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treatise on modern art with 10 original woodcuts and text by Vassily Kandinsky; first edition

Uber das Geistige in der Kunst, 1912

Vassily Kandinsky; Publisher: R. Piper and Co. , Munich

Not on View
small book with cardboard covers, with printed cover design applied; printed poems illustrated with twelve original black-and-white abstract woodcuts, including cover image

Vingt-cinq poèmes, 1918

Hans (Jean) Arp; Author: Tristan Tzara; Publisher: J. Heuberger, Zurich, Switzerland , for Collection Dada

Not on View
two parts bound in one volume; illustrated with 56 engraved plates on blue paper; oblong folio; bound in contemporary German three-quarter brown calf over marbled boards; red morocco spine label stamped in gilt; text on white paper followed by engravings on blue paper of letters and alphabets, quotes, heraldic, geometric, emblematic and alchemical imagery, portraiture, natural history scenes, astronomical calendars and charts

Liber artificiosus alphabeti maioris, oder: neu inventirtes Kunst- Schreib- und Zeichenbuch, 1782-1785

Johann Merken; Engraver: Heinrich Hugo Cöntgen

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white suede-covered book with accordion-folded pages; text and images in black and red of nude women being bitten and attacked by large carnivorous cats and wolves; tan clamshell storage box

%C2%A9 2010 Kiki Smith

The Animal is in the World Like Water in Water, 2010

Kiki Smith; Author: Poetry by Leslie Scalapino; Publisher: Granary Books, Inc., New York

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images of snowflake-like watermark repeating on every other page--some with pinkish or yellowish spots around center area; scattered lines of text; black leather cover with front and back of cover extending down to form a flap, with a large woven knot of leather at end; silver organic-shaped clasp with leather strap

%C2%A9 Cynthia Thompson

Grievous Injuries, 2010

Cynthia Thompson; Publisher: Delian Press, Memphis, Tenn.

Not on View
images and embossings of arms and hands in grey and vertical drapery folds in grey or tan interspersed with letterpress text; tan leather cover with two strap closures with organic metal clasps

%C2%A9 Cynthia Thompson

Enfold, 2010

Cynthia Thompson; Publisher: Delian Press, Memphis, Tenn.

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images in white/grey and embossing of cloths, arms and ears, head veils, and liquid drops interspersed with embossed text on black paper; black leather cover with front and back of cover extending down to form a flap, with a large woven knot of leather at end; two strap closures with silver organic-shaped clasps

%C2%A9 Cynthia Thompson

Remorse, 2010

Cynthia Thompson; Publisher: Delian Press, Memphis, Tenn.

Not on View
a: artist book with printed and hand bound pages; cover is teal on top half with a grey mountainous landscape on bottom; first 1/2 has a hand stitched binding with names on off-white pages and second half is folded accordion style and has b/w wood cut prints on one side and b/w with grey tone portraits on the other side b: black fabric covered box with printed landscape on front and interior

%C2%A9 Maria Veronica San Martin

Memory and Landscape: Unveiling the Historic Truths of Chile, 1973-1990, 2013

Maria Veronica San Martin; Printer: Maria Veronica San Martin; Artist: Bound by Maria Veronica San Martin; Publisher: Maria Veronica San Martin

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wire spiral-bound book with folded pages (open edge at binding); printed images on both sides of pages in black of geometric designs of lines forming optical illusion cubes in various patterns; white thin cardboard covers; 80 pp.

%C2%A9 Dieter Roth Estate Courtesy Hauser %26 Wirth

Bok 4a, 1961

Dieter Roth; Publisher: Forlag Ed., Reykjavik, Iceland; Printer: Prentsmioja Jons Helgasonar, Reykjavik

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soft-cover book with blue cover with orange text; color images of collages

%C2%A9 David Coggins

The Blue, Volume 8 from "Daybooks", 2010

Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View
soft-cover book with tan cover with black text; color images of collages

%C2%A9 David Coggins

The Tan, Volume 7 from "Daybooks", 2010

Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View
soft-cover book with green cover with red text; color images of collages

%C2%A9 David Coggins

The Green, Volume 6 from "Daybooks", 2010

Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View
soft-cover book with orange cover with purple text; color images of collages

%C2%A9 David Coggins

The Orange, Volume 5 from "Daybooks", 2010

Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View
book with handpainted hard grey cover with streaks of black and white; poems written in paragraph form in letterpress on double pages with abstract images; one poem printed on smaller inset piece of paper

%C2%A9 Bill Kelly

Traces, 2010

Bill Kelly; Author: Poems by Peter Everwine; Publisher: Brighton Press, San Diego, Calif.

