showing 100 of 1763 results matching `creditline:"The William Hood Dunwoody Fund"`. (load 200 more)

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

G355

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt Harmensz. van Rijn

G311

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570
El Greco (Domenikos Theotokopoulos)

G341

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province. — Standing Bodhisattva, 571
China

G200

ear studs, pair, of hammered and engraved gold; the concave disks with beaded edges are decorated with an applied motif bearing four figures; above, a demi-god with elaborate aureloe headdress riding on a bar borne by three other figures; in one hand he holds a beaker-cup; in the other a bag adorned with loose bangles; two of the lower figures wear modified aureole headdresses and carry beakers; all are half-human, half-beast; the bar on which the demi-god rides is finished at the ends with demon heads; loose bangles are variously applied in the design; the tubes of the ear studs are decorated with engraved bands of cats and birds, and soldered to the backs of discs — Ear Spool, c. 1150-1450
Chimu

G260

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove. — Portrait of Sarah Allen, née Sargent, c. 1763
John Singleton Copley

G322

Portrait of a young boy, three quarters view, with a dog — Portrait of James Ward, 1779
Gilbert Stuart

G322

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

Portrait. George Washington in red drapery, black costume with white frills. — Portrait of George Washington, c. 1820
Thomas Sully

G332

Religion: NT. — Destruction of the Beast and the False Prophet, 1804
Benjamin West

G321

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Coffin of Lady Tashat, Ancient Egyptian — Coffin of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

Abstraction. — Savanna, 1962
Urban Stanley Couch

G261

sound film installation without dialogue; instrumental music with some vocals; views of landscapes and the exteriors of motels; scenes of various animals inside motel rooms--horse, birds, raccoon, deer, bison, fox, rabbits, beaver, mountain lion; total running time: 24 minutes, 28 seconds Certificate of Authenticity in presentation box (copy in object file) Installation and technical requirements: see Notes — migration (empire) - linear version, 2008
Doug Aitken

Not on View

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

X-ray of Lady Tashat is at column in Paintings racks in MS — Cartonnage of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary. — The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34
Peter Paul Rubens

G313

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Élisabeth Louise Vigée-LeBrun

G306

City view in general; "veduta"; trompe l'oeil. The interior of a room with a painting on an easel sitting in front of a window. Through the window a cityscape can be seen; the scene on the painted canvas seems to exactly replicate that section of the city which it blocks from view. Two triangular shapes dominate the center of the painting. One is the conical roof of a stone tower, while the other is a near-empty avenue shown in rapidly receding perspective. These two triangles are an oblique reference to Euclid, the father of geometry. — The Promenades of Euclid, 1955
René Magritte

G376

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

modified telephone; lobster receiver — Aphrodisiac Telephone, 1938
Salvador Dali

G376

Pitcher; with straight handle; white glaze with floral design in dark blue turquoise blue and tomato red with watery black outlines; tulip, open rose and wild hyacinth; so called Rhodian ware. — Pitcher, 16th century
Turkey

G243

Buddha, bronze figure of, Marching. The figure, in marching position, is stiffle erect, the left foot forward; the left arm is bent at the elbow, the hand raised, palm outward; the right arm, braceleted at the elbow, is down. The ears are weighted, without earrings, and the hair, composed of small, spiky curls, is surmounted by a flame. Some of his features, which display the supernatural anatomy of Buddha, include projecting heels, long fingers, smooth skin the color of gold and elongated arms. The figure wears a straight, girdled robe,leaving the right shoulder bare. Traces of gilding remain on back of robe, under left arm, on hair and in ears. — Walking Shakyamuni Buddha, 15th century
Thailand

G200

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman — Wedding chest (cassone), 15th century
Italy

G343

Portrait. Three-quarter figure facing spectator, right hand on back of chair; left on hip. Hair worn in pompadour style of early twentieth century. Greyish-blue taffeta dress trimmed with ruching of cocoa brown silk. — Portrait of Elizabeth L. Burton, 1905-1906
Thomas Eakins

G322

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

Portrait. — Portrait of an Ecclesiastic, late 1550s
Giovanni Battista Moroni

G340

Dutch Golden Age. Landscape with figures. Genre. In the foreground, a group of men playing ancient Dutch game of 'kolven' (golf). Middle distance, tower surrounded by a wall. In the distance, cottages and mountains. Rocky landscape to immediate left. — Landscape with Men Playing 'Mail à la Chicane', 1624
Paul Bril

