showing 238 results matching creditline:"Vermillion Archival Collection, The John R. Van Derlip Fund"

advanced
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; kneeling man; PL hand holding seashell to ear

%C2%A9 Nicolas Africano

Listening to a Seashell, Learning Patience, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; citations from the poem 'Wessex Heights' are displayed in front of him like a muse or thought bubble; a tree with bright green leaves behind him; the words "Reading Wessex Heights/August 1987" inscribed, UC; predominant colors: blue, grey and green

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; a lit cigarette in his PR hand; cream background

%C2%A9 Nicolas Africano

Study for "May 1987" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope.", inscribed, UC; predominant colors: brown, green and yellow

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "I'm Cold Billy, Can't Stop Shaking", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in the middleground naked from the waist up; he sits in a chair facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" inscribed, UC

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man wearing baggy pants and hat with round brim facing left; foliage in PL hand; cigarette in PR hand

%C2%A9 Nicolas Africano

May 1987, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Learning to Clean Himself, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; legs turned slightly PL; the words "Forgiving" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated in a chair facing away from viewer reading book; text " Well time cures hearts/of tenderness" repeated four times

%C2%A9 Nicolas Africano

Reading Wessex Heights, August 1987, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly; a cigarette in his PR hand; three sparrows at his feet; the words "July Among Sparrows" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "July Among Sparrows", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind as while he walks; the words "March 1988/He tried to carry something too large./He felt like he was falling" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward while he cuts his own hair; the words "Haircut" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Haircut", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man standing with hands on hips; baggy pants; no shoes, shirt or hat

%C2%A9 Nicolas Africano

He Laughed, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated on ground fishing; tree at left, pole at right

%C2%A9 Nicolas Africano

An Occasion for Hope, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man in the middleground naked from the waist up; he sits in a chair facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Reading Letters, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/a seashell./Learning Patience" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell, Learning Patience", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope.", inscribed, UC; yellow and brown background

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated in chair, looking left; smoking

%C2%A9 Nicolas Africano

Forgiving, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; his legs turned slightly to the viewer's R; the words "Forgiving" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; the words "May 1987" inscribed, UC

%C2%A9 Nicolas Africano

Study for "May 1987", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He laughed" inscribed, UC

%C2%A9 Nicolas Africano

Study for "He Laughed", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind him as he walks; the words "March 1988/He tried to carry something too large./He felt like he was falling" inscribed, UC

%C2%A9 Nicolas Africano

Study for "March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length rendering of a man naked from the waist up; he faces forward in a chair with a lit cigarette in his PL hand; legs turned slightly PL; the words "Forgiving" inscribed, UC; dark cream background

%C2%A9 Nicolas Africano

Study for "Forgiving", from the Portolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC; cream background

%C2%A9 Nicolas Africano

Study for "I'm Cold Billy, Can't Stop Shaking", 1990

Nicolas Africano

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; the words "Reading Wessex Heights/August 1987..." scrawled in UR quadrant, followed by a citation from the poem (Wessex Heights, 1896)

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights, August 1987," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He Laughed" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "He Laughed," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind him while he walks; the words "He tried to carry something/too big. He felt like he would fall." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "March 1988-He Tried to Carry Something too Large, He Felt Like He was Falling," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; "May 1987/Lilacs and Smoke" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "May 1987," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly PL; the words "July Among Sparrows." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "July Among Sparrows," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/A Seashell/Learning Patience" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell, Learning Patience," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he faces forward in a chair, smokes a cigarette; his legs turned slightly to the right; the words "Forgiving" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Forgiving," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object PL; a trunk-like projection on PR; the words "An Occasion for Hope." scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Man in full view wearing nothing but a towel around his waist; he stands facing in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "I'm Cold BIlly, Can't Stop Shaking," from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
A man in long pants, naked from the waist up; he sits in a chair, facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward while he cuts his own hair; "Haircut" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "Haircut" from the Portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Running Naked, 1991

Sam Gilliam

Not on View

%C2%A9 1988 Sabina Ott

New Science / Landscape, 1988

Sabina Ott; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The New Dance Ensemble, 1982

Harmony Hammond

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Calla Lily, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 1983 Steven Sorman

