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wearing the Atef crown, in seated posture

God Horus (Harpocrates), 644-30 BCE

Ancient Egyptian

G250

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base.

Divination tray, mid 20th century

Yoruba

G254

two female figures facing each other and embracing; string of red beads around feet of one figure and around neck of the other

Headrest, c. 1880

Luba

G255

Table, 1904

Josef Hoffmann; Manufacturer: Wiener WerkstÀtte (Vienna Workshops)

G378

Bowing left with paw resting on ball

Lion, c. 1849-1858

Lyman Fenton & Co.

G331

Feather Currency (tevau), 19th century

Solomon Islands

G256

Beaded Apron (Jocolo), 20th century

South Africa

G236

Tabwa Mask, colored glass beads, feathers, cloth raffia and skin, Zambia late XIX-early XXc.

Mask, second quarter of 20th century

Tabwa

G236

Basket pattern border with insects, fruit and flowers

Plate, c. 1750

Austria

G324

'Bible' bottle, rich brown mottling

Flask, c. 1849-1858

Attributed to Lyman Fenton & Co.

G331

Portrait. Peter Auriol Drummond, colonel in the Yorkshire militia is holding the hand of his bride, Mary Bridget Milnes, wearing the flowing robes and high powdered headdress popular in the 18th century. George William Drummond the sixth son of Robert Hay Drummond is seated at the left, and they are all looking at a portrait of their father Robert Hay Drummond, Archbishop of York, painted by Sir Joshua Reynolds in 1764.

Portrait of the Drummond Family, Peter Auriol Drummond (1754-1799), Mary Bridget Milnes Drummond (1755-1835), and George William Drummond (1761-1807), c. 1776

Benjamin West

G306

Religion: New Testament. Jesus Christ. Reverse is cradled.

The Temptation of Christ, c. 1516-25

Titian (Tiziano Vecelli)

G330

Holy Family, 1613

Luis TristĂĄn

G341

The Algerian, c. 1850-1857

Charles-Henri-Joseph Cordier

G357

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS

Les Trois GrĂąces (The Three Graces), c. 1872

Jean-Baptiste Carpeaux

G321

Old base (b) R5A2.1 MS

Psyche Abandoned, c. 1800

Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

Card table; by Chippendale?, folding top with semi-circular and broken corners for placing candslesticks (?); cabriole legs terminating in claw and ball feet; knees carved with acanthus leaf designs and foliated cartouches; front of drawer with fine foliate scrollings.MIddle XVIII c. Mahogany.

Card table, mid 18th century

England

G326

The Muses of Music and Poetry, 18th century

Guillaume Coustou the Younger

G103

Murano clear white glass; flattened spherical body, conical neck decorated with band of quilled clear white glass

Vase, probably 17th century

Italy

G332

Gentleman's Coat, cloth of gold brocaded with velvet; on the gold background a pattern of velvet leaves in green, and flowers in rose, blue, mauve, and white; facing of cotton print; lining of cotton print, red with yellow crescents and stars. Brought from Moscow by Wannamaker's buyer in 1917. silk, cotton, and gold.

Woman's Coat, 19th century

Russia

G243

Murano blown amber color glass, globular body, segmental gadroonings, tall cylindrical neck with quilled band.

Flask, probably 17th century

Italy

G332

Chest, oak, English (Jacobian), XVIIc cat. card dims 28-7/8 x 47-1/4 x 23'

Chest, early 18th century

England

G325

The Carpet Merchant, c. 1887

Jean-LĂ©on GĂ©rĂŽme

G243

Trouville environs. Beach (as place of recreation).

Vacationers on the Beach at Trouville, 1864

EugĂšne-Louis Boudin

G351

Holiday Traditions, Northumberland Room

Tilt-top table, 18th century

England

G327

Madonna and Child, polychromed limestone, French XIVc.

Virgin and Child, 14th century

France

G340

Bottle or tea caddy, ceramic-porcelain, German, XVIIIc cat. card dims 4-1/4 x 2-3/4 x 1-3/8'

Tea caddy, 18th century

Germany

G324

one of a pair of andirons of a type found chiefly in Holland in the 17th and 18th centuries

Andiron, one of a pair, 17th century

Netherlands

G326

Coffee Pot with cover, ceramic, ribbed with floral decoration in carmine and gold. Cover from smaller vessel of same design, German XVIIIc cat. dims 7-1/2 x 5-1/2'

Coffee pot, 18th century

Germany

G324

Jug for hot milk with cover (replica of coffee pot), German XVIIIc cat. card dims 6 x 7-1/2'

Jug, 18th century

Germany

G324

Cup and Saucer with floral decoration in carmine.

