woman looking over her PR shoulder; woman holds an open yellow fan with red text; woman wears white garment with blue pattern (text?) and peacock feather design on sleeves, black trim and pink and red patterning; grey sky with moon and grey clouds in ULC — Appearing Suitable, Behavior of a Brothel Geisha of the Kōka Era, April 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman leaning toward PL, with her head tilted slightly down, holding up her PR hand; woman wears light blue kimono with busy pattern of pink and white blossoms and scalloped cartouches with multicolored geometric patterns and red undergarment with purple collar with blue, green and tan leaves; green and tan obi — Appearing Appalled, Behavior of an Unmarried Woman from Nagoya of the Ansei Era, 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman emerging from behind green netting, with her robes open in front, revealing her breasts; woman wears a white kimono with blue square patterns with red undergarment or lining — Appearing Itchy, Behavior of a Mistress of the Kaei Era, September 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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Chao Gai, the Pagoda-shifting Heavenly King, 1872, 11th lunar month

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Shimada Tomekichi

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one sheet; dark-skinned man with mouth open, riding a black horse with trappings decorated with red tassels; man holds a red, blue and gold staff and wears predominately green and yellow kimono; horse is crossing a red bridge with green and yellow panels; mountain visible in middle ground behind side of bridge at right — Zhang Fei of the Yan People, 1872, 11th lunar month
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Katada Chōjirō

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one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground — Sakuma Dennai, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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portrait of a frowning man in rectangle in LRC, with red lips, wearing purple, grey and white striped kimono and undergarment with swirling blue pattern; pink ground; rectangle at left with text, with blue background with white and grey flowers; purple and yellow flower motifs with green leaves and branches in background — Kiku moyō enmei bukuro, no. 2, 1890-1891
Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha

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two separate sheets/vertical orientation; two men, both upside down, fighting in water; tattooed man on top wearing red loincloth; lower man with bulging eyes and hairy limbs wearing green kimono; two fish, ULC; seaweed and octopus, LLC — Picture of ‘White Stripe in the Waves’ Zhang Shun and ‘Black Whirlwind’ Li Kui Fighting in the Water, After February 1887
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi

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woman slightly turned to PR, with elaborate gold hair ornaments with floral motifs, wearing kimono with bold patterns, with bold red and yellow stripes on PL shoulder, bold hexagon and flower pattern in green, white, yellow, red and blue, and black with yellow and blue bamboo leaves on PR shoulder — Appearing Graceful, Behavior of a High-Ranking Prostitute of the Tenpō Era, April 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman lying on her stomach, reading a page of text, with an orange and white cat sitting on top of a short brown and black chest at left; woman wears a brown kimono with black checks; mounted on moderately stiff backing paper — I want to cancel my subscription, January 1878
Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Inoue Mohei

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one sheet; seated wolf with its head bending over its back, with a very long, thin snout; wolf is seated at water's edge, with a reflection in LRC; full moon, ULQ — Moon over Musashi Plain, April 1892
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Yamamoto Shinji

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two separate sheets; woman at left wearing grey and blue striped kimono with red garment underneath and holding a folded cloth in her mouth, looking over her PR shoulder; woman at right wearing black hood and garments, looking at a man in blue stripes; another woman holding up a drunk man behind first woman; woman in grey and purple stripes at left edge of right image — Story of Shiraito of the Hashimotoya, February 1886
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Kamekichi; Carver: Watanabe Yatarō

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sketch in black and red on paper, mounted as a hanging scroll; man in LLC with wrinkled, skeletal face, falling onto his backside with his arms and legs outstretched, open-mouthed; four monsters emerging from a box at left, including a head with three eyes, mouth open and tongue out, on an enormously long neck, a woman with long hair and a catlike nose and mouth with small teeth, pinched-faced small figure wearing a fez and figure with five eyes and elongated face; round red seal at top left of center; large area of blank paper at top of sheet; brown paper and blue paper with lavender flowers on mount — Monsters jumping out of a box scaring a man, late 1880s
Tsukioka Yoshitoshi

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one sheet; man looking over his PR shoulder, with a tree at left; man wears brownish-purple garment with purple sleeves with white and grey patterning; man holds a gun; grey ground — Negoro no Komitsucha, 1868, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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three sheets; battlefield scene with building at left; two men with guns at left--one man points with his PL hand, with blood on his head and sashes; bleeding men in LLC and middle foreground; three men in LRC--two with guns; water in middle ground at center and right; men and horses in background at center and right; black sky; fires at right — Picture of the Battle of Shimotoba at Fushimi in Yamashiro Province, December 1874
Tsukioka Yoshitoshi; Publisher: Hirookaya Kōsuke

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one sheet; bare breasted woman with long hair wearing a tattered khaki robe, reaching under the arms of a boy with thick hair and red skin; rabbit to left of figures; woman leaning against a blooming cherry tree; green mountain in distance