🔎 creditline:"The Minnich Collection The Ethel Morrison Van Derlip Fund" | Mia

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Caricature — Le Grande Maitre de la Frisure a la Mode, c. 1770-1775
Unknown French [?], 18th century

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Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin — Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, 1570
Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Artist possibly Josepha Tusch — Tulipa gesneriana (Didier's Tulip), 1815
Unknown Austrian, 19th century

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Title Page from A Select Collection of Humourous Engravings, Caricatures etc., Unknown English, 19th century — Title Page from A Select Collection of Humourous Engravings, Caricatures etc., 19th century
Unknown English, 19th century

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Fashion Plate, from La Belle Assemblee, Unknown English, 19th century — Fashion Plate, from La Belle Assemblee, 1809-1811
Unknown English, 19th century

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Fashion Plate, from La Belle Assemblee, Unknown English, 19th century — Fashion Plate, from La Belle Assemblee, 1809-1811
Unknown English, 19th century

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Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian — Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730
Maria Sibylla Merian

G209

The Fourth Age, from Les Quatres Ages de l'Homme, Abraham Bosse — The Fourth Age, from Les Quatres Ages de l'Homme, 1636
Abraham Bosse

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No. 46 — Various Tulips, June 24, 1791
John Edwards

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Plate 370 and 371 — Amaryllis de Josephine, from Les Liliacées, vol. 7, 1813
after Pierre-Joseph Redouté; Engraver: Charles Lemaire

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Butterflies and flowers. No signatures. — Plate XIX, from "Naauwkeurige Waarneemingen...", 1774
Jacob L'Admiral, Jr.

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With the famous vignettes of the 4 seasons. — Map of the World, c. 1710
Karel Allard; Artist: after Jacob De Wit

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Le retour du Baptesme, from Le Mariage a la Ville, Abraham Bosse — Le retour du Baptesme, from Le Mariage a la Ville, 1633
Abraham Bosse

Not on View

H-7 — Geranium (Pelargonium sp.), c. 1800
Unknown , French, 18th-19th century

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Peony, Unknown — Peony, c. 1790-1810
Unknown

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birds — Plate 45, Vol. III. Loxia Curvirostra, Linn., 1862-1873
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter & Cohn

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Plate 27 — Three French Gentlemen, 1581
Abraham de Bruyn; Artist: Jean-Louis Boissard; Publisher: Caspar Rutz

Not on View

plate 60 — The Bead Snake, 1731-1743
Mark Catesby

Not on View

Iris Bulbosa Flore, François L'Anglois — Iris Bulbosa Flore, 1620
François L'Anglois

Not on View

plate no. 15 — The Crested Jay, with Smilax, 1731-1743
Mark Catesby

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T.75 — The Ground Squirrel, 1731-1743
Mark Catesby

Not on View

plate T46 — The Chatterer, 1731-1743
Mark Catesby

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birds — Plate 20, Vol. VII. Thaumalea Amherstiae, 1850-1883
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter

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Plate 161, Vol. III. Loddigesia Mirabilis, John Gould; Lithographer: Henry Constantine Richter; Printer: Walter & Cohn — Plate 161, Vol. III. Loddigesia Mirabilis, 1849-1887
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter & Cohn

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Plate XXVII — Les Oeillets de la Chine, 1776
Pierre Joseph Buc'Hoz

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T.76 — Blue Heron, 1731-1743
Mark Catesby

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Plate XXIII — Le Nenuphar rouge de la Chine, 1776
Pierre Joseph Buc'Hoz

Not on View

plate T31 — The Angel Fish, 1731-1743
Mark Catesby

Not on View

Caricature — Frontispiece: Suite/ des cris des Marchands/ ambulants de Paris./ par J.D. Bertaux, 18th century
Jean Duplessis-Bertaux

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Hairdress Caricature — The French Lady in London, late 18th century
Basset, Rue St. Jacques, No. 64

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No. 5. plate XXIV — Four-striped Ground Squirrel, 1845-1848
after John James Audubon; Lithographer: John T. Bowen; Printer: John T. Bowen