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written text in ULC and along left edge; printed text at right edge; image of stylized heavy-set figure at right with leaves on face and head, with a twisted PL arm carrying a sack and holding a whip or torch in PR hand; two kneeling men with hands folded in prayer at left; burning building at center with rotund balloon-like stylized bat or bird hovering over it; black on tan paper

Program for King Ubu (Ubu Roi), 1896

Alfred Jarry; Publisher: Théâtre de l'Oeuvre, Paris

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cover collage on grey paper of variously shaped elements of gold foil, patterned silver foil, leatherette and cork, with text and date printed in black; letterpress text in various fonts and designs; top of pages uncut (each page folded); prospectus with preface in French by Georges Ribemont-Dessaignes loosely inserted

Lidantiu as a Beacon, 1923

Typography by Il'ia Zdanevich, called Iliazd; Author: Il'ia Zdanevich, called Iliazd; Designer: Cover design by Naum Granovskii; Publisher: Éditions du degré 41, Paris

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soft-cover book with red cover with blue text; color images of collages

%C2%A9 David Coggins

The Red, Volume 4 from "Daybooks", 2010

Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View
soft-cover book with dark purple cover with yellow text; color images of collages

%C2%A9 David Coggins

The Purple, Volume 2 from "Daybooks", 2010

Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View
soft-cover book with dark brown cover with green text; color images of collages

%C2%A9 David Coggins

The Umber, Volume 3 from "Daybooks", 2010

Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View
soft-cover book with brown cover with pink text; color images of collages

%C2%A9 David Coggins

The Brown, Volume 1 from "Daybooks", 2010

Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View
accordion-folded book, printed on both sides of pages; cover is dark grey paper with light blue leather geometric form and white horizontal line; illustrated with primarily geometric designs, maps and numbers in bright colors; Euclidean propositions and author's text narrative alternate; clamshell storage box covered with black and white woven cloth

%C2%A9 Russell Maret

Interstices & Intersections or, An Autodidact Comprehends a Cube. Thirteen Euclidean Propositions., 2014

Illustrations by Russell Maret; Artist: Typography by Russell Maret; Author: Euclid; Translator: Sir Thomas Little Heath; Author: Commentary by Russell Maret; Designer: Typeface designed by Russell Maret; Book Binder: Daniel E. Kelm; Publisher: Russell Maret

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four images (clockwise from top right): bust of Janus figure, satyr examining the foot of a seated nude man, sculpture of a man holding a baton seated on an eagle, with a waterfall and a decorative screen in foreground, pyramid structure; 2016.106.4.7-12 received bound together (stitched at top with string)

Fascicule II, Plate 12, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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three images (clockwise from top): nude man with a drapery tied around his neck wrestling with two bulls, columns in the form of griffons, seated woman wearing a crown and draping garment flanked by two lions; 2016.106.4.1-6 received bound together (stitched at top with string)

Fascicule I, Plate 1, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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six images (clockwise from top): frieze with scrolls and foliage, covered vessel with pair of panther handles, seated satyr playing a panflute, seated figure with a lobed hat or hairstyle, seated bearded man holding a U-shaped object, monument with pair of figures with their hands on each other’s shoulders and a garland across their legs; 2016.106.4.7-12 received bound together (stitched at top with string)

Fascicule II, Plate 10, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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five images (clockwise from top right): standing Egyptian figure with a snake wrapped around body, drum-shaped column with frieze of women in a line, each holding the garment of the woman in front of them, winged figure with a three-tiered garment holding a looping drapery over her head, standing woman holding her garment hem up to her lower abdomen exposing her legs and genitals, seated Egyptian nude woman flanked by pair of lions fountains with water coming out of their mouths; 2016.106.4.13-18 received bound together (stitched at top with string)

