🔎 creditline:"The Minnich Collection The Ethel Morrison Van Derlip Fund, 1966" | Mia

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian — Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730
Maria Sibylla Merian

G209

Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin — Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, 1570
Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

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Caricature — Le Grande Maitre de la Frisure a la Mode, c. 1770-1775
Unknown French [?], 18th century

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Flower Gardener, Martin Engelbrecht — Flower Gardener, c. 1730
Martin Engelbrecht

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Reproduction; Hairdress Caricature — The French Lady in London, late 18th century
Germany

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Fashion Plate, from Les Robes de Paul Poiret, Paul Poiret; Artist: Paul Iribe — Fashion Plate, from Les Robes de Paul Poiret, 1908
Paul Poiret; Artist: Paul Iribe

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Plate 29 — Swallowtails and Great Yellow Fruit, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

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Plate 33 — Butterflies, Caterpillars and Plant, 1705-1771
Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

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Plate 50 — Red Beetle, White Morning Glory, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

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Plate 61. LXI. Guajava alba dulcis. — Caterpillars and Insects with Foliage, 1705-1771
After Maria Sibylla Merian

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Plate 72 — Insects and Fish with Island Background, 1705-1771
After Maria Sibylla Merian

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Plate 4 — Pompone or Kew Blush Camellia. Double Red Camellia., 1819
Clara Maria Pope; Publisher: J. & A. Arch Cornhill, London; Printer: Samuel Curtis

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Carnations, Clara Maria Pope; Publisher: Samuel Curtis — Carnations, 1806-1820
Clara Maria Pope; Publisher: Samuel Curtis

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Fashion Plate No. 105 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 105 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

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Caricature No. 2 — Dilettanti, c.1830
Henri Monnier; Lithographer: de Bernard

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Plate IV, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth — Plate IV, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

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Tea Time, Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn — Tea Time, 1804
Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn

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Plate 161, Vol. III. Loddigesia Mirabilis, John Gould; Lithographer: Henry Constantine Richter; Printer: Walter & Cohn — Plate 161, Vol. III. Loddigesia Mirabilis, 1849-1887
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter & Cohn

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birds; plate 328 — The Brazilian Saw-billed Roller, 1802-1805
George Edwards

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birds — Plate 20, Vol. VII. Thaumalea Amherstiae, 1850-1883
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter

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plate T47 — The Blew-Bird, 1731-1743
Mark Catesby

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plate T17 — The Large Red-crested Woodpecker. Live Oak, 1731-1743
Mark Catesby

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Caricature — Frontispiece: Suite/ des cris des Marchands/ ambulants de Paris./ par J.D. Bertaux, 18th century
Jean Duplessis-Bertaux

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plate no. 5 — Yellow and Black Pye, 1771
Mark Catesby

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Caricature of George III, Queen Charlotte, and their children shopping. — A Milliner's Shop, March 24, 1787
Henry Kingsbury; Publisher: S. W. Fores

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Plate V, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth — Plate V, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

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birds — Hybrid Pheasant, 1870-1872
Daniel Giraud Elliot; Artist: Joseph Wolf; Lithographer: John Gerrard Keulemans; Printer: P. W. M. Trap. Leiden

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Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red. — Leaf from a Book of Hours (recto and verso), c. 1500
Unknown Netherlandish

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Caricature — A New Hat. Zounds! It Pinches Me Like the Very Devil!!, March 1826
M. Egerton; Engraver: H. Pyall; Publisher: T. Gillard

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Caricature — A Real Rubber!/ At Whist, c. 1824
M. Egerton; Engraver: George Hunt; Publisher: George Hunt

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Plate 61 from Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands, London, 1731-43 (3rd ed., 1771). — Magnolia grandiflora (The Laurel Tree of Carolina), c. 1743 (3rd ed. 1771)
Georg Dionysius Ehret; Etcher: Georg Dionysius Ehret; Publisher: Mark Catesby

