hardbound book with printed, accordion folded pages; cover is covered with green fabric and has printed covers attached to front (title in blue on red and purple background, with green and yellow ripple pattern over top) and back (red and pink background with black/purple text); gray fabric frontispiece with blue and green watercolor cutout of figure seated on chair; accordioned pages (14 full spreads; 30 pp.) featuring a long haired figure with muscle lines covering face and arms, accompanied by text — Letter from Isolation, 2019
Erik Ruin; Author: Ulrike Marie Meinhof; Printer: Printed by Erik Ruin , and Alice Wang, American, b. 1996, at BYO Print, Philadelphia; Publisher: Erik Ruin

G369

treatise on modern art with 10 original woodcuts and text by Vassily Kandinsky; first edition — Uber das Geistige in der Kunst, 1912
Vassily Kandinsky; Publisher: R. Piper and Co. , Munich

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Pond, Karen Ann Klein — Pond, 1999
Karen Ann Klein

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artist's copybook with images of body parts, portraits with heads in various positions, babies' heads, and animals; book has mottled golden-brown leather cover with gold stamping; end papers have swirled green, blue, red, and yellow designs; 41 engraved plates — Scuola perfetta per imparare a disegnare, 1599-1629
Pietro Stefanoni; Engraver: Luca Ciamberlano; Engraver: Attributed to Francesco Brizio; Artist: After Agostino Carracci

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white suede-covered book with accordion-folded pages; text and images in black and red of nude women being bitten and attacked by large carnivorous cats and wolves; tan clamshell storage box — The Animal is in the World Like Water in Water, 2010
Kiki Smith; Author: Poetry by Leslie Scalapino; Publisher: Granary Books, Inc., New York

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written text in ULC and along left edge; printed text at right edge; image of stylized heavy-set figure at right with leaves on face and head, with a twisted PL arm carrying a sack and holding a whip or torch in PR hand; two kneeling men with hands folded in prayer at left; burning building at center with rotund balloon-like stylized bat or bird hovering over it; black on tan paper — Program for King Ubu (Ubu Roi), 1896
Alfred Jarry; Publisher: Théâtre de l'Oeuvre, Paris

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two parts bound in one volume; illustrated with 56 engraved plates on blue paper; oblong folio; bound in contemporary German three-quarter brown calf over marbled boards; red morocco spine label stamped in gilt; text on white paper followed by engravings on blue paper of letters and alphabets, quotes, heraldic, geometric, emblematic and alchemical imagery, portraiture, natural history scenes, astronomical calendars and charts — Liber artificiosus alphabeti maioris, oder: neu inventirtes Kunst- Schreib- und Zeichenbuch, 1782-1785
Johann Merken; Engraver: Heinrich Hugo Cöntgen

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soft-cover book with red cover with blue text; color images of collages — The Red, Volume 4 from "Daybooks", 2010
Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View

soft-cover book with green cover with red text; color images of collages — The Green, Volume 6 from "Daybooks", 2010
Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View

soft-cover book with tan cover with black text; color images of collages — The Tan, Volume 7 from "Daybooks", 2010
Robert Carolina; Publisher: Cobalt Press, Minneapolis

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wire spiral-bound book with folded pages (open edge at binding); printed images on both sides of pages in black of geometric designs of lines forming optical illusion cubes in various patterns; white thin cardboard covers; 80 pp. — Bok 4a, 1961
Dieter Roth; Publisher: Forlag Ed., Reykjavik, Iceland; Printer: Prentsmioja Jons Helgasonar, Reykjavik

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soft-cover book with brown cover with pink text; color images of collages — The Brown, Volume 1 from "Daybooks", 2010
Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View

soft-cover book with orange cover with purple text; color images of collages — The Orange, Volume 5 from "Daybooks", 2010
Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View

soft-cover book with dark brown cover with green text; color images of collages — The Umber, Volume 3 from "Daybooks", 2010
Robert Carolina; Publisher: Cobalt Press, Minneapolis

Not on View

soft-cover book with blue cover with orange text; color images of collages — The Blue, Volume 8 from "Daybooks", 2010
Robert Carolina; Publisher: Cobalt Press, Minneapolis

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soft-cover book with dark purple cover with yellow text; color images of collages — The Purple, Volume 2 from "Daybooks", 2010
Robert Carolina; Publisher: Cobalt Press, Minneapolis

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images and embossings of arms and hands in grey and vertical drapery folds in grey or tan interspersed with letterpress text; tan leather cover with two strap closures with organic metal clasps — Enfold, 2010
Cynthia Thompson; Publisher: Delian Press, Memphis, Tenn.