G312

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund — Wooded Landscape with Watermill, c. 1665
Meindert Hobbema

G310

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G351

Religion: OT. Moses at a well meets the seven daughters of Jethro — Moses Defending the Daughters of Jethro, 17th century
Sébastien Bourdon

G313

Landscape. Chestnut trees. Impressionism. — Chestnut Trees at Jas de Bouffan, c. 1885-1886
Paul Cézanne

G355

Portrait of philosopher, scholar - head — Head of a Philosopher, 1750s–60s
Domenico Tiepolo

G307

Dutch landscape. Golden Age of Holland. A wide river with various river craft, which stretches across the width of the canvas and flows to meet the horizon. In the far right distance, a village can be seen through a gentle mist, while on the wooded bank to the left, a cart filled with singing and shouting peasants stands before a row of cottages. As they wave to the boatload of passengers approaching the shore, a ferryboat loaded with cattle pushes off. Further upstream, a boat in full sail carries its passengers toward the distant hamlet with its church steeple. — River Landscape with a Ferry, 1656
Salomon van Ruysdael

G311

Nabi. Tahiti. Landscape with two females and a dog. — I Raro Te Oviri (Under the Pandanus), 1891
Paul Gauguin

G355

One of a pair of marriage portraits (see 57.10) — Portrait of Moritz Buchner, c. 1520
Lucas Cranach the Elder

G342

Portrait of John Langston, Esquire, of Sarsden, Thomas Gainsborough R.A. — Portrait of John Langston, Esquire, of Sarsden, 1787
Thomas Gainsborough R.A.

G306

frame Spanish or Italian, c.1600 — Erminia and the Shepherds, 1648–49
Guercino (Giovanni Francesco Barbieri)

G330

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D. — Sarcophagus of Prince Yuan Mi, 524
China

G208

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details — Armchair from a pair of armchairs, 1835
Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G333

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo. — Six Tuscan Poets, 1544
Giorgio Vasari

G341

Landscape depicting the ruins of the Temple of Vespasian. — Roman Landscape with Cattle and Shepherds, 1676
Johann Heinrich Roos

G309

The Gamblers, Hendrick ter Brugghen — The Gamblers, 1623
Hendrick ter Brugghen

G312

Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Phillippe Thomire

G306

Holy Family, Luis Tristán — Holy Family, 1613
Luis Tristán

G341

A Hermit Praying, 1670

Gerrit Dou

G309

1200-1350 A.D.; excavated at Temple Mound (LaFlore, OK) in 1940s — Gorget, c. 1200-1350
Spiro Mississippian

G260

Stirrup-handle jar in the form of an owl with a fat body. The face, plastically rendered, is painted buff color; the rest of the body is red and burnished. — Vessel, c. 200 BCE - 600 CE
Moche

G260

may represent the nature goddess or "Great Mother" of early man.; simple, schematic standing figure with crossed arms — Female Figure, c. 2500-2400 BCE
Cycladic

G241

Bird Head, carved basalt relief (called Hacha), El Tajin style — Hacha, c. 600-900 CE
Veracruz

G260

life-size carved statue of a bearded votary; In the archaic Cypriote style. The features show the mixed oriental style transformed by Hellenic influence; His head bears a wreath of leaves and berries permitting rows of small curls to frame his forehead. The beard is rendered in four stiff rows of curls. The skin tight tunic has no pleats, and the cloak which falls from the left shoulder is thrown over the left arm. Beard slightly defective. strong frontality and Greek 'archaic' smile — Votary Figure, c. 470 BCE
Ancient Greek

G230

Chief's chair, Asante — Chief's chair, 19th century
Asante

G250

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures. — Tomb Guardian Figures, early 6th century
China

G208

Feather Currency (tevau), Solomon Islands — Feather Currency (tevau), 19th century
Solomon Islands

G256

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base. — Divination tray, mid 20th century
Yoruba

G254

Bowl, Seljuk dynasty, light creamy earthenware, covered with a thick coat of opaque white tin enamel. Funnel-shaped, with straight standing rim, slightly ridged on outside where it is decorated with Cufic characters in black. Low raised foot. Inside of rim decorated with conventionalized band of Cufic characters in gold, blue and red. Medallion in center of bowl shows three figures in blue and gold garments; this medallion is surrounded by ten smaller figures, eahc in a separate 'niche', and above this is a row of sixteen still smaller figures. All figures shown with gold nimbus. Mended; has been broken in many pieces. Saveh excavation. — Bowl, 12th-13th century
Persia (Iran)