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Plate 54, Vol. VII. Lophophorus L'Huysi, A Geoff. St. Hil., John Gould; Lithographer: Henry Constantine Richter; Printer: Walter — Plate 54, Vol. VII. Lophophorus L'Huysi, A Geoff. St. Hil., 1850-1883
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter

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plate II — Yellow Lily and Scarab Beetles, 1731-1743
Mark Catesby

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Plate 74, Vol. I. Harpactes Kasumba., John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton — Plate 74, Vol. I. Harpactes Kasumba., 1850-1883
John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton

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Leopard Spermophile, Male and Female, after John James Audubon; Lithographer: John T. Bowen — Leopard Spermophile, Male and Female, 1845-1848
after John James Audubon; Lithographer: John T. Bowen

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Plate XXXIV — Le Pin de la Chine, 1776
Pierre Joseph Buc'Hoz

Not on View

plate T17 — The Large Red-crested Woodpecker. Live Oak, 1731-1743
Mark Catesby

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No. 33. plate 164 — Field Bunting, 1840-1844
after John James Audubon; Lithographer: John T. Bowen; Printer: John T. Bowen

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T.71 — The Green Tree Frog, 1731-1743
Mark Catesby

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plate no. 12 — The American Partidge, 1731-1743
Mark Catesby

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Large Orange Lily, No.13, John Edwards — Large Orange Lily, No.13, June 14, 1786
John Edwards

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plate T27 — The Mock-Bird, 1731-1743
Mark Catesby

Not on View

plate 90 — The Maho Tree. Phalaena fusca, 1731-1743
Mark Catesby

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plate T47 — The Blew-Bird, 1731-1743
Mark Catesby

Not on View

Bird illustration — Plate 12, Vol. II. Upupa Epops, Linn., 1862-1873
John Gould; Lithographer: Henry Constantine Richter; Printer: Walter

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birds — Plate ?, Vol. II. Pteridophora Alberti, Meyer., 1891-1898
William Matthew Hart; Artist: after drawings by John Gould; Lithographer: William Matthew Hart; Printer: Mintern Bros.

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plate no. 5 — Yellow and Black Pye, 1771
Mark Catesby

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Elephant, Wenceslaus Hollar — Elephant, 1663
Wenceslaus Hollar

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birds; plate 328 — The Brazilian Saw-billed Roller, 1802-1805
George Edwards

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T. 72 — The Bull Frog, 1731-1743
Mark Catesby

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T.73 — Black Squirrel, 1731-1743
Mark Catesby

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T. 73 — Flamingo, 1731-1743
Mark Catesby

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plate 58 — The Wampum Snake, 1731-1743
Mark Catesby

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Plate XXXI — La Harman, 1776
Pierre Joseph Buc'Hoz

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Primula auricula (Primroses), After Pierre-Joseph Redouté; Engraver: Victor — Primula auricula (Primroses), 1827
After Pierre-Joseph Redouté; Engraver: Victor

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3e Cahier, Plate 9 — Bouquet of Tulip, Peonies, and a Branch from an Apple Tree, 1805
After Jean Louis Prévost; Engraver: Louis Charles Ruotte

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No. 21 — Rendezvous at Marly, 1776-1777
Jean-Michel Moreau le Jeune; Engraver: Carl Gottlieb Guttenberg

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plate no. 15 — Small White Magnolia with Red Velvet Ant, 1731-1743
Mark Catesby

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Ceremonial portrait — Marie Antoinette, 1775
Louis-Jacques Cathelin; Artist: after Jean Martial Frédou

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Shells — Plate B. II., from "Deliciae Naturae Selectae", 1750-1772
George Wolfgang Knorr

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tom. VIII. pl. XXII. pag. 260; black and white; birds (loon) — L'Imbrim ou Grand Plongeon de la Mer du Nord, 1770-1783
Comte George-Louis Leclerc de Buffon; Artist: after Jacques Eustache De Seve; Engraver: Lerillain

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tom. VIII. pl. XXV. pag. 304; black and white; birds — Le Pélican, 1781
Comte George-Louis Leclerc de Buffon; Artist: after Jacques Eustache De Seve; Engraver: C. Baron

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Jonah and the Whale, Unknown German, 15th century — Jonah and the Whale, 16th century
Unknown German, 15th century