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cover collage on grey paper of variously shaped elements of gold foil, patterned silver foil, leatherette and cork, with text and date printed in black; letterpress text in various fonts and designs; top of pages uncut (each page folded); prospectus with preface in French by Georges Ribemont-Dessaignes loosely inserted — Lidantiu as a Beacon, 1923
Typography by Il'ia Zdanevich, called Iliazd; Author: Il'ia Zdanevich, called Iliazd; Designer: Cover design by Naum Granovskii; Publisher: Éditions du degré 41, Paris

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images of snowflake-like watermark repeating on every other page--some with pinkish or yellowish spots around center area; scattered lines of text; black leather cover with front and back of cover extending down to form a flap, with a large woven knot of leather at end; silver organic-shaped clasp with leather strap — Grievous Injuries, 2010
Cynthia Thompson; Publisher: Delian Press, Memphis, Tenn.

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images in white/grey and embossing of cloths, arms and ears, head veils, and liquid drops interspersed with embossed text on black paper; black leather cover with front and back of cover extending down to form a flap, with a large woven knot of leather at end; two strap closures with silver organic-shaped clasps — Remorse, 2010
Cynthia Thompson; Publisher: Delian Press, Memphis, Tenn.

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book with handpainted hard grey cover with streaks of black and white; poems written in paragraph form in letterpress on double pages with abstract images; one poem printed on smaller inset piece of paper — Traces, 2010
Bill Kelly; Author: Poems by Peter Everwine; Publisher: Brighton Press, San Diego, Calif.

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small book with cardboard covers, with printed cover design applied; printed poems illustrated with twelve original black-and-white abstract woodcuts, including cover image — Vingt-cinq poèmes, 1918
Hans (Jean) Arp; Author: Tristan Tzara; Publisher: J. Heuberger, Zurich, Switzerland , for Collection Dada

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Cloth-covered boards with intaglio print adhered to front board; codex binding; 15 pp. — Echo, 2007
Fred Hagstrom; Author: Greg Hewett , American, born 1958; Publisher: Strong Silent Type Press, St. Paul, Minnesota

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gold front cover with "TIE" in black; thick blue wood back cover; abstract color images; black and white and color photographs; most pages separated by iridescent, shiny, metallic or plasticized paper or plastic sheets — Led Almost By My Tie, 2007
Jessica Stockholder; Author: Jessica Stockholder; Author: Jeremy Sigler; Printer: Ruth Lingen; Book Binder: Ruth Lingen; Book Binder: Mark Tomlinson; Publisher: Picture Books, New York

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set of seven woodcuts and original presentation folder; folder is a brown, rough textured paper with the work's title and artist's name printed in square block of text in upper half of front side; inside the cover page is a single sheet of yellowing paper accordion folded into eight sections; the first seven sections are figurative interpretations of the dance of death--figures are rendered with sharp angles and emphasized musculature; the scenery is ghoulish boasting dead and aggressive animals, menacing natural landscapes, alienating cityscapes; each woodcut is in black and white — Dance of Death in Seven Tempos (Dood dans in zeven tempo), 1924
Nicolas Eekman

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six images (clockwise from top left): back of a nude leaning on a drapery-covered short column, drum-like vessel with a garland and relief target-like element, pair of vases (one with three figures), seated nude woman flanked by two figures with men's heads and upper bodies and fish-like lower bodies, large vessel with relief decoration of horned man with shaggy hair and garlands, two short columns--tallest with a relief snake, shortest with a relief pitcher; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 5, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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Fascicule II, Plate 9, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