Cup and saucer, 18th century

Germany

G324

Tea Caddy, ceramic, rectangular gold band, floral swags in orange, German XVIIIc cat. card dims 4-3/4 x 2-1/2 x 1-1/2' ; Holiday Traditions, Northumberland Room

Tea caddy, Date Unknown

Germany

G324

Cup and Saucer, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc NO DIMS. ON CAT. CARDS

Cup and saucer, 18th century

Germany

G324

Providence parlour, c. 1760-1770

United States

G335

Teacup, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc cat. card dims 2-3/8 x 3-1/4' Saucer, No Dims on card catalogue

Cup and saucer, 18th century

Germany

G324

Coffee Pot with lid, ceramic with wood handle German XVIIIc cat. card dims 9-1/2 x 11'

Coffee pot, 18th century

Furstenburg

G324

cloth pouch with front flap decorated with beads; design of three stylized faces with interlocking geometric designs; braided leather tassels and handles; attached to square black mount

Bag, 20th century

Yoruba

G254

modified telephone; lobster receiver

%C2%A9 Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Aphrodisiac Telephone, 1938

Salvador Dali

G376

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door

Door, mid 19th century

Swahili

G242

edition 10 of 11, series II; recreation of the original (lost) object of 1921; old style iron with single row of 14 tacks afixed to bottom center, painted in black Iron

%C2%A9 Man Ray Trust %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Gift, 1921 (replicated in a 1970 edition of 11)

Man Ray (Emmanuel Rudnitsky); Publisher: Emmanuel Galleria II Fauno, Turin

G376

old map of Minnesota over painted with images of soldiers, hands holding weapons and other various objects along right edge and a column on Native Americans at LLC; all figures facing left

%C2%A9 Lakol 1995 %28Cultural Copyright%3B Lakol%3B of the Lakota Culture%29

They Say Minnesota Nice (Minnesota Nice Oyakepelo), 1995

Wanbli Koyake

G259

Abstract Expressionist.

Copyright of the artist%2C artist%27s estate%2C or assignees

Flaring, 1958

Cameron Booth

G303

Portrait.

Copyright of the artist%2C artist%27s estate%2C or assignees

Self Portrait, 1942

Elof Wedin

G303

fully marked, Britannia Standard, on outer edge near handle; fully marked on bezel of detachable rim; leopard's head erased on each hinged handle

Monteith, 1705-1706

John Leach

G209

Copyright of the artist%2C artist%27s estate%2C or assignees

Evening Concert, 20th century

Floyd E. Brewer

G302

Linear abstraction with triangles.

Copyright of the artist%2C artist%27s estate%2C or assignees

Cloud Chamber Dream, 20th century

John E. Anderson

G378

Bowl, shallow; of red earhtenware, glazed and decorated on upper side only; cream-colored ground. Center decoration large burnt umber bird, crudely outlined in brown; green beak ad tail feathers. Border consists of brown dots of uneven size, crudely applied. Low foot. From Amol. Strong resemblance to bowl in Sam Lewisohn Collection, N.Y.C., shown in Illustrated London News, Jan. 10,1931, P.63. Low foot, unglazed.

Bowl with bird motif, 10th century

Iran

G243

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures.

Mortuary Figure, 386-535

China

G208

Chief's chair, 19th century

Asante

G250

Frame Dutch, mid-XVII century, bolection profile in ebonized fruitwood with sight wave mouldings, ripple-and-reed panel and border mouldings, accessioned for use on Dou, 88.50.1.

A Hermit Praying, 1670

Gerrit Dou

G309

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details

Armchair from a pair of armchairs, 1835

Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

Portrait of a woman

Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793

Elisabeth Louise Vigée-Le Brun

G103

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary.

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34

Peter Paul Rubens

G313

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove.

Portrait of Sarah Allen, née Sargent, c. 1763

John Singleton Copley

G322

Religion: NT.

Destruction of the Beast and the False Prophet, 1804

Benjamin West

G321

fine sky blue glaze flushing into areas of purple. glazed stoneware

Plate, 12th-13th century

China

G204

Boshanlu censer, 1st-2nd century

China

G215

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D.

Epitaph cover of Prince Yuan Mi, 524

China

G208

Bowl, small, deep, of cream-colored earthenware, covered with white glaze. Inside three brown birds within medallions; white ground covered with brown dots. Outside white ground with diagonal brown lines and dots, broken by four large brown concentric circles. Broken and mended.