Each (Other ) -- To, 1983

Steven Sorman

Not on View

%C2%A9 T. L. Solien

Untitled (Landscape with dwelling), 1982

T.L. Solien

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

They Were Right, They Are Perfect, 1982

Hollis Sigler

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-A, 1982

Adja Yunkers

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

There Is a Doubt, She Could Be Right, 1982

Hollis Sigler

Not on View

%C2%A9 David Rathman

Serenade, 1984-1986

David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-B, 1982

Adja Yunkers

Not on View
Study for a modern dance poster

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Study for "New Dance Ensemble" Poster, 1982

Harmony Hammond

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Flowers for Bill, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI, 1982

Adja Yunkers; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Adja Yunkers

Icon III, 1983

Adja Yunkers

Not on View
Diptych

%C2%A9 Lynn Klein

Double / Absent, 1983

Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Adja Yunkers

A Moment into Eternity II, 1982

Adja Yunkers; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 David Saunders

Lear, 1983

David Saunders

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Sonia Resika, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 Nicolas Africano

Camille, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

She Always Thought She Was Wrong, 1982

Hollis Sigler

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-C, 1983

Adja Yunkers

Not on View
Diptych

%C2%A9 T. L. Solien

The Nightwatchman, 1982

T.L. Solien

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) - From, 1983

Steven Sorman

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man facing front wearing baggy pants; hat with round brim at alight angle; vegetation in PR hand

%C2%A9 Nicolas Africano

May - Before the Storm, Still Human, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 David Saunders

Saint Joan, 1983

David Saunders

Not on View

%C2%A9 T. L. Solien

Only He Can Wield That Deadly Stroke, 1988

T.L. Solien; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Calla Lily, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 David Saunders

Sea of Troubles, 1983

David Saunders

Not on View

%C2%A9 Duncan Hannah%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Jump Rope (Crimson), 1990

Duncan Hannah; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; the words "May before the storm" inscribed, UR

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; the words "May before the storm" inscribed, UR; grey and green background

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human", 1990

Nicolas Africano

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Calla Lily, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape II, 1982

Sam Gilliam

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Paul Wadina, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View
Abstract expressionist composition; predominantly red with areas of blue

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Last Coffee Thyme, 1981

Sam Gilliam

Not on View
Color trial/state proof for first panel

%C2%A9 Estate Shusaku Arakawa

Tomb of Chance 1, 1982

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Frank Big Bear

Autumn Delight, 1988

Frank Big Bear; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) -- Against, 1983

Steven Sorman

Not on View

%C2%A9 T. L. Solien

The Three Sailors, 1982

T.L. Solien

Not on View

%C2%A9 1982 Steven Sorman

Going Back to Look in the Mirror, Again, 1982

Steven Sorman

Not on View

%C2%A9 1982 Steven Sorman

The Letter from Matisse, 1982

Steven Sorman

Not on View

%C2%A9 1981 Steven Sorman

One (no two), 1981

Steven Sorman

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; "May Before The Storm/Still Human" scrawled in UR quadrant

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human," from the portfolio "Lilacs and Smoke", 1987

Nicolas Africano

Not on View

%C2%A9 1980 Steven Sorman

What's This, What's That, 1980

Steven Sorman

Not on View

%C2%A9 Estate Allan D%27Arcangelo %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Study for 'Minnesota Morning', 1978

Allan D'Arcangelo

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape III, 1982

Sam Gilliam

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Sonia Resika, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 T. L. Solien

New Dance Ensemble: Debut!, 1982

T.L. Solien

Not on View

%C2%A9 1982 Steven Sorman

Going Back to Look in the Mirror, Again, 1982

Steven Sorman

Not on View
Final proof

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Lattice, 1982

Sam Gilliam

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape IV, 1982

Sam Gilliam

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Paul Wadina, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) -- For, 1983

Steven Sorman

Not on View

%C2%A9 1983 Marcia Scanlon

Pine Hill, 1983

Marcia Scanlon

Not on View
Color trial/state proof for first panel

%C2%A9 Estate Shusaku Arakawa

Tomb of Chance I, 1982

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Estate Adja Yunkers

Immobile Sun XXI-B, 1982

Adja Yunkers

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape V, 1982

Sam Gilliam

Not on View
Macabre scene featuring a large foot, center, with long claws and a nail protruding from its sole; the top half of a face, LL; two small birds in background; hanging chain on R; orbits in the UL and URQs