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five images (clockwise from top): frieze with five women wearing flowing garments, drinking horn with branch in relief and bull's head at bottom, seated Egyptian goddess with animal's head, putto seen from back with a bleating goat who is lying down, vessel with a fluted foot and relief heads; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 2, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top left): standing figure wearing earrings holding a rectangular box with a standing figure inside, scene with youth at left holding a mask of an old bearded bald man with another standing figure at right, with a lying-down goat at center bottom, another lying-down animal in LRC, target-like element to right of standing figure at right and a round element left of center with a bird, Egyptian monument with standing figure and pair of lion heads, monument or vessel with tapering squared-off fluted columns and putti in relief; printed off-center on page; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 3, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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six images (clockwise from top): frieze with scrolls and foliage, covered vessel with pair of panther handles, seated satyr playing a panflute, seated figure with a lobed hat or hairstyle, seated bearded man holding a U-shaped object, monument with pair of figures with their hands on each other’s shoulders and a garland across their legs; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 10, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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three images (clockwise from top): frieze with procession of women, with girl and nude child at left, carrying a column and a rounded vessel on a litter, standing woman with braids and a spray of fruit above her head, ornament with winged putto, pair of goat heads, and pair of sphynxes; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 8, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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five images (clockwise from top right): standing Egyptian figure with a snake wrapped around body, drum-shaped column with frieze of women in a line, each holding the garment of the woman in front of them, winged figure with a three-tiered garment holding a looping drapery over her head, standing woman holding her garment hem up to her lower abdomen exposing her legs and genitals, seated Egyptian nude woman flanked by pair of lions fountains with water coming out of their mouths; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 14, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top right): standing woman holding fruit in the front folds of her garment, pouring water into a large drum-shaped vessel with cow's skull in relief, Egyptian vessel with pair of high relief standing nude female figures and band with lions' heads and text, standing nude man carrying a sheep on his PR shoulder, with two large vessels behind him, winged figure wearing a three-tiered garment, playing a horn; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 17, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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three images (clockwise from top): nude man with a drapery tied around his neck wrestling with two bulls, columns in the form of griffons, seated woman wearing a crown and draping garment flanked by two lions; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 1, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top): frieze with old man at left and young man at right each kneeling on one knee, picking grapes, vessel with arcing handles and relief portrait, winged putto with ribbons and swags with fruit, three nude female figures holding a basin aloft; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 7, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top left): tapering column flanked by two Egyptian figures, topped with egg-shaped element with face, woman wearing draped garment standing behind and assisting a youth wearing draperies playing two horns, basin supported by standing nude male figures, monument with eagles, two children with a boar, swag of fruit and pair of horned male heads, topped with vessels of various types; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 6, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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five images (clockwise from top right): winged woman wearing flowing garment holding a laurel crown, pot with pair of high relief handles in the form of nude females, satyr with a tambourine embracing a woman with a drapery across her lap and a satyr child in lower right, basin with tapered column legs with paw feet and lion's heads, standing winged putto with garland of fruit with ribbons; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 11, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top): frieze with pair of griffons facing each other, decorative scrolls and flowers, seated Egyptian with text on the front of garment over shins, frieze with pair of lions facing each other, each with a paw on the edge of a vessel between them, drum-shaped column with pair of birds and column with overturned vessel on top, spilling liquid; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 15, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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four images (clockwise from top right): bust of Janus figure, satyr examining the foot of a seated nude man, sculpture of a man holding a baton seated on an eagle, with a waterfall and a decorative screen in foreground, pyramid structure; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 12, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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Fascicule III, Plate 18, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

