showing 100 of 2204 results matching `creditline:"The William Hood Dunwoody Fund"`. (load 200 more)

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Coffin of Lady Tashat, Ancient Egyptian — Coffin of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt Harmensz. van Rijn

G311

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

G355

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570-75
El Greco (Domenikos Theotokopoulos)

G341

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman — Wedding chest (cassone), 1475–85
Unknown Artist, Italian (Lucca)

G343

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

One of a pair of marriage portraits (see 57.10) — Portrait of Moritz Buchner, c. 1520
Lucas Cranach the Elder

G342

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

The Gamblers, Hendrick ter Brugghen — The Gamblers, 1623
Hendrick ter Brugghen

G312

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

Landscape depicting the ruins of the Temple of Vespasian. — Roman Landscape with Cattle and Shepherds, 1676
Johann Heinrich Roos

G309

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Holy Family, Luis Tristán — Holy Family, 1613
Luis Tristán

G341

Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Religion: OT. Moses at a well meets the seven daughters of Jethro — Moses Defending the Daughters of Jethro, 17th century
Sébastien Bourdon

G313

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details — Armchair from a pair of armchairs, 1835
Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

life-size carved statue of a bearded votary; In the archaic Cypriote style. The features show the mixed oriental style transformed by Hellenic influence; His head bears a wreath of leaves and berries permitting rows of small curls to frame his forehead. The beard is rendered in four stiff rows of curls. The skin tight tunic has no pleats, and the cloak which falls from the left shoulder is thrown over the left arm. Beard slightly defective. strong frontality and Greek 'archaic' smile — Votary Figure, c. 470 BCE
Ancient Greek

G241

A Hermit Praying, 1670

Gerrit Dou

G309

Chief's chair, Asante — Chief's chair, 19th century
Asante

G250

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures. — Tomb Guardian Figures, early 6th century
China

G208

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base. — Divination tray, mid 20th century
Yoruba

G254

Bowl, Seljuk dynasty, light creamy earthenware, covered with a thick coat of opaque white tin enamel. Funnel-shaped, with straight standing rim, slightly ridged on outside where it is decorated with Cufic characters in black. Low raised foot. Inside of rim decorated with conventionalized band of Cufic characters in gold, blue and red. Medallion in center of bowl shows three figures in blue and gold garments; this medallion is surrounded by ten smaller figures, eahc in a separate 'niche', and above this is a row of sixteen still smaller figures. All figures shown with gold nimbus. Mended; has been broken in many pieces. Saveh excavation. — Bowl with Courtly Scene, c. 1180-1220
Iran

G243

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

Portrait. Three-quarter figure facing spectator, right hand on back of chair; left on hip. Hair worn in pompadour style of early twentieth century. Greyish-blue taffeta dress trimmed with ruching of cocoa brown silk. — Portrait of Elizabeth L. Burton, 1905-1906
Thomas Eakins

G322

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door — Door, mid 19th century
Swahili

G242

Dutch Golden Age. Landscape with figures. Genre. In the foreground, a group of men playing ancient Dutch game of 'kolven' (golf). Middle distance, tower surrounded by a wall. In the distance, cottages and mountains. Rocky landscape to immediate left. — Landscape with Men Playing 'Mail à la Chicane', 1624
Paul Bril

G312

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund — Wooded Landscape with Watermill, c. 1665
Meindert Hobbema

G310

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove. — Portrait of Sarah Allen, née Sargent, c. 1763
John Singleton Copley

G322

Portrait of philosopher, scholar - head — Head of a Philosopher, 1750s–60s
Domenico Tiepolo

G307

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

Portrait. — Portrait of an Ecclesiastic, late 1550s
Giovanni Battista Moroni

G310

ear studs, pair, of hammered and engraved gold; the concave disks with beaded edges are decorated with an applied motif bearing four figures; above, a demi-god with elaborate aureloe headdress riding on a bar borne by three other figures; in one hand he holds a beaker-cup; in the other a bag adorned with loose bangles; two of the lower figures wear modified aureole headdresses and carry beakers; all are half-human, half-beast; the bar on which the demi-god rides is finished at the ends with demon heads; loose bangles are variously applied in the design; the tubes of the ear studs are decorated with engraved bands of cats and birds, and soldered to the backs of discs — Ear Spool, c. 1150-1450
Chimu

G260

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

frame Spanish or Italian, c.1600 — Erminia and the Shepherds, 1648–49
Guercino (Giovanni Francesco Barbieri)

G330

Portrait. George Washington in red drapery, black costume with white frills. No signature visible. — Portrait of George Washington, c. 1820
Thomas Sully

G305

Portrait of a young boy, three quarters view, with a dog — Portrait of James Ward, 1779
Gilbert Stuart

G322

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary. — The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34
Peter Paul Rubens

