Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian — Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730
Maria Sibylla Merian

G209

ornamental engraving, black and white — Feste Bacchique, 1729-1731
Antoine Watteau; Engraver: Jean Moyreau

G317

Fashion Figure, Unknown — Fashion Figure, 19th century
Unknown

Not on View

Indian Shot (Canna indica), Unknown — Indian Shot (Canna indica), 16th century
Unknown

Not on View

Pomegranates and Dead Bird, Unknown — Pomegranates and Dead Bird, early 19th century
Unknown

Not on View

Chevre-feuille, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, Victor; Artist: after Pierre-Joseph Redouté — Chevre-feuille, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827
Victor; Artist: after Pierre-Joseph Redouté

Not on View

Camphora, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Camphora, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

Not on View

Nati-schambu from Hortus Indicus Malabaricus (Vol. 2), After Pietro Foglia, Italian, c. 1617–1691; Engraver: Attributed to Antony Jakob Goedkint; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck — Nati-schambu from Hortus Indicus Malabaricus (Vol. 2), 1678-1703
After Pietro Foglia, Italian, c. 1617–1691; Engraver: Attributed to Antony Jakob Goedkint; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck

Not on View

tom. VI. pl. XXI. pag. 460; birds (hoopoe) — La Huppe, 1779
Comte George-Louis Leclerc de Buffon; Artist: After Jacques Eustache De Seve; Engraver: Jne. Mansard

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plate XXVI; page 370; black and white; birds (barn owl) — L'Effraie, 1770-1783
Comte George-Louis Leclerc de Buffon; Artist: after Jacques Eustache De Seve; Engraver: C. Baron

Not on View

Viola, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Viola, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

Not on View

Bouquet of Pansies, After Pierre-Joseph Redouté; Engraver: Victor — Bouquet of Pansies, 1827
After Pierre-Joseph Redouté; Engraver: Victor

Not on View

Rosier de France a fleurs panachees, from Les Roses, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté — Rosier de France a fleurs panachees, from Les Roses, 1817-1824
François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté

Not on View

Rosier Aurore Poniatowska, from La Couronne Des Roses, After Pierre-Joseph Redouté; Engraver: Charlin — Rosier Aurore Poniatowska, from La Couronne Des Roses, 1817-1824
After Pierre-Joseph Redouté; Engraver: Charlin

Not on View

Caricature — An Exquisite Day, 1820
Unknown English, 16th century; Publisher: Cribb, Tavistock Street, Convent Garden, London

Not on View

Rose a cent feuilles, from Fleurs Dessinees d'apres Nature, after Gerard van Spaendonck; Engraver: Pierre Francois Legrand — Rose a cent feuilles, from Fleurs Dessinees d'apres Nature, c. 1800
after Gerard van Spaendonck; Engraver: Pierre Francois Legrand

Not on View

Rosa damascene variegata (Rosebush of York and Lancaster), Bessin; Artist: After Pierre-Joseph Redouté — Rosa damascene variegata (Rosebush of York and Lancaster), 1817-1824
Bessin; Artist: After Pierre-Joseph Redouté

Not on View

No. 22 — Ronce frutescente. Ronce bleue, from Traites des Arbres et Fruitiers, 1801-1819
after Pancrace Bessa

Not on View

Color-printed illustration of the Sacred Egyptian Bean (Nympaea nelumbo) — The Sacred Egyptian Bean, plate 31 from Robert Thorton's "The Temple of Flora", 1804 (1799-1807)
after Peter Henderson; Engraver: Thomas Burke; Engraver: Frederick Lewis; Publisher: Dr. Robert John Thornton

Not on View

Souci des Jardins, from Fleurs Dessinees d'apres Nature, after Gerard van Spaendonck; Engraver: Pierre Francois Legrand — Souci des Jardins, from Fleurs Dessinees d'apres Nature, c. 1800
after Gerard van Spaendonck; Engraver: Pierre Francois Legrand

Not on View

Rosier Eglantier, from Les Roses, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté — Rosier Eglantier, from Les Roses, 1817-1824
François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté

Not on View

Rosier de Cels, from Les Roses, After Pierre-Joseph Redouté; Engraver: Charlin — Rosier de Cels, from Les Roses, 1817-1824
After Pierre-Joseph Redouté; Engraver: Charlin

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Autumn, No. 208, from Series of Seasons, "Vide Thomsons Seasons", Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House — Autumn, No. 208, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794
Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

Not on View

Plate 16, one of 18 hand-colored engravings of flowering plants by Sowerby — Pergularia odoratissima (Chinese Creeper), 1793
James Sowerby; Author: Inscribed notes by Sir James Edward Smith; Publisher: Sir James Edward Smith

Not on View

Rosier a cent feuilles, foliace, from Les Roses, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté — Rosier a cent feuilles, foliace, from Les Roses, 1817-1824
François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté

Not on View

Paeonia flagrans (Peony), After Pierre-Joseph Redouté — Paeonia flagrans (Peony), 1827
After Pierre-Joseph Redouté

Not on View

Rosier de Provinsi a fleurs roses et simples, from La Couronne Des Roses, After Pierre-Joseph Redouté; Engraver: François Langlois (called Ciartres) — Rosier de Provinsi a fleurs roses et simples, from La Couronne Des Roses, 1817-1824
After Pierre-Joseph Redouté; Engraver: François Langlois (called Ciartres)

Not on View

Frontispiece and Title Page to Supplement-Band zu Dr. B. F. Vietz medizinisch-ökonomisch-technischen Pflanzen from Icones Plantarum Medico-oeconomico-technologicarum, Ferdinand Bernhard Vietz — Frontispiece and Title Page to Supplement-Band zu Dr. B. F. Vietz medizinisch-ökonomisch-technischen Pflanzen from Icones Plantarum Medico-oeconomico-technologicarum, 1822
Ferdinand Bernhard Vietz

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Rosier a feuilles de Laitue, from Les Roses, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté — Rosier a feuilles de Laitue, from Les Roses, 1817-1824
François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté

Not on View

Plate 309 — Iris germanica (Bearded Iris), 1812
After Pierre-Joseph Redouté; Engraver: de Gouy