Fascicule III, Plate 14, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top left): standing figure wearing earrings holding a rectangular box with a standing figure inside, scene with youth at left holding a mask of an old bearded bald man with another standing figure at right, with a lying-down goat at center bottom, another lying-down animal in LRC, target-like element to right of standing figure at right and a round element left of center with a bird, Egyptian monument with standing figure and pair of lion heads, monument or vessel with tapering squared-off fluted columns and putti in relief; printed off-center on page; 2016.106.4.1-6 received bound together (stitched at top with string)

Fascicule I, Plate 3, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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six images (clockwise from top right): seated man in profile from PR with a goat on its back legs, vessel with pair of high relief heads, scalloped vessel with pair of animal supports with lions' heads, wings and a single paw foot, vessel with pair of swans; female figure with staff over her PR shoulder with hare and pair of birds on her staff, dragging a boar in her PL hand, seated pot-bellied nude male figure with his hands on his knees and a lion's head on base; 2016.106.4.13-18 received bound together (stitched at top with string)

Fascicule III, Plate 18, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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eight images (clockwise from top left): standing winged female figure holding a cornucopia, nude seated Hermes, woman standing on a sphere holding her skirt in each hand, vessel with relief bird and head, seated bearded man in profile with long curling tail, figure crouching on the base of a table beneath tabletop, two-handled vessel with head and garlands, standing woman seen from back with draping garments, holding a vessel with flowers; 2016.106.4.7-12 received bound together (stitched at top with string)

Fascicule II, Plate 9, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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three images (clockwise from top): frieze with procession of women, with girl and nude child at left, carrying a column and a rounded vessel on a litter, standing woman with braids and a spray of fruit above her head, ornament with winged putto, pair of goat heads, and pair of sphynxes; 2016.106.4.7-12 received bound together (stitched at top with string)

Fascicule II, Plate 8, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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five images (clockwise from top): frieze with five women wearing flowing garments, drinking horn with branch in relief and bull's head at bottom, seated Egyptian goddess with animal's head, putto seen from back with a bleating goat who is lying down, vessel with a fluted foot and relief heads; 2016.106.4.1-6 received bound together (stitched at top with string)

Fascicule I, Plate 2, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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five images (clockwise from top right): winged woman wearing flowing garment holding a laurel crown, pot with pair of high relief handles in the form of nude females, satyr with a tambourine embracing a woman with a drapery across her lap and a satyr child in lower right, basin with tapered column legs with paw feet and lion's heads, standing winged putto with garland of fruit with ribbons; 2016.106.4.7-12 received bound together (stitched at top with string)

Fascicule II, Plate 11, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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six images (clockwise from top): footed wide cup with fluted decorations and pointed handles, standing putto with a garland and a head/mask on top of a column at right, vessel (?) in the form of a seated nude man with his hands on his knees, rectangular basin on a column with a rectangular base, standing woman dressing her hair accompanied by a child holding a mirror, rounded vessel with relief head and feet in the form of winged figures; 2016.106.4.13-18 received bound together (stitched at top with string)

Fascicule III, Plate 16, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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six images (clockwise from top left): back of a nude leaning on a drapery-covered short column, drum-like vessel with a garland and relief target-like element, pair of vases (one with three figures), seated nude woman flanked by two figures with men's heads and upper bodies and fish-like lower bodies, large vessel with relief decoration of horned man with shaggy hair and garlands, two short columns--tallest with a relief snake, shortest with a relief pitcher; 2016.106.4.1-6 received bound together (stitched at top with string)

Fascicule I, Plate 5, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top): frieze with pair of griffons facing each other, decorative scrolls and flowers, seated Egyptian with text on the front of garment over shins, frieze with pair of lions facing each other, each with a paw on the edge of a vessel between them, drum-shaped column with pair of birds and column with overturned vessel on top, spilling liquid; 2016.106.4.13-18 received bound together (stitched at top with string)

