showing 100 of 381 results matching creditline:"Vermillion Archival Collection, Gift of funds from The Northern Star Foundation and The Hersey Foundation". (load 200 more)

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%C2%A9 Estate Adja Yunkers

Untitled III, 1978

Adja Yunkers

Not on View

%C2%A9 Estate Adja Yunkers

Icon I, 1978

Adja Yunkers

Not on View
Frame for the interior image; a stone window seen from the outside, surrounded by disquieting imagery--a barrel full of human bones LR, a body visible from behind some shrubs in the foreground, a roof covered in vines and ravens

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Drawing for the house for 'The Pancake Eater', 1980

Red Grooms

Not on View
Geometric abstraction featuring a rectangular object with a thick black border and light grey center; its base is propped up by small, thin legs on either side

%C2%A9 Steven Beyer

Untitled, 1978

Steven Beyer

Not on View

%C2%A9 1978 Steven Sorman

Lewis and Clark, 1978

Steven Sorman

Not on View

%C2%A9 Estate Adja Yunkers

Falling Birds, 1978

Adja Yunkers

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Truck II, 1979

Red Grooms; Publisher: Brooke Alexander Editions, New York; Publisher: Marlborough Graphics, New York

Not on View

%C2%A9 1980 Steven Sorman

Rax (Fault), 1980

Steven Sorman

Not on View

%C2%A9 1977 Steven Sorman

Drawing for first state zinc plate for 'The First Building Project According to What Plan', 1977

Steven Sorman

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Drawing for the shade for 'The Pancake Eater', 1980

Red Grooms

Not on View
Scene with four nude people and a dog; a female nude (center) has her leg raised with her foot in the mouth of a person crouched below her, LL; a dog and third person behind her on R; a person hangs upside down on L as the female taunts him/her with a whip

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Sketches for the shade for The Pancake Eater, 1980

Red Grooms

Not on View
Dog on hind legs, L, leaning against a woman in the act of fellatio, LR; two additional figures, LL and C; caged-bird, UC

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Sketches for the shade for 'The Pancake Eater', 1980

Red Grooms

Not on View
Pair of knee-high, lace-up boots on L; hanging whip on R; curtain skirt around borders; other nondescript images in light blue graphite throughout

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Drawing for curtain for 'The Pancake Eater', 1980

Red Grooms

Not on View
Repetitious, gestural brushstrokes against a plain white background

%C2%A9 Steven M. Andersen

Sketch for shade texture for 'The Pancake Eater', 1980

Steven M. Andersen

Not on View
Female nude (center) with her leg raised, holding a whip; man crouched at her feet on R; dog on a chair behind her, L; empty bird cage, UR; hanging, hand-cuffed figure UR

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Sketches for the shade for 'The Pancake Eater', 1980

Red Grooms

Not on View
Decorative composition featuring seven semi-circles in a vertical row; all the same shape, with their own design and colors

%C2%A9 Stuart Nielsen

Quartet, 1979

Stuart Nielsen

Not on View
diptych (a-left image; b- right image)

%C2%A9 1977 Steven Sorman

First Building Project According to What Plan, 1977

Steven Sorman

Not on View

%C2%A9 Thomas Rose

Untitled, 1978

Thomas Rose

Not on View
Triptych

%C2%A9 Scott Sandell

Offshore I, 1978

Scott Sandell

Not on View

%C2%A9 Thomas Rose

So Simple It's Often Overlooked, 1978

Thomas Rose

Not on View

%C2%A9 Thomas Rose

Cuttlefish Bones, 1978

Thomas Rose

Not on View
Triptych

%C2%A9 Scott Sandell

Offshore II, 1978

Scott Sandell

Not on View
Designed by the artists as a free-hanging printed multiple.

%C2%A9 Stuart Nielsen

Untitled, 1979-1980

Stuart Nielsen

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Truck, 1979

Red Grooms; Project Manager: Brooke Alexander Editions, New York; Publisher: Marlborough Graphics, New York

Not on View

%C2%A9 1981 Steven Sorman

Which (A Partial Memory), 1981

Steven Sorman

Not on View

%C2%A9 Bernard McNally

Bahai Temple, 1977

Bernard McNally

Not on View
Diptych, right image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
Predominantly black abstraction with red markings; a house or building with a pitched roof at center

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Eat), 1980

Steven Sorman

Not on View

%C2%A9 Scott Sandell

Untitled, 1978

Scott Sandell

Not on View
Diptych, right image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
From a suite of four prints representing the four elements of ancient Greek philosophy.