Not on View

Plate 9 — Artistes en train d'examiner le tableau d'un rival, from Le Public au Salon, Vol. VII, pub. in Le Charivari, 1852
Honoré Daumier; Publisher: Charles Philipon; Printer: Ch. Trivocq, Cour des Miracles, 9 Paris

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black and white — Hoopoe Bird. De Upupa. A. Lib. III, Page 743, 1551-1587
Conrad Gesner; Author: Conrad Gesner

Not on View

Monstrosities of 1819, George Cruikshank — Monstrosities of 1819, November 29, 1819
George Cruikshank

Not on View

black and white (Heron) — De Avibus. Page 212, 1551-1587
Conrad Gesner; Author: Conrad Gesner

Not on View

A Cognoscenti Contemplating the Beauties of the Antique, James Gillray; Publisher: Mrs. Hannah Humphrey — A Cognoscenti Contemplating the Beauties of the Antique, February 11, 1801
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature — Plate 2, from The Dancing Lesson, Pt. 2, March 6, 1824
George Cruikshank; Publisher: George Humphrey, London

Not on View

Caricature — Very Unpleasant Weather, or the Old Saying Verified. "Raining Cats, Dogs and Pitchforks"!!!, April 27, 1820
George Cruikshank; Publisher: George Humphrey, London

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Caricature, V5 — The Botanic Macaroni, November 14, 1772
Matthew Darly

Not on View

4 Heures Du Soir. Mlle. Laure Deveria, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 4 Heures Du Soir. Mlle. Laure Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

Not on View

7 Heures Du Matin. Mlle. de Nisdal, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 7 Heures Du Matin. Mlle. de Nisdal, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

Not on View

Plate 682 — Lady with Mask, from La Noblesse de Lorraine, c. 1625
Jacques Callot

Not on View

Les Amateurs de Plafonds au Salon, Louis-Philibert Debucourt; Artist: after Carle Vernet; Publisher: chez Ch. Bance & Aumont, rue J.J. Rousseau, No. 10 — Les Amateurs de Plafonds au Salon, 1824
Louis-Philibert Debucourt; Artist: after Carle Vernet; Publisher: chez Ch. Bance & Aumont, rue J.J. Rousseau, No. 10

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Plate 680 — Lady, Hand in Muff, from La Noblesse de Lorraine, 1620-1623
Jacques Callot

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See: P.17,094, b. & w. edition. — 7 Heures Du Soir. Mme. Gide, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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Portrait from Galerie Fashionable, Achille Devéria; Lithographer: Achille Devéria — Portrait from Galerie Fashionable, c. 1830
Achille Devéria; Lithographer: Achille Devéria

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See: P.17,099, b. & w. edition. — Minuit. Mlle. Annette Boulanger, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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Plate 9 (toucan), Vol. I — Ramphastos Vitellinus (Illiger), 1833-1835
Edward Lear; Artist: after a sketch by John Gould; Lithographer: Edward Lear; Printer: Charles Joseph Hullmandel

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Caricature — Title Page: Les Metamorphoses/ Du Jour/ par Grandville, 1829
Jean Ignace Isidore Gérard Grandville; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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birds; pl. 37 — Eagle Owl. Bubo maximus, 1832-1837
Edward Lear; Artist: John Gould after a sketch by; Printer: Charles Joseph Hullmandel

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birds — Malurus Pulcherrimus: Gould. Plate 23. Vol. III, 1837-1838
John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton

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Caricature. No. 8. 2eme Partie. Le fils du fermier., Eugène Louis Lami; Lithographer: Gihaut Freres — Caricature. No. 8. 2eme Partie. Le fils du fermier., 1833
Eugène Louis Lami; Lithographer: Gihaut Freres

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Title Page: Harmonia Macrocosmica/ sev/ Atlas/ Universalis et Novus/..., from Harmonia Macrocosmica, Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam — Title Page: Harmonia Macrocosmica/ sev/ Atlas/ Universalis et Novus/..., from Harmonia Macrocosmica, 1708
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

Not on View

Caricature No. 579 — A Little Music; or, The Delights of Harmony, May 20, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Plate 21, Plate 364 — Une Erreur Excusable, from Actualites, Vol. VIII. pub. in Le Charivari, 1856
Honoré Daumier; Lithographer: Destouches; Publisher: Charles Philipon

Not on View

Caricature — A Real Rubber!/ At Whist, c. 1824
M. Egerton; Engraver: George Hunt; Publisher: George Hunt

Not on View

Caricature No. 49 — Oh' c'est positif, ma chere, la recherche de la paternite est interdite, from Les Metamorphoses du Jour, c. 1829
Les Langlume; Artist: Jean Ignace Isidore Gérard Grandville; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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Caricature; No. 523 — Dilettanti-Theatricals: of a Peep at the Green Room. --vide, Pic-Nic-Orgies, February 18, 1803
James Gillray; Etcher: James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

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Caricature No. 569 — La Walse, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature. No. 2. L'arrivee des Lettres et des Gournaux., Eugène Louis Lami; Lithographer: Villain; Printer: Lami Denozan, Librairie, Paris — Caricature. No. 2. L'arrivee des Lettres et des Gournaux., 1828
Eugène Louis Lami; Lithographer: Villain; Printer: Lami Denozan, Librairie, Paris

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Caricature No. 53 — Tu 'entetes a jouer avec Monsieur; tu vois bien qu'il retourne le Roi a chque coup, from Les Metamorphoses du Jour, c. 1829
Les Langlume; Artist: Jean Ignace Isidore Gérard Grandville; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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Caricature No. 415 — The Fashionable Mamma; or, the Convenience of Modern Dress, February 13, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

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birds (hummingbird) — Plate 147, Vol. III. Calothorax Heliodori., 1849-1887
John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton

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Plate 28, Vol. I — Paradisea Papuana (Papuana Bird of Paradise), 1875-1888
John Gould; Lithographer: William Matthew Hart; Printer: Walter

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8 Heures Du Matin. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 8 Heures Du Matin. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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Caricature. No. 4. 2eme Partie. Les anglais du voisinage., Eugène Louis Lami; Lithographer: Gihaut Freres — Caricature. No. 4. 2eme Partie. Les anglais du voisinage., 1833
Eugène Louis Lami; Lithographer: Gihaut Freres

