🔎 creditline:"Vermillion Archival Collection, Gift of funds from The Northern Star Foundation and The Hersey Foundation" | Mia

Dali Salad II, Red Grooms; Publisher: Brooke Alexander and Marlborough Graphics, New York; Fabricator: Vermillion Editions Limited, Minneapolis — Dali Salad II, 1980
Red Grooms; Publisher: Brooke Alexander and Marlborough Graphics, New York; Fabricator: Vermillion Editions Limited, Minneapolis

Not on View

Predominantly blue abstraction with red markings; a small gold arrow on bottom center margin — The First Building Project According to What Plan, 1977
Steven Sorman

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Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Sit Down), 1980
Steven Sorman

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Untitled, Scott Sandell — Untitled, 1978
Scott Sandell

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Large square grid partially covered by red rectangle in LL and LRQs; silver horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin; annotations throughout — The Singing Bridge, 1979
Steven Sorman

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Diptych, right image — The First Building Project According to What Plan, 1977
Steven Sorman

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Large square grid with juxtaposing green rectangle in LL and LRQs, and square black table in its center; red horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin — The Singing Bridge, 1980
Steven Sorman

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sky with clouds — Late Sunday Afternoon, 1981
Jon Schueler; Publisher: Vermillion Editions Limited, Minneapolis

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Impulse, Scott Sandell — Impulse, 1979
Scott Sandell

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Diptych, right image — The First Building Project According to What Plan, 1977
Steven Sorman

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Les Pendus, Adja Yunkers — Les Pendus, 1980
Adja Yunkers

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Diptych, right image — The First Building Project According to What Plan, 1977
Steven Sorman

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The Trick to Being Recognized, Steven Sorman — The Trick to Being Recognized, 1980
Steven Sorman

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Triptych — Spaces between Words / A Deaf Man Sees, 1978
Steven Sorman

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One (No Two) II, Steven Sorman — One (No Two) II, 1982
Steven Sorman

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Diptych, left image — The First Building Project According to What Plan, 1977
Steven Sorman

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Predominantly black abstraction with red markings; a house or building with a pitched roof at center — The First Building Project According to What Plan, 1977
Steven Sorman

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Diptych, right image — The First Building Project According to What Plan, 1977
Steven Sorman

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Minnesota I, Paul Rotterdam — Minnesota I, 1980-1981
Paul Rotterdam

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Untitled, Scott Sandell — Untitled, 1978
Scott Sandell

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Diptych, left image — The First Building Project According to What Plan, 1977
Steven Sorman

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Impulse Driver, Scott Sandell — Impulse Driver, 1978
Scott Sandell

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sky with clouds — Summer Sky, 1981
Jon Schueler; Publisher: Vermillion Editions Limited, Minneapolis

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Reflex, Scott Sandell — Reflex, 1979
Scott Sandell

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That in Which II, Arakawa (Shusaku Arakawa); Publisher: Multiples, Inc., New York — That in Which II, 1979
Arakawa (Shusaku Arakawa); Publisher: Multiples, Inc., New York

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Point Blank III, Arakawa (Shusaku Arakawa); Publisher: Multiples, Inc., New York — Point Blank III, 1979
Arakawa (Shusaku Arakawa); Publisher: Multiples, Inc., New York

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Orizonte, Susan Feine — Orizonte, 1978
Susan Feine

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Live, James Byrne — Live, 1977
James Byrne

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Untitled, Glen Grafelman — Untitled, 1981
Glen Grafelman

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Dali Salad (suit and cuffs), Red Grooms — Dali Salad (suit and cuffs), 1980
Red Grooms

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The Bead Game, Allan D'Arcangelo; Publisher: M. Magidson & Assoc.. Inc., San Francisco; Printer: Printed and fabricated by Vermillion Editions Limited, Minneapolis — The Bead Game, 1978
Allan D'Arcangelo; Publisher: M. Magidson & Assoc.. Inc., San Francisco; Printer: Printed and fabricated by Vermillion Editions Limited, Minneapolis

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State proof for background of "Minnesota Morning", Allan D'Arcangelo; Printer: Vermillion Editions Limited, Minneapolis — State proof for background of "Minnesota Morning", 1978
Allan D'Arcangelo; Printer: Vermillion Editions Limited, Minneapolis

