showing 100 of 2203 results matching `creditline:"The William Hood Dunwoody Fund"`. (load 200 more)

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt Harmensz. van Rijn

G311

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Portrait. George Washington in red drapery, black costume with white frills. — Portrait of George Washington, c. 1820
Thomas Sully

G332

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

Not on View

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G306

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570-75
El Greco (Domenikos Theotokopoulos)

G341

Coffin of Lady Tashat, Ancient Egyptian — Coffin of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove. — Portrait of Sarah Allen, née Sargent, c. 1763
John Singleton Copley

G322

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

modified telephone; lobster receiver — Aphrodisiac Telephone, 1938
Salvador Dali

G376

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province. — Standing Bodhisattva, 571
China

G200

Portrait of a young boy, three quarters view, with a dog — Portrait of James Ward, 1779
Gilbert Stuart

G322

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

Religion: NT. — Destruction of the Beast and the False Prophet, 1804
Benjamin West

G321

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary. — The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34
Peter Paul Rubens

G313

ear studs, pair, of hammered and engraved gold; the concave disks with beaded edges are decorated with an applied motif bearing four figures; above, a demi-god with elaborate aureloe headdress riding on a bar borne by three other figures; in one hand he holds a beaker-cup; in the other a bag adorned with loose bangles; two of the lower figures wear modified aureole headdresses and carry beakers; all are half-human, half-beast; the bar on which the demi-god rides is finished at the ends with demon heads; loose bangles are variously applied in the design; the tubes of the ear studs are decorated with engraved bands of cats and birds, and soldered to the backs of discs — Ear Spool, c. 1150-1450
Chimu

G260

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

The Algerian, Charles-Henri-Joseph Cordier — The Algerian, c. 1850-1857
Charles-Henri-Joseph Cordier

G357

Portrait. Three-quarter figure facing spectator, right hand on back of chair; left on hip. Hair worn in pompadour style of early twentieth century. Greyish-blue taffeta dress trimmed with ruching of cocoa brown silk. — Portrait of Elizabeth L. Burton, 1905-1906
Thomas Eakins

G322

Buddha, bronze figure of, Marching. The figure, in marching position, is stiffle erect, the left foot forward; the left arm is bent at the elbow, the hand raised, palm outward; the right arm, braceleted at the elbow, is down. The ears are weighted, without earrings, and the hair, composed of small, spiky curls, is surmounted by a flame. Some of his features, which display the supernatural anatomy of Buddha, include projecting heels, long fingers, smooth skin the color of gold and elongated arms. The figure wears a straight, girdled robe,leaving the right shoulder bare. Traces of gilding remain on back of robe, under left arm, on hair and in ears. — Walking Shakyamuni Buddha, 15th century
Thailand

G213

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D. — Sarcophagus of Prince Yuan Mi, 524
China

G208

Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

Game in a White Room, Robert Collins — Game in a White Room, c. 1954
Robert Collins

Not on View

Landscape — Still Life with Bananas and Calla Lilies, 1932
Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details — Armchair from a pair of armchairs, 1835
Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G333

Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8' — Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780
Jean-Jacques Caffieri

G317

seated figure of Mary with long, thick brown hair, wearing rich robes of gold, blue and red, holding nude baby Jesus on her lap, breastfeeding; Jesus' brown hair is styled in ringlets close to his head — Virgin of the Milk (Virgen de la leche), c. 1500
Circle of Gil de Siloe

G340

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

The Village, Albert Gleizes — The Village, 1913
Albert Gleizes

G367

Holy Family, Luis Tristán — Holy Family, 1613
Luis Tristán

G341

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

Religion: OT. Moses at a well meets the seven daughters of Jethro — Moses Defending the Daughters of Jethro, 17th century
Sébastien Bourdon

G313

Dutch landscape. Golden Age of Holland. A wide river with various river craft, which stretches across the width of the canvas and flows to meet the horizon. In the far right distance, a village can be seen through a gentle mist, while on the wooded bank to the left, a cart filled with singing and shouting peasants stands before a row of cottages. As they wave to the boatload of passengers approaching the shore, a ferryboat loaded with cattle pushes off. Further upstream, a boat in full sail carries its passengers toward the distant hamlet with its church steeple. — River Landscape with a Ferry, 1656
Salomon van Ruysdael

G311

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund — Wooded Landscape with Watermill, c. 1665
Meindert Hobbema

G310

Dutch Golden Age. Landscape with figures. Genre. In the foreground, a group of men playing ancient Dutch game of 'kolven' (golf). Middle distance, tower surrounded by a wall. In the distance, cottages and mountains. Rocky landscape to immediate left. — Landscape with Men Playing 'Mail à la Chicane', 1624
Paul Bril

G312

Nabi. Tahiti. Landscape with two females and a dog. — I Raro Te Oviri (Under the Pandanus), 1891
Paul Gauguin