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Caricature — Title Page, Part II, from Les Fleurs Animees, 1846
Jean Ignace Isidore Gérard Grandville; Engraver: Charles Michel Geoffroi

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Caricature; No. 257 — The Union Club, January 21, 1801
James Gillray; Etcher: James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

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Chart 26 — The Northern Stellar Hemisphere, with the Terrestial Hemisphere Lying Beneath, plate 26 from Harmonia Microcosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Caricature — Soleil, from Les Fleurs Animees, 1846
Jean Ignace Isidore Gérard Grandville; Engraver: Charles Michel Geoffroi; Printer: Sarazin; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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Plate 37, Johannes Goedart — Plate 37, 1662
Johannes Goedart

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11 Heures Du Soir, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 11 Heures Du Soir, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

Not on View

Caricature — Marguerite, from Les Fleurs Animees, 1846
Jean Ignace Isidore Gérard Grandville; Engraver: Charles Michel Geoffroi; Printer: Sarazin; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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Chart 29 — The Southern Stellar Hemisphere with Equally Proportioned Spheres, plate 29 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Caricature No. XII — --Arrivez, arrivez, nourrice. --Dieux! comme ye ressemble a Mosieu, from Les Metamorphoses du Jour, 1829
Jean Ignace Isidore Gérard Grandville; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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birds; plate 32 — Greater and Lesser Humming Birds from Surinam, 1743
George Edwards

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See P.17,373. The Conclusion of the 1st Vol. — Title Page, Vol. I, from The Caricature Magazine,/ Or/ Hudibrastic Mirror, September 1, 1807
George Moutard Woodward; Etcher: George Cruikshank; Publisher: Thomas Tegg , 111 Cheapside, London

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Caricature — Les Amateurs de tableaux, from Grimaces, 1823
Louis-Léopold Boilly; Lithographer: François Seraphin Delpech; Publisher: François Seraphin Delpech

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Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, September 1, 1807
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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plate T33 — The Large Lark, 1731-1743
Mark Catesby

Not on View

Caricature No. 396 — Dev'lish Cold, from A Set of Heads, c. 1795
Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

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Caricature — Les antiquaires, from Grimaces, 1823
Louis-Léopold Boilly; Lithographer: François Seraphin Delpech; Publisher: François Seraphin Delpech

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Caricature — Promenade au Bois de Vincennes, early 19th century
Unknown

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Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., 1807-1809
Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

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Caricature, from Aujord'hui, Bulletin Des Modes Ridicules, Gerard-Fontallard; Lithographer: Benard — Caricature, from Aujord'hui, Bulletin Des Modes Ridicules, October 1838
Gerard-Fontallard; Lithographer: Benard

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Caricature; No. 17 — Promenade du matin, Rendez-vous de la Course au Bois de Boulogne, from Modes du Jour, early 19th century
attributed to Claude-Louis Desrais

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Caricature. No. 3. La Matinee., Eugène Louis Lami; Lithographer: Villain; Printer: Lami Denozan, Librairie, Paris — Caricature. No. 3. La Matinee., 1828
Eugène Louis Lami; Lithographer: Villain; Printer: Lami Denozan, Librairie, Paris

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birds (hummingbirds) — Plate 263, Vol. IV. Heliomaster Angelae., 1849-1887
John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton

Not on View

black and white — Pan vel Satyrrus Marinus, from "Historia Animalium", 1551-1587
Conrad Gesner; Author: Conrad Gesner

Not on View

Plate 2 — Les Faunes Indiscrets, Vol. VI., from Idylles Parlementaires, pub. in Le Charivari, 1850-1851
Honoré Daumier; Printer: d'Aubert & Co.

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Vis à Vis. Accidents in Quadrille Dancing, George Cruikshank; Publisher: Mrs. Hannah Humphrey — Vis à Vis. Accidents in Quadrille Dancing, April 11, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Caricature No. XXXVIII — Monseigneur, je vous presente mes hommages aiusi que ma fille, from Les Metamorphoses du Jour, 1854
Jean Ignace Isidore Gérard Grandville; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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Caricature, from Aujord'hui, Bulletin Des Modes Ridicules, Gerard-Fontallard — Caricature, from Aujord'hui, Bulletin Des Modes Ridicules, February 1838
Gerard-Fontallard

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Plate 0, Set 2 — Una Hirundo non Facit ver, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

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See: P.17,098, b. & w. edition. — 11 Heures Du Soir. Portrait from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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birds (red bird of paradise) — Plate 28, Vol. II. Uranornis Rubra (Daud), 1891-1898
John Gould; Lithographer: William Matthew Hart; Printer: Mintern Bros.

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No. 533 — August, from The Twelve Months, c. 1781
Robert Dighton; Printer: Carington Bowles; Retailer: Carington Bowles

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Caricature, V6 — The Aurelian Macaroni, July 5, 1773
Matthew Darly

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Tab. VI. Fig. I, II., from "Thesaurus Animalium", Friedrich Ruysch; Engraver: Joseph Mulder; Artist: after Joannem Wolters — Tab. VI. Fig. I, II., from "Thesaurus Animalium", 1710
Friedrich Ruysch; Engraver: Joseph Mulder; Artist: after Joannem Wolters

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Chart 28 — Scenographic View of the Southern Hemisphere with the Starry Vault and the Earth, plate 28 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Caricature — Costumes De Matin, from Aujord'hui, Bulletin Des Modes Ridicules, April 1838
Gerard-Fontallard; Lithographer: Bouis

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Caricature — The Ladies Contrivance/ Or The Capital Conceit, April 30, 1777
Matthew Darly

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Caricature No. LI — Vo regardez Miledy, from Les Metamorphoses du Jour, 1854
Jean Ignace Isidore Gérard Grandville; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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Caricature. No. 9. 2eme Partie. Causeries du soir., Eugène Louis Lami; Lithographer: Gihaut Freres — Caricature. No. 9. 2eme Partie. Causeries du soir., 1833
Eugène Louis Lami; Lithographer: Gihaut Freres

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Two Women, Jacques Callot — Two Women, 17th century
Jacques Callot

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8 Heures Du Soir. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 8 Heures Du Soir. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