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tom. VIII. pl. XXXIX. pag. 498; black and white; birds (flamingo) — Le Flammant ou Phénicoptére, 1770-1783
Comte George-Louis Leclerc de Buffon; Artist: after Jacques Eustache De Seve; Engraver: L.F. Le Grand

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Noah's Ark (Argo Navis or Ship of the Argonauts) from Coelum Stellatum Christianum (Christian Starry Heavens), Julius Schiller; Publisher: Andreas Aperger; Engraver: Lucas Kilian (after Mathias Kager) — Noah's Ark (Argo Navis or Ship of the Argonauts) from Coelum Stellatum Christianum (Christian Starry Heavens), 1627
Julius Schiller; Publisher: Andreas Aperger; Engraver: Lucas Kilian (after Mathias Kager)

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Saint Stephen (Cepheus), Constellation IV from "Coelum Stellatum Christianum," 1627, Julius Schiller; Engraver: Andreas Aperger; Engraver: Lucas Kilian (after Mathias Kager) — Saint Stephen (Cepheus), Constellation IV from "Coelum Stellatum Christianum," 1627, 1627
Julius Schiller; Engraver: Andreas Aperger; Engraver: Lucas Kilian (after Mathias Kager)

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plate XXVI; page 370; black and white; birds (barn owl) — L'Effraie, 1770-1783
Comte George-Louis Leclerc de Buffon; Artist: after Jacques Eustache De Seve; Engraver: C. Baron

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tom. VI. pl. XXI. pag. 460; birds (hoopoe) — La Huppe, 1779
Comte George-Louis Leclerc de Buffon; Artist: After Jacques Eustache De Seve; Engraver: Jne. Mansard

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Long Tom & Mad[emoisel]le G-d. Going to the Pantheon in Their Natural Masks, William Austin — Long Tom & Mad[emoisel]le G-d. Going to the Pantheon in Their Natural Masks, 1773
William Austin

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Birds — Macrocercus Ararauna. Blue & Yellow Macaw., 1830-1832
Edward Lear

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Birds — Pl. No. 1. Le grand Oiseau de Paradis, emeraude, male., 1801-1806
François Levaillant; Artist: after Jacques Barraband; Engraver: Perré Gremillier

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plate T. 11 (Carolina Parakeet) — The Parrot of Carolina, 1731-1743
Mark Catesby

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plate T33 — The Large Lark, 1731-1743
Mark Catesby

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plate T48 (northern or Baltimore oriole) — The Baltimore Bird, 1731-1743
Mark Catesby

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plate T52 — The Crested Flycatcher, 1731-1743
Mark Catesby

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The Satyr Funeral from a series of designs for decorative panels, Jean Le Pautre; Artist: After Jean Berain, the Elder — The Satyr Funeral from a series of designs for decorative panels, c. 1670-1680
Jean Le Pautre; Artist: After Jean Berain, the Elder

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Plate 33 Birds (Carolina parakeet) Per cat.card: De l'Imprimerie de Langlois. — La Perruche à tête jaune, 1801-1805
François Levaillant; Artist: After Jacques Barraband; Printer: Langlois

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Plate 110 — Fem. du Perroquet Aouro-couraou, 1801-1805
François Levaillant; Artist: after Jacques Barraband; Printer: Langlois

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Le Coq de roche male (Male cock-of-the rock), No. 51., After Jacques Barraband; Author: François Levaillant; Engraver: Perré Gremillier; Printer: Rousset — Le Coq de roche male (Male cock-of-the rock), No. 51., 1801-1806
After Jacques Barraband; Author: François Levaillant; Engraver: Perré Gremillier; Printer: Rousset

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Birds — No. 14. Le Guepier Daudin male., 1806
François Levaillant; Artist: after Auguste; Engraver: Guyard Fils; Printer: Millevoy

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birds and animals; plate 294 — The Dodo and the Guinea Pig, 1757
George Edwards; Engraver: George Edwards

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Miss Macaroni and Her Gallant at a Print Shop, John Raphael Smith; Publisher: John Bowles — Miss Macaroni and Her Gallant at a Print Shop, April 2, 1773
John Raphael Smith; Publisher: John Bowles

