🔎 creditline:"The Minnich Collection The Ethel Morrison Van DerLip Fund, 1966" | Mia

Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin — Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, 1570
Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

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Caricature — Le Grande Maitre de la Frisure a la Mode, c. 1770-1775
Unknown French [?], 18th century

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Flower Gardener, Martin Engelbrecht — Flower Gardener, c. 1730
Martin Engelbrecht

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Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian — Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730
Maria Sibylla Merian

G209

Reproduction; Hairdress Caricature — The French Lady in London, late 18th century
Germany

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Plate 3, Set 1 — Virum Improbum vel Mures Mordeant, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

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Monstrosities of 1822, George Cruikshank — Monstrosities of 1822, October 19, 1822
George Cruikshank

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4; title on scroll towards R below: 'Veduta della Gran Piazza e Basilica di S. Pietro;" black and white — View of St. Peter's Basilica and Piazza in the Vatican, 1772
Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi

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Plate of style — The Sewing Circle, 1804
Henry Moses; Engraver: Henry Moses; Publisher: W. & J. Munn

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Greenland Falcon, John Gould — Greenland Falcon, 1862-1873
John Gould

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Plate 12, Set 2 — Per tal variare Natura e bella, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

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Plate 2, Set 3 — Dedit mihi Dominus Artem mercedem meam Et in illa laudabo nomen eius, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

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Plate 8, Set 3 — Ampliat aetatis spatium tutissima virtus omne solum forti patria est, ut piscibus aquor, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

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Plate 8, Set 4 — Grata Ioui est querous qui nos seruatque fouetque - Seruanti ciuem querna Corona datur, 1592
Jacob Hoefnagel; Artist: after Joris Hoefnagel

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Plate CXV — Cyclamen, hyeme & vere florens folio anguloso ample, from Figures of the Most Beautiful, Useful and Uncommon Plants Described in the Gardener's Dictionary, September 28, 1756
Philip Miller; Publisher: Philip Miller; Engraver: John Sebastian Miller; Artist: after R. Lancake

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Tab. 378 — Prunus Cerasus from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Plate CV — Corona Imperialis, flore pulchre luteo, from Figures of the Most Beautiful, Useful and Uncommon Plants Described in the Gardener's Dictionary, August 24, 1736
Philip Miller; Publisher: Philip Miller; Engraver: John Sebastian Miller; Artist: after R. Lancake

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Plate 389 — Pavie jaune. (Peaches), from Traite des Arbres Fruitiers, 1807-1835
after Antoine Poiteau; Engraver: Bouquet

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Blue Vase of Flowers. Hyacinth, narcissus, peonies, and anemonies, from Livres de Plusieurs Vase de Fleurs faicts d'Apres le Naturel, Jean-Baptiste Monnoyer — Blue Vase of Flowers. Hyacinth, narcissus, peonies, and anemonies, from Livres de Plusieurs Vase de Fleurs faicts d'Apres le Naturel, c. 1660
Jean-Baptiste Monnoyer

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Tab. 394 — Pyrus Malus, from Icones Plantarum Medicinalium, 1788 (?)
Joseph Jakob Plenck

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Title Page from Pomona Austriaca,/ ou/ Arbres Fruittiers/ D'Austriche, Johann Kraft — Title Page from Pomona Austriaca,/ ou/ Arbres Fruittiers/ D'Austriche, 1787-1796
Johann Kraft

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Plate 21 — Pelargonium acerifolium, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788
after Pierre-Joseph Redouté; Engraver: Milsan

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Tab. 449 — Helleborus Foetidus from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Plate LXXXX — Cereus scandens minor polygonus articulatus, from Figures of the Most Beautiful, Useful and Uncommon Plants Described in the Gardener's Dictionary, May 23, 1756
Philip Miller; Publisher: Philip Miller; Engraver: John Sebastian Miller; Artist: after R. Lancake