Not on View

Caricature from Aujord'hui, Bulletin Des Modes Ridicules, Gerard-Fontallard — Caricature from Aujord'hui, Bulletin Des Modes Ridicules, March 1838
Gerard-Fontallard

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10 Heures Du Soir. Mme. Menessier-Nodier, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 10 Heures Du Soir. Mme. Menessier-Nodier, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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9 Heures Du Soir. Mlle Laure Deveria, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 9 Heures Du Soir. Mlle Laure Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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Plate 2 — Cette Annee encore des Venus..., from Croquis Pris au Salon par Daumier, Vol. IX. pub. in Le Charivari, 1864
Honoré Daumier; Lithographer: Destouches; Publisher: Charles Philipon

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Caricature; No. 565 — Farmer Giles & his Wife, shewing off their daughter Betty to their Neighbours, on her return from School, January 1, 1809
James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

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Plate 29, Johannes Goedart — Plate 29, 1662
Johannes Goedart

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Caricature No. 65 — Knave Wins All/ MODERN HOSPITALITY, or a Friendly Party in High Life..., March 31, 1792
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature No. 31 — Vocal Concert, from Les Metamorphoses du Jour, c. 1829
Les Langlume; Artist: Jean Ignace Isidore Gérard Grandville; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

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Index Tabularum; Quae in hac/ from Harmonia Macrocosmica, Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam — Index Tabularum; Quae in hac/ from Harmonia Macrocosmica, 1708
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Portrait. Joannes Goedartius, Weversdyck; Engraver: R. A. Persyn — Portrait. Joannes Goedartius, 1662
Weversdyck; Engraver: R. A. Persyn

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Route De St. Cloud, Louis-Philibert Debucourt; Artist: after Carle Vernet — Route De St. Cloud, 1816
Louis-Philibert Debucourt; Artist: after Carle Vernet

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Monstrocities of 1799, Scene Kensington Gardens, James Gillray; Publisher: Mrs. Hannah Humphrey — Monstrocities of 1799, Scene Kensington Gardens, June 25, 1799
James Gillray; Publisher: Mrs. Hannah Humphrey

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11 Heures Du Matin. Mme. Clemence Peyron, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 11 Heures Du Matin. Mme. Clemence Peyron, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

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Caricature, from Monstrosities of 1824--Pt. 7, George Cruikshank; Publisher: George Humphrey, London — Caricature, from Monstrosities of 1824--Pt. 7, July 8, 1824
George Cruikshank; Publisher: George Humphrey, London

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The Macaroni Print Shop, Edward Topham; Publisher: Matthew Darly — The Macaroni Print Shop, July 14, 1772
Edward Topham; Publisher: Matthew Darly

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Plate 11, Set 1 — Versicolor coluber, ranas, miserasp Lacertas Deuorat, In siluis ferra fortior, ore minorem Dilacerat, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View

Caricature No. LIV — Pacot.-- Te vois bien, Glaude, un suppose que t'serais caporal d'ordinaire, ou general, n'importe quoi?/ que si t'serais bete, on t'metaphoiserait avec une tete d'cornichon qu' a des figures comme ca?...., from Les Metamorphoses du Jour, 1854
Jean Ignace Isidore Gérard Grandville; Lithographer: Hildebrand; Publisher: Garnier Freres, Rue des Saints Peres, 6, Paris

Not on View

Caricature No. 413 — Two-Penny Whist, January 11, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

Caricature No. 516 — Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, April 2, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

black and white; text on reverse side (eagle) — Bird Print. De Aquila. A. Lib. III. 163, 1551-1587
Conrad Gesner; Author: Conrad Gesner

Not on View

Plate 3 — Devant les tableaux de Meissonnier, from Le Public au Salon, Vol. VII, pub. in Le Charivari, 1852
Honoré Daumier; Publisher: Charles Philipon; Printer: Ch. Trivocq, Cour des Miracles, 9 Paris

Not on View

No. 527 — February, from The Twelve Months, late 18th century
Robert Dighton; Printer: Carington Bowles; Retailer: Carington Bowles

Not on View

Caricature No. 578 — The Graces In a High Wind.-- a Scene taken from Nature, in Kensington Gardens, May 26, 1810
James Gillray; Publisher: Mrs. Hannah Humphrey

Not on View

4 Heures Du Matin. Mlle. Laure Deveria, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 4 Heures Du Matin. Mlle. Laure Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

Not on View

Plate 12, Set 1 — Regum locustae non habent, et egreditur Universa par turmas suas. pra: 28, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View

Portrait of Mme. Menessier-Nodier, from Alphabet Varie, Choix de Costumes d'apres nature, Achille Devéria; Lithographer: de Fonrouge — Portrait of Mme. Menessier-Nodier, from Alphabet Varie, Choix de Costumes d'apres nature, 1831
Achille Devéria; Lithographer: de Fonrouge

Not on View

See: Laure Deveria — 4 Heures Du Soir. Mlle. Laure Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

Not on View

Aurantium Virgatum, from Hesperides, 1646
Giovanni Battista Ferrari

Not on View

Caricature — The Supplemental Magazine, January 1, 1786
S. W. Fores , at the Caracature Warehouse, No. 3 Picadilly; Etcher: R. Rusworth

Not on View

Plate 9, Set 1 — Ipsa dies aperit: conficit ipsa dies, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View

10 Heures Du Matin. Mme. Neuhaus, from Les Dix-huit Heures d'une Parisienne, Achille Devéria; Lithographer: de Fonrouge — 10 Heures Du Matin. Mme. Neuhaus, from Les Dix-huit Heures d'une Parisienne, c. 1830
Achille Devéria; Lithographer: de Fonrouge

Not on View

Plate 684 — Lady, Hand on Vest, from La Noblesse de Lorraine, c. 1620-1623
Jacques Callot

Not on View

birds; pl. 43 — Snowy Owl, 1832-1837
Edward Lear; Artist: From sketches by John Gould; Lithographer: Edward Lear; Printer: Charles Joseph Hullmandel

Not on View

Plate 32, Johannes Goedart — Plate 32, 1662
Johannes Goedart

Not on View

birds; pl. 42 — Great Cinereous Owl, 1832-1837
Edward Lear; Artist: from sketches by John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel