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Imp. Francois Delarue, Paris Imp E. Gambert & Co., London — Tulips, c. 1815-1854
Eugène Anthelme Grobon; Artist: François-Frédéric Grobon

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Plate B — The Night-Blowing Cereus, May 20, 1800
Robert Dunkarton; Artist: After Philip Reinagle; Artist: Moonlight by William Pether; Publisher: Dr. Robert John Thornton

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Lathyrus latifolius (Everlasting Pea), After Pierre-Joseph Redouté; Engraver: Victor — Lathyrus latifolius (Everlasting Pea), 1827
After Pierre-Joseph Redouté; Engraver: Victor

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Tropaeolum majus (Garden Nasturtium), After Pierre-Joseph Redouté — Tropaeolum majus (Garden Nasturtium), 1827
After Pierre-Joseph Redouté

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Frontispiece of Hortus Indicus Malabaricus (Vol. 1), After Pietro Foglia, Italian, c. 1617–1691; Engraver: Antony Jakob Goedkint; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck — Frontispiece of Hortus Indicus Malabaricus (Vol. 1), 1678
After Pietro Foglia, Italian, c. 1617–1691; Engraver: Antony Jakob Goedkint; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck

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Miss Macaroni and Her Gallant at a Print Shop, John Raphael Smith; Publisher: John Bowles — Miss Macaroni and Her Gallant at a Print Shop, April 2, 1773
John Raphael Smith; Publisher: John Bowles

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Title Page from Metamorphosis Insectorum Surinamensium, Maria Sibylla Merian; Artist: After Bernard Picart — Title Page from Metamorphosis Insectorum Surinamensium, 1726
Maria Sibylla Merian; Artist: After Bernard Picart

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Plate 2 — Mature Pineapple with Butterflies, 1705-1771
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

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New Map of the World, from Hendrik Hondius and Jan Jansson's "Atlas Novus," Amsterdam, Hendrik Hondius; Publisher: Jan Jansson — New Map of the World, from Hendrik Hondius and Jan Jansson's "Atlas Novus," Amsterdam, 1641
Hendrik Hondius; Publisher: Jan Jansson

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Very Slippy Weather, James Gillray; Publisher: Mrs. Hannah Humphrey — Very Slippy Weather, February 10, 1808
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature — Morning, Noon, Night, 1829
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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The Dress Circle, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — The Dress Circle, c. 1830-1832
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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Scientific Researches! New Discoveries in Pneumaticks! [sic] or an Experimental Lecture on the Powers of Air, James Gillray — Scientific Researches! New Discoveries in Pneumaticks! [sic] or an Experimental Lecture on the Powers of Air, May 23, 1802
James Gillray

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black and white — "The Village Wedding" Performed at Versailles during Carnival in 1763, 1763
Francois Nicolas Martinet; Artist: after Michel-Ange Slodtz; Engraver: Francois Nicolas Martinet

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plate 2; black and white — Second Room of the Apartments at Versailles, 1694-1698
Antoine Trouvain

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plate I; black and white — First Apartment at Versailles, 1694
Antoine Trouvain

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plate 3; black and white — Fourth Room of the Apartments at Versailles, 1696
Antoine Trouvain

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12e Cahier, Plate 47 — Study of Sunflowers, 1805
Louis Charles Ruotte; Artist: After Jean Louis Prévost

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Plate 309 — Iris germanica (Bearded Iris), 1812
After Pierre-Joseph Redouté; Engraver: de Gouy

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Vase of Flowers, After Jean-Baptiste Monnoyer — Vase of Flowers, c. 1675-1685
After Jean-Baptiste Monnoyer

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The Satyr Funeral from a series of designs for decorative panels, Jean Le Pautre; Artist: After Jean Berain, the Elder — The Satyr Funeral from a series of designs for decorative panels, c. 1670-1680
Jean Le Pautre; Artist: After Jean Berain, the Elder

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black and white — Pan vel Satyrrus Marinus, from "Historia Animalium", 1551-1587
Conrad Gesner; Author: Conrad Gesner