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Spectators at a Print Shop in Saint Paul's Church Yard, Unknown English, 18th century; Publisher: Carington Bowles — Spectators at a Print Shop in Saint Paul's Church Yard, c. 1775-1790
Unknown English, 18th century; Publisher: Carington Bowles

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The Paintress of Maccaroni's [sic], Robert Dighton; Publisher: Carington Bowles — The Paintress of Maccaroni's [sic], 1770
Robert Dighton; Publisher: Carington Bowles

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birds — Thaumalea Picta (Golden Pheasant), 1870-1872
Daniel Giraud Elliot; Artist: Joseph Wolf; Lithographer: Joseph Smit; Printer: M. & N. Hanhart

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Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Conclusion from The Caricature Magazine or Hudibrastic Mirror, Vol. 1, September 1, 1807
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page from The Caricature Magazine or Hudibrastic Mirror, Vol. 3, 1808
George Moutard Woodward; Publisher: Thomas Tegg , 111 Cheapside, London

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Diagram 1 — The Planisphere of Ptolemy, plate 1 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Dutch (Amsterdam)

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Plate 19 from the Harmonia Macrocosmica — The Varying Phases and Appearances of the Moon, from Harmonia Macrocosmica, 1660
Andreas Cellarius; Engraver: Johannes van Loon; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Chart 23 — Christian Constellation, Second Hemisphere, plate 23 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Chart 24 — The Northern Stellar Hemisphere of Antiquity, plate 24 from the Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Plate 25 — Spherical Scenograph of the Celestial and Terrestrial Northern Hemisphere, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Chart 27 — The Southern Stellar Hemisphere of Antiquity, plate 27 from Harmonia Microcosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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Chart 28 — Scenographic View of the Southern Hemisphere with the Starry Vault and the Earth, plate 28 from Harmonia Macrocosmica, 1660
Andreas Cellarius; Publisher: Gerard Valk and Peter Schenk, Amsterdam

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black and white — Hoopoe Bird. De Upupa. A. Lib. III, Page 743, 1551-1587
Conrad Gesner; Author: Conrad Gesner

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black and white; text on reverse side (eagle) — Bird Print. De Aquila. A. Lib. III. 163, 1551-1587
Conrad Gesner; Author: Conrad Gesner

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black and white — Pan vel Satyrrus Marinus, from "Historia Animalium", 1551-1587
Conrad Gesner; Author: Conrad Gesner

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black and white (Heron) — De Avibus. Page 212, 1551-1587
Conrad Gesner; Author: Conrad Gesner

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black and white — Ostrich. De Avibus, De Struthocamelo. Page 708, 1551-1587
Conrad Gesner; Author: Conrad Gesner

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black and white; double sided — Peacock. De Avibus, De Pavone. Page 656, 1551-1587
Conrad Gesner; Author: Conrad Gesner

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Plate 2; Caricature — Vis a Vis/ Accidents in Quadrille Dancing, from series Quadrille Dancing, April 15, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Les Graces. Inconveniences in Quadrille Dancing, George Cruikshank; Publisher: Mrs. Hannah Humphrey — Les Graces. Inconveniences in Quadrille Dancing, April 9, 1817
George Cruikshank; Publisher: Mrs. Hannah Humphrey

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Inconveniences of a Crowded Drawing Room, George Cruikshank; Publisher: George Humphrey, London — Inconveniences of a Crowded Drawing Room, May 6, 1818
George Cruikshank; Publisher: George Humphrey, London

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birds; pl. 42 — Great Cinereous Owl, 1832-1837
Edward Lear; Artist: from sketches by John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel

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Monstrosities of 1819, George Cruikshank — Monstrosities of 1819, November 29, 1819
George Cruikshank

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Monstrosities of 1821, George Cruikshank; Publisher: George Humphrey, London — Monstrosities of 1821, May 20, 1821
George Cruikshank; Publisher: George Humphrey, London

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birds; pl. 37 — Eagle Owl. Bubo maximus, 1832-1837
Edward Lear; Artist: John Gould after a sketch by; Printer: Charles Joseph Hullmandel