%C2%A9 T. L. Solien

Untitled, 1981

T.L. Solien

Not on View
Sculptural abstraction featuring a large elliptical object with black spiraling lines around its center; light blue circles throughout

%C2%A9 John Newman

Fold-Out, 1985

John Newman

Not on View

%C2%A9 Debrah Pearson-Feinn

Beach Play (Portrait of Peter Beard), 1983

Debrah Pearson-Feinn

Not on View

%C2%A9 1983 Marcia Scanlon

Pine Hill, 1983

Marcia Scanlon

Not on View

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Lattice, 1982

Sam Gilliam

Not on View

%C2%A9 T. L. Solien

Untitled (Sailboat at anchor), 1985-1990

T.L. Solien; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Bruce A. Anderson

Untitled, 1983

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 T. L. Solien

Untitled (Horse head), 1982

T.L. Solien

Not on View

%C2%A9 1988 Marcia Scanlon

Kore, 1988

Marcia Scanlon

Not on View
Full length portrait of a man in a wide rimmed hat, clothed from the waist down; he holds a bushel of flowers in his PL hand and faces the viewer; the words "May before the storm" scrawled UR; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "May - Before the Storm, Still Human", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Sonia Resika, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View
Overhead view of a long crowded pier that extends from a city in the background to a sea of boats in the foreground; the pier is adorned with sculptures of various shapes and sizes; predominant colors: red, yellow, blue, green, brown

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Mayor Byrne's Mile of Sculpture, 1982

Red Grooms

Not on View

%C2%A9 1988 Marcia Scanlon

Kore, 1988

Marcia Scanlon

Not on View
Maquette using leftover fragments from Coffee Thyme project, taped together

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Study for "Lattice", 1981

Sam Gilliam

Not on View
From a suite of four color lithographs. The mat and frame were designed by the artist.

%C2%A9 1982 Hollis Sigler

She Was Tired of Filling Her Heart with Hopeless Dreams, 1982

Hollis Sigler

Not on View
From a suite of five prints.

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Buoy Landscape I, 1982

Sam Gilliam

Not on View

%C2%A9 Nicolas Africano

Camille, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1981 Steven Sorman

One (no two), 1981

Steven Sorman

Not on View

%C2%A9 1982 Steven Sorman

The Letter from Matisse, 1982

Steven Sorman

Not on View
Tryout blend for third panel background, with notes

%C2%A9 Estate Shusaku Arakawa

Tomb of Chance I, 1982

Arakawa (Shusaku Arakawa)

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

Calla Lily, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

%C2%A9 1988 Marcia Scanlon

Kore, 1988

Marcia Scanlon

Not on View
Standing figure, bent at waist, peering into a body of water

%C2%A9 Stuart Nielsen

Water Gazing, 1983

Stuart Nielsen; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Harmony Hammond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The New Dance Ensemble: 1982-83 Season, 1982

Harmony Hammond; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1983 Steven Sorman

Each (Other) -- By, 1983

Steven Sorman

Not on View

%C2%A9 Bruce A. Anderson

Untitled, 1983

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
State proof with addtions in pastel

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Mid-rats, 1981

Red Grooms

Not on View

%C2%A9 T. L. Solien

Untitled (Figure), 1982

T.L. Solien

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

In Sunlight, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
From a suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Watching Snow Fall, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward while he cuts his own hair; the words "Haircut" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "Haircut", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View

%C2%A9 T. L. Solien

Untitled (II) (Sailboat at anchor), 1985-1990

T.L. Solien; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Two masted black ship afloat in light orange water; grey/blue sky in background with black orbits; floating buoy(?) in LLQ; reflection in water

%C2%A9 T. L. Solien

Untitled (Sailboat at anchor), 1985-1990

T.L. Solien; Printer: Vermillion Editions Limited, Minneapolis

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man with baggy pants dragging a large log-like object; round brimmed hat

%C2%A9 Nicolas Africano

March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated in chair facing front; scissors in PR hand cutting hair

%C2%A9 Nicolas Africano

Haircut, from "Lilacs and Smoke", 1987-1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated on chair wearing baggy pants and hat with round brim; three small birds on ground