Not on View

six images (clockwise from top right): Three Graces in a rondel, with center figure seen from back, jar with long handles, protrusion at bottom and pair of relief heads, wide column with Greek key design at bottom and bull's head with garlands and flowers at top, vessel with handle in the form of a snake eating its tail and relief grapevines and leaves, frieze with winged putto pouring liquid into a saucer with a griffon holding its front paw on saucer edge, vessel with dolphin handles and foliage; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 13, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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eight images (clockwise from top left): table with tall legs with three sphinxes on top of goat legs, winged putto seated on an animal consisting of a large penis with the back legs and tail of a lion, table with three one-legged satyrs with erect penises, rondel with a reclining figure of a woman being assisted by a standing draped figure and accompanied by another draped figure and a winged putto, staff with pair of standing figures, one with wings, crescent shaped object with a bird at bottom and a head at each point, cup with pair of sphinxes, standing man pouring liquid onto his erect penis; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 4, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

six images (clockwise from top): footed wide cup with fluted decorations and pointed handles, standing putto with a garland and a head/mask on top of a column at right, vessel (?) in the form of a seated nude man with his hands on his knees, rectangular basin on a column with a rectangular base, standing woman dressing her hair accompanied by a child holding a mirror, rounded vessel with relief head and feet in the form of winged figures; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 16, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

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a: artist book with printed and hand bound pages; cover is teal on top half with a grey mountainous landscape on bottom; first 1/2 has a hand stitched binding with names on off-white pages and second half is folded accordion style and has b/w wood cut prints on one side and b/w with grey tone portraits on the other side b: black fabric covered box with printed landscape on front and interior — Memory and Landscape: Unveiling the Historic Truths of Chile, 1973-1990, 2013
Maria Veronica San Martin; Printer: Maria Veronica San Martin; Artist: Bound by Maria Veronica San Martin; Publisher: Maria Veronica San Martin

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accordion-folded book, printed on both sides of pages; cover is dark grey paper with light blue leather geometric form and white horizontal line; illustrated with primarily geometric designs, maps and numbers in bright colors; Euclidean propositions and author's text narrative alternate; clamshell storage box covered with black and white woven cloth — Interstices & Intersections or, An Autodidact Comprehends a Cube. Thirteen Euclidean Propositions., 2014
Illustrations by Russell Maret; Artist: Typography by Russell Maret; Author: Euclid; Translator: Sir Thomas Little Heath; Author: Commentary by Russell Maret; Designer: Typeface designed by Russell Maret; Book Binder: Daniel E. Kelm; Publisher: Russell Maret

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text with engravings of architecture--building facades, obelisks, monuments, aerial views; several fold-out pages; white cover with pale leather spine — Della Trasportatione dell' Obelisco Vaticano, 1590
Domenico Fontana; Engraver: Natale Bonifacio

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black leather bound book with black geometric shapes inside; several of the pages fold out with small text phrases; poem at back; silver triangle on spine; accompanied with tri-fold brochure — Patterns, 2016
Harriet Bart; Author: Poetry by Constantine P. Cavafy; Translator: Walter Kaiser; Printer: Philip Gallo , at the Hermetic Press, Minneapolis; Book Binder: Jill Jevne; Publisher: Mnemonic Press, Minneapolis

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Blue cloth hard-bound book with indistinct cover image of a sailing ship with some light blue in sky; images alternate between images of slaves lying down in the hold of a ship with various colored backgrounds and indistinct black-and-white images of dark-skinned people. Type font is Myriad Pro; drum leaf binding; 24 unnumbered pp. — Passage, 2016
Fred Hagstrom; Author: Thomas Clarkson; Author: Abigail Mott; Publisher: Strong Silent Type Press, St. Paul, Minnesota

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yellow cover; shirtless male figure with birdlike features wearing pink trunks stands at C holding a pair of pink trunks with black design in wing like hands; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side — Hairy Who (cat-a-log), 1968
James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum

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white cover with large male figure with painted face in gray and white zoot suit, stepping on a pile of waste; back cover is upside down, and features a woman slipping on a puddle on checkered floor; book flips upside down halfway through; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side — Hairy Who (I'm Juan Dollar), 1968
James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum

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yellow cover with green text and image: obese humanlike figure wearing starred top and jeans; two wide-set legs, each branching off into several other smaller legs with feet; face with stitches and several abstract chins; title at top; cross LLC; wraparound cover, 32 unnumbered pp. (16 folios), stapled at the side — The Hairy Who Sideshow, 1967
James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum