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Inconveniences of a Crowded Drawing Room, George Cruikshank; Publisher: George Humphrey, London — Inconveniences of a Crowded Drawing Room, May 6, 1818
George Cruikshank; Publisher: George Humphrey, London

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Monstrosities of 1821, George Cruikshank; Publisher: George Humphrey, London — Monstrosities of 1821, May 20, 1821
George Cruikshank; Publisher: George Humphrey, London

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The Macaroni Print Shop, Edward Topham; Publisher: Matthew Darly — The Macaroni Print Shop, July 14, 1772
Edward Topham; Publisher: Matthew Darly

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Plate 35 — Ungrateful nation, you will not have my masterpiece!, 1840
Honoré Daumier; Printer: d'Aubert & Co.; Publisher: Charles Philipon

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Plate 2 — Cette Annee encore des Venus..., from Croquis Pris au Salon par Daumier, Vol. IX. pub. in Le Charivari, 1864
Honoré Daumier; Lithographer: Destouches; Publisher: Charles Philipon

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A Cognoscenti Contemplating the Beauties of the Antique, James Gillray; Publisher: Mrs. Hannah Humphrey — A Cognoscenti Contemplating the Beauties of the Antique, February 11, 1801
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature No. 516 — Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, April 2, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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The Pic-Nic Orchestra, James Gillray; Publisher: Mrs. Hannah Humphrey — The Pic-Nic Orchestra, April 23, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Lady Godina's Rout: or Peeping-Tom Spying Out Pope-Joan, James Gillray; Publisher: Mrs. Hannah Humphrey — Lady Godina's Rout: or Peeping-Tom Spying Out Pope-Joan, March 12, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

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Tales of Wonder!, James Gillray; Publisher: Mrs. Hannah Humphrey — Tales of Wonder!, February 1, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Monstrocities of 1799, Scene Kensington Gardens, James Gillray; Publisher: Mrs. Hannah Humphrey — Monstrocities of 1799, Scene Kensington Gardens, June 25, 1799
James Gillray; Publisher: Mrs. Hannah Humphrey

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Advantages of Wearing Muslin Dresses!, James Gillray; Publisher: Mrs. Hannah Humphrey — Advantages of Wearing Muslin Dresses!, February 15, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature; No. 257 — The Union Club, January 21, 1801
James Gillray; Etcher: James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

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Plate 5; Double-sided — The Sixth Day of Creation (recto); The Seventh Day of Creation (verso), from The Nuremberg Chronicle, 1493
Michael Wolgemut; Artist: Wilhelm Pleydenwurff; Author: Hartmann Schedel; Publisher: Anton Koberger

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The Visit of Doctor Syntax to the Widow Hopefull [sic] at York, Thomas Rowlandson; Publisher: Rudolph Ackermann — The Visit of Doctor Syntax to the Widow Hopefull [sic] at York, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Doctor Syntax Sketching After Nature, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Sketching After Nature, February 1, 1815
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Doctor Syntax Setting Out in Search of A Wife, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Setting Out in Search of A Wife, October 1, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Doctor Syntax Visits a Boarding School for Young Ladies, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Visits a Boarding School for Young Ladies, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Doctor Syntax Assisting at an Instrumental Trio, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Assisting at an Instrumental Trio, 1821
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Doctor Syntax Preaching, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Preaching, February 1, 1815
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Rosa indica cruenta (Rosebush of Bengal with Crimson-of-Blood Flowers), François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté — Rosa indica cruenta (Rosebush of Bengal with Crimson-of-Blood Flowers), 1817-1824
François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté

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Rosa centifolia angelica rubra (Rosebush of Cumberland), François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté — Rosa centifolia angelica rubra (Rosebush of Cumberland), 1817-1824
François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté

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Rosa damascene variegata (Rosebush of York and Lancaster), Bessin; Artist: After Pierre-Joseph Redouté — Rosa damascene variegata (Rosebush of York and Lancaster), 1817-1824
Bessin; Artist: After Pierre-Joseph Redouté