%C2%A9 Nicolas Africano

July - Among Sparrows, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; citations from the poem 'Wessex Heights' are displayed in front of him like a muse or thought bubble; the words "Reading Wessex Heights/August 1987" inscribed, UC; light green background

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of eight untitled etchings housed in a maroon linen buckram folding portfolio case, with gold-stamped lettering

%C2%A9 Bruce A. Anderson

Untitled, 1988

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Working proof for undercolor

%C2%A9 Bruce A. Anderson

Conversation, 1981

Bruce Anderson

Not on View

%C2%A9 1988 Marcia Scanlon

Kore, 1988

Marcia Scanlon

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man seated in a chair wearing baggy pants; arms bent at elbows; hands up palms toward face

%C2%A9 Nicolas Africano

He Talks to Himself at Night, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Washing Him, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/a seashell./Learning Patience" inscribed, UC; predominant colors: washy blue background

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell, Learning Patience", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man seated in a chair with his back to the viewer; he reads from a paper in his lap; citations from the poem 'Wessex Heights' are displayed in front of him like a muse or thought bubble; the words "Reading Wessex Heights/August 1987" inscribed, UC

%C2%A9 Nicolas Africano

Study for "Reading Wessex Heights", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man kneeling in the sand holding a conch up to his PL ear; he wears long pants and no top; the words "Listening to/a seashell./Learning Patience" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "Listening to a Seashell", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly; a cigarette in his PR hand; three sparrows at his feet; the words "July Among Sparrows" inscribed, UC; grey and light brown background

%C2%A9 Nicolas Africano

Study for "July Among Sparrows", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

After Bill's Surgery, 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man in full view, wearing a wide rimmed hat and long pants; he faces forward in a chair; his body turned slightly; a cigarette in his PR hand; three sparrows at his feet; the words "July Among Sparrows" inscribed, UC

%C2%A9 Nicolas Africano

Study for "July Among Sparrows", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Nude man covered from the waist down in a towel; he faces forward in the direction of the viewer; the words "I'm Cold Billy/Can't Stop Shaking" inscribed, UC

%C2%A9 Nicolas Africano

Study for "I'm Cold Billy, Can't Stop Shaking", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Man in long pants, naked from the waist up; he sits in a chair, facing forward and gestures with his hands; the words "February March April May/He talks to himself at night" inscribed, UC; cream background

%C2%A9 Nicolas Africano

Study for "He Talks to Himself at Night" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
title page from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; all text; comparing lilacs and a man

%C2%A9 Nicolas Africano

Cover Page, from "Lilacs and Smoke", 1987-1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Suite of 8 hand-colored lithographs housed in a beige linen and muslin gauze folding portfolio case with gray stamped lettering on the inside flap.

%C2%A9 Nicolas Africano

Childlike (After Bathing), 1988

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man in a wide rimmed hat and long dark pants; he sits in the foreground; A large tripod-like object on his L; a barren tree on his R; the words "An Occasion for Hope." inscribed, UC

%C2%A9 Nicolas Africano

Study for "An Occasion for Hope", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He laughed" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "He Laughed", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length view of a man naked from the waist up; he sits in a chair facing forward and cuts his own hair; cream background

%C2%A9 Nicolas Africano

Study for "Haircut", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
from a suite of 13 color lithographs housed in a beige linen portfolio box, titled by hand individually by the artist, with an acrylic sumi ink wash; man standing wrapped in cloth from chest to calves

%C2%A9 Nicolas Africano

I'm Cold Billy, Can't Stop Shaking, from "Lilacs and Smoke", 1990

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Man in a wide rimmed hat and long pants; he drags a heavy object behind him as he walks; the words "March 1988/He tried to carry something too large./He felt like he was falling" inscribed, UC; yellow and dark cream background

%C2%A9 Nicolas Africano

Study for "March 1988 - He Tried to Carry Something Too Large, He Felt Like He Was Falling" from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
Full length portrait of a man in long pants, naked from the waist up; he stands facing the viewer with his hands on his hips; the words "He laughed" inscribed, UC; washy blue background

%C2%A9 Nicolas Africano

Study for "He Laughed", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View
A man in long pants and no shirt; he faces forward in a chair and holds flowers in his lap; the words "May 1987" inscribed, UC; predominant colors: blue, grey and yellow