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Plate 9 (toucan), Vol. I — Ramphastos Vitellinus (Illiger), 1833-1835
Edward Lear; Artist: after a sketch by John Gould; Lithographer: Edward Lear; Printer: Charles Joseph Hullmandel

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The Macaroni Print Shop, Edward Topham; Publisher: Matthew Darly — The Macaroni Print Shop, July 14, 1772
Edward Topham; Publisher: Matthew Darly

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Plate 35 — Ungrateful nation, you will not have my masterpiece!, 1840
Honoré Daumier; Printer: d'Aubert & Co.; Publisher: Charles Philipon

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birds (hummingbird) — Plate 147, Vol. III. Calothorax Heliodori., 1849-1887
John Gould; Lithographer: Henry Constantine Richter; Printer: Charles Joseph Hullmandel & Walton

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Plate 28, Vol. I — Paradisea Papuana (Papuana Bird of Paradise), 1875-1888
John Gould; Lithographer: William Matthew Hart; Printer: Walter

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birds (red bird of paradise) — Plate 28, Vol. II. Uranornis Rubra (Daud), 1891-1898
John Gould; Lithographer: William Matthew Hart; Printer: Mintern Bros.

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Idem Aurantium Limonis Effigle, from Hesperides, 1646
Giovanni Battista Ferrari

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Aurantium Flore Duplici, from Hesperides, 1646
Giovanni Battista Ferrari

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Lady Godina's Rout: or Peeping-Tom Spying Out Pope-Joan, James Gillray; Publisher: Mrs. Hannah Humphrey — Lady Godina's Rout: or Peeping-Tom Spying Out Pope-Joan, March 12, 1796
James Gillray; Publisher: Mrs. Hannah Humphrey

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Monstrocities of 1799, Scene Kensington Gardens, James Gillray; Publisher: Mrs. Hannah Humphrey — Monstrocities of 1799, Scene Kensington Gardens, June 25, 1799
James Gillray; Publisher: Mrs. Hannah Humphrey

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A Cognoscenti Contemplating the Beauties of the Antique, James Gillray; Publisher: Mrs. Hannah Humphrey — A Cognoscenti Contemplating the Beauties of the Antique, February 11, 1801
James Gillray; Publisher: Mrs. Hannah Humphrey

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Advantages of Wearing Muslin Dresses!, James Gillray; Publisher: Mrs. Hannah Humphrey — Advantages of Wearing Muslin Dresses!, February 15, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Tales of Wonder!, James Gillray; Publisher: Mrs. Hannah Humphrey — Tales of Wonder!, February 1, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Caricature No. 516 — Blowing up the Pic Nic's or Harlequin Quixotte attacking the Puppets, April 2, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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The Pic-Nic Orchestra, James Gillray; Publisher: Mrs. Hannah Humphrey — The Pic-Nic Orchestra, April 23, 1802
James Gillray; Publisher: Mrs. Hannah Humphrey

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Scientific Researches! New Discoveries in Pneumaticks! [sic] or an Experimental Lecture on the Powers of Air, James Gillray — Scientific Researches! New Discoveries in Pneumaticks! [sic] or an Experimental Lecture on the Powers of Air, May 23, 1802
James Gillray

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Harmony Before Matrimony, James Gillray; Publisher: Mrs. Hannah Humphrey — Harmony Before Matrimony, October 25, 1805
James Gillray; Publisher: Mrs. Hannah Humphrey

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Frontispiece, from "Thesaurus Animalium", Friedrich Ruysch; Printer: C. Huÿberts et fecit.; Artist: after Joannem Wolters — Frontispiece, from "Thesaurus Animalium", 1710
Friedrich Ruysch; Printer: C. Huÿberts et fecit.; Artist: after Joannem Wolters

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Matrimonial Harmonics, James Gillray; Publisher: Mrs. Hannah Humphrey — Matrimonial Harmonics, October 25, 1805
James Gillray; Publisher: Mrs. Hannah Humphrey

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Very Slippy Weather, James Gillray; Publisher: Mrs. Hannah Humphrey — Very Slippy Weather, February 10, 1808
James Gillray; Publisher: Mrs. Hannah Humphrey

