showing 100 of 381 results matching creditline:"Vermillion Archival Collection, Gift of funds from The Northern Star Foundation and The Hersey Foundation". (load 200 more)

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%C2%A9 1978 Steven Sorman

Lewis and Clark, 1978

Steven Sorman

Not on View

%C2%A9 Estate Adja Yunkers

Falling Birds, 1978

Adja Yunkers

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Truck II, 1979

Red Grooms; Publisher: Brooke Alexander Editions, New York; Publisher: Marlborough Graphics, New York

Not on View

%C2%A9 1980 Steven Sorman

Rax (Fault), 1980

Steven Sorman

Not on View

%C2%A9 Estate Adja Yunkers

Untitled III, 1978

Adja Yunkers

Not on View

%C2%A9 Estate Adja Yunkers

Icon I, 1978

Adja Yunkers

Not on View
Geometric abstraction featuring a rectangular object with a thick black border and light grey center; its base is propped up by small, thin legs on either side

%C2%A9 Steven Beyer

Untitled, 1978

Steven Beyer

Not on View
Frame for the interior image; a stone window seen from the outside, surrounded by disquieting imagery--a barrel full of human bones LR, a body visible from behind some shrubs in the foreground, a roof covered in vines and ravens

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Drawing for the house for 'The Pancake Eater', 1980

Red Grooms

Not on View

%C2%A9 Thomas Rose

Simple though Unlikely, 1978

Thomas Rose

Not on View

%C2%A9 Christine Benson

Midwest Memento–Cityscape, 1978

Christine Benson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Steven Beyer

Four Member Family System, 1979-1980

Steven Beyer

Not on View

%C2%A9 Joseph Breidel

Letters from the Sea, Unfolded, 1979

Joseph Breidel

Not on View
Artist's mulitple

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Fran Tarkenton, 1979

Red Grooms; Publisher: Brooke Alexander, New York

Not on View

%C2%A9 Stephen Hartman

Untitled, 1978

Stephen Hartman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Estate Eugene Larkin

Transformations, 1978

Eugene Larkin

Not on View

%C2%A9 Scott Sandell

Untitled, 1979

Scott Sandell

Not on View

%C2%A9 1978 Steven Sorman

Not in Any Given Place, 1978

Steven Sorman

Not on View

%C2%A9 1978 Steven Sorman

In No Given Place, 1978

Steven Sorman

Not on View

%C2%A9 1978 Steven Sorman

The Letter to Matisse, 1978

Steven Sorman

Not on View

%C2%A9 Steven Beyer

Dissolution, 1981

Steven Beyer

Not on View

%C2%A9 Bruce A. Anderson

Conversation, 1981

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Steven Beyer

Untitled, 1978

Steven Beyer

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Lorna Doone, 1980

Red Grooms; Publisher: Brooke Alexander, New York; Publisher: Marlborough Graphics, New York

Not on View
Artist's multiple

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Peking Delight, 1979

Red Grooms; Publisher: Co-published by Brooke Alexander, New York; Publisher: Co-published by Marlborough Graphics, New York; Printer: Printed and fabricated at Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Mid-Rats, 1981

Red Grooms; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Andrew Leicester

Diamond, 1978

Andrew Leicester

Not on View

%C2%A9 Stuart Nielsen

Shell--Butterfly, 1978

Stuart Nielsen

Not on View

%C2%A9 1978 Jerry Ott

Self-Portrait, 1978

Jerry Ott

Not on View
Triptych

%C2%A9 1978 Steven Sorman

Spaces between Words / A Deaf Man Sees, 1978

Steven Sorman

Not on View

%C2%A9 Estate Adja Yunkers

Les Pendus, 1980

Adja Yunkers

Not on View
Intaglio printing plate

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Intaglio printing plate for "Coffee Thyme" series, 1980

Sam Gilliam

Not on View

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Last Coffee Thyme, 1981

Sam Gilliam; Publisher: Vermillion Editions Limited, Minneapolis; Publisher: Middendorf-Lane Gallery, Washington, D.C.