G355

One of a pair of marriage portraits (see 57.10) — Portrait of Moritz Buchner, c. 1520
Lucas Cranach the Elder

G342

Stirrup-handle jar in the form of an owl with a fat body. The face, plastically rendered, is painted buff color; the rest of the body is red and burnished. — Vessel, c. 200 BCE - 600 CE
Moche

G260

Portrait. — Portrait of an Ecclesiastic, late 1550s
Giovanni Battista Moroni

G340

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G351

Portrait of philosopher, scholar - head — Head of a Philosopher, 1750s–60s
Domenico Tiepolo

G307

The Gamblers, Hendrick ter Brugghen — The Gamblers, 1623
Hendrick ter Brugghen

G312

frame Spanish or Italian, c.1600 — Erminia and the Shepherds, 1648–49
Guercino (Giovanni Francesco Barbieri)

G330

Religion: New Testament. Jesus Christ. Reverse is cradled. — The Temptation of Christ, c. 1516-25
Titian (Tiziano Vecelli)

G330

X-ray of Lady Tashat is at column in Paintings racks in MS — Cartonnage of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door — Door, mid 19th century
Swahili

G242

Feather Currency (tevau), Solomon Islands — Feather Currency (tevau), 19th century
Solomon Islands

G256

Chief's chair, Asante — Chief's chair, 19th century
Asante

G250

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base. — Divination tray, mid 20th century
Yoruba

G254

life-size carved statue of a bearded votary; In the archaic Cypriote style. The features show the mixed oriental style transformed by Hellenic influence; His head bears a wreath of leaves and berries permitting rows of small curls to frame his forehead. The beard is rendered in four stiff rows of curls. The skin tight tunic has no pleats, and the cloak which falls from the left shoulder is thrown over the left arm. Beard slightly defective. strong frontality and Greek 'archaic' smile — Votary Figure, c. 470 BCE
Ancient Greek

G241

Pitcher; with straight handle; white glaze with floral design in dark blue turquoise blue and tomato red with watery black outlines; tulip, open rose and wild hyacinth; so called Rhodian ware. — Pitcher, 16th century
Turkey

G243

old map of Minnesota over painted with images of soldiers, hands holding weapons and other various objects along right edge and a column on Native Americans at LLC; all figures facing left — They Say Minnesota Nice (Minnesota Nice Oyakepelo), 1995
Wanbli Koyake

G259

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures. — Tomb Guardian Figures, early 6th century
China

G208

The Carpet Merchant, Jean-Léon Gérôme — The Carpet Merchant, c. 1887
Jean-Léon Gérôme

G243

Landscape depicting the ruins of the Temple of Vespasian. — Roman Landscape with Cattle and Shepherds, 1676
Johann Heinrich Roos

G309

A Hermit Praying, 1670

Gerrit Dou

G309

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman — Wedding chest (cassone), 1475–85
Unknown Artist, Italian (Lucca)

G343

Bowing left with paw resting on ball — Lion, c. 1849-1858
Lyman Fenton & Co.

G331

Rim with a 'gros bleu marbrè' ground and bands of gilt neo-classical inspiration. Center painted with two branches of a yellow flower with lush, thick foliage, the cavetto with a gilt band of laurel leaves. — Botanical Plate, 1832
Sèvres Porcelain Factory

G333

Charles II repoussé tazza; fully marked on rim and with lion passant underfoot; shallow circular dish with wide flat rim embossed in bold relief with a wolf, a boar, a turkey, and a falcon amid undulating stems of leafage and large blossoms with punchwork tendrils; on low, hollow flaring foot with flat rim — Footed salver, 1662-1663
RF

G350

Teapot with lid — Teapot, c. 1780
Wedgwood

G333

'Bible' bottle, rich brown mottling — Flask, c. 1849-1858
Attributed to Lyman Fenton & Co.

G331

Table, Josef Hoffmann; Manufacturer: Wiener Werkstätte (Vienna Workshops) — Table, 1904
Josef Hoffmann; Manufacturer: Wiener Werkstätte (Vienna Workshops)

G378

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection). — Anatomical Man (Ecorché), c. 1600
Italy

G310

edition 10 of 11, series II; recreation of the original (lost) object of 1921; old style iron with single row of 14 tacks afixed to bottom center, painted in black Iron — Gift, 1921 (replicated in a 1970 edition of 11)
Man Ray (Emmanuel Rudnitsky); Publisher: Emmanuel Galleria II Fauno, Turin

G376

Evening Concert, Floyd E. Brewer — Evening Concert, 20th century
Floyd E. Brewer

G302

Abstract Expressionist. — Flaring, 1958
Cameron Booth

G303

William Edward (Bud) Fields, Hale County, Alabama, Walker Evans — William Edward (Bud) Fields, Hale County, Alabama, 1936
Walker Evans