%C2%A9 Nicolas Africano

Study for "May 1987", from the Portfolio "Lilacs and Smoke", 1987-1990

Nicolas Africano

Not on View

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

America: Paul Wadina, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

Rondo Fest, St. Paul, 1983, 1986

Thomas F. Arndt

Not on View

Study for "Lattice", 1981

Sam Gilliam

Not on View

Lattice, 1982

Sam Gilliam

Not on View

Lattice, 1982

Sam Gilliam

Not on View

Lattice, 1982

Sam Gilliam

Not on View

Lattice, 1982

Sam Gilliam

Not on View

Lattice, 1982

Sam Gilliam

Not on View

Lattice, 1982

Sam Gilliam

Not on View

Lattice I, 1982

Sam Gilliam

Not on View

Lattice II, 1982

Sam Gilliam

Not on View

Lattice III, 1982

Sam Gilliam

Not on View

Lattice IV, 1982

Sam Gilliam

Not on View

Lattice I, 1982

Sam Gilliam

Not on View

Lattice II, 1982

Sam Gilliam

Not on View

Lattice IV, 1982

Sam Gilliam

Not on View

Lattice, 1982

Sam Gilliam

Not on View

Lattice, 1982

Sam Gilliam

Not on View

That in Which 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Point Blank 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Point Blank 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Sea of Trouble, 1983

David Saunders

Not on View

Sea of Troubles, 1983

David Saunders

Not on View

Untitled (Sailboat at anchor), 1985-1990

T.L. Solien; Printer: Vermillion Editions Limited, Minneapolis

Not on View

Sea of Troubles, 1983

David Saunders

Not on View

New Dance Ensemble, 1982

T.L. Solien

Not on View

America: Sonia Resika, 1988

Robert Mapplethorpe; Printer: Steven M. Andersen

Not on View

New Dance Ensemble, 1982

T.L. Solien

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

Lear, 1983

David Saunders

Not on View

The New Dance Ensemble, 1982

Harmony Hammond

Not on View

The Three Sailors, 1982

T.L. Solien

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

Immobile Sun XXI-C, 1982

Adja Yunkers

Not on View

The Nightwatchman, 1982

T.L. Solien

Not on View

The Three Sailors, 1982

T.L. Solien

Not on View

Sea of Troubles, 1983

David Saunders

Not on View

Sea of Troubles, 1983

David Saunders

Not on View

The Nightwatchman, 1982

T.L. Solien

Not on View

The Night Watchman, 1982

T.L. Solien

Not on View

New Dance Ensemble, 1982

T.L. Solien

Not on View

That in Which 3, 1979

Arakawa (Shusaku Arakawa)

Not on View

Point Blank 2, 1979

Arakawa (Shusaku Arakawa)

Not on View

Point Blank 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance 2, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance II, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance II, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Tomb of Chance 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Point Blank 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Point Blank 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Point Blank 1, 1979

Arakawa (Shusaku Arakawa)

Not on View

Point Blank 3, 1979

Arakawa (Shusaku Arakawa)

Not on View

Buoy Landscape III, 1982

Sam Gilliam

Not on View

Buoy Landscape IV, 1982

Sam Gilliam

Not on View

Buoy Landscape V, 1982

Sam Gilliam

Not on View

Buoy Landscape II, 1982

Sam Gilliam

Not on View

Buoy Landscape I, 1982

Sam Gilliam

Not on View

Point Blank 3, 1979

Arakawa (Shusaku Arakawa)

Not on View

Lattice, 1982

Sam Gilliam

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

One (no two), 1981

Steven Sorman

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

Lear, 1983

David Saunders

Not on View

Lattice III, 1982

Sam Gilliam

Not on View

Saint Joan, 1983

David Saunders

Not on View

Which (a partial memory), 1981

Steven Sorman

Not on View

Saint Joan, 1983

David Saunders

Not on View

Saint Joan, 1983

David Saunders

Not on View

Saint Joan, 1983

David Saunders

Not on View

Saint Joan, 1983

David Saunders

Not on View

Saint Joan, 1983

David Saunders

Not on View

Sea of Troubles, 1983

David Saunders

Not on View

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