Not on View

Inconveniences of a Crowded Drawing Room, George Cruikshank; Publisher: George Humphrey, London — Inconveniences of a Crowded Drawing Room, May 6, 1818
George Cruikshank; Publisher: George Humphrey, London

Not on View

Aurantium Crispo Folio, from Hesperides, Giovanni Battista Ferrari — Aurantium Crispo Folio, from Hesperides, 1646
Giovanni Battista Ferrari

Not on View

Plate 2, Set 2 — Aeternum Florida Virtus, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

Not on View

Fashion Plate, from Les Robes de Paul Poiret, Paul Poiret; Artist: Paul Iribe — Fashion Plate, from Les Robes de Paul Poiret, 1908
Paul Poiret; Artist: Paul Iribe

Not on View

caricature; no. 4 — Marchand d'Estampes, c. 1830
Henri Monnier; Lithographer: François Seraphin Delpech

Not on View

Fashion Plate, from Les Robes de Paul Poiret, Paul Poiret; Artist: Paul Iribe — Fashion Plate, from Les Robes de Paul Poiret, 1908
Paul Poiret; Artist: Paul Iribe

Not on View

Plate of Style, Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn — Plate of Style, 1804
Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn

Not on View

Birds. (golden eagle with pocket gopher) — Golden Eagle, Female. Plate I., 1821-1834
Prideaux John Selby

Not on View

Fashion Plate, from Les Robes de Paul Poiret, Paul Poiret; Artist: Paul Iribe — Fashion Plate, from Les Robes de Paul Poiret, 1908
Paul Poiret; Artist: Paul Iribe

Not on View

"Bonnart" genre. — Femme de Qualite en deshabille de Vestalle, 1688
Jean Dieu Saint-Jean

Not on View

Portrait of Mrs. H. Humphrey, Publisher of Gillray's Caricatures, after James Gillray — Portrait of Mrs. H. Humphrey, Publisher of Gillray's Caricatures, 1796
after James Gillray

Not on View

Frontispiece from Atlas, Jodocus Hondius; Publisher: Hendrik Hondius — Frontispiece from Atlas, 1623
Jodocus Hondius; Publisher: Hendrik Hondius

Not on View

A Desert [sic] Imitation of Modern Fashion, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — A Desert [sic] Imitation of Modern Fashion, c. 1830-1832
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

Woman in gown with green skirt with white ruffle at bottom, frilly pink top, white gloves, a pink fan, and a white hat with plumes — Plate III from Cabinet Des Modes, Vingtième Cahier, 1 Septembre 1786, September 1, 1786
A.B. Duhamel; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

Not on View

Plate of Style, Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn — Plate of Style, 1804
Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn

Not on View

style; black and white — The Fête of 1674, Sixth Day: Illuminations around the Grand Canal, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

Not on View

Bal de Societe, from Cinq Costumes Parisiens, Louis Charles Ruotte; Artist: Jean François Bosio; Publisher: La Mésangre — Bal de Societe, from Cinq Costumes Parisiens, 1804
Louis Charles Ruotte; Artist: Jean François Bosio; Publisher: La Mésangre

Not on View

Louis XIV Bestowing the Cordon Bleu on the Infant Duc de Bourgogne, Father of Louis XV, King of France, after Antoine Watteau; Engraver: Nicholas de Larmessin III; Engraver: or Nicholas de Larmessin II (pere) — Louis XIV Bestowing the Cordon Bleu on the Infant Duc de Bourgogne, Father of Louis XV, King of France, 1729
after Antoine Watteau; Engraver: Nicholas de Larmessin III; Engraver: or Nicholas de Larmessin II (pere)

Not on View

Plate II, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth — Plate II, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

Not on View

Mufle de veau, from Fleurs Dessinees d'apres Nature, after Gerard van Spaendonck; Engraver: Pierre Francois Legrand — Mufle de veau, from Fleurs Dessinees d'apres Nature, c. 1800
after Gerard van Spaendonck; Engraver: Pierre Francois Legrand

Not on View

Rosier a cent feuilles, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté — Rosier a cent feuilles, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827
François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté

Not on View

Frontispiece and Title Page. Vol. I, from Icones Plantarum Medico-oeconomico-technologicarum..., Ferdinand Bernhard Vietz — Frontispiece and Title Page. Vol. I, from Icones Plantarum Medico-oeconomico-technologicarum..., 1800
Ferdinand Bernhard Vietz

Not on View

Jacinthe double, from Fleurs Dessinees d'apres Nature, after Gerard van Spaendonck; Engraver: Pierre Francois Legrand — Jacinthe double, from Fleurs Dessinees d'apres Nature, c. 1800
after Gerard van Spaendonck; Engraver: Pierre Francois Legrand

Not on View

Tenga, from Hortus Indicus Malabaricus (Vol. 1), Attributed to Antony Jakob Goedkint; Artist: After Pietro Foglia, Italian, c. 1617–1691; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck — Tenga, from Hortus Indicus Malabaricus (Vol. 1), 1678-1703
Attributed to Antony Jakob Goedkint; Artist: After Pietro Foglia, Italian, c. 1617–1691; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck

Not on View

plate 17, vol. II — The Cock Macaw from Jamaica, 1731-1738
Eleazer Albin

Not on View

plate 10, vol. III — The Bleu Maccaw, 1737
Eleazer Albin

Not on View

Caricature No. 405 — What a Glorious Speech!, from A Set of Heads, c. 1795
Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

Not on View

Caricature — Le Postulant, early 19th century
Unknown

Not on View

birds and animals; plate 294 — The Dodo and the Guinea Pig, 1757
George Edwards; Engraver: George Edwards

Not on View

Birds — Macrocercus Ararauna. Blue & Yellow Macaw., 1830-1832
Edward Lear

Not on View

Miss Macaroni and Her Gallant at a Print Shop, John Raphael Smith; Publisher: John Bowles — Miss Macaroni and Her Gallant at a Print Shop, April 2, 1773
John Raphael Smith; Publisher: John Bowles

Not on View

The Satyr Funeral from a series of designs for decorative panels, Jean Le Pautre; Artist: After Jean Berain, the Elder — The Satyr Funeral from a series of designs for decorative panels, c. 1670-1680
Jean Le Pautre; Artist: After Jean Berain, the Elder