Not on View

Roadside Restaurant, Alabama, Walker Evans — Roadside Restaurant, Alabama, 1936
Walker Evans

Not on View

Virgin and child with child standing on her lap; she wears blue cloak with hood and hold red carnation; four haloed musicians in background — Miniature from a Book of Hours with Virgin and Christ Child, c. 1490-1500
Attributed to Jean Poyer and his workshop

Not on View

tapestry; warp undyed wool, 7½-8 ends per cm., weft dyed wool and silk, 24-28 ends per cm.; woven at the Royal Beauvais Manufactory; from the series Grotesques; lining is sewn to the tapestry — The Camel, designed 1686–1688 (woven 1688–1695)
Jean-Baptiste Monnoyer and collaborators; Cartoonist: Jean-Baptiste Monnoyer; Weaver: Royal Beauvais Manufactory under Philippe Behagle; Sponsor: Phillipe Behagle

Not on View

sound film installation without dialogue; instrumental music with some vocals; views of landscapes and the exteriors of motels; scenes of various animals inside motel rooms--horse, birds, raccoon, deer, bison, fox, rabbits, beaver, mountain lion; total running time: 24 minutes, 28 seconds Certificate of Authenticity in presentation box (copy in object file) Installation and technical requirements: see Notes — migration (empire) - linear version, 2008
Doug Aitken

Not on View

mostly abstract in bright colors with several fish-like elements against pink in URQ — Policeman on W.C., 1964
Peter Saul

Not on View

video with animated black and white images on the turning pages of a book; imagery includes man walking and birds; music with vocals; blue presentation box in the form of a book with text from a dictionary at interior; removable cardboard tray with Blu ray DVD and USB flash drive; gold USB drive tied to tan ribbon attached to left side of cardboard tray; WD TVLive streaming media player, power cord, remote and three brochures (technical and warranty guide, connection instructions and promotional brochure) — Second-hand Reading, 2013
William Kentridge; Editor: Snezana Marovic; Composer: Music by Neo Muyanga

Not on View

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D. — Epitaph cover of Prince Yuan Mi, 524
China

G208

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D. — Epitaph cover of Prince Yuan Mi, 524
China

G208

New York, Helen Levitt — New York, c. 1945
Helen Levitt

Not on View

Street Scene, New Orleans, Louisiana, Walker Evans — Street Scene, New Orleans, Louisiana, 1935
Walker Evans

Not on View

Palumbo Public Ice-Fuel Corporation Truck, New York, Walker Evans — Palumbo Public Ice-Fuel Corporation Truck, New York, c. 1934
Walker Evans

Not on View

Number on object is difficult to read; soft paste porcelain with floral decor in underglaze blue — Dish, late 18th century
Netherlands

G310

Stove, pottery, two holes; reddish-brick earthenware, lead glaze; one fitted with kettle, the other with a bowl; coated with a green mottled glaze, turned to silver iridescence through burial. Repaired. Stoves with accessories are extremely rare. — Model of a stove, 1st-2nd century
China

G215

Incense burner, tripod, geometrical design. Grey earthenware, impressed with markings which indicate that the wet clay has been wrapped in matting. Pieces of this Neolithic mat-marked pottery were found in Honan; made without wheel. The clay clinging to it makes it look tan in color. — Li tripod, 13th-12th century BCE
China

G204

Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process. — Seated preaching Buddha, 7th-9th century
Mon-Dvaravati

G213

Basket pattern border with insects, fruit and flowers — Plate, c. 1750
Austria

G324

Murano clear white glass; flattened spherical body, conical neck decorated with band of quilled clear white glass — Vase, probably 17th century
Italy

G332

Holiday Traditions, Northumberland Room — Tilt-top table, 18th century
England

G327

Madonna and Child, polychromed limestone, French XIVc. — Virgin and Child, 14th century
France

G340

Decanter with stopper, molded white flint glass; Contact mold, Venetian diamond and radiating disk in square pattern with ribbings. — Decanter with Stopper, late 18th century
United States

G333

Decanter with stopper, molded white flint glass, American, XVIIIc cat. card dims H 10-1/8' Venetian Diamond pattern with ribbings — Decanter with Stopper, c. 1800
United States

G333

Murano blown amber color glass, globular body, segmental gadroonings, tall cylindrical neck with quilled band. — Flask, probably 17th century
Italy

G332

Card table; by Chippendale?, folding top with semi-circular and broken corners for placing candslesticks (?); cabriole legs terminating in claw and ball feet; knees carved with acanthus leaf designs and foliated cartouches; front of drawer with fine foliate scrollings.MIddle XVIII c. Mahogany. — Card table, mid 18th century
England

G326

Cup and Saucer with floral decoration in carmine. — Cup and saucer, 18th century
Germany

G324

Teacup, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc cat. card dims 2-3/8 x 3-1/4' Saucer, No Dims on card catalogue — Cup and saucer, 18th century
Germany

G324

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