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Plate 11. Vol. VII. — Spring Crocuses, plate from Transactions of the Horticultural Society, London, vol VII, 1830 (1805-30; 1831-48)
after Charles John Robertson

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Plate 49 — Rosa gallica (Gallic Rose), 1798
Mary Lawrence; Etcher: Mary Lawrence; Publisher: Mary Lawrence

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Plate LXXXVII; 2 prints on 1 side; 1 on the other; 3 in all — Prunes, Von Pflaumbaum, 1544-1585
Pierandrea Mattioli

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Plate 2 — Erodium supracanum, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788
François Hubert; Artist: after Pierre-Joseph Redouté

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Dwarf Double Poppy, No. 63?, John Edwards — Dwarf Double Poppy, No. 63?, June 24, 1793
John Edwards

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Plate XCII — Genista pedunculata, from Stripes Novae, 1784
J. J. Juillet; Artist: after Pierre-Joseph Redouté

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Belle de Havre (apple), from Traite des Arbres Fruitiers, after P. Jean Turpin; Engraver: Bocourt — Belle de Havre (apple), from Traite des Arbres Fruitiers, 1807-1835
after P. Jean Turpin; Engraver: Bocourt

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Tulips and Iris, from Livre de Fleurs, François L'Anglois; Publisher: François L'Anglois — Tulips and Iris, from Livre de Fleurs, 1620
François L'Anglois; Publisher: François L'Anglois

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Tab. 386 — Amygdalus persica from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Basket of Flowers, Nicolas de Poilly; Artist: After Jean-Baptiste Monnoyer — Basket of Flowers, c. 1660
Nicolas de Poilly; Artist: After Jean-Baptiste Monnoyer

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Plate CCXVIII — Corona Imperialis, flore pulchre luteo, from Figures of the Most Beautiful, Useful and Uncommon Plants Described in the Gardener's Dictionary, March 25, 1758
Philip Miller; Publisher: Philip Miller; Engraver: John Sebastian Miller; Artist: after R. Lancake

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Ananaserobeer from Pomona Austriaca,..., Johann Kraft — Ananaserobeer from Pomona Austriaca,..., 1787-1796
Johann Kraft

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Title Page from Icones Plantarum Medicinalium, Joseph Jakob Plenck; Etcher: Jo. Ign. Albrecht — Title Page from Icones Plantarum Medicinalium, 1788
Joseph Jakob Plenck; Etcher: Jo. Ign. Albrecht

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No. 5 — Framboisier a Fruit rouge (Raspberries), from Traite des Arbres Fruitiers, 1807-1835
after P. Jean Turpin; Engraver: Bouquet

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Plate 53 — India Pinks, January 3 (?), 1793
John Edwards

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Tab. 35 — Iris florentina, from Icones Plantarum Medicinalium, 1788 (?)
Joseph Jakob Plenck

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Plate 7 — Rosa gallica, 1796
Mary Lawrence; Etcher: Mary Lawrence; Publisher: Mary Lawrence

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Plate LXII — Von Angurien, 1544-1585
Pierandrea Mattioli

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Double-sided — Pfaffenrorle, 1544-1585
Pierandrea Mattioli

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Plate 226 — Pavie de Pompone. (Peaches), from Traite des Arbres Fruitiers, 1807-1835
after Antoine Poiteau; Engraver: Bouquet

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Caricature — Parting, 18th-19th century
England

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Souci des Jardins, from Fleurs Dessinees d'apres Nature, after Gerard van Spaendonck; Engraver: Pierre Francois Legrand — Souci des Jardins, from Fleurs Dessinees d'apres Nature, c. 1800
after Gerard van Spaendonck; Engraver: Pierre Francois Legrand

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Plate 207 — Capron commun. (Strawberries), from Traite des Arbres Fruitiers, 1807-1835
after P. Jean Turpin; Engraver: Bouquet

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Plate 6 — Erodium chamaedryoides, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788
François Hubert; Artist: after Pierre-Joseph Redouté