Fascicule III, Plate 15, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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eight images (clockwise from top left): table with tall legs with three sphinxes on top of goat legs, winged putto seated on an animal consisting of a large penis with the back legs and tail of a lion, table with three one-legged satyrs with erect penises, rondel with a reclining figure of a woman being assisted by a standing draped figure and accompanied by another draped figure and a winged putto, staff with pair of standing figures, one with wings, crescent shaped object with a bird at bottom and a head at each point, cup with pair of sphinxes, standing man pouring liquid onto his erect penis; 2016.106.4.1-6 received bound together (stitched at top with string)

Fascicule I, Plate 4, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top): frieze with old man at left and young man at right each kneeling on one knee, picking grapes, vessel with arcing handles and relief portrait, winged putto with ribbons and swags with fruit, three nude female figures holding a basin aloft; 2016.106.4.7-12 received bound together (stitched at top with string)

Fascicule II, Plate 7, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

Not on View
four images (clockwise from top right): standing woman holding fruit in the front folds of her garment, pouring water into a large drum-shaped vessel with cow's skull in relief, Egyptian vessel with pair of high relief standing nude female figures and band with lions' heads and text, standing nude man carrying a sheep on his PR shoulder, with two large vessels behind him, winged figure wearing a three-tiered garment, playing a horn; 2016.106.4.13-18 received bound together (stitched at top with string)

Fascicule III, Plate 17, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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six images (clockwise from top right): Three Graces in a rondel, with center figure seen from back, jar with long handles, protrusion at bottom and pair of relief heads, wide column with Greek key design at bottom and bull's head with garlands and flowers at top, vessel with handle in the form of a snake eating its tail and relief grapevines and leaves, frieze with winged putto pouring liquid into a saucer with a griffon holding its front paw on saucer edge, vessel with dolphin handles and foliage; 2016.106.4.13-18 received bound together (stitched at top with string)

Fascicule III, Plate 13, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top left): tapering column flanked by two Egyptian figures, topped with egg-shaped element with face, woman wearing draped garment standing behind and assisting a youth wearing draperies playing two horns, basin supported by standing nude male figures, monument with eagles, two children with a boar, swag of fruit and pair of horned male heads, topped with vessels of various types; 2016.106.4.1-6 received bound together (stitched at top with string)

Fascicule I, Plate 6, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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artist's copybook with images of body parts, portraits with heads in various positions, babies' heads, and animals; book has mottled golden-brown leather cover with gold stamping; end papers have swirled green, blue, red, and yellow designs; 41 engraved plates

Scuola perfetta per imparare a disegnare, 1599-1629

Pietro Stefanoni; Engraver: Luca Ciamberlano; Engraver: Attributed to Francesco Brizio; Artist: After Agostino Carracci

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set of seven woodcuts and original presentation folder; folder is a brown, rough textured paper with the work's title and artist's name printed in square block of text in upper half of front side; inside the cover page is a single sheet of yellowing paper accordion folded into eight sections; the first seven sections are figurative interpretations of the dance of death--figures are rendered with sharp angles and emphasized musculature; the scenery is ghoulish boasting dead and aggressive animals, menacing natural landscapes, alienating cityscapes; each woodcut is in black and white

%C2%A9 Estate Nicolas Eekman

Dance of Death in Seven Tempos (Dood dans in zeven tempo), 1924

Nicolas Eekman

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Cloth-covered boards with intaglio print adhered to front board; codex binding; 15 pp.

%C2%A9 Fred Hagstrom %2F Greg Hewett %2F Strong Silent Type Press%2C publisher

Echo, 2007

Fred Hagstrom; Author: Greg Hewett , American, born 1958; Publisher: Strong Silent Type Press, St. Paul, Minnesota

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white cover with large male figure with painted face in gray and white zoot suit, stepping on a pile of waste; back cover is upside down, and features a woman slipping on a puddle on checkered floor; book flips upside down halfway through; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side

%C2%A9 James Falconer%2C Arthur Green%2C Gladys Nilsson%2C Wallace Nutting%2C Suellen Rocca%2C and Karl Wirsum

Hairy Who (I'm Juan Dollar), 1968

James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum

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Blue cloth hard-bound book with indistinct cover image of a sailing ship with some light blue in sky; images alternate between images of slaves lying down in the hold of a ship with various colored backgrounds and indistinct black-and-white images of dark-skinned people. Type font is Myriad Pro; drum leaf binding; 24 unnumbered pp.