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cover printed in red ink; muscle-bound man flexing with hands over head, wearing wrestling belt with "approved" on buckle; figure is spitting; bursts with text and title also in red; wraparound cover, 16 unnumbered pp. (8 folios), stapled at the side — The Portable Hairy Who!, 1966
James Falconer; Artist: Art Green; Artist: Gladys Nilsson; Artist: Jim Nutt; Artist: Suellen Rocca; Artist: Karl Wirsum

Not on View

16 pp., 79 illustrations; bound with white string in cardboard covers repurposed from a green and yellow "Sugar Honey Maid" graham cracker box; thick, black brushstrokes in "h" formation on inside of front cover with two wavy, black lines above and below; first three pages feature grid of nine squares each containing an image drawn in black -- mixture of portraits, interiors, and abstractions; wavy, horizontal black lines drawn in-between squares to mimic lines of text; layout of image and "text" breaks from grid on pages 4-5; page 6-8 feature two rectangles comprised of 21 squares some with images others blank; selection of letters (Greek?) rendered above each rectangle; inside of back cover has single, abstract figure in square with wavy, black lines above and below square; not signed — Untitled (Sugar Honey Maid Graham Crackers Book), after 1930
James Castle

Not on View

bound album of print illustrations; blue and black cover with black leather with gold printing; images are line drawing style, without shading; Classical scenes of gods and humans; 37 plates — Compositions from the Works, Days and Theogony of Hesiod, 1817
William Blake; Designer: John Flaxman R.A.; Publisher: Longman, Hurst, Rees, Orme, and Brown London

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Saddle stitched binding, image printed in offset lithography with letterpressed text; 10 pp. — Bike-Curious/Trans-Alt, no. 11, 2003
Kent; Publisher: Bike-Curious, New York

Not on View

Perfect bound volume, full bleed image printed in color offset lithography with letterpressed text; 128 pp. — Broad Appeal, 2003
Sara Varon , et al.; Printer: Quebecor Printing, Montreal; Publisher: Friends of Lulu, Pasadena

Not on View

Folded leaf, images, text, and designs photocopied on wove paper; 4 pp. — Bob the Angry Flower, late 20th-early 21st century
Stephen Notley; Publisher: Stephen Notley , Edmonton, Canada

Not on View

Saddle stitched binding, white text on black ground; 32 pp. — Defending The Zad, 2016
La Mauvaise Troupe; Translator: The Laboratory of Insurrectionary Imagination; Publisher: Éditions de l'Éclat, Paris

Not on View

Saddle stitched binding, xerographic image of etching of a religious/mythological scene with text printed on wove paper covers; 24 pp. — Croatan Express, no. 2, 1993
Hakim Bey , et al.; Publisher: AmbiTAZ, San Francisco

Not on View

Saddle stitched binding, photocopied image of figures with designs and text printed in xerography on wove paper covers; 30 pp. — So We Just Broke Up..., December 2004-January 2005
Leigha Coonan , et al.; Publisher: Leigha Coonan , et al.

Not on View

Loose, folded leaves, image and text photocopied on wove paper; 182 pp. — Black Butterflies, late 20th-early 21st century
rhorn

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Saddle stitched binding, cover crowded with text and small figures around a globe; 28 pp. — DORIS #15, 2000
Cindy Crabb; Publisher: Cindy Crabb , Asheville, N.C.

Not on View

Bound volume with loose pages, image and text photocopied on wove paper; 8 pp. — Art and Revolution Convergence Orientation Zine, 1997
WAIL Collective; Publisher: Art and Revolution, Arlington, W.A.