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Erdbeer aus Carolina from Pomona Austriaca,..., Johann Kraft — Erdbeer aus Carolina from Pomona Austriaca,..., 1787-1796
Johann Kraft

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Tab. 123 — Solanum Melongena from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Tab. 105 — Die gute Christbirn aus Spanien from Pomona Austriaca, 1792-1796
Johann Kraft

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Plate 47 — Double & Single Sweet William, January 1, 1791
John Edwards

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Tab. 405 — Rosa Alba from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Tab. 402 — Rosa Centifolia, from Icones Plantarum Medicinalium, 1788 (?)
Joseph Jakob Plenck

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Imp. Francois Delarue, Paris Imp E. Gambert & Co., London — Tulips, c. 1815-1854
Eugène Anthelme Grobon; Artist: François-Frédéric Grobon

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Double-sided sheet with 8 illustrations — Narcissus, 1544-1585
Pierandrea Mattioli

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Plate 56 — Bezi de Chaumontel (Pears), from Traite des Arbres Fruitiers, 1807-1835
Antoine Poiteau (after); Engraver: Bouquet

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Plate 61 from Mark Catesby's Natural History of Carolina, Florida, and the Bahama Islands, London, 1731-43 (3rd ed., 1771). — Magnolia grandiflora (The Laurel Tree of Carolina), c. 1743 (3rd ed. 1771)
Georg Dionysius Ehret; Etcher: Georg Dionysius Ehret; Publisher: Mark Catesby

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Tab. 112 — Die Fassbirn from Pomona Austriaca, 1792-1796
Johann Kraft

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Title Page. Dedicated to LeBrun, from Livres De Toutes Sortes De Fleurs d'aspres Nature, Jean-Baptiste Monnoyer — Title Page. Dedicated to LeBrun, from Livres De Toutes Sortes De Fleurs d'aspres Nature, c. 1660
Jean-Baptiste Monnoyer

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Tab. 34 — Iris Germanica from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Plate 117 — Fraisier de Virginie (Grandes fleurs), from Traite des Arbres Fruitiers, 1807-1835
after Antoine Poiteau; Engraver: Gabriel

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Tab. 512 — Alcea Rosea from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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"very carefully h.c." — La Galande (Peach) from Pomona Londinensis, 19th century
William Hooker

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"very carefully h.c." — La Noblesse (Peach) from Pomona Londinensis, 19th century
William Hooker

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Plate 37 — Geranium varium, from Geraniologia, seu Erodii, Pelargonii, Monsoniae et Grieli historia iconibus illustrata, 1787-1788
François Hubert; Artist: after Pierre-Joseph Redouté

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Flower Print No. 26, Nasturtium, John Edwards — Flower Print No. 26, Nasturtium, January 1788
John Edwards

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Plate XXI — Gomphrena, from Figures of the Most Beautiful, Useful and Uncommon Plants Described in the Gardener's Dictionary, 1755-1760
Philip Miller; Engraver: Thomas Jeffery

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Tab. 395 — Pyrus Communis from Icones Plantarum Medicinalium, 1788-1812
Joseph Jakob Plenck

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Vase of Flowers, After Jean-Baptiste Monnoyer — Vase of Flowers, c. 1675-1685
After Jean-Baptiste Monnoyer

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Plate 37 — Double Peony, June 24, 1789
John Edwards

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12e Cahier, Plate 47 — Study of Sunflowers, 1805
Louis Charles Ruotte; Artist: After Jean Louis Prévost

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Plate 36 — Orange Tree, December 24, 1789
John Edwards

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Plate 4 — Common Provence Rose Bud, c. 1775
after John Edwards; Engraver: William Darling

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no number, 66 writen in ink, Pepo fructu parvo, Pyriformi, Cucurbita aspera Pyriformis, parva. T.105 — Vegetable Print, from Hortus Romanus, Vol. I or II?, 1772-1793
Giorgio Bonelli; Engraver: Maddalena Bouchard; Publisher: Bouchard et Gravier, Rome