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Tab. VI. Fig. I, II., from "Thesaurus Animalium", Friedrich Ruysch; Engraver: Joseph Mulder; Artist: after Joannem Wolters — Tab. VI. Fig. I, II., from "Thesaurus Animalium", 1710
Friedrich Ruysch; Engraver: Joseph Mulder; Artist: after Joannem Wolters

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Caricature — Morning, Noon, Night, 1829
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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A Desert [sic] Imitation of Modern Fashion, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — A Desert [sic] Imitation of Modern Fashion, c. 1830-1832
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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The Dress Circle, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — The Dress Circle, c. 1830-1832
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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Waist and Extravagance, William Heath; Publisher: Thomas McLean , 26 Haymarket, London — Waist and Extravagance, March 1, 1829
William Heath; Publisher: Thomas McLean , 26 Haymarket, London

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New Map of the World, from Hendrik Hondius and Jan Jansson's "Atlas Novus," Amsterdam, Hendrik Hondius; Publisher: Jan Jansson — New Map of the World, from Hendrik Hondius and Jan Jansson's "Atlas Novus," Amsterdam, 1641
Hendrik Hondius; Publisher: Jan Jansson

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style; black and white — The Fêtes of 1674, First Day: The Performance of Jean-Baptiste Lully's Opera "Alceste" in the Marble Court, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

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style; black and white — The Fête of 1674, Second Day: Musical Concert in the Garden of Trianon, 1676 (later edition)
Jean Le Pautre; Engraver: François Chauneau

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1 of pair, see P.14,018. — Illuminated Page from a French Book of Hours, c. 1505-1510
Thielman Kerver

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style; black and white — The Fête of 1674, Third Day: The Performance of Moliere's "The Hypochondriac" in the Gardens before the Grotto, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

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style; black and white — The Fête of 1674, Fourth Day: Festival in the Marble Court, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

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1 of pair, see P.14,017. — Illuminated Page from a French Book of Hours, c. 1505-1510
Thielman Kerver

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style; black and white — The Fête of 1674, Fifth Day: Fireworks on the Canal, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

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style; black and white — The Fête of 1674, Sixth Day: Illuminations around the Grand Canal, 1676 (later edition)
Jean Le Pautre; Engraver: Jean Le Pautre

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Plate 4; Double-sided — The Fourth Day of Creation (verso); The Fifth Day of Creation (recto), from The Nuremberg Chronicle, 1493
Michael Wolgemut; Artist: Wilhelm Pleydenwurff; Author: Hartmann Schedel; Publisher: Anton Koberger

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Plate 5; Double-sided — The Sixth Day of Creation (recto); The Seventh Day of Creation (verso), from The Nuremberg Chronicle, 1493
Michael Wolgemut; Artist: Wilhelm Pleydenwurff; Author: Hartmann Schedel; Publisher: Anton Koberger

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Tab. XXXV. Vol. III, from "Locupletissimi Rerum Naturalium Thesauri", Albertus Seba; Engraver: Pieter Tanje — Tab. XXXV. Vol. III, from "Locupletissimi Rerum Naturalium Thesauri", 1734-1765
Albertus Seba; Engraver: Pieter Tanje

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Birds. (golden eagle with pocket gopher) — Golden Eagle, Female. Plate I., 1821-1834
Prideaux John Selby

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Plate LXXIII — Great Crested Grebe, 1819-1834
Prideaux John Selby; Engraver: William Lizars

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Birds 27. 1. Pinnated Grous. 2. Blue-green Warbler. 3. Nashville W., Alexander Wilson; Engraver: Alexander Lawson — Birds 27. 1. Pinnated Grous. 2. Blue-green Warbler. 3. Nashville W., 1808-1814
Alexander Wilson; Engraver: Alexander Lawson

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Birds 66. 1. Wood Ibis. 2. Scarlet I. 3. White Ibis. 4. Flamingo., Alexander Wilson; Engraver: J. G. Warnicke — Birds 66. 1. Wood Ibis. 2. Scarlet I. 3. White Ibis. 4. Flamingo., 1808-1814
Alexander Wilson; Engraver: J. G. Warnicke

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black and white; late impression — Louis XIV, c. 1676
Robert Nanteuil