%C2%A9 Virginia Randolph-Bueide

Air, 1978

Virginia Randolph-Bueide

Not on View
Large square grid with juxtaposing red rectangle in LL and LRQs, and square table in its center; gold horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin

%C2%A9 1979 Steven Sorman

The Singing Bridge, 1979

Steven Sorman

Not on View
Diptych / From a suite of three prints.

%C2%A9 1980 Steven Sorman

Going Out and Coming Back in Again (The Argument), 1980

Steven Sorman

Not on View
Washy composition of large and small, non-descript shapes and overlapping white lines

%C2%A9 1978 Steven Sorman

Explanation of this, 1978

Steven Sorman

Not on View
Diptych, right image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
From a suite of four prints representing the four elements of ancient Greek philosophy.

%C2%A9 Virginia Randolph-Bueide

Water, 1978

Virginia Randolph-Bueide

Not on View

%C2%A9 Bernard McNally

Naulhauka Flats (Minneapolis), 1977

Bernard McNally

Not on View
Diptych, right image

%C2%A9 1978 Steven Sorman

The First Building Project According to What Plan, 1978

Steven Sorman

Not on View

%C2%A9 1978 Steven Sorman

Letter to Matisse, 1978

Steven Sorman

Not on View
From a suite of three prints.

%C2%A9 1980 Steven Sorman

Inside Outside (A Difference in Ages), 1980

Steven Sorman

Not on View
From a suite of five prints

%C2%A9 Estate Adja Yunkers

Untitled II, 1978

Adja Yunkers

Not on View

%C2%A9 Estate Adja Yunkers

Untitled I, 1978

Adja Yunkers

Not on View
Wide square grid in UL and URQs; large rectangular table with four legs below it (center); three connecting blue stripes below table, in LL and LRQs

%C2%A9 1979 Steven Sorman

The Singing Bridge, 1979

Steven Sorman

Not on View

%C2%A9 Estate Adja Yunkers

Les Pendus II, 1980

Adja Yunkers

Not on View

%C2%A9 1978 Steven Sorman

Spaces between words/a deaf man sees, 1978

Steven Sorman

Not on View
Large square grid with juxtaposing green rectangle in LL and LRQs, and square black table in its center; red horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin

%C2%A9 1980 Steven Sorman

The Singing Bridge, 1980

Steven Sorman

Not on View
Large triangle filled in with heavy black brushstrokes; lightly drawn triangle behind it, on R

%C2%A9 1978 Steven Sorman

Spaces between words/a deaf man sees, 1978

Steven Sorman

Not on View

%C2%A9 N. Scott Momaday

Untitled, 1979

N. Scott Momaday; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Scott Sandell

Impulse, 1979

Scott Sandell

Not on View

%C2%A9 Bernard McNally

Loring Gables, 1978

Bernard McNally

Not on View

%C2%A9 Keith Leaman

Untitled, 1981

Keith Leaman

Not on View

%C2%A9 Estate Adja Yunkers

Soprattutto, 1978

Adja Yunkers

Not on View
Predominantly blue abstraction with red markings; a house or building with a pitched roof at center

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Tell Me), 1980

Steven Sorman

Not on View
From a suite of five prints

%C2%A9 Estate Adja Yunkers

Icon II, 1980

Adja Yunkers

Not on View

%C2%A9 1980 Steven Sorman

Trick to Being Recognized, 1980

Steven Sorman

Not on View

%C2%A9 Scott Sandell

Untitled, 1978

Scott Sandell

Not on View

%C2%A9 Thomas Rose

Clearly the Unseen Order, 1980

Thomas Rose

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Come In), 1980

Steven Sorman

Not on View
Washy composition of large and small, non-descript shapes and overlapping white lines

%C2%A9 1978 Steven Sorman

Explanation of this, 1978

Steven Sorman

Not on View

%C2%A9 Thomas Rose

Objects Indicating a Certain Direction, 1978

Thomas Rose

Not on View

%C2%A9 Mike Lynch

Houses by the Tracks, 1978

Mike Lynch; Printer: Vermillion Editions Limited, Minneapolis; Publisher: Northwestern National Bank, Minneapolis

