pointing proper right hand with slightly crooked index finger on end of lobed handle with linear and floral designs; chain at opposite end — Yad (Torah pointer), c. 1870
Austria

G362

triangular fragment decorated with rust-red and dark brown geometric stamps in 4 repeated rows on 2 sides; beige ground — Tapa Cloth, 1800-1825
United States

G256

two women walking with a young girl; foremost woman wears a white gown with a cape-like back with a green lining, and wears her brown hair in two long braids, with her head completely turned so her face is not visible; second woman wears a black dress and a sheer headscarf over her black hair, with a red headband; little girl in front of women holds a small bouquet of orange and white flowers and wears a gold dress with brown trim, white stockings, and brown pointed Mary Jane shoes, with her long frizzy light brown hair loose with a blue headband; flat landscape with low horizon line, with some figures in middle ground seated on the grass in LLC, three figures walking with a pair of dogs between pair of woman and little girl, and pair of walking figures at leftt; birds in sky at right; pink cloud above girl's head; received in gilt frame — The Evening Walk--Environs of Florence, 1870
Raffaello Sorbi

G357

egg-shaped upper section, pointed on top with pointed finial, with teardrop shaped gilt bells attached to short chains at top of egg; handle with sphere under egg and two sets of rings — Rimmonim (Torah finial) (one of a pair), 20th century
Iraq

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egg-shaped upper section, pointed on top with pointed finial, with teardrop shaped gilt bells attached to short chains at top of egg; handle with sphere under egg and two sets of rings — Rimmonim (Torah finial) (one of a pair), early 20th century
Iraq

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cylindrical shape; ribbed rim with blue, orange and white stripes; overall openwork design in white with short protruding blue tendrils; concentric circles with geometric design at center on top in orange, blue and white; crochet — Prestige Hat (Ashetu), mid 20th century
Cameroon

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Man's face with long nose; red skin; gold hair with curls in front of ears,long moustache and pointed beard; white teeth — Mask, 19th century
Maya

Not on View

four panels, each with five spirals inside; circular protrusion separating panels; openwork band above and below each panel — Bracelet, 14th-16th century
Djenne

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round-bodied basket with neck; stopper-like lid attached to neck with braided fiber cord; linear bands of twisted and paired silver wire interwoven into fibers on body and lid — Milk vessel, third quarter of the 20th century
Borana or Guji

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long bronze cuff with coiled circle designs around top and bottom edges; circular pattern in center — Anklet, 20th century
Gurunsi

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head-covering, helmet-type mask with very large eyes and beaklike nose; eyes are red, brown and yellow; small ears with feather earring in PL ear and feather topknot — Spirit Mask (baba), c. 1950
Abelam

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block of text at lower center with trees and birds in borders on sides and bottom; pair of female lions with radiating faces behind their backs and a tree between them; pair of green and orange birds at top; all surrounded by text border — Ketubah (marriage contract), 1879
Iran

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abstract image; pooled colors in background: purple in LRC, reds and oranges in LLC; line drawing in LLC of organic forms in bright colors — Untitled (#7), 1945
Gerome Kamrowski

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abstract image; soft multicolored ground, especially in blues and reds; organic linear designs on surface; 3 circular forms in URQ — Untitled (#8), 1950
Gerome Kamrowski

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paper-like plant fiber cloth of light tan with brown flecks; painted design with border containing light brown striped and dark brown leaves; center has irregular grid with geometric leaf design in browns — Bark Cloth Panel, Date Unknown
Samoa

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small, four-sided club, slightly tapered at rounded handle; bottom of handle squared off; dark brown patina — Tapa Beater, Date Unknown
Not on View

J-shaped piece of green stone, with black flecks; new string at top (string no longer present [5-1-11] MD) — Earring, Date Unknown
Māori

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slightly flattened and wider at top; bottom carved with 2-sided face with long stylized beard with organic designs; shell eyes — Taiea Ceremonial Club, 19th century
Māori