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view, vue d'optique — View of the Stables of Versailles from the Courtyard, 18th century
Jacques Rigaud; Engraver: Balthasar Friedrich Leizelt

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view, vue d'optique — View of the Chateau at Versailles, 18th century
after Jacques Rigaud; Engraver: Balthasar Friedrich Leizelt

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Miseries of London, Thomas Rowlandson; Publisher: Rudolph Ackermann — Miseries of London, February 1, 1807
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Doctor Syntax Bound to a Tree by Highwaymen, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Bound to a Tree by Highwaymen, August 16, 1813
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Doctor Syntax Sketching After Nature, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Sketching After Nature, February 1, 1815
Thomas Rowlandson; Publisher: Rudolph Ackermann

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The Visit of Doctor Syntax to the Widow Hopefull [sic] at York, Thomas Rowlandson; Publisher: Rudolph Ackermann — The Visit of Doctor Syntax to the Widow Hopefull [sic] at York, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

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Doctor Syntax Setting Out in Search of A Wife, Thomas Rowlandson; Publisher: Rudolph Ackermann — Doctor Syntax Setting Out in Search of A Wife, October 1, 1820
Thomas Rowlandson; Publisher: Rudolph Ackermann

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black and white — "The Village Wedding" Performed at Versailles during Carnival in 1763, 1763
Francois Nicolas Martinet; Artist: after Michel-Ange Slodtz; Engraver: Francois Nicolas Martinet

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plate I; black and white — First Apartment at Versailles, 1694
Antoine Trouvain

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plate 2; black and white — Second Room of the Apartments at Versailles, 1694-1698
Antoine Trouvain

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Plate XXI — Gomphrena, from Figures of the Most Beautiful, Useful and Uncommon Plants Described in the Gardener's Dictionary, 1755-1760
Philip Miller; Engraver: Thomas Jeffery

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Vase of Flowers, After Jean-Baptiste Monnoyer — Vase of Flowers, c. 1675-1685
After Jean-Baptiste Monnoyer

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Basket of Flowers, Nicolas de Poilly; Artist: After Jean-Baptiste Monnoyer — Basket of Flowers, c. 1660
Nicolas de Poilly; Artist: After Jean-Baptiste Monnoyer

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Tab. 34 — Iris Germanica from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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12e Cahier, Plate 47 — Study of Sunflowers, 1805
Louis Charles Ruotte; Artist: After Jean Louis Prévost

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Plate 21 — Pelargonium acerifolium, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788
after Pierre-Joseph Redouté; Engraver: Milsan

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Plate 309 — Iris germanica (Bearded Iris), 1812
After Pierre-Joseph Redouté; Engraver: de Gouy

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Plate 469 — Amaryllis brasiliensis (Brazilian Amaryllis), 1816
After Pierre-Joseph Redouté; Engraver: Bessin

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Rosa indica cruenta (Rosebush of Bengal with Crimson-of-Blood Flowers), François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté — Rosa indica cruenta (Rosebush of Bengal with Crimson-of-Blood Flowers), 1817-1824
François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté

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Rosa damascene variegata (Rosebush of York and Lancaster), Bessin; Artist: After Pierre-Joseph Redouté — Rosa damascene variegata (Rosebush of York and Lancaster), 1817-1824
Bessin; Artist: After Pierre-Joseph Redouté

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Rosa centifolia angelica rubra (Rosebush of Cumberland), François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté — Rosa centifolia angelica rubra (Rosebush of Cumberland), 1817-1824
François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté

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Paeonia flagrans (Peony), After Pierre-Joseph Redouté — Paeonia flagrans (Peony), 1827
After Pierre-Joseph Redouté

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Lathyrus latifolius (Everlasting Pea), After Pierre-Joseph Redouté; Engraver: Victor — Lathyrus latifolius (Everlasting Pea), 1827
After Pierre-Joseph Redouté; Engraver: Victor

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Hortensia, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, after Pierre-Joseph Redouté; Engraver: François Langlois (called Ciartres) — Hortensia, from Choix Des Plus Belle Fleurs et des Plus Beaux Fruits, 1827
after Pierre-Joseph Redouté; Engraver: François Langlois (called Ciartres)