G243

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door — Door, mid 19th century
Swahili

G254

hammered silver — Venus, 4th century
Roman

G242

unsigned — Whose Sleeves? [right of a pair], early 17th century
Japan

G219

1200-1350 A.D.; excavated at Temple Mound (LaFlore, OK) in 1940s — Gorget, c. 1200-1350
Spiro Mississippian

G260

Landscape — Still Life with Bananas and Calla Lilies, 1932
Bror Julius Olsson Nordfeldt

Not on View

The Carpet Merchant, Jean-Léon Gérôme — The Carpet Merchant, c. 1887
Jean-Léon Gérôme

G357

Religion: New Testament. Jesus Christ. Reverse is cradled. — The Temptation of Christ, c. 1516-25
Titian (Tiziano Vecelli)

G330

seated figure of Mary with long, thick brown hair, wearing rich robes of gold, blue and red, holding nude baby Jesus on her lap, breastfeeding; Jesus' brown hair is styled in ringlets close to his head — Virgin of the Milk (Virgen de la leche), c. 1500
Circle of Gil de Siloe

G340

Portrait. — White Plumes, 1919
Henri Matisse

G377

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

The Famous American, Mariano Cebellos, Francisco José de Goya y Lucientes — The Famous American, Mariano Cebellos, 1825
Francisco José de Goya y Lucientes

Not on View

Madonna and Child, Segna di Buonaventura — Madonna and Child, c. 1310
Segna di Buonaventura

G343

unsigned; from the Saga Palace, Kyoto; figures inside a building, mountains in background — Rice Farming in the Four Seasons, Winter [left], 1620s
Kano Sanraku

Not on View

The Anointing of the Body, copper, enamel frieze — The Entombment of Christ, c. 1250
France

Not on View

Earthenware handled jug, black with incised line designs on top half. — Jug, mid 20th century
Lwena

G236

Bird-shaped whistle-vase with a single upright spout emerging from the back and connected by a handle with the head. The eyes of the bird are painted, but the beak is modelled. Across the breast a double row of worms painted in polychrome. Highly conventionalized wings painted on each side. Tiahuanico influence. — Vessel in the Form of a Bird, c. 100 BCE - 600 CE
Nasca

G260

Jug, stirrup handle, painted.with a design of two running messengers, in full regalia, carrying weapons and wearing elaborate puma-head helmets. The area between the warriors is filled with the spreading wints fanning out behind each body. The design is in rust red on a cream slip, and the red is used on a series of double lines decorating the spout and the stirrup handle. Handle repaired. Something inside of jug, perhaps loose debris. — Vessel, c. 400 BCE - 599 CE
Moche

G260

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection). — Anatomical Man (Ecorché), c. 1600
Italy

G310

vase, pottery, Hu pear-shaped body, imitation of a bronze type, as is proved by the presence on the shoulders, of two animal heads with loops for pendent rings; The decoration expressed in incised line, combines geometric patterns with stylized tiger forms on a black surface. — Hu storage jar, 4th-3rd century BCE
China

G204

Portrait of a man, waist-length, seated. — Portrait of Commander Lewis Warrington, 1801-1802
Rembrandt Peale

G322

Virgin and child with child standing on her lap; she wears blue cloak with hood and hold red carnation; four haloed musicians in background — Miniature from a Book of Hours with Virgin and Christ Child, c. 1490-1500
Attributed to Jean Poyer and his workshop; Artist: Formerly attributed to Jean Poyer

Not on View

Religion: NT. Madonna and Child. Rest on the Flight into Egypt. Virgin and Child seated on rocky mound in foreground. Joseph fills water bottle at a little pool on the left. Herod's soldiers question the farmer who points to a field of wheat. Small Flemish village in the right background, in front of which is enacted the Massacre of the Innocents. Trees, hills, winding river form fanciful landscape background. — Rest on the Flight into Egypt and the Miraculous Field of Wheat, c. 1518–24
Workshop of Joachim Patinir

G342

Terracotta, Italian XVIc cat. card dims H 27 x L 8 x W 12'; Figure carries on her head a basket filled with fruit and in her hand a brimming cornucopia. Little boy at her feet turns to her for protection from a barking dog. Blue gown with golden yellow decoration; yellow, green and violet fruit. — Dovizia, c. 1520
Giovanni della Robbia