Not on View

Bound covers, designs and text printed with yellow offset lithography; 28 pp. — A2Z: An Alphabetical Disorder, 1982
Lisa Fernandez , et al.; Publisher: Disorderly Distribution, New York

Not on View

Saddle stitched with offset lithographic imageand text printed on pale yellow paper; 48 pp. — Anamorphosis: Stewart Home, Searchlight, and the Plot to Destroy Civilisation, 2000
Stewart Home; Publisher: Sabotage Editions, London

Not on View

Saddle stitched binding, full bleed image of painting printed in offset lithography with letterpressed text on coated cover; 104 pp. — Broken Pencil, no. 22, 2003
Erica Lee , et al.; Author: Nathalie Atkinson , et al.; Publisher: Broken Pencil, Toronto

Not on View

Saddle stitched binding, photocopied image of chateau with text printed in xerography on wove paper covers; 26 pp. — Cursed Canoe, no. 2, 2004
Chris Brimacombe; Publisher: Chris Brimacombe

Not on View

Saddle stitched binding, text and illustration of a three-faced figure standing in the rain (of water and fish); 32 pp. — Ali & The King*s Tears, 2003
Fly NYC; Publisher: B. Curious, New York

Not on View

Saddle stitched binding, illustration of a panda with teal text and designs; 30 pp. — DORIS #24, Spring 2007
Cindy Crabb; Printer: 1984 Printing, Oakland, Calif.

Not on View

Saddle stitched binding, xerographic photo-collage of handprint and text printed on blue wove paper covers; 20 pp. — A Piece of Me, 2001
Shakina; Publisher: Shakina

Not on View

Six bookmarks, each with images of books printed in red and black offset lithography with letterpressed text on wove paper — [Het Fort van Sjakoo International Bookstore Bookmarks], late 20th-early 21st century
Unknown

Not on View

Saddle stitched binding, illustration of a dog, with text and designs; 16 pp. — Detachable Penis, 2006
Dane Lachiusa; Publisher: Dane Lachiusa

Not on View

Perfect bound volume, full bleed image with text printed in color offset lithography on coated cover; 41 pp. — Chicago Stories, 2004
Megan Kelso; Artist: Frank Sirk; Author: Aaron Cometbus; Publisher: Aaron Cometbus

Not on View

Saddle stitched binding, brown and purple letterpress text printed on textured wove paper covers; 18 pp. — Open Magazine, Pamphlet no. 11: Above The Law & Behind Closed Gates: The Nomination of Robert Gates to Director of the CIA, July 1991
Murray Waas; Publisher: Open Media Pamphlet Series , Westfield, N.J.

Not on View

Bound covers, image and text printed with offset lithography; 6 pp. — ABC No Rio Free Kids' Haunted House Halloween Party, 2003
Unknown; Publisher: ABC No Rio, New York

Not on View

Saddle stitched binding, design printed in offset lithography with letterpressed text printed on blue wove paper covers; 25 pp. — Cosmos, 1987
Joanna Beyers , et al.

Not on View

Saddle stitched binding, xerographic text and image of abstracted, nude female figure, printed on wove paper covers; 14 pp. — Cumrag: Maiden Voyage, 20th century
Barbra Fisch; Publisher: Barbra Fisch , Toronto

Not on View

Bound covers, designs and text printed with photocopy; 12 pp. — Adventures in the Land of Greasecars and Fireflies, 2004
Sascha Scatter; Publisher: Sascha Scatter

Not on View

Bound with green silk-like thread at the top, sharpie marker inscription and pill collage elements on reflective coated paper cover; 14 pp. — 2009 Free Calendar, 2009
Aaron Cometbus , et al.

Not on View

Saddle stitched binding, letterpress text printed on wove paper covers; 18 pp. — Open Magazine, Pamphlet no. 16: Black America: Multicultural Democracy in the Age of Clarence Thomas, David Duke, and the LA Uprisings, 1992
Manning Marable; Publisher: Open Media Pamphlet Series , Westfield, N.J.