Bowl with bird motifs, 10th century

Iraq

G243

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman

Wedding chest (cassone), 1475–85

Unknown Artist, Italian (Lucca)

G343

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures.

Tomb Guardian Figures, early 6th century

China

G208

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province.

Standing Bodhisattva, 571

China

G200

Plate fine quality white glaze; conventional floral design with pink, tulip, iris, cypress tree, etc., in blue, green and tomato red that comprise the center of the dish; band of spiral and foliage design in blue on brim; from Aynard Collection; so-called Iznik ware. Ottoman dynasty.

Plate, 16th century

Turkey

G243

Bowl, Abbasid dynasty, early Islamic Samarra type, shallow, with rounded sides and flattened, outturned rim. Greyish pottery with opaque greyish white glaze painted in dark blue with a formal design consisting of an eight-petaled opaque flower within a diamond, which is within a square, the four corners of which are held out by an opaque three-pronged design with a long leaf. Low foot. Rey excavation. Broken and mended.

Bowl with diamond, floral, and vegetal design, 9th century

Iraq

G243

Ear studs, pair, of hammered and engraved gold. The concave disks iwth beaded edges are decorated with an applied motif bearing four figures. Above, a demi-god with elaborate aureole headdress riding on a bar borne by other three figures. In one hand he holds a beaker-cup; in the other a bag adorned with loose bangles. Two of the lower figures wear modified aureole headdresses and carry beakers. All are half human, half beast. The bar on which the demi-god rides is finished at the ends with demon heads. Loose bangles are variously applied in the design. The tubes of the ear studs are decorated with engraved bands of cats and birds, and soldered to the backs of discs.

Ear Spool, c. 1150-1450

Chimu

G260

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul.

Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757

Pompeo Girolamo Batoni

G307

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo.

Six Tuscan Poets, 1543–44

Giorgio Vasari

G341

Pointillism. Landscape. Fishing port.

Port-en-Bessin, 1888

Georges Seurat

G355

may represent the nature goddess or "Great Mother" of early man.; simple, schematic standing figure with crossed arms

Female Figure, c. 2500-2400 BCE

Cycladic

G241

frame Spanish or Italian, c.1600

Erminia and the Shepherds, 1648–49

Guercino (Giovanni Francesco Barbieri)

G330

Saint Ambrose Father of the Catholic Church

Saint Ambrose, 1623 or 1625

Claude Vignon

G330

One of a pair of marriage portraits (see 57.11)

Portrait of Anna Buchner, née Lindacker, c. 1520

Lucas Cranach the Elder

G342

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, c. 1894

James Tissot

G357

Portrait. Mythology. History. Oval.

Portrait of Mlle. Lange as Danae, 1799

Anne-Louis Girodet de Roussy-Trioson

G306

Cleopatra, c. 1725

François Lemoyne

G330

Portrait of John Langston, Esquire, of Sarsden, 1787

Thomas Gainsborough R.A.

G306

Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process.

Seated preaching Buddha, 7th-9th century

Mon-Dvaravati

G213

Free standing figure, modeled in the round, with a rich brown patination.

Faith, early 16th century

Attributed to NiccolĂČ Tribolo

G310

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Village, 1913

Albert Gleizes

G367

Still life. Neoclassicism.

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766

Jean-Baptiste-Siméon Chardin

G306

a pair with Saint Paul (66.37.2); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top. Likely they were panels in a larger polyptych; not necessarily a triptych as there is no indication of them being wings.

Saint Sirus, c. 1460

Vincenzo Foppa

G343

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection).

Anatomical Man (Ecorché), c. 1600

Italy

G310

Free standing figure, modeled in the round, with a rich brown patination.

Justice, early 16th century

Attributed to NiccolĂČ Tribolo

G310

Stove, pottery, two holes; reddish-brick earthenware, lead glaze; one fitted with kettle, the other with a bowl; coated with a green mottled glaze, turned to silver iridescence through burial. Repaired. Stoves with accessories are extremely rare.

Model of a stove, 1st-2nd century

China

G215

Portrait.

Portrait of an Ecclesiastic, late 1550s

Giovanni Battista Moroni

G310

Bowl, Abbasid dynasty, early Islamic Samarra type, with rounded sides and flattened, out-turned lip. Greyish pottery with opaque greyish white glaze, painted in light-dark blue with conventionalized design consisting of two highly stylized flowers(?)(double Pomgranates?) joined at the base, within a garland resembling laurel. Low foot. Broken and mended. Rey excavation.