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long pillow with tapestry woven cover; brightly colored with geometric designs, birds and deer on top; underside has bands of various colors and designs; fabric scrap pompons at corners — Pillow, 19th century
Sweden

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small foot; rather conical body, flaring outward from foot; three vertical "tears" at top rim; light blue — Pure-pure, 20th century
Fukami Sueharu

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small ring foot; very large, heavy bowl with wavelike parallel facets on sides; milky white — (White Bowl), late 20th century
Ōno Kōtarō

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flat bottom; tall sculptural form with predominately vertical angular facets, some with etched faces; grey with milky white exterior; milky white interior — (Gray vase), late 20th century
Kawasaki Tsuyoshi

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flat base; rather torso-shaped; spotted tan and brown; brown and white thin vertical stripes; very dark green oribe glaze on interior — Beige striped vase, late 20th century
Usui Kazubari

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rather short ring foot; round shape; tall sides formed by four pointed "petals", forming an open blossom; light blue — Four-pronged open bowl, late 20th century
Nishiyama Tadashi

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wide foot; rounded dish shape with five lobes at rim, forming flower-like shape; light blue — Five-lobed celadon bowl, 20th century
Kawase Shinobu

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small round vessel shaped like a face with a large, circular, open mouth; closed eyes; pointed nose — Vessel in the Shape of a Face, 20th century
Tiv

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small round vessel with wide, slightly ovoid mouth; small head extending from one side of vessel with short, engaged limbs; 3 other protrusions near figure — Bowl, 20th century
Tiv

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small round vessel with wide, round mouth; small standing dog on one side, with 14 protrusions — Bowl, 20th century
Tiv

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Portrait of Mary Esch, Frank Gaard — Portrait of Mary Esch, 1996
Frank Gaard

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Portrait of Stuart Mead, Frank Gaard — Portrait of Stuart Mead, 1993-1997
Frank Gaard

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Patrick Scully, Frank Gaard — Patrick Scully, c. 1993
Frank Gaard

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Nancy Waller, Frank Gaard — Nancy Waller, 1988-89
Frank Gaard

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Portrait of Chris Monroe, Frank Gaard — Portrait of Chris Monroe, 20th century
Frank Gaard

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large central Tree of Life in green with sinuous branches with exotic and stylized flowers (including lilies and roses) and fruits (primarily pomegranates) in shades of blue, yellow, ivory, pale pink, peach, and cinnamon; large exotic bird with fantail perched on the upper trunk; small male figure in fashionable dress hovering over a lower left branch, holding onto a rose tendril and smelling a bud; two female figures in full-skirted gowns flanking the lower trunk, set into a scalloped green and yellow mount with delicate floral sprays and birds' scrolling floral and foliate trail along the borders with exotic bird at each side; worked in floss silk on natural linen ground primarily in tied laidwork with stain and stem stitches; Velcro heading band on back at top — Colcha embroidered with the Tree of Life and allegory of the sense of smell, 18th century
Portugal

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round bowl with tall, inward-curving sides; handle has two triangular cutouts; incised arch and line design in dots on bottom of bowl, dots around edge of handle and top cut out on top of handle — Ladle, 18th-early 19th century
Haudenosaunee (Iroquois)

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tube-shaped container, slightly smaller in diameter at bottom; tied at top, bottom and side with leather thongs; decorated with repeating geometric patterns in 3 rows on body, in red, green and black — Parfleche Container, 19th century
Inuna-ina (Arapaho)

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rounded at one end, flat at opposite end; flat end carved with star shape; zigzag rows, rows of hatched diamonds and other incised geometric designs — Drumstick, late 19th-early 20th century
United States

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4 flattened sides at center; rounded ends; pair of incised rings at each end with tapering section to flattened sides; incised zigzags below rings — Drumstick, late 19th-early 20th century
United States