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Tropaeolum majus (Garden Nasturtium), After Pierre-Joseph Redouté — Tropaeolum majus (Garden Nasturtium), 1827
After Pierre-Joseph Redouté

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Anemone simple, from Choix des plus belle fleurs et des plus beaux fruits, François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté — Anemone simple, from Choix des plus belle fleurs et des plus beaux fruits, 1827
François Langlois (called Ciartres); Artist: After Pierre-Joseph Redouté

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Lychnide a grandes fleurs, from Choix des plus belle fleurs et des plus beaux fruits, François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté — Lychnide a grandes fleurs, from Choix des plus belle fleurs et des plus beaux fruits, 1827
François Langlois (called Ciartres); Artist: after Pierre-Joseph Redouté

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Narcissus gouani (Double Daffodil), after Pierre-Joseph Redouté; Engraver: Bessin — Narcissus gouani (Double Daffodil), 1827
after Pierre-Joseph Redouté; Engraver: Bessin

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Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red. — Leaf from a Book of Hours (recto and verso), c. 1500
Unknown Netherlandish

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Sene also Genat, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Sene also Genat, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

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Camphora, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Camphora, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

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Antera, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Antera, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

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Viola, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Viola, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

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Frage, from Gart der Gesundheit (Mainz, 1485), Johannes de Cuba; Printer: Peter Schöffer — Frage, from Gart der Gesundheit (Mainz, 1485), 1485
Johannes de Cuba; Printer: Peter Schöffer

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Anemone double, from Fleurs Dessinees d'apres Nature, Gerard van Spaendonck; Engraver: Pierre Francois Legrand — Anemone double, from Fleurs Dessinees d'apres Nature, c. 1800
Gerard van Spaendonck; Engraver: Pierre Francois Legrand

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Plate B — The Night-Blowing Cereus, May 20, 1800
Robert Dunkarton; Artist: After Philip Reinagle; Artist: Moonlight by William Pether; Publisher: Dr. Robert John Thornton

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Double-sided; hand-illuminated with partially gilded backgrounds, a very small miniature, and borders with flowers, strawberries, and birds. Illumination depicts the vision to the shepherds, surrounded by various plants and birds. — Leaf from a Book of Hours (recto and verso), late 15th century
Possibly The School of the Master of Mary of Burgundy

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Plate 103 — Lilium superbum (Superb Lily), 1805
de Gouy; Artist: After Pierre-Joseph Redouté

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Tulipa gesneriana var. dracontia (Parrot Tulip), After Pierre-Joseph Redouté — Tulipa gesneriana var. dracontia (Parrot Tulip), 1816
After Pierre-Joseph Redouté

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Plate 227 — Convallaria majalis (Lily of the Valley), 1808
After Pierre-Joseph Redouté; Engraver: Bessin

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11e Cahier, Plate 42 — Study of Three Types of Poppies, 1805
After Jean Louis Prévost; Engraver: Louis Charles Ruotte

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Plate 4 — Common Provence Rose Bud, c. 1775
after John Edwards; Engraver: William Darling

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Plate 61 from Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands, London, 1731-43 (3rd ed., 1771). — Magnolia grandiflora (The Laurel Tree of Carolina), c. 1743 (3rd ed. 1771)
Georg Dionysius Ehret; Etcher: Georg Dionysius Ehret; Publisher: Mark Catesby

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Imp. Francois Delarue, Paris Imp E. Gambert & Co., London — Tulips, c. 1815-1854
Eugène Anthelme Grobon; Artist: François-Frédéric Grobon

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"very carefully h.c." — La Noblesse (Peach) from Pomona Londinensis, 19th century
William Hooker

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Double-sided — Pfaffenrorle, 1544-1585
Pierandrea Mattioli

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Plate LXXXVII; 2 prints on 1 side; 1 on the other; 3 in all — Prunes, Von Pflaumbaum, 1544-1585
Pierandrea Mattioli

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Double-sided sheet with 8 illustrations — Narcissus, 1544-1585
Pierandrea Mattioli

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Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red. — Leaf from a Book of Hours (recto and verso), c. 1500
Unknown Netherlandish

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Greenland Falcon, John Gould — Greenland Falcon, 1862-1873
John Gould

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