Not on View

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme II, 1981

Sam Gilliam; Printer: Vermillion Editions Limited, Minneapolis

Not on View
Abstraction featuring a small rectangle and overlapping triangle in the lower half of the page; the surrounding space is a blend of colors--light purple, red, yellow, blue and light brown

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Abstraction featuring a small rectangle and overlapping triangle in the lower half of the page; the surrounding space is a blend of colors--light purple, red, yellow, blue and light brown

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Abstraction featuring a small rectangle and overlapping triangle in the lower half of the page; the surrounding space is a blend of colors--light purple, red, yellow and blue

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Abstraction featuring a small rectangle and overlapping triangle in the lower half of the page; the surrounding space is a blend of colors--red, yellow, blue and purple

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Abstraction featuring a small rectangle and overlapping triangle in the lower half of the page; the surrounding space is a blend of colors, predominantly red, yellow and blue

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Abstraction featuring a small rectangle and overlapping triangle surrounded by a sea of red and blue markings

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Abstraction featuring a small rectangle and overlapping triangle against a predominantly red background

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Nearly empty composition featuring a small purple triangle composed of non-descript forms and superimposed over a plain white rectangle

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Blind intaglio of triangle and rectangle

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Black and white abstraction

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Color run for published print

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Color run for published print

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Color run for published print

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Color run for published print

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Color run for published print

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Color run for published print

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Coffee Thyme I, 1980

Sam Gilliam

Not on View
Expressionist sketch of quickly drawn, overlapping lines in red, blue, orange, yellow, green, purple and pink; the lower half of the composition consists of a smaller rectangular drawing characterized by the same lines and a predominantly light blue center

%C2%A9 Sam Gilliam%2C Courtesy Steven Andersen%2C Vermillion Editions%2C Ltd.

Study for "Coffee Thyme", 1980

Sam Gilliam

Not on View

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1976-1978

George Morrison

Not on View

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1976-1978

George Morrison

Not on View

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1977

George Morrison; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Large blue rodent within a tight, pink and green enclosure; it sniffs a rodent trap in the foreground; a beam of yellow light shines from a hole behind it

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Mid-Rats, 1980

Red Grooms

Not on View

%C2%A9 Agnes Story

Nick's Bookstore, 1981

Agnes Story

Not on View
Artist's multiple

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

The Pancake Eater, 1981

Red Grooms; Publisher: Brooke Alexander, New York; Publisher: Marlborough Graphics, New York

Not on View
Decorative composition featuring seven semi-circles in a vertical row; all the same shape, with their own design and colors

%C2%A9 Stuart Nielsen

Quartet, 1979

Stuart Nielsen

Not on View
diptych (a-left image; b- right image)

%C2%A9 1977 Steven Sorman

First Building Project According to What Plan, 1977

Steven Sorman

Not on View

%C2%A9 1977 Steven Sorman

Drawing for first state zinc plate for 'The First Building Project According to What Plan', 1977

Steven Sorman

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Drawing for the shade for 'The Pancake Eater', 1980

Red Grooms

Not on View
Scene with four nude people and a dog; a female nude (center) has her leg raised with her foot in the mouth of a person crouched below her, LL; a dog and third person behind her on R; a person hangs upside down on L as the female taunts him/her with a whip

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Sketches for the shade for The Pancake Eater, 1980

Red Grooms

Not on View
Dog on hind legs, L, leaning against a woman in the act of fellatio, LR; two additional figures, LL and C; caged-bird, UC

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Sketches for the shade for 'The Pancake Eater', 1980

Red Grooms

Not on View
Pair of knee-high, lace-up boots on L; hanging whip on R; curtain skirt around borders; other nondescript images in light blue graphite throughout

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Drawing for curtain for 'The Pancake Eater', 1980

Red Grooms

Not on View
Repetitious, gestural brushstrokes against a plain white background

%C2%A9 Steven M. Andersen

Sketch for shade texture for 'The Pancake Eater', 1980

Steven M. Andersen

Not on View
Female nude (center) with her leg raised, holding a whip; man crouched at her feet on R; dog on a chair behind her, L; empty bird cage, UR; hanging, hand-cuffed figure UR

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Sketches for the shade for 'The Pancake Eater', 1980

Red Grooms

Not on View
Diptych, right image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
From a suite of four prints representing the four elements of ancient Greek philosophy.