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round, with rounded ends; slightly larger end with incised crosshatching; rows of incised rings taper near center; band of crosshatching below rings — Drumstick, late 19th-early 20th century
United States

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A Smooth One, Reginald Sanders — A Smooth One, 1993
Reginald Sanders

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very long, curved-under nose; large upward-slanting black eyes with perforated holes; smiling white mouth with small opening; small "knobs" represent beard; white bird on forehead; high-set ears with two piercings each; red patina on face; brown at top of head; ovoid shape overall — Mask, 1920s-1930s
Papua New Guinea

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dish-shaped bottom; flat on one side; layers of different textures on one side; grey wood two-piece cross-shaped base (stored on R3A2.1 MS) — Metavoid 3, 2004
Akiyama Yō

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ten framed etchings of floor plans with cities and dates, each rendered in black pigments on cream-colored paper with natural fibers embedded a. floor plan with a pointed roof made up of two connecting triangles; four connecting squares make up the base of the house, and join with the triangles; two smaller rectangles connected on right and left sides, and join with the bottom squares; two black line extend off of the bottom of the house b. rectangular floor plan, with an opening at the top left and bottom right; two closed off square sections on the right inside the rectangle, each with openings on the top and bottom edges; larger 'open' area on the left, with a 'hallway' running horizontally on bottom right inside the rectangle; faint gray shading around floorplan c. rectangular floor plan shaded in gray pigment; circular shape/ room in URC of rectangle; small rectangle extending off of the bottom right corner of rectangle; rooms divided into smaller rectangular sections on top and bottom of inner side of rectangle d. square shape in center with thicker black lines; thin line making a rectangle shape at inner bottom of square; square is approximately 6" x 6" in size e. two shaded square floorplans, one is located in URQ and another is located in LLQ; top right square has divisions of smaller rooms, with a 'staircase' extending off the bottom outer edge; lower left square also has smaller rooms divided within, and a 'staircase' in center of square f. square floorplan that is 6-1/2" x 6-3/4" in size; three horizontal rectangles on the left side inside the square; longer, vertical rectangle on right, inside the square, with a small square in URC inside the outer square; linear gray shading inside larger square g. rectangular floorplan positioned vertically, with two larger rooms divided on the top and bottom; two smaller rooms extending off the upper left side of rectangle h. two rectangular floor plans placed vertically, staggered and perpendicular to each other; top right floor plan has smaller room at t — Homes I Made / A Life in Nine Lines, 1997
Zarina

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a few abandoned looking buildings in foreground; skyscrapers and buildings under construction in background; white wood frame with Plexiglas — Suzhou Creek, Putuo District, Shanghai, 2004
Sze Tsung Leong

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Kapkap, 18th-20th century

Solomon Islands

G256

Dance Apron, 20th century

Papua New Guinea

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Headrest, 19th-20th century

Senufo

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Gold Dust Box, 20th century

Asante or Akan

Not on View

Comb, 20th century

Asante

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Wish You Were Here, 2002

Mary Bero

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Portrait of Laura B., 20th century

Frank Gaard

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Nancy Waller, No. 2, 1990

Frank Gaard

Not on View

Mike McCoy, 1998

Frank Gaard

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Sandra B., 1993

Frank Gaard

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Sandra Perfected, 1993-97

Frank Gaard

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Portrait of Margie Newman, March 1998

Frank Gaard

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Portrait of Sandra B., 20th century

Frank Gaard

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Winnie Griffith, 1998

Frank Gaard

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Portrait of Mike, April 19, 1999

Frank Gaard

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Portrait of Vince Leo, 1999

Frank Gaard

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Sharyn Gaard, 1990

Frank Gaard

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slightly abstracted nude male figure lying on his PR side, with PL knee slightly drawn up and PR arm curled around head; red background — Sleeper Red, 1997
William Kentridge; Printer: 107 Workshop; Publisher: David Krut Projects, Johannesburg, Cape Town, London, and New York

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