Bowl with abstract (Anthropomorphic?) design, 9th-10th century

Iraq

G243

Portrait of a man, waist-length, seated.

Portrait of Commander Lewis Warrington, 1801-02

Rembrandt Peale

G322

One of a pair of paintings, see also 39.9

Castle on the Rhîne River, France, c. 1765–80

William Marlow

G314

Bowl, wide-mouthed wit slightly constricted neck, painted in polychrome. The decoration occupies two bands, set off from each other by a glyph* border about two-thirds of the way up the body. The lower band is divided into six panels, three of which contain seated personages elaborately dressed and carrying ceremonial objects in the left hand. These panels, painted brick red and black on a pale orange ground, alternate with fluted panels, painted brick red. The upper band is decorated with a line of seated personages wearing peaked turbans and separated one form the other by serpent and feathered motifs. The colors repeat those of the lower band. Inside the rim is a wide band of pale orange with a line of stylized heads with towering, paddle-shaped headdresses. Restored. * Glyphs are pseudo-glyphs

Bowl, c. 800-1200 CE

Maya

G260

Interior of bowl needs cleaning; bottom & sides sticky

Bowl, c. 1730

Hungary

G319

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund

Wooded Landscape with Watermill, c. 1665

Meindert Hobbema

G310

a.k.a. The Roman Matron

Roman Matron, 60–70

Roman

G241

Holiday Traditions, Chas. Drawing Room, 'Wilkes Bowl', decorated in colors and gold a pair of medallions on each side, each forming a satyrical coat of arms, Cat Card Dims H.4-1/4 x Dia. 10 in.

“Arms of Liberty” punch bowl, c. 1770

China

G209

Cubist still life.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Table and Fruit, 1909

Fernand LĂ©ger

G367

Jar, round, with decoration of incised geometrical designs in three bands around shoulder and body. Three projecting rings for handles- two on shoulder and one midway between on lower part of body; polished surface, no glaze. Grey earthenware.

Beaker-shaped Vessel, 13th-11th century BCE

China

G204

Incense burner, tripod, geometrical design. Grey earthenware, impressed with markings which indicate that the wet clay has been wrapped in matting. Pieces of this Neolithic mat-marked pottery were found in Honan; made without wheel. The clay clinging to it makes it look tan in color.

Li tripod, 13th-12th century BCE

China

G204

Portrait.

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

White Plumes, 1919

Henri Matisse

G377

New Testament parable (Luke 15:11-32): A lively scene showing the Prodigal Son at supper with courtesans at an inn, accompanied by servants and musicians. The room, whose light source comes from a high leaded window on the left, is filled with many still-life details and rich symbolism. In the far left corner is a four-postered bed completely enclosed by velvet drapery. On the opposite side of the room through the open doorway, a thief is being chased by an angry woman, while another figure in a second-story window empties a chamber pot onto his head. Just inside the doorway, hanging on the wall, is a wooden board used for recording the guest's food and wine bill. Having placed his red velvet cloak, plumed cavalier's hat, fur piece and sword on a nearby chair, the Son sits at the round dining table and holds out his glass for a serving boy to fill. On the right, a serving woman carrying a covered pewter platter exchanges a word with the woman whose back is toward us, while a small dog wags his tail in anticipation of receiving the table scraps. A fiddler and a flutist stand behind the table, merrily playing their instruments. On another cloth-covered table in the left foreground are a pitcher, two glasses, and several loaves of crusty bread. On the floor below is a copper wine cooler containing several bottles of wine. Nearby, a monkey, dressed in a striped coat and wearing a ball and chain, munches on an apple.

The Prodigal Son, c. 1640

David Teniers, the Younger

G312

Beaker, Tsun, decorated with three bands of geometrical incised designs. The middles band, with feather design, has three protruding bosses regularly spaced; the lower band, with simple design of horizontal lines, also has three protruding bosses. The base, with slightly flared bottom, is decorated with incised lines. Polished surface, no glaze.

Beaker (zun), 12th century BCE

China

G204

ink tablet, form of tortoise with cover, standing on its four feet; cover decorated with incised designs of scales with the Pa Kwa; inscribed with the eight trigrams of the 'Yi-Ching' (The Book of Changes), representing the various forms of change, principles or laws of the universe

Ink tablet in the form of a turtle, 1st century

China

G201

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