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Plate 469 — Amaryllis brasiliensis (Brazilian Amaryllis), 1816
After Pierre-Joseph Redouté; Engraver: Bessin

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Long Tom & Mad[emoisel]le G-d. Going to the Pantheon in Their Natural Masks, William Austin — Long Tom & Mad[emoisel]le G-d. Going to the Pantheon in Their Natural Masks, 1773
William Austin

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Noah's Ark (Argo Navis or Ship of the Argonauts) from Coelum Stellatum Christianum (Christian Starry Heavens), Julius Schiller; Publisher: Andreas Aperger; Engraver: Lucas Kilian (after Mathias Kager) — Noah's Ark (Argo Navis or Ship of the Argonauts) from Coelum Stellatum Christianum (Christian Starry Heavens), 1627
Julius Schiller; Publisher: Andreas Aperger; Engraver: Lucas Kilian (after Mathias Kager)

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Saint Stephen (Cepheus), Constellation IV from "Coelum Stellatum Christianum," 1627, Julius Schiller; Engraver: Andreas Aperger; Engraver: Lucas Kilian (after Mathias Kager) — Saint Stephen (Cepheus), Constellation IV from "Coelum Stellatum Christianum," 1627, 1627
Julius Schiller; Engraver: Andreas Aperger; Engraver: Lucas Kilian (after Mathias Kager)

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Jonah and the Whale, Unknown German, 15th century — Jonah and the Whale, 16th century
Unknown German, 15th century

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Title Page from A Select Collection of Humourous Engravings, Caricatures etc., Unknown English, 19th century — Title Page from A Select Collection of Humourous Engravings, Caricatures etc., 19th century
Unknown English, 19th century

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The Paintress of Maccaroni's [sic], Robert Dighton; Publisher: Carington Bowles — The Paintress of Maccaroni's [sic], 1770
Robert Dighton; Publisher: Carington Bowles

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Chart 28 — Scenographic View of the Southern Hemisphere with the Starry Vault and the Earth, plate 28 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Plate 25 — Spherical Scenograph of the Celestial and Terrestrial Northern Hemisphere, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, September 1, 1807
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, 1808
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Spectators at a Print Shop in Saint Paul's Church Yard, Unknown English, 18th century; Publisher: Carington Bowles — Spectators at a Print Shop in Saint Paul's Church Yard, c. 1775-1790
Unknown English, 18th century; Publisher: Carington Bowles

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Chart 27 — The Southern Stellar Hemisphere of Antiquity, plate 27 from Harmonia Microcosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Diagram 1 — The Planisphere of Ptolemy, plate 1 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Dutch (Amsterdam)

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Plate 59 — Male Suriname Toad, with Eggs on Back (Deposited There by Female), Shells and Flowering Plant, 1705-1771
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

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Plate 23 — Bananas and Blue Lizard, 1705-1771
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

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Plate 5 — Snake, Caterpillar, Butterfly, and Insects on Plant, 18th century
After Maria Sibylla Merian; Engraver: Joseph Mulder; Printer: Cassave ?

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Plate 28 — Citrus Fruit and Beetle, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

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Plate 11 — Caterpillars, Butterflies, and Flower, 1705 (1705-1771)
After Maria Sibylla Merian

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Plate 7 — Great Blue Butterflies and Red Fruits, 1705-1771
After Maria Sibylla Merian; Engraver: Pieter Sluyter (Sluiter)

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Plate 9 — Blue Butterflies and Pomegranate, 1705-1771
After Maria Sibylla Merian; Engraver: Joseph Mulder

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1 of pair, see P.14,017. — Illuminated Page from a French Book of Hours, c. 1505-1510
Thielman Kerver

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1 of pair, see P.14,018. — Illuminated Page from a French Book of Hours, c. 1505-1510
Thielman Kerver

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style; black and white — The Fête of 1674, Third Day: The Performance of Moliere's "The Hypochondriac" in the Gardens before the Grotto, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

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