%C2%A9 Fred Hagstrom

Passage, 2016

Fred Hagstrom; Author: Thomas Clarkson; Author: Abigail Mott; Publisher: Strong Silent Type Press, St. Paul, Minnesota

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yellow cover with green text and image: obese humanlike figure wearing starred top and jeans; two wide-set legs, each branching off into several other smaller legs with feet; face with stitches and several abstract chins; title at top; cross LLC; wraparound cover, 32 unnumbered pp. (16 folios), stapled at the side

%C2%A9 James Falconer%2C Arthur Green%2C Gladys Nilsson%2C Wallace Nutting%2C Suellen Rocca%2C and Karl Wirsum

The Hairy Who Sideshow, 1967

James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum

Not on View

%C2%A9 Karen Ann Klein

Pond, 1999

Karen Ann Klein

Not on View
cover printed in red ink; muscle-bound man flexing with hands over head, wearing wrestling belt with "approved" on buckle; figure is spitting; bursts with text and title also in red; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side

%C2%A9 James Falconer%2C Arthur Green%2C Gladys Nilsson%2C Wallace Nutting%2C Suellen Rocca%2C and Karl Wirsum

The Portable Hairy Who!, 1966

James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum

Not on View
black leather bound book with black geometric shapes inside; several of the pages fold out with small text phrases; poem at back; silver triangle on spine; accompanied with tri-fold brochure

%C2%A9 Harriet Bart %2F Mnemonic Press%2C Minneapolis

Patterns, 2016

Harriet Bart; Author: Poetry by Constantine P. Cavafy; Translator: Walter Kaiser; Printer: Philip Gallo , at the Hermetic Press, Minneapolis; Book Binder: Jill Jevne; Publisher: Mnemonic Press, Minneapolis

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yellow cover; shirtless male figure with birdlike features wearing pink trunks stands at C holding a pair of pink trunks with black design in wing like hands; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side

%C2%A9 James Falconer%2C Arthur Green%2C Gladys Nilsson%2C Wallace Nutting%2C Suellen Rocca%2C and Karl Wirsum

Hairy Who (cat-a-log), 1968

James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum

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text with engravings of architecture--building facades, obelisks, monuments, aerial views; several fold-out pages; white cover with pale leather spine

Della Trasportatione dell' Obelisco Vaticano, 1590

Domenico Fontana; Engraver: Natale Bonifacio

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hardbound book with printed, accordion folded pages; cover is covered with green fabric and has printed covers attached to front (title in blue on red and purple background, with green and yellow ripple pattern over top) and back (red and pink background with black/purple text); gray fabric frontispiece with blue and green watercolor cutout of figure seated on chair; accordioned pages (14 full spreads; 30 pp.) featuring a long haired figure with muscle lines covering face and arms, accompanied by text

%C2%A9 Erik Ruin

Letter from Isolation, 2019

Erik Ruin; Author: Ulrike Marie Meinhof; Publisher: Erik Ruin

Not on View
gold front cover with "TIE" in black; thick blue wood back cover; abstract color images; black and white and color photographs; most pages separated by iridescent, shiny, metallic or plasticized paper or plastic sheets

%C2%A9 Jessica Stockholder

Led Almost By My Tie, 2007

Jessica Stockholder; Author: Jessica Stockholder; Author: Jeremy Sigler; Printer: Ruth Lingen; Book Binder: Ruth Lingen; Book Binder: Mark Tomlinson; Publisher: Picture Books, New York

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Saddle stitched binding, photomechanical illustration of protestors and figures in riot gear, with text, printed in red and black-and-white offset lithography on wove paper covers; 29 pp.

Reflections on Seattle, 2000

Seth Tobocman , et al.; Publisher: Direct Action Network, New York; Publisher: World War 3 Illustrated, New York

G315

Loose, folded leaves, collage of images and text photocopied on wove cover; 124 pp.

Carnival of Chaos: On The Road with the Nomadic Festival, Summer 95', September 1995-January 1996

Sascha Scatter; Printer: Bloodlink Press, Philadelphia

G315

Saddle stitched binding, text and reproduction of a painting of a man in a cell, carrying a red heart on his back; 96 pp.