Not on View

plate T. 11 (Carolina Parakeet) — The Parrot of Carolina, 1731-1743
Mark Catesby

Not on View

Plate 23 — Flower Designs, from Materiaux du Dessinateur, 19th century
attributed to Alphonse Noel

Not on View

Diagram 1 — The Planisphere of Ptolemy, plate 1 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Dutch (Amsterdam)

Not on View

Frontispiece: A Real Scene in St. Paul's Churchyard on a Windy Day, Carington Bowles; Artist: after Robert Dighton — Frontispiece: A Real Scene in St. Paul's Churchyard on a Windy Day, c. 1770
Carington Bowles; Artist: after Robert Dighton

Not on View

Caricature No. 380 — Well Neighbour-- What's the News?, from A Set of Heads, c. 1795
Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

Not on View

Frontispiece from Tooneel, or Theatrum, Joan Blaeu — Frontispiece from Tooneel, or Theatrum, 1649
Joan Blaeu

Not on View

Birds — No. 14. Le Guepier Daudin male., 1806
François Levaillant; Artist: after Auguste; Engraver: Guyard Fils; Printer: Millevoy

Not on View

Caricature — La vien venue./ Le debut de Mad.elle Chameroy en Paradis, early 19th century
Unknown

Not on View

Caricature — Maps!/ Anything wanted to-day Sir?, July 4, 1791
John K. Baldry

Not on View

Caricature No. 381 — We're All in the Suds, from A Set of Heads, c. 1795
Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

Not on View

Birds — Pl. No. 1. Le grand Oiseau de Paradis, emeraude, male., 1801-1806
François Levaillant; Artist: after Jacques Barraband; Engraver: Perré Gremillier

Not on View

Caricature No. 386 — I Say Nothing, from A Set of Heads, c. 1795
Robert Dighton; Publisher: Bowles and Carver; Retailer: Bowles and Carver

Not on View

Plate 19 from the Harmonia Macrocosmica — The Varying Phases and Appearances of the Moon, from Harmonia Macrocosmica, 1660
Andreas Cellarius; Engraver: Johannes van Loon; Publisher: Gerard Valk and Peter Schenk, Amsterdam

Not on View

Tab. 395 — Pyrus Communis from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

Not on View

Frage, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Frage, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

Not on View

Plate 469 — Amaryllis brasiliensis (Brazilian Amaryllis), 1816
After Pierre-Joseph Redouté; Engraver: Bessin

Not on View

Title Page from A Select Collection of Humourous Engravings, Caricatures etc., Unknown English, 19th century — Title Page from A Select Collection of Humourous Engravings, Caricatures etc., 19th century
Unknown English, 19th century

Not on View

Virga Pastoris, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Virga Pastoris, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

Not on View

Paeonie from Icones Plantarum Medico-oeconomico-technologicarum, Ferdinand Bernhard Vietz — Paeonie from Icones Plantarum Medico-oeconomico-technologicarum, 1804
Ferdinand Bernhard Vietz

Not on View

Kaida from Hortus Indicus Malabaricus (Vol. 2), After Pietro Foglia, Italian, c. 1617–1691; Engraver: Attributed to Antony Jakob Goedkint; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck — Kaida from Hortus Indicus Malabaricus (Vol. 2), 1678-1703
After Pietro Foglia, Italian, c. 1617–1691; Engraver: Attributed to Antony Jakob Goedkint; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck

Not on View

Rosier d'Amour, from La Couronne Des Roses, Bessin; Artist: after Pierre-Joseph Redouté — Rosier d'Amour, from La Couronne Des Roses, 1817-1824
Bessin; Artist: after Pierre-Joseph Redouté

Not on View

Plate 366 — Iris pale, from Les Liliacées, vol. 7, 1813
after Pierre-Joseph Redouté; Engraver: de Gouy

Not on View

Mais, Ble de Turquie, from Fleurs Dessinees d'apres Nature, Gerard van Spaendonck (after); Engraver: Pierre Francois Legrand — Mais, Ble de Turquie, from Fleurs Dessinees d'apres Nature, c. 1800
Gerard van Spaendonck (after); Engraver: Pierre Francois Legrand

Not on View

Kaida-taddi from Hortus Indicus Malabaricus (Vol. 2), After Pietro Foglia, Italian, c. 1617–1691; Engraver: Attributed to Antony Jakob Goedkint; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck, Amsterdam — Kaida-taddi from Hortus Indicus Malabaricus (Vol. 2), 1678-1703
After Pietro Foglia, Italian, c. 1617–1691; Engraver: Attributed to Antony Jakob Goedkint; Author: Hendrik Adriaan van Rheede tot Drakenstein; Publisher: Joannis van Someren and Joannis van Dyck, Amsterdam

Not on View

Caricature — A View of the Parade at Bath, c. 1780-1790
Unknown English, 16th century

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Tiger-Like Stanhopea (Tiger Orchid), after Augusta Innes Withers; Lithographer: Maxim Gauci; Printer: Paul Gauci; Author: James Bateman; Publisher: J. Ridgeway & Sons, London , for the author — Tiger-Like Stanhopea (Tiger Orchid), 1838
after Augusta Innes Withers; Lithographer: Maxim Gauci; Printer: Paul Gauci; Author: James Bateman; Publisher: J. Ridgeway & Sons, London , for the author

Not on View

Plate 389 — Pavie jaune. (Peaches), from Traite des Arbres Fruitiers, 1807-1835
after Antoine Poiteau; Engraver: Bouquet

Not on View

Plate 2 — Erodium supracanum, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788
François Hubert; Artist: after Pierre-Joseph Redouté

Not on View

Tab. 378 — Prunus Cerasus from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

Not on View

Tab. 394 — Pyrus Malus, from Icones Plantarum Medicinalium, 1788 (?)
Joseph Jakob Plenck

Not on View

Plate 21 — Pelargonium acerifolium, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788
after Pierre-Joseph Redouté; Engraver: Milsan

Not on View

Plate 207 — Capron commun. (Strawberries), from Traite des Arbres Fruitiers, 1807-1835
after P. Jean Turpin; Engraver: Bouquet

Not on View

Tab. 512 — Alcea Rosea from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

Not on View

Tab. 402 — Rosa Centifolia, from Icones Plantarum Medicinalium, 1788 (?)
Joseph Jakob Plenck