Not on View

one of a set of four tapestries, with woodland scene in grove of trees; the huntsmen have made a fire of logs, and one of them stands before it warming his hands, while a second dressed in crimson holds two panting brown hounds on leash. Beyond, a third hunter shields face from fire with left hand, and holds in his right a trophy of the hunt; warp undyed wool, 7½-9 ends per cm., weft dyed wool and silk, 28-40 ends per cm. — The End of the Hunt, c. 1650
Unknown designers and cartoonists, Flanders

Not on View

Portrait of a woman. The subject faces the spectator, the left arm resting on the back of a side chair. Black satin gown, deep lace collar and cuffs. Black lace scarf draped over back of head, red flower in hair. — Portrait of Anika Psalmon, Mrs. Robin, 1862
Gustave Courbet

G357

Charles II repoussé tazza; fully marked on rim and with lion passant underfoot; shallow circular dish with wide flat rim embossed in bold relief with a wolf, a boar, a turkey, and a falcon amid undulating stems of leafage and large blossoms with punchwork tendrils; on low, hollow flaring foot with flat rim — Footed salver, 1662-1663
RF

G350

ice pail with removable bowl inside; on the blue ground of body and cover are medallions reserved in white and wreathed in gold, painted with birds in a landscape; the twisted handle of the lid is covered with gold lines and a row of gold leaves encircles the deep outer ridge of the cover; the body of the bowl rests on three, bun-shaped feet; ice was placed between the body and the liner and inside the lid to keep ice cream cold inside — Jatte à glace (ice cream pail) from the Rohan service, 1771
Sèvres Porcelain Factory

Not on View

Teapot with lid — Teapot, c. 1780
Wedgwood

G333

New Testament parable (Luke 15:11-32): A lively scene showing the Prodigal Son at supper with courtesans at an inn, accompanied by servants and musicians. The room, whose light source comes from a high leaded window on the left, is filled with many still-life details and rich symbolism. In the far left corner is a four-postered bed completely enclosed by velvet drapery. On the opposite side of the room through the open doorway, a thief is being chased by an angry woman, while another figure in a second-story window empties a chamber pot onto his head. Just inside the doorway, hanging on the wall, is a wooden board used for recording the guest's food and wine bill. Having placed his red velvet cloak, plumed cavalier's hat, fur piece and sword on a nearby chair, the Son sits at the round dining table and holds out his glass for a serving boy to fill. On the right, a serving woman carrying a covered pewter platter exchanges a word with the woman whose back is toward us, while a small dog wags his tail in anticipation of receiving the table scraps. A fiddler and a flutist stand behind the table, merrily playing their instruments. On another cloth-covered table in the left foreground are a pitcher, two glasses, and several loaves of crusty bread. On the floor below is a copper wine cooler containing several bottles of wine. Nearby, a monkey, dressed in a striped coat and wearing a ball and chain, munches on an apple. — The Prodigal Son, c. 1640
David Teniers, the Younger

G312

Free standing figure, modeled in the round, with a rich brown patination. — Justice, early 16th century
Attributed to Niccolò Tribolo

G310

One of a pair of marriage portraits (see 57.11) — Portrait of Anna Buchner, née Lindacker, c. 1520
Lucas Cranach the Elder

G342

a pair with Saint Sirus (66.37.1); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top — Saint Paul, c. 1460
Vincenzo Foppa

G343

a pair with Saint Paul (66.37.2); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top. Likely they were panels in a larger polyptych; not necessarily a triptych as there is no indication of them being wings. — Saint Sirus, c. 1460
Vincenzo Foppa

G343

Still Life. — Still Life with Fruit, c. 1860
Severin Roesen

Not on View

Bronze bell (Dotaku); Dotaku- Bronze Bell with so-called 'crossing bands' (in Japanese Kesadasuki) decoration. Fine natural green patina; no repairs, in excellent condition. Excavated at Chiwa-Yama, Yashu-gun, Ohmi Province (now Shiga Prefecture) in the 14th year of Meiji, or 1881 A.D. This was on the 14 bells found, the largest of which is now in the Tokyo national Museum. with a box authentication of Professor Sueji Umehara. Modern wooden storage box has authentication by Professor Umchara. — Ritual Bell (Dōtaku), 1st century BCE-1st century CE
Japan

G205

Saint Ambrose Father of the Catholic Church — Saint Ambrose, 1623 or 1625
Claude Vignon

G330

Free standing figure, modeled in the round, with a rich brown patination. — Faith, early 16th century
Attributed to Niccolò Tribolo

G310

showing 100 of 1763 results matching creditline:"The William Hood Dunwoody Fund". (load 200 more)