🔎 creditline:"The Minnich Collection The Ethel Morrison Van Derlip Fund, 1966" | Mia

Caricature — Le Grande Maitre de la Frisure a la Mode, c. 1770-1775
Unknown French [?], 18th century

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Flower Gardener, Martin Engelbrecht — Flower Gardener, c. 1730
Martin Engelbrecht

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Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin — Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, 1570
Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

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Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian — Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730
Maria Sibylla Merian

G209

black and white — Costume Plate No. 209, 18th century
Antoine Watteau

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black and white — Costume Plate No. 210, 18th century
Antoine Watteau

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black and white — Costume Plate No. 259, 18th century
Antoine Watteau

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black and white — Costume Plate No. 340, 18th century
Antoine Watteau

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black and white — Costume Plate XXIV, 18th century
Antoine Watteau; Printer: Jacques Gabriel Huquier

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black and white — Costume Plate XXV, 18th century
Antoine Watteau

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costume plate, no. 328 — Jeune Bourgeoise. . ., 1781
Francois-Louis Watteau Fils; Engraver: Nicolas Dupin

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caricature no. 13 — Le Bouquiniste, c. 1850
Emile Wattier; Lithographer: G. Frey; Publisher: Martinet Publishing Family

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Caricature No. 2 — Dilettanti, c.1830
Henri Monnier; Lithographer: de Bernard

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Fashion Plate No. 105 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 105 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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birds — Hybrid Pheasant, 1870-1872
Daniel Giraud Elliot; Artist: Joseph Wolf; Lithographer: John Gerrard Keulemans; Printer: P. W. M. Trap. Leiden

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Tea Time, Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn — Tea Time, 1804
Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn

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Caricature of George III, Queen Charlotte, and their children shopping. — A Milliner's Shop, March 24, 1787
Henry Kingsbury; Publisher: S. W. Fores

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Plate IV, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth — Plate IV, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

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Plate V, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth — Plate V, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

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Fashion Plate, from Les Robes de Paul Poiret, Paul Poiret; Artist: Paul Iribe — Fashion Plate, from Les Robes de Paul Poiret, 1908
Paul Poiret; Artist: Paul Iribe

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Tab. 395 — Pyrus Communis from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Tab. 405 — Rosa Alba from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Plate 117 — Fraisier de Virginie (Grandes fleurs), from Traite des Arbres Fruitiers, 1807-1835
after Antoine Poiteau; Engraver: Gabriel

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Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., 1807-1809
Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

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The Genius of Caricature, and his Friends, Celebrating the Completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, from The Caricature Magazine, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — The Genius of Caricature, and his Friends, Celebrating the Completion of the Second Volume of the Caricature Magazine in the Temple of Mirth, from The Caricature Magazine, 1807-1809
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Frontispiece. Vol. III, Rowlandson's Caricature Magazine, Vol. III, from The Caricature Magazine, Thomas Tegg , 111 Cheapside, London — Frontispiece. Vol. III, Rowlandson's Caricature Magazine, Vol. III, from The Caricature Magazine, 1808
Thomas Tegg , 111 Cheapside, London

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No. 100 — Title Page, Vol. 4, Caricature Magazine/ by G.M. Woodward, Esq., fromThe Caricature Magazine, 1809
George Moutard Woodward; Etcher: Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

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Diagram 3 — Scenograph of the Planetary Orbits Encompassing the Earth, plate 3 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Chart 22 — Christian Constellation, First Hemisphere, plate 22 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Chart 29 — The Southern Stellar Hemisphere with Equally Proportioned Spheres, plate 29 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Title Page: Harmonia Macrocosmica/ sev/ Atlas/ Universalis et Novus/..., from Harmonia Macrocosmica, Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam — Title Page: Harmonia Macrocosmica/ sev/ Atlas/ Universalis et Novus/..., from Harmonia Macrocosmica, 1708
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Frontispiece. Pars Secunda., Johannes Goedart — Frontispiece. Pars Secunda., 1662
Johannes Goedart