Not on View

%C2%A9 Al Dornisch

Mallards, 1978

Al Dornisch

Not on View

%C2%A9 Gary L. Johnson and Timothy P. Greer

The Neo-Cookie-Cutter Style, 1982

Gary L. Johnson; Artist: Timothy P. Greer

Not on View

%C2%A9 Philip Larson

Third Grate (Uxmal), 1978

Philip Larson

Not on View

%C2%A91980 Marian-Ortolf Bagley

Iris, 1980

Marion-Ortolf Bagley; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Mike Lynch

Prairie House, 1979

Mike Lynch; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1980 Steven Sorman

Trick to Being Recognized, 1980

Steven Sorman

Not on View

%C2%A9 1980 Steven Sorman

The Trick to Being Recognized, 1980

Steven Sorman

Not on View

%C2%A9 1978 Steven Sorman

Span, 1978

Steven Sorman

Not on View
stone in black

%C2%A9 1979 Steven Sorman

Games the French Play, 1979

Steven Sorman

Not on View

%C2%A9 Ted Palm

Christian Radich, 1981

Ted Palm

Not on View
Diptych, left image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View

%C2%A9 1979 Steven Sorman

Which (Necessity), 1979

Steven Sorman

Not on View

%C2%A9 Luciano Lattanzi

City of Lakes, 1978

Luciano Lattanzi

Not on View
From a suite of four prints representing the four elements of ancient Greek philosophy.

%C2%A9 Virginia Randolph-Bueide

Earth, 1978

Virginia Randolph-Bueide

Not on View

%C2%A9 1980 Steven Sorman

Trick to Being Recognized, 1980

Steven Sorman

Not on View
sky with clouds

%C2%A9 Estate of Jon Schueler

Late Sunday Afternoon, 1981

Jon Schueler; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 1979 Steven Sorman

The Explanation of This, 1979

Steven Sorman

Not on View
From a suite of four prints representing the four elements of ancient Greek philosophy.

%C2%A9 Virginia Randolph-Bueide

Fire, 1978

Virginia Randolph-Bueide

Not on View

%C2%A9 Stuart Nielsen

Quartet, 1979-1980

Stuart Nielsen

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Sit Down), 1980

Steven Sorman

Not on View
Predominantly blue abstraction with red markings; a small gold arrow on bottom center margin

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View

%C2%A9 Carol Lucas

Dark Horse-New Wave, 1978

Carol Lucas

Not on View
Suite of five color etchings with aquatint on ivory Bodleian laid paper; housed in a handmade paper portfolio with ink-stamped title on cover.

%C2%A9 1980 Steven Sorman

What This Is (Rest), 1980

Steven Sorman

Not on View

%C2%A9 Thomas Rose

Untitled, 1979

Thomas Rose

Not on View

%C2%A9 James Rosenquist %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Alphabet Avalanche, 1979

James Rosenquist

Not on View

%C2%A9 1978 Steven Sorman

Spaces between words/a deaf man sees, 1978

Steven Sorman

Not on View

%C2%A9 Estate Adja Yunkers

Untitled V, 1980

Adja Yunkers

Not on View

%C2%A9 1978 Steven Sorman

Lewis and Clark, 1978

Steven Sorman

Not on View
Diptych, left image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View
Large square grid partially covered by red rectangle in LL and LRQs; silver horizontal and vertical stripes along upper margin; blue horizontal and vertical stripes along bottom margin; annotations throughout

%C2%A9 1979 Steven Sorman

The Singing Bridge, 1979

Steven Sorman

Not on View
From a suite of three prints

%C2%A9 1980 Steven Sorman

When Something Is a Picture, 1980

Steven Sorman

Not on View

%C2%A9 Paul Rotterdam

Minnesota I, 1980-1981

Paul Rotterdam

Not on View

%C2%A9 Scott Sandell

Reflex, 1979

Scott Sandell

Not on View

%C2%A9 Thomas Rose

Clearly the Unseen Order, 1980

Thomas Rose

Not on View
Diptych, right image

%C2%A9 1977 Steven Sorman

The First Building Project According to What Plan, 1977

Steven Sorman

Not on View

%C2%A9 1980 Steven Sorman

Trick to Being Recognized, 1980

Steven Sorman

Not on View

%C2%A9 Estate Adja Yunkers

Untitled IV, 1980

Adja Yunkers

Not on View

showing 100 of 381 results matching creditline:"Vermillion Archival Collection, Gift of funds from The Northern Star Foundation and The Hersey Foundation". (load 200 more)

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