Not on View

Perfect bound volume, letterpressed text printed on pink wove paper covers; 95 pp. — CUZ, no. 3, 1989
Gary Panter; Author: Michael DeCapite , et al.; Publisher: The Poetry Project, Ltd., New York

Not on View

Saddle stitched binding with some loose, folded leaves inserted,comic panel in blue, yellow, and pink screenprint; 24 pp. — Der Fernseher #3, 1995
GRRRR

Not on View

Loose leaves, xerographic designs and text printed on wove paper; 6 pp. — Big Meat Hammer, late 20th-early 21st century
Big Meat Hammer, Portland

Not on View

Perfect bound volume, image of figures and house with text printed in offset lithography on coated paper covers; 167 pp. — Double Duce, 2003
Fly NYC; Author: Aaron Cometbus; Publisher: Last Gasp, San Francisco

Not on View

Loose, folded leaves, designs., text, and a photomechanical illustration of a figure's face with two different eyes, printed in offset lithography on wove cover; 4 pp. — Axon Spring 90: Inter/Access Member's Newsletter, 1990
Inter/Access, Toronto

Not on View

Saddle stitched binding, photomechanical images of books with designs and text printed in orange offset lithography on beige wove paper covers; 24 pp. — Counter Intelligence: catalogue of self-published and autonomous print-creations, 1995
Jason Skeet , et al.; Publisher: Jason Skeet , et al., London

Not on View

Bound volume with offset lithographic image printed on yellow newsprint cover; 30 pp. — Angry Youth Comix, no. 11, 1999
Johnny Ryan; Publisher: The Small Publishers Co-op, Sarasota

Not on View

Saddle stitched binding, image and numerals printed in offset lithography on red wove cover; 24 pp. — Binary Haiku, 2008
Eliot K. Daughtry; Author: Eliot K. Daughtry; Printer: Killer Banshee Studios

Not on View

Saddle stitched binding, image printed in color offset lithography and letterpressed title; 32 pp. — Appearances, no. 28: 5 X 5, 2010
Vince Gargiulo , et al.; Artist: Jill Rapaport , et al.; Publisher: Appearances, New York

Not on View

Saddle stitched, offset lithographic image printed on orange duralar cover over another offset lithographic image printed on a secondary wove cover; 40 pp. — Angel, 2002
Bishakh Som; Publisher: Bishakh Som

Not on View

Saddle stitched binding, photomechanical image of figure with designs and text printed in offset lithography on wove paper covers; 92 pp. — Cometbus, no. 50, 2006
Aaron Cometbus; Publisher: Aaron Cometbus , Berkeley

Not on View

Bound covers, with text and image printed in color offset lithography; 189 pp. — 9-11 Emergency Relief, 2002
Nick Abadzis , et al.; Printer: Quebecor Printing, Montreal; Publisher: Alternative Comics, Gainesville, Fla.

Not on View

Metal ring binding, color offset lithographic image of a passage from Shakespeare's "Caesar," printed on coated paper decal adhered to black wove paper covers; 65 pp. — Beware the Ides of March, 1998
Steven Englander; Artist: Scott Seaboldt; Publisher: ABC No Rio, New York

Not on View

Bound covers with photocopied image and text; 22 pp. — Ablutophobia, late 20th-early 21st century
Unknown

Not on View

Saddle stitched binding, photographic image with text printed in offset lithography on wove paper cover; 82 pp. — Cometbus, no. 31, 1994
Aaron Cometbus; Author: Aaron Cometbus; Publisher: Aaron Cometbus , Berkeley

Not on View

Stab stitched and taped binding, collage of image and text photocopied on wove paper; 14 pp. — Homeless Artists in Bullet Space: The Freedom to Create, 1988
Andrea Neumann , et al.; Publisher: Bullet Space, New York

Not on View

Saddle stitched volume, full bleed image with designs and text screenprinted in blue and brown ink on beige wove cover; 26 pp. — The Children of Lir, 2005
Clíodhna Lyons; Publisher: Clíodhna Lyons

Not on View

Saddle stitched binding, illustration of a flower and two figures with hearts cut into their torso, on a red crayon-like ground; 28 pp. — DORIS #25, 2007-2008
Cindy Crabb; Printer: 1984 Printing, Oakland, Calif.

Not on View

Image and text printed on newsprint in offset lithography; 10 pp. — After the Fall, 2002
After the Fall Collective, New York

Not on View

Saddle stitched binding, photomechanical image of abstracted figures with designs and text printed in offset lithography; 56 pp. — Cometbus, no. 45, 2000
Aaron Cometbus; Publisher: Aaron Cometbus , Berkeley

Not on View

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