World War 3 Illustrated #24: prison, 1996

Mac McGill , et al.; Author: Mumia Abu-Jamal , et al.; Editor: Kevin C. Pyle , et al.; Publisher: World War 3 llustrated, New York

G315

Bound volume, image and text printed on beige paper; 22 pp.

After Makhno: Hidden histories of Anarchism in the Ukraine, 2009

Anatoly V. Dubovik; Author: D.I. Rublyov; Translator: Szarapow; Publisher: Kate Sharpley Library, London, Berkeley

G315

Saddle stitched binding, xerographic photo-collage of text, a photographic image of a female figure with fangs, and illustrations of two male figures, printed on wove paper; 16 pp.

Rebel Fux #22, late 20th-early 21st century

Kate Huh; Publisher: Kate Huh , New York

G315

Saddle stitched binding, photomechanical image of various figures, designs, and text printed in offset lithography on blue wove paper covers; 20 pp.

Hell and Damnation #6, September 1998

Colin Astro , et al.; Publisher: Hell and Damnation, South Yorkshire, U.K.

G315

Cut and folded leaf, xerographic text and illustration of a picket line and drumming figure printed on wove paper; 8 pp.

Once You get past the drum circles and all the protest signs..., 2011

Mission Mini-Comix, San Francisco; Publisher: Mission Mini-Comix, San Francisco

G315

Loose, folded leaves of newsprint, photomechanical illustration of two groups of figures (both nude, one male and the othe female) with red text printed in color and black-and-white offset lithography; 14 pp.

After the Fall, 2002

After the Fall Collective, New York

G315

Stab stitched binding, xerographic text and illustration of two figures printed on yellow wove paper covers; 16 pp.

Piss Bucket, issue #2, 1992

Unknown; Publisher: International Solidarity Network, New York

G315

Saddle stitched binding, photomechanical illustration of visceral figure, with letterpress text, printed in offset lithography on pink wove paper covers; 28 pp.

Tenacious #13: Art and Writings from Women in Prison, 2007

Vikki Law; Artist: Barrilee Bannister , et al.; Publisher: Black Star Publishing, New York

G315

Perfect bound volume, full bleed, photomechanic image of two figures framed from the waist down with letterpress text printed in offset lithography on wove paper covers; 81 pp.

Indestructible, 2008

Cristy C. Road; Author: Cristy C. Road; Publisher: Microcosm Publishing, Bloomington, Ind.

G315

Saddle stitched binding, color illustration of winged figures looking over and flying above a city, with a river running through it, with text; 29 pp.

Friends Make the Best Medicine: A Guide to Creating Community Mental Health Support Networks, 2013

Sascha Scatter; Publisher: The Icarus Project

G315

Saddle stitched binding, text and illustrated figure with abstract tattoos, purple piercings, and an X and swirled design as eyes, against a yellow-green background with cursive writing; 16 pp.

Peops #8.9, 2014

Fly NYC; Publisher: Fly NYC

G315

Saddle stitched binding, color image of speakers on a balcony decorated with the squatter insignia, an image of a hand curshing a swastika, and more, on coated paper covers; 48 pp.

Squatter Comics #2, 1994

Seth Tobocman , et al.; Publisher: SHADOW Press, New York

G315

Stab stitch binding in upper left corner, image with text and designs photocopied on wove cover; 19 pp.

Chain Reaction, vol. 1, no. 1, 1999

Chain Reaction Collective; Publisher: Chain Reaction Collective , Homewood, I.L.

G315

Saddle stitched binding, text and illustration of a tree's branches growing into hands amongst a cityscape, printed in color offset lithography on coated paper covers; 96 pp.

World War 3 Illustrated #15, October 1991

Sabrina Jones , et al.; Author: Eric Drooker , et al.; Editor: Seth Tobocman , et al.; Publisher: World War 3 llustrated, New York

G315

Saddle stitched biding, text and montage of photographic image and illustration of a protest in front of a burning White House; 104 pp.

World War 3 Illustrated #17, July 1992

Seth Tobocman , et al.; Author: Scott Cunningham , et al.; Editor: Peter Kuper , et al.; Publisher: World War 3 llustrated, New York

G315

Cut and folded leaf, xerographic text and illustration of a figure holding notebook pages printed on wove paper; 8 pp.

