

Bamana

Not on View

Boli power object, 20th century

Bamana

Not on View

Young Man's Shirt, 20th century

Bacho Tarawale

Not on View

Skirt for a Married Woman, 20th century

Djege Coulibaly

Not on View

showing 63 results matching culture:"Bamana"

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