Not on View

Tab. 405 — Rosa Alba from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

Not on View

Plate 117 — Fraisier de Virginie (Grandes fleurs), from Traite des Arbres Fruitiers, 1807-1835
after Antoine Poiteau; Engraver: Gabriel

Not on View

Plate III, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth — Plate III, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

Not on View

caricature — L'Antiquaire, c. 1830
Ducarme; Publisher: Martinet Publishing Family (as Hartecoeur-Martinet)

Not on View

"Bonnart" type print; See: Bonnart — Fille de Qualite Recevant visite a sa Toilette, 1680-1696
Nicholas Arnoult

Not on View

style; black and white — The Fête of 1674, Fifth Day: Fireworks on the Canal, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

Not on View

view, vue d'optique — View of the Stables of Versailles from the Courtyard, 18th century
Jacques Rigaud; Engraver: Balthasar Friedrich Leizelt

Not on View

Ornament. Chinoiserie. Flowers and Birds., Jean-Baptiste Pillement; Etcher: Jean-Jacques Avril l'Aine — Ornament. Chinoiserie. Flowers and Birds., 1770
Jean-Baptiste Pillement; Etcher: Jean-Jacques Avril l'Aine

Not on View

black and white — Costume Plate No. 199, 18th century
Antoine Watteau

Not on View

Doctor Syntax Preaching, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Preaching, February 1, 1815
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

black and white — Costume Plate No. 259, 18th century
Antoine Watteau

Not on View

Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin — Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, 1570
Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

black and white — Costume Plate No. 161, 18th century
Antoine Watteau

Not on View

caricature — Grisettes: (Une botique, quartiev Vivienne.), early 19th century
Ary Scheffer; Lithographer: de Fonrouge

Not on View

Doctor Syntax Setting Out in Search of A Wife, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Setting Out in Search of A Wife, October 1, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

style; black and white — L'Anglomane, 19th century
Carle Vernet; Engraver: Darcis

Not on View

caricature; plate 26 — Dr. Syntax/ At Covent Garden Theatre, August 16, 1813
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

black and white — Costume Plate XXV, 18th century
Antoine Watteau

Not on View

caricature; plate 8 — Doctor Syntax Pursued by a Bull, February 1, 1815
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature — The Rev. Doctor Syntax, May 1, 1812
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

caricature no. 6 — Chinois de parisiens!, 1832
Numa; Lithographer: Benard

Not on View

clothered print, dress "clothered" — Mademoiselle D'Armagnac, 1695
Antoine Trouvain

Not on View

caricature; plate 5 — Doctor Syntax/ Disputing His Bill with the Landlady, February 1, 1815
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

Not on View

93; black and white; title on stone lower right: "Veduta dell'Arco/ Di/ Constantino; "110" written in — The Arch of Constantine, 1771
Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi

Not on View

caricature — Les montagnes russes, ou la rassion du gour, c. 1815-1820
Les Noel Publishers

Not on View

caricature — A Quiet Doze After Dinner, 1827
Ego ?; Engraver: H. Pyall; Publisher: Thomas McLean

Not on View

Woman seen from behind in a white gown with pink overgown and a brown cape and large mostly white hat — Plate II from Cabinet des Modes, Huitième Cahier, 1 Mars 1786, March 1, 1786
A.B. Duhamel; Artist: after Claude-Louis Desrais; Publisher: François Buisson

Not on View

Plate I, from Marriage a la Mode, William Hogarth; Engraver: Louis Gerard Scotin; Publisher: William Hogarth — Plate I, from Marriage a la Mode, 1745
William Hogarth; Engraver: Louis Gerard Scotin; Publisher: William Hogarth

Not on View

Woman in green and purple gown with a hat with pink bows — Plate I from Cabinet Des Modes, Vingt-deuxième Cahier, 1 Octobre 1786, October 1, 1786
A.B. Duhamel; Artist: after Claude-Louis Desrais; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

Not on View

The Dress Circle, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — The Dress Circle, c. 1830-1832
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

caricature — The Mere Matter of Form, 1854
John Leech

Not on View

Plate 5; Double-sided — The Sixth Day of Creation (recto); The Seventh Day of Creation (verso), from The Nuremberg Chronicle, 1493
Michael Wolgemut; Artist: Wilhelm Pleydenwurff; Author: Hartmann Schedel; Publisher: Anton Koberger

Not on View

Caricature — The Bloomer Polka, 1840-1845
J. Fairburn , No. 21 Featherstone Street City Road

Not on View

"Bonnart" genre. — Madame la Princesse de Conty Douairiere, Daughter of Louis XIV and Louise de la Valliere, c. 1695
Jean Mariette

Not on View

Fashion Plate, from Les Robes de Paul Poiret, Paul Poiret; Artist: Paul Iribe — Fashion Plate, from Les Robes de Paul Poiret, 1908
Paul Poiret; Artist: Paul Iribe

Not on View

Waist and Extravagance, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — Waist and Extravagance, March 1, 1829
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

caricature — Le Chinoise de Province et son Magot,/ ou le Bon Gout transplante, c. 1800-1810
after? Victor Auger; Publisher: Martinet Publishing Family

Not on View

Plate VI, from Marriage A-La-Mode, William Hogarth; Engraver: Louis Gerard Scotin; Publisher: William Hogarth — Plate VI, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Louis Gerard Scotin; Publisher: William Hogarth

Not on View

style; black and white — The Fête of 1674, Fourth Day: Festival in the Marble Court, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

Not on View

caricature — Une bonne Mere, c. 1830
Henri Monnier; Lithographer: de Bernard

Not on View

Fashion Plate, from Les Robes de Paul Poiret, Paul Poiret; Artist: Paul Iribe — Fashion Plate, from Les Robes de Paul Poiret, 1908
Paul Poiret; Artist: Paul Iribe

Not on View

Birds. — Great Eared Owl, from Illustrations of British Ornithology, Edinburgh, 1821-1834
Prideaux John Selby

Not on View

Plate IV, from Marriage A-La-Mode, William Hogarth; Publisher: William Hogarth — Plate IV, from Marriage A-La-Mode, 1745
William Hogarth; Publisher: William Hogarth