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Allan D'Arcangelo: Wash Art '78, after Allan D'Arcangelo — Allan D'Arcangelo: Wash Art '78, 1978
after Allan D'Arcangelo

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Untitled, Steven Beyer — Untitled, 1978
Steven Beyer

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Number 15 from a portfolio of 15 prints by 15 artists commissioned by Northwestsern National Bank, Minneapolis, as part of an exhibition "Portfolio 15: An exhibition by Minnesota Artists," held in November 1978 at Northwestern National Bank. — Site Drawn #15, 1978
Lee Bjorklund

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Untitled #2, Steven Beyer — Untitled #2, 1978-1980
Steven Beyer

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Mallards, Al Dornisch — Mallards, 1978
Al Dornisch

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Iris, Marion-Ortolf Bagley; Publisher: Vermillion Editions Limited, Minneapolis — Iris, 1980
Marion-Ortolf Bagley; Publisher: Vermillion Editions Limited, Minneapolis

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Untitled, Philip J. Barber; Publisher: Vermillion Editions Limited, Minneapolis — Untitled, 1978
Philip J. Barber; Publisher: Vermillion Editions Limited, Minneapolis

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Beuys. Aus Berlin: Neues vom Kojoten (From Berlin: News From the Coyote), Joseph Beuys — Beuys. Aus Berlin: Neues vom Kojoten (From Berlin: News From the Coyote), 1979
Joseph Beuys

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Chocolate, Christine Benson; Publisher: Vermillion Editions Limited, Minneapolis — Chocolate, 1977
Christine Benson; Publisher: Vermillion Editions Limited, Minneapolis

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Untitled #1, Steven Beyer; Publisher: Vermillion Editions Limited, Minneapolis — Untitled #1, 1978
Steven Beyer; Publisher: Vermillion Editions Limited, Minneapolis

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Invitation, Christine Benson; Publisher: Vermillion Editions Limited, Minneapolis — Invitation, 1978
Christine Benson; Publisher: Vermillion Editions Limited, Minneapolis

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Lorna Doone, Red Grooms; Publisher: Brooke Alexander, New York; Publisher: Marlborough Graphics, New York — Lorna Doone, 1980
Red Grooms; Publisher: Brooke Alexander, New York; Publisher: Marlborough Graphics, New York

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Artist's multiple — Peking Delight, 1979
Red Grooms; Publisher: Co-published by Brooke Alexander, New York; Publisher: Co-published by Marlborough Graphics, New York; Printer: Printed and fabricated at Vermillion Editions Limited, Minneapolis

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The Tattoo Artist, Red Grooms; Publisher: Brooke Alexander, New York — The Tattoo Artist, 1981
Red Grooms; Publisher: Brooke Alexander, New York

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Mid-Rats, Red Grooms; Publisher: Vermillion Editions Limited, Minneapolis — Mid-Rats, 1981
Red Grooms; Publisher: Vermillion Editions Limited, Minneapolis

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From a suite of four etchings, each depicting a metaphorical clockface design. — First Stencil (Richardson & White), 1978
Philip Larson

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From a suite of four etchings, each depicting a metaphorical clockface design. — Second Stencil (Sullivan & Wright), 1978
Philip Larson

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Third Grate (Uxmal), Philip Larson — Third Grate (Uxmal), 1978
Philip Larson

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Fourth Grate (Giza), Philip Larson — Fourth Grate (Giza), 1978
Philip Larson

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Alphabet Avalanche, James Rosenquist — Alphabet Avalanche, 1979
James Rosenquist

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Alphabet Avalanche, James Rosenquist — Alphabet Avalanche, 1979
James Rosenquist

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Clearly the Unseen Order, Thomas Rose — Clearly the Unseen Order, 1980
Thomas Rose

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From a suite of three prints. — Inside Outside (A Difference in Ages), 1980
Steven Sorman

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stone in black — Games the French Play, 1979
Steven Sorman

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Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Come In), 1980
Steven Sorman

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Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

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Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

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Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

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Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

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Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

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Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

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Trick to Being Recognized, Steven Sorman — Trick to Being Recognized, 1980
Steven Sorman