%C2%A9 Virginia Randolph-Bueide

Water, 1978

Virginia Randolph-Bueide

Not on View

%C2%A9 Bernard McNally

Naulhauka Flats (Minneapolis), 1977

Bernard McNally

Not on View
Diptych, right image

%C2%A9 1978 Steven Sorman

The First Building Project According to What Plan, 1978

Steven Sorman

Not on View

%C2%A9 1978 Steven Sorman

Letter to Matisse, 1978

Steven Sorman

Not on View
From a suite of three prints.

%C2%A9 1980 Steven Sorman

Inside Outside (A Difference in Ages), 1980

Steven Sorman

Not on View
From a suite of five prints

%C2%A9 Estate Adja Yunkers

Untitled II, 1978

Adja Yunkers

Not on View

%C2%A9 Estate Adja Yunkers

Untitled I, 1978

Adja Yunkers

Not on View
Wide square grid in UL and URQs; large rectangular table with four legs below it (center); three connecting blue stripes below table, in LL and LRQs

%C2%A9 1979 Steven Sorman

The Singing Bridge, 1979

Steven Sorman

Not on View

%C2%A9 Estate Adja Yunkers

Les Pendus II, 1980

Adja Yunkers

Not on View

%C2%A9 1978 Steven Sorman

Spaces between words/a deaf man sees, 1978

Steven Sorman

Not on View
Large square grid with juxtaposing green rectangle in LL and LRQs, and square black table in its center; red horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin

%C2%A9 1980 Steven Sorman

The Singing Bridge, 1980

Steven Sorman

Not on View
Large triangle filled in with heavy black brushstrokes; lightly drawn triangle behind it, on R

%C2%A9 1978 Steven Sorman

Spaces between words/a deaf man sees, 1978

Steven Sorman

Not on View

%C2%A9 N. Scott Momaday

Untitled, 1979

N. Scott Momaday; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Scott Sandell

Impulse, 1979

Scott Sandell

Not on View

%C2%A9 Bernard McNally

Loring Gables, 1978

Bernard McNally

Not on View

%C2%A9 Keith Leaman

Untitled, 1981

Keith Leaman

Not on View

%C2%A9 Estate Adja Yunkers

Soprattutto, 1978

Adja Yunkers

Not on View
Predominantly blue abstraction with red markings; a house or building with a pitched roof at center

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Tell Me), 1980

Steven Sorman

Not on View
From a suite of five prints

%C2%A9 Estate Adja Yunkers

Icon II, 1980

Adja Yunkers

Not on View

%C2%A9 1980 Steven Sorman

Trick to Being Recognized, 1980

Steven Sorman

Not on View

%C2%A9 Scott Sandell

Untitled, 1978

Scott Sandell

Not on View

%C2%A9 Thomas Rose

Clearly the Unseen Order, 1980

Thomas Rose

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Come In), 1980

Steven Sorman

Not on View
Washy composition of large and small, non-descript shapes and overlapping white lines

%C2%A9 1978 Steven Sorman

Explanation of this, 1978

Steven Sorman

Not on View

%C2%A9 Thomas Rose

Objects Indicating a Certain Direction, 1978

Thomas Rose

Not on View

%C2%A9 Mike Lynch

Houses by the Tracks, 1978

Mike Lynch; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Northwestern National Bank, Minneapolis

Not on View
multiple in the form of a shopping bag

%C2%A9 Richard Guindon

Untitled (Bag Lady), 1980

Richard Guindon; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
From a suite of four etchings, each depicting a metaphorical clockface design.

%C2%A9 Philip Larson

Second Stencil (Sullivan & Wright), 1978

Philip Larson

Not on View

%C2%A9 Steven Beyer

Untitled #2, 1978-1980

Steven Beyer

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

The Tattoo Artist, 1981

Red Grooms; Publisher: Brooke Alexander, New York

Not on View

%C2%A9 Philip Larson

Fourth Grate (Giza), 1978

Philip Larson

Not on View

%C2%A9 Susan Feine

Orizonte, 1978

Susan Feine

Not on View

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