G313

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

Not on View

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G355

City view in general; "veduta"; trompe l'oeil. The interior of a room with a painting on an easel sitting in front of a window. Through the window a cityscape can be seen; the scene on the painted canvas seems to exactly replicate that section of the city which it blocks from view. Two triangular shapes dominate the center of the painting. One is the conical roof of a stone tower, while the other is a near-empty avenue shown in rapidly receding perspective. These two triangles are an oblique reference to Euclid, the father of geometry. — The Promenades of Euclid, 1955
René Magritte

G376

Nabi. Tahiti. Landscape with two females and a dog. — I Raro Te Oviri (Under the Pandanus), 1891
Paul Gauguin

G355

old map of Minnesota over painted with images of soldiers, hands holding weapons and other various objects along right edge and a column on Native Americans at LLC; all figures facing left — They Say Minnesota Nice (Minnesota Nice Oyakepelo), 1995
Wanbli Koyake

G259

Feather Currency (tevau), Solomon Islands — Feather Currency (tevau), 19th century
Solomon Islands

G256

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G103

Landscape. Chestnut trees. Impressionism. — Chestnut Trees at Jas de Bouffan, c. 1885-1886
Paul Cézanne

G355

modified telephone; lobster receiver — Aphrodisiac Telephone, 1938
Salvador Dali

G376

Dutch landscape. Golden Age of Holland. A wide river with various river craft, which stretches across the width of the canvas and flows to meet the horizon. In the far right distance, a village can be seen through a gentle mist, while on the wooded bank to the left, a cart filled with singing and shouting peasants stands before a row of cottages. As they wave to the boatload of passengers approaching the shore, a ferryboat loaded with cattle pushes off. Further upstream, a boat in full sail carries its passengers toward the distant hamlet with its church steeple. — River Landscape with a Ferry, 1656
Salomon van Ruysdael

G311

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province. — Standing Bodhisattva, 571
China

G200

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo. — Six Tuscan Poets, 1543–44
Giorgio Vasari

G341

Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8' — Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780
Jean-Jacques Caffieri

G317

wearing the Atef crown, in seated posture — God Horus (Harpocrates), 644-30 BCE
Ancient Egyptian

G250

two female figures facing each other and embracing; string of red beads around feet of one figure and around neck of the other — Headrest, c. 1880
Luba

G255

Table, Josef Hoffmann; Manufacturer: Wiener Werkstätte (Vienna Workshops) — Table, 1904
Josef Hoffmann; Manufacturer: Wiener Werkstätte (Vienna Workshops)

G378

Bowing left with paw resting on ball — Lion, c. 1849-1858
Lyman Fenton & Co.

G331

Beaded Apron (Jocolo), South Africa — Beaded Apron (Jocolo), 20th century
South Africa

G236

Tabwa Mask, colored glass beads, feathers, cloth raffia and skin, Zambia late XIX-early XXc. — Mask, second quarter of 20th century
Tabwa

G236

Basket pattern border with insects, fruit and flowers — Plate, c. 1750
Austria

G324

'Bible' bottle, rich brown mottling — Flask, c. 1849-1858
Attributed to Lyman Fenton & Co.

G331

Religion: New Testament. Jesus Christ. Reverse is cradled. — The Temptation of Christ, c. 1516-25
Titian (Tiziano Vecelli)

G330

The Algerian, Charles-Henri-Joseph Cordier — The Algerian, c. 1850-1857
Charles-Henri-Joseph Cordier

G357

Card table; by Chippendale?, folding top with semi-circular and broken corners for placing candslesticks (?); cabriole legs terminating in claw and ball feet; knees carved with acanthus leaf designs and foliated cartouches; front of drawer with fine foliate scrollings.MIddle XVIII c. Mahogany. — Card table, mid 18th century
England

G326

Murano clear white glass; flattened spherical body, conical neck decorated with band of quilled clear white glass — Vase, probably 17th century
Italy

G332

Murano blown amber color glass, globular body, segmental gadroonings, tall cylindrical neck with quilled band. — Flask, probably 17th century
Italy

G332

Chest, oak, English (Jacobian), XVIIc cat. card dims 28-7/8 x 47-1/4 x 23' — Chest, early 18th century
England

G325

Holiday Traditions, Northumberland Room — Tilt-top table, 18th century
England

G327

Madonna and Child, polychromed limestone, French XIVc. — Virgin and Child, 14th century
France

G340

Bottle or tea caddy, ceramic-porcelain, German, XVIIIc cat. card dims 4-1/4 x 2-3/4 x 1-3/8' — Tea caddy, 18th century
Germany

G324

one of a pair of andirons of a type found chiefly in Holland in the 17th and 18th centuries — Andiron, one of a pair, 17th century
Netherlands