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Portrait. Joannes Goedartius, Weversdyck; Engraver: R. A. Persyn — Portrait. Joannes Goedartius, 1662
Weversdyck; Engraver: R. A. Persyn

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Plate 29, Johannes Goedart — Plate 29, 1662
Johannes Goedart

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Plate 4; Caricature — The Sailors Hornpipe, from The Dancing Lesson, Pt. 4, March 1, 1825
George Cruikshank; Publisher: George Humphrey, London

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Caricature, from Monstrosities of 1825 and 1826, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1825 and 1826, February 10, 1826
George Cruikshank; Publisher: George Humphrey, London

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See P.14,626, same in reverse with slight alterations — Frontispiece, from Atlas, 1662
Justus Danckerts

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Plate 25 — Effet de lunes, 1840
Honoré Daumier; Printer: d'Aubert & Co.

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Plate 9 — Artistes en train d'examiner le tableau d'un rival, from Le Public au Salon, Vol. VII, pub. in Le Charivari, 1852
Honoré Daumier; Publisher: Charles Philipon; Printer: Ch. Trivocq, Cour des Miracles, 9 Paris

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Route De St. Cloud, Louis-Philibert Debucourt; Artist: after Carle Vernet — Route De St. Cloud, 1816
Louis-Philibert Debucourt; Artist: after Carle Vernet

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8 Heures Du Soir. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 8 Heures Du Soir. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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5 Heures Du Matin. Portrait, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 5 Heures Du Matin. Portrait, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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9 Heures Du Matin. Mlle. Annette Boulanger, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 9 Heures Du Matin. Mlle. Annette Boulanger, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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See: P.17,097, b. & w. edition. — 10 Heures Du Soir. Mme. Menessier-Nodier, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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See: Laure Deveria — 4 Heures Du Soir. Mlle. Laure Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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No. 527 — February, from The Twelve Months, late 18th century
Robert Dighton; Printer: Carington Bowles; Retailer: Carington Bowles

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No. 528 — March, from The Twelve Months, late 18th century
Robert Dighton; Printer: Carington Bowles; Retailer: Carington Bowles

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No. 537 — December, from The Twelve Months, late 18th century
Robert Dighton; Printer: Carington Bowles; Retailer: Carington Bowles

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Rosier d'Amour, from La Couronne Des Roses, Bessin; Artist: after Pierre-Joseph Redouté — Rosier d'Amour, from La Couronne Des Roses, 1817-1824
Bessin; Artist: after Pierre-Joseph Redouté

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birds; plate 328 — The Brazilian Saw-billed Roller, 1802-1805
George Edwards

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plate T47 — The Blew-Bird, 1731-1743
Mark Catesby

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plate T17 — The Large Red-crested Woodpecker. Live Oak, 1731-1743
Mark Catesby

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plate no. 5 — Yellow and Black Pye, 1771
Mark Catesby

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Caricature — Frontispiece: Suite/ des cris des Marchands/ ambulants de Paris./ par J.D. Bertaux, 18th century
Jean Duplessis-Bertaux

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birds — Plate 20, Vol. VII. Thaumalea Amherstiae, 1850-1883
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter

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Plate 161, Vol. III. Loddigesia Mirabilis, John Gould; Lithographer: Henry Constantine Richter; Printer: Walter & Cohn — Plate 161, Vol. III. Loddigesia Mirabilis, 1849-1887
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter & Cohn

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birds; pl. 43 — Snowy Owl, 1832-1837
Edward Lear; Artist: From sketches by John Gould; Lithographer: Edward Lear; Printer: Charles Joseph Hullmandel

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Plate 74, Vol. I. Harpactes Kasumba., John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton — Plate 74, Vol. I. Harpactes Kasumba., 1850-1883
John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton

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Plate 54, Vol. V. Cissa Venatoria., John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton — Plate 54, Vol. V. Cissa Venatoria., 1850-1883
John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton

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Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red. — Leaf from a Book of Hours (recto and verso), c. 1500
Unknown Netherlandish

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Chart 28 — Scenographic View of the Southern Hemisphere with the Starry Vault and the Earth, plate 28 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Plate 25 — Spherical Scenograph of the Celestial and Terrestrial Northern Hemisphere, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, September 1, 1807
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, 1808
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Chart 27 — The Southern Stellar Hemisphere of Antiquity, plate 27 from Harmonia Microcosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Diagram 1 — The Planisphere of Ptolemy, plate 1 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Dutch (Amsterdam)

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Chart 24 — The Northern Stellar Hemisphere of Antiquity, plate 24 from the Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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black and white — Ostrich. De Avibus, De Struthocamelo. Page 708, 1551-1587
Conrad Gesner; Author: Conrad Gesner

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black and white; double sided — Peacock. De Avibus, De Pavone. Page 656, 1551-1587
Conrad Gesner; Author: Conrad Gesner

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Tab. 34 — Iris Germanica from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Plate 21 — Pelargonium acerifolium, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788
after Pierre-Joseph Redouté; Engraver: Milsan

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Butterflies and flowers. No signatures. — Plate XIX, from "Naauwkeurige Waarneemingen...", 1774
Jacob L'Admiral, Jr.

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With the famous vignettes of the 4 seasons. — Map of the World, c. 1710
Karel Allard; Artist: after Jacob De Wit

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Plate 9; male and female — Wild Turkey, 1825-1833
Prince Charles Lucien Bonaparte; Artist: after Titian Ramsey Peale; Engraver: Alexander Lawson

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Hairdress Caricature — The French Lady in London, late 18th century
Basset, Rue St. Jacques, No. 64

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plate T 25 — Anthea quartus rondeletii, 1731-1743
Mark Catesby

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plate II — Yellow Lily and Scarab Beetles, 1731-1743
Mark Catesby

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plate no. 15 — The Crested Jay, with Smilax, 1731-1743
Mark Catesby

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plate no. 12 — The American Partidge, 1731-1743
Mark Catesby

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plate no. 1 — Woodcock, 1731-1743
Mark Catesby

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plate T27 — The Mock-Bird, 1731-1743
Mark Catesby

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Double-sided; hand-illuminated with partially gilded backgrounds, a very small miniature, and borders with flowers, strawberries, and birds. Illumination depicts the vision to the shepherds, surrounded by various plants and birds. — Leaf from a Book of Hours (recto and verso), late 15th century
Possibly The School of the Master of Mary of Burgundy

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Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red. — Leaf from a Book of Hours (recto and verso), c. 1500
Unknown Netherlandish

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No. 21 — Rendezvous at Marly, 1776-1777
Jean-Michel Moreau le Jeune; Engraver: Carl Gottlieb Guttenberg

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Plate 3, Set 1 — Virum Improbum vel Mures Mordeant, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

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T.73 — Black Squirrel, 1731-1743
Mark Catesby

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plate 58 — The Wampum Snake, 1731-1743
Mark Catesby

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T. 73 — Flamingo, 1731-1743
Mark Catesby

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T.75 — The Ground Squirrel, 1731-1743
Mark Catesby

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plate T46 — The Chatterer, 1731-1743
Mark Catesby

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plate 60 — The Bead Snake, 1731-1743
Mark Catesby

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plate T31 — The Angel Fish, 1731-1743
Mark Catesby

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T. 72 — The Bull Frog, 1731-1743
Mark Catesby

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T.76 — Blue Heron, 1731-1743
Mark Catesby

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No. 5. plate XXIV — Four-striped Ground Squirrel, 1845-1848
after John James Audubon; Lithographer: John T. Bowen; Printer: John T. Bowen

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No. 33. plate 164 — Field Bunting, 1840-1844
after John James Audubon; Lithographer: John T. Bowen; Printer: John T. Bowen

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Ceremonial portrait — Marie Antoinette, 1775
Louis-Jacques Cathelin; Artist: after Jean Martial Frédou

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