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Plate 591 — Scilla Offic, 1757-1773
Elizabeth Blackwell (after); Artist: N. F. Eisenberger; Publisher: Christoph Jakob Trew

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Plate 62 — Strawberry with Oval, Spear-Shaped Rough Leaves & an Oval Fruit, 1769
John Edwards

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Bouquet de Fantaisie, from Nouvelle Suitte De Cahiers De Fleurs Ideales, Jean-Baptiste Pillement; Engraver: Anne Allen — Bouquet de Fantaisie, from Nouvelle Suitte De Cahiers De Fleurs Ideales, late 18th century
Jean-Baptiste Pillement; Engraver: Anne Allen

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Plate 7 — Common, Red Field Poppy, 1775
John Edwards; Engraver: William Darling

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Carnations, Clara Maria Pope; Publisher: Samuel Curtis — Carnations, 1806-1820
Clara Maria Pope; Publisher: Samuel Curtis

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Plate IX — Achillea, from Figures of the Most Beautiful, Useful and Uncommon Plants Described in the Gardener's Dictionary, 1755-1760
Philip Miller; Publisher: Philip Miller; Engraver: T. J. Jeffreys

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No. 22 — Grenadier a fruit doux, from Traite des Arbres Fruitiers, 1807-1835
after P. Jean Turpin; Engraver: Bouquet

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T.VI. Tab.81. Corona Imperialis flore pulchre rubente. J.R.H 342. — Flower Print, from Hortus Romanus, Vol. VI, 1780
Giorgio Bonelli; Publisher: Bouchard et Gravier, Rome

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Plate 269 — Dragons, 1737
Elizabeth Blackwell

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Plate 4 — Pompone or Kew Blush Camellia. Double Red Camellia., 1819
Clara Maria Pope; Publisher: J. & A. Arch Cornhill, London; Printer: Samuel Curtis

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Plate 8 — Larger Provence Rose, 1770 or 1775
John Edwards

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Flowers in a Glass, with Butterfly, United States — Flowers in a Glass, with Butterfly, mid 19th century
United States

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Plate 483 — White Poppy, 1737
Elizabeth Blackwell

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Laissez-moi-feule! from Les Feuillets d'Art, Georges Barbier — Laissez-moi-feule! from Les Feuillets d'Art, 1919
Georges Barbier

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caricature — Going Out to Dinner, or Rather Late than Otherwise, 1827
Ego ?; Engraver: H. Pyall; Publisher: Thomas McLean

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127; black and white — Hadrian's Villa: The Central Room of the Larger Thermae, 1770
Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi

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caricature no. 6 — Phenomene vivant, 1832
Numa; Lithographer: Benard

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black and white — Costume Plate No. 161, 18th century
Antoine Watteau

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Miseries of London, Thomas Rowlandson; Publisher: Rudolph Ackermann — Miseries of London, February 1, 1807
Thomas Rowlandson; Publisher: Rudolph Ackermann

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caricature — A Quiet Doze After Dinner, 1827
Ego ?; Engraver: H. Pyall; Publisher: Thomas McLean

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caricature — Art of Scaling, November 5, 1792
Thomas Rowlandson; Etcher: Samuel Alken; Publisher: Messrs Fores, London

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80; title on cartouche, towards L below: "Veduta del Tempio detto della Concordia;" black and white — The Temple of Saturn, with a Corner of the Arch of Septimus Severus in the Foreground, 1774
Giovanni Battista Piranesi; Etcher: Giovanni Battista Piranesi

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black and white — Costume Plate No. 210, 18th century
Antoine Watteau

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style; black and white — L'Anglomane, 19th century
Carle Vernet; Engraver: Darcis

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caricature; plate 20 — Doctor Syntax. Rural Sport., February 1, 1815
Thomas Rowlandson; Etcher: Thomas Rowlandson; Publisher: Rudolph Ackermann

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