We Are the 99%, no. 2, 2012

Mission Mini-Comix, San Francisco; Publisher: Mission Mini-Comix, San Francisco

G315

Loose, folded leaves, abstract design with letterpress text printed in offset lithography on newsprint; 38 pp.

RE/SEARCH, no. 3, 1981

Erich Mueller , et al.; Editor: V. "Valhalla" Vale; Publisher: Rough Trade, San Francisco

G315

Saddle stitched binding, photomechanical image of a fly printed in offset lithography on wove paper covers that are cut along the contour of the fly; 16 pp.

Sister Blister, late 20th-early 21st century

Etta Cetera

G315

Saddle stitched binding, photograhic image of figure with letterpress text printed in color offset lithography; 52 pp.

Original Plumbing, no. 1: The Bedroom Issue, Fall 2009

Amos Mac , et al.; Printer: 1984 Printing, Oakland, Calif.; Publisher: Amos Mac , et al., San Francisco

G315

Cut and folded leaf, xerographic ytext and illustration of a television printed on wove paper covers; 8 pp.

TV News is Lying To You And Here's Why!, 2012

Mission Mini-Comix, San Francisco; Publisher: Mission Mini-Comix, San Francisco

G315

Saddle stitched binding, xerox image of blockbuster text; 40 pp.

Go Fuck Yourself: A Mini-Zine Devoted to D.I.Y. Sex Toys and Gender-Bending Devices, 2006

Annie/Andy Danger; Publisher: Annie/Andy Danger , Oakland, Calif.

G315

Saddle stitched binding, text and photographic image of a squatter demonstration in front of a large mural printed in offset lithography on coated paper covers; 34 pp.

Squatting in West Berlin, 1987

Frank Jackson , et al.; Publisher: Hooligan Press, London

G315

Saddle stitched binding, reproduction of a colored pencil and collaged illustration, featuring text, an image of an elephant fetus, and an illustration of a female figure with six arms and breasts; 36 pp.

In Doctrine Nation, 1994

Fly NYC; Publisher: Fly NYC

G315

Saddle stitched binding, photomechanical illustration of figure drunking cider under a tree; 56 pp.

Binocular Rebellious, Spring/Summer 2003

Sean Goblin; Publisher: Sean Goblin , Oakland

G315

Saddle stitched with thread, offset lithographic image of a police officer in riot gear aiming at an unarmed man; 128 pp.

tHE fALL oF aMERICA, 1999

rOBNOXIOUS; Publisher: cOUNTERcLOCKWISE pUBLICATIONS, Mankato, Minn.

G315

Saddle stitched binding, photographic image of figure against a brick wall, with text printed in color offset lithography on coated paper covers; 52 pp.

Original Plumbing, no. 3: The Health and Safer Sex Issue, Spring 2010

Amos Mac , et al.; Printer: 1984 Printing, Oakland, Calif.; Publisher: Amos Mac , et al., San Francisco

G315

Saddle stitched binding, photographic image of three figure with designs and letterpress text printed in offset lithography on coated paper covers; 21 pp.

None Shall Escape: Radical Perpectives in the Caribbean, July 1988

Fundi; Printer: Union Place, London; Publisher: News From Everywhere, London

G315

Perfect bound volume, letterpress and three photographs of railyards printed in color offset lithography on coated paper covers; 96 pp.

Transient Ways, 1996

Jessica Hahn; Publisher: Passing Through Publications, Ha'alehu, H.I.

G315

Saddle stitched binding, photocopied image of text on an abstract background printed in xerography on wove paper; 18 pp.

i see stars, late 20th-early 21st century

Oliver; Publisher: Oliver

G315

A single, folded leaf with text on the outside and on the inside a xerographic photo-collage of punk performers, featuring "SLUG & LETTUCE" across the top.

Slug & Lettuce: A Little Bit O' History, 1996

Chris Boarts Larson; Publisher: Slug & Lettuce, Richmond, Va.

G315

Saddle stitched binding, photomechanical illustration of a punk show, with text, printed in offset lithography on coated paper covers; 50 pp.