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Diamond, Andrew Leicester — Diamond, 1978
Andrew Leicester

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Houses by the Tracks, Mike Lynch; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Northwestern National Bank, Minneapolis — Houses by the Tracks, 1978
Mike Lynch; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Northwestern National Bank, Minneapolis

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Prairie House, Mike Lynch; Publisher: Vermillion Editions Limited, Minneapolis — Prairie House, 1979
Mike Lynch; Publisher: Vermillion Editions Limited, Minneapolis

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City of Lakes, Luciano Lattanzi — City of Lakes, 1978
Luciano Lattanzi

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Dark Horse-New Wave, Carol Lucas — Dark Horse-New Wave, 1978
Carol Lucas

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Untitled, Keith Leaman — Untitled, 1981
Keith Leaman

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From a suite of four prints representing the four elements of ancient Greek philosophy. — Fire, 1978
Virginia Randolph-Bueide

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The Explanation of This, Steven Sorman — The Explanation of This, 1979
Steven Sorman

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Washy composition of large and small, non-descript shapes and overlapping white lines — Explanation of this, 1978
Steven Sorman

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Washy composition of large and small, non-descript shapes and overlapping white lines — Explanation of this, 1978
Steven Sorman

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Which (Necessity), Steven Sorman — Which (Necessity), 1979
Steven Sorman

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From a suite of four etchings, each depicting a metaphorical clockface design. — Fourth Stencil (Purcell & Elmslie), 1978
Philip Larson

Not on View

From a suite of four etchings, each depicting a metaphorical clockface design. — Third Stencil (Greene & Greene), 1978
Philip Larson

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Self-Portrait, Jerry Ott — Self-Portrait, 1978
Jerry Ott

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Christian Radich, Ted Palm — Christian Radich, 1981
Ted Palm

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Spaces between words/a deaf man sees, Steven Sorman — Spaces between words/a deaf man sees, 1978
Steven Sorman

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Spaces between words/a deaf man sees, Steven Sorman — Spaces between words/a deaf man sees, 1978
Steven Sorman

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Large triangle filled in with heavy black brushstrokes; lightly drawn triangle behind it, on R — Spaces between words/a deaf man sees, 1978
Steven Sorman

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Span, Steven Sorman — Span, 1978
Steven Sorman

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From a suite of three prints — When Something Is a Picture, 1980
Steven Sorman

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Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Tell Me), 1980
Steven Sorman

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Which (A Partial Memory), Steven Sorman — Which (A Partial Memory), 1981
Steven Sorman

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Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover. — What This Is (Eat), 1980
Steven Sorman

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multiple in the form of a shopping bag — Untitled (Bag Lady), 1980
Richard Guindon; Publisher: Vermillion Editions Limited, Minneapolis

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Untitled, Richard Guindon; Publisher: Vermillion Editions Limited, Minneapolis — Untitled, 1977
Richard Guindon; Publisher: Vermillion Editions Limited, Minneapolis

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Second Grate (Ravenna), Philip Larson — Second Grate (Ravenna), 1978
Philip Larson

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First Grate (Knossos), Philip Larson — First Grate (Knossos), 1978
Philip Larson

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Untitled VI, Adja Yunkers — Untitled VI, 1980
Adja Yunkers

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Untitled V, Adja Yunkers — Untitled V, 1980
Adja Yunkers

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Ray's First Etching, Ray Herdigen; Publisher: Vermillion Editions Limited, Minneapolis — Ray's First Etching, 1978
Ray Herdigen; Publisher: Vermillion Editions Limited, Minneapolis

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Untitled, N. Scott Momaday; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis — Untitled, 1979
N. Scott Momaday; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

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Naulhauka Flats (Minneapolis), Bernard McNally — Naulhauka Flats (Minneapolis), 1977
Bernard McNally

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Loring Gables, Bernard McNally — Loring Gables, 1978
Bernard McNally

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Bahai Temple, Bernard McNally — Bahai Temple, 1977
Bernard McNally

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Clearly the Unseen Order, Thomas Rose — Clearly the Unseen Order, 1980
Thomas Rose

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Objects Indicating a Certain Direction, Thomas Rose — Objects Indicating a Certain Direction, 1978
Thomas Rose

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