G326

Coffee Pot with cover, ceramic, ribbed with floral decoration in carmine and gold. Cover from smaller vessel of same design, German XVIIIc cat. dims 7-1/2 x 5-1/2' — Coffee pot, 18th century
Germany

G324

Jug for hot milk with cover (replica of coffee pot), German XVIIIc cat. card dims 6 x 7-1/2' — Jug, 18th century
Germany

G324

Cup and Saucer with floral decoration in carmine. — Cup and saucer, 18th century
Germany

G324

Tea Caddy, ceramic, rectangular gold band, floral swags in orange, German XVIIIc cat. card dims 4-3/4 x 2-1/2 x 1-1/2' ; Holiday Traditions, Northumberland Room — Tea caddy, Date Unknown
Germany

G324

Cup and Saucer, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc NO DIMS. ON CAT. CARDS — Cup and saucer, 18th century
Germany

G324

Teacup, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc cat. card dims 2-3/8 x 3-1/4' Saucer, No Dims on card catalogue — Cup and saucer, 18th century
Germany

G324

Coffee Pot with lid, ceramic with wood handle German XVIIIc cat. card dims 9-1/2 x 11' — Coffee pot, 18th century
Furstenburg

G324

cloth pouch with front flap decorated with beads; design of three stylized faces with interlocking geometric designs; braided leather tassels and handles; attached to square black mount — Bag, 20th century
Yoruba

G254

edition 10 of 11, series II; recreation of the original (lost) object of 1921; old style iron with single row of 14 tacks afixed to bottom center, painted in black Iron — Gift, 1921 (replicated in a 1970 edition of 11)
Man Ray (Emmanuel Rudnitsky); Publisher: Emmanuel Galleria II Fauno, Turin

G376

Abstract Expressionist. — Flaring, 1958
Cameron Booth

G303

Portrait. — Self Portrait, 1942
Elof Wedin

G303

Evening Concert, Floyd E. Brewer — Evening Concert, 20th century
Floyd E. Brewer

G302

Linear abstraction with triangles. — Cloud Chamber Dream, 20th century
John E. Anderson

G378

Bowl, shallow; of red earhtenware, glazed and decorated on upper side only; cream-colored ground. Center decoration large burnt umber bird, crudely outlined in brown; green beak ad tail feathers. Border consists of brown dots of uneven size, crudely applied. Low foot. From Amol. Strong resemblance to bowl in Sam Lewisohn Collection, N.Y.C., shown in Illustrated London News, Jan. 10,1931, P.63. Low foot, unglazed. — Bowl with bird motif, 10th century
Iran

G243

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures. — Mortuary Figure, 386-535
China

G208

fine sky blue glaze flushing into areas of purple. glazed stoneware — Plate, 12th-13th century
China

G204

Boshanlu censer, China — Boshanlu censer, 1st-2nd century
China

G215

Bowl, small, deep, of cream-colored earthenware, covered with white glaze. Inside three brown birds within medallions; white ground covered with brown dots. Outside white ground with diagonal brown lines and dots, broken by four large brown concentric circles. Broken and mended. — Bowl with bird motifs, 10th century
Iraq

G243

Plate fine quality white glaze; conventional floral design with pink, tulip, iris, cypress tree, etc., in blue, green and tomato red that comprise the center of the dish; band of spiral and foliage design in blue on brim; from Aynard Collection; so-called Iznik ware. Ottoman dynasty. — Plate, 16th century
Turkey

G243

Bowl, Abbasid dynasty, early Islamic Samarra type, shallow, with rounded sides and flattened, outturned rim. Greyish pottery with opaque greyish white glaze painted in dark blue with a formal design consisting of an eight-petaled opaque flower within a diamond, which is within a square, the four corners of which are held out by an opaque three-pronged design with a long leaf. Low foot. Rey excavation. Broken and mended. — Bowl with diamond, floral, and vegetal design, 9th century
Iraq

G243

may represent the nature goddess or "Great Mother" of early man.; simple, schematic standing figure with crossed arms — Female Figure, c. 2500-2400 BCE
Cycladic

G241

Saint Ambrose Father of the Catholic Church — Saint Ambrose, 1623 or 1625
Claude Vignon

G330

Portrait of John Langston, Esquire, of Sarsden, Thomas Gainsborough R.A. — Portrait of John Langston, Esquire, of Sarsden, 1787
Thomas Gainsborough R.A.

G306

Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process. — Seated preaching Buddha, 7th-9th century
Mon-Dvaravati

G213

Free standing figure, modeled in the round, with a rich brown patination. — Faith, early 16th century
Attributed to Niccolò Tribolo

G310

a pair with Saint Paul (66.37.2); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top. Likely they were panels in a larger polyptych; not necessarily a triptych as there is no indication of them being wings. — Saint Sirus, c. 1460
Vincenzo Foppa

G343

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection). — Anatomical Man (Ecorché), c. 1600
Italy

G310

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