Screams from Inside #7, 1997

Carissa van den Berk-Clark , et al.; Publisher: Carissa van den Berk-Clark , Philadelphia

G315

Saddle stitched binding, collage of text and designs on pink wove cover; 40 pp.

Charged Hair & Distorted Riffs... Bullet Belts & Circle Pits, no. 2.5: Punk Flyers, December 2004

Jeff AKA The Foat; Author: Jeff AKA The Foat; Publisher: Jeff AKA The Foat , Vancouver

G315

Cut and folded leaf, xerographic text and illustration of an Uncle Sam figure with others printed on wove paper covers; 8 pp.

Citizens United Against "Citizens United", 2012

Mission Mini-Comix, San Francisco; Publisher: Mission Mini-Comix, San Francisco

G315

Perfect bound volume, photomechanical reproduction of a collage of various figures and text; 126 pp.

Carnival of Chaos, c. 1996

Fly NYC et al.; Editor: Sascha Scatter et al.; Publisher: Bloodlink Press, Philadelphia

G315

Saddle stitched binding, color offset lithographic text and illustration of a skill with four teeth, printed on blue wove paper covers; 16 pp.

Skull at Large, 2007

Dylan Graham; Publisher: Artichoke Yink Press

G315

Loose, folded leaf, photomechanical illustration of a silhouetted figure, with text; 4 pp.

ZULU: An Indigenous Anti-Capitalist ANALYSIS, late 20th-early 21st century

Zig-Zag; Distributor: In Our Hearts, New York

G315

Stab stitched binding, text and an illustration of a portest, featuring a police blockade, protesters behind shields and one using a rocket launcher; 12 pp.

¡Fuera Ulises! A Graphic Account from Oaxaca, 2007

Ana Nimo

G315

Stab stitched binding reinforced with black electrical tape, color offset lithographc image of a fence printed on transparent dura-lar covers, with letterpress printed on wove paper peeking through; 36 pp.

Dirt Party, 2011

Maggie Wrigley

G315

Saddle stitched binding, reproduction of a colored pencil and collaged illustration, featuring text, images of Saints and cupids, an image of a dead rat, and an illustration of a scream-like figure holding a hammer; 36 pp.

The Dystopiation of Sobriety, 1995

Fly NYC; Publisher: Fly NYC

G315

Saddle stitched binding, text and photographic image of three punk figures printed in color offset lithography on coated paper covers; 64 pp.

Punk Magazine #20, 2007

John Holmstrom , et al.; Publisher: John Holmstrom , New York

G315

Stab stitched binding, photocopied image of figure and text printed in xerography on wove paper covers; 16 pp.

Go Trespassing!, 2015

Nicole B!; Publisher: Nicole B! , Oakland

G315

Loose, folded leaves, with illustrated banner along the top featuring punks and other figures holding signage that together read "SLUG AND LETTUCE," with text and images of performers below; 20 pp.

Slug & Lettuce #62, December 1999-February 2000

Chris Boarts Larson; Publisher: Slug & Lettuce, Richmond, Va.

G315

Saddle stitched binding, illustration of two figures looking at a pie chart outside an encampment, with text and designs; 8 pp.

What're those "Occupy" Protesters So Cranky About Anyways?, 2011

Mission Mini-Comix, San Francisco; Publisher: Mission Mini-Comix, San Francisco

G315

Loose, folded leaves, xerographic text and illustration of two travellers in a landscape; 6 pp.

Vagabond Ramblings: A critical look at anarcho-nomadism, 1996

Le Trimardeur; Publisher: Venomous Butterfly Publications, Portland

G315

Saddle stitched binding, illustrated text and portrait of a woman with dreadlocks, feathers in her hair, and jewelry, against a pale blue background with words;

Peops #7, 2012

Fly NYC; Publisher: Fly NYC

G315

Saddle stitched binding, photographic image of two figures against a brick wall, with letterpress text printed in color offset lithography on coated paper covers; 48 pp.

Original Plumbing, no. 5: Fashion Issue, 2010

Amos Mac , et al.; Printer: 1984 Printing, Oakland, Calif.; Publisher: Amos Mac , et al., San Francisco

G315

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