Not on View

Caricature — Miss--Ann--Thropy, c. 1830
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

Not on View

"Bonnart" type print; See: Bonnart — Femme de Qualite aux bain de la Sausais, 1680-1696
Nicholas Arnoult

Not on View

Caricature — The Bloomer Girl, c. 1840
Edward Noyce; Publisher: Stannard & Dixon, 7 Poland Street

Not on View

Plate I from Cabinet des Modes, Neuvième Cahier, 15 Mars 1786, March 15, 1786

A.B. Duhamel; Artist: after Claude-Louis Desrais; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

Not on View

caricature — Une Matinee du Luxembourg, c. 1821
Martinet Publishing Family

Not on View

Insects. — Nacht-Vlinders van't Eeerste Gezin Der Eeerste Bende. Tab. III., 1762-1860
Jan Christian Sepp

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caricature; no. 5 — Bouquiniste, c. 1830
Henri Monnier; Lithographer: François Seraphin Delpech

Not on View

Caricature — The Bloomer Girl, c. 1840-1845
Edward Noyce; Publisher: Stannard & Dixon, 7 Poland Street

Not on View

black and white — Costume Plate XXIV, 18th century
Antoine Watteau; Printer: Jacques Gabriel Huquier

Not on View

80; title on cartouche, towards L below: "Veduta del Tempio detto della Concordia;" black and white — The Temple of Saturn, with a Corner of the Arch of Septimus Severus in the Foreground, 1774
Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi

Not on View

Statue of Minerva, Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi — Statue of Minerva, 1748
Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi

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Doctor Syntax Sketching After Nature, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Sketching After Nature, February 1, 1815
Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature; touched with white — La boutique de Delpech, 1818
Carle Vernet; Lithographer: François Seraphin Delpech ?

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Doctor Syntax Assisting at an Instrumental Trio, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Assisting at an Instrumental Trio, 1821
Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature — Une soiree des Musiciens Italiens sur le boulevard, early 19th century
Jean Henri Marlet; Lithographer: Jean Henri Marlet

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Frontispiece, Claes. Claesz. Visscher I — Frontispiece, c. 1680
Claes. Claesz. Visscher I

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view of Brighton — Music or Concert Room, 1820-1824
John Nash; Retailer: Rudolph Ackermann

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caricature — A Side Box, December 6, 1781
Sayer & Bennett, Publishers

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caricature; plate 29 — Doctor Syntax/ Taking Possession of His Living, August 16, 1813
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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frontispiece — Neptune Crowned, 1712
Jan Luyken; Engraver: Nachtegael; Publisher: Johannes Van Keulen

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Doctor Syntax Bound to a Tree by Highwaymen, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Bound to a Tree by Highwaymen, August 16, 1813
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Ornament. Chinoiserie. Flowers and Birds., Jean-Baptiste Pillement; Etcher: Jean-Jacques Avril l'Aine — Ornament. Chinoiserie. Flowers and Birds., 1770
Jean-Baptiste Pillement; Etcher: Jean-Jacques Avril l'Aine

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caricature — Box-Lobby Loungers, 1786
Thomas Rowlandson

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Laissez-moi-feule! from Les Feuillets d'Art, Georges Barbier — Laissez-moi-feule! from Les Feuillets d'Art, 1919
Georges Barbier

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caricature no. 3 — Phenomene vivant, 1832
Numa; Lithographer: Benard

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caricature no. 6 — Phenomene vivant, 1832
Numa; Lithographer: Benard

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caricature no. 6 — Mode d'hiver, 1832
Numa; Lithographer: Benard

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caricature — Going Out to Dinner, or Rather Late than Otherwise, 1827
Ego ?; Engraver: H. Pyall; Publisher: Thomas McLean

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plate 2; black and white — Second Room of the Apartments at Versailles, 1694-1698
Antoine Trouvain

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caricature; plate 16 — Quae Genus With A Portrait Painter, September 1, 1822
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature no. 13 — Le Bouquiniste, c. 1850
Emile Wattier; Lithographer: G. Frey; Publisher: Martinet Publishing Family

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costume plate — Louis le Grand Roy de France, post dated 1715
Antoine Trouvain

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127; black and white — Hadrian's Villa: The Central Room of the Larger Thermae, 1770
Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi

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view — Saloon at the Marine Pavilion. The Royal Pavilion at Brighton., June 1, 1790
Thomas Rowlandson; Artist: Tinted by Samuel Alken

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caricature; no. 37 — Sapristi. . . voila de satanes jupons en acier qui me genent furieusement. . ., c. 1855
Charles Vernier; Lithographer: Destouches; Publisher: Martinet Publishing Family

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Doctor Syntax Visits a Boarding School for Young Ladies, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Visits a Boarding School for Young Ladies, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature no. 5 — Phenomene vivant, 1832
Numa; Lithographer: Benard

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black and white; title on large slab of stone — Vedute di Roma/ Disegnate Ed Incise Da Giambattista Piranesi/ Archeitetto Ve...ziana, 1748
Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi

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caricature; plate 5 — Dr. Syntax with a Blue Stocking Beauty, November 1, 1820
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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Birds 66. 1. Wood Ibis. 2. Scarlet I. 3. White Ibis. 4. Flamingo., Alexander Wilson; Engraver: J. G. Warnicke — Birds 66. 1. Wood Ibis. 2. Scarlet I. 3. White Ibis. 4. Flamingo., 1808-1814
Alexander Wilson; Engraver: J. G. Warnicke

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Fashion Plate, from La Belle Assemblee, Unknown English, 19th century — Fashion Plate, from La Belle Assemblee, 1809-1811
Unknown English, 19th century

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Fashion Plate from Histoire d'une Epingle, Gerard-Fontallard — Fashion Plate from Histoire d'une Epingle, 19th century
Gerard-Fontallard

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Plate IV, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth — Plate IV, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

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Plate V, from Marriage A-La-Mode, William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth — Plate V, from Marriage A-La-Mode, 1745
William Hogarth; Engraver: Bernard Baron; Publisher: William Hogarth

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Caricature of George III, Queen Charlotte, and their children shopping. — A Milliner's Shop, March 24, 1787
Henry Kingsbury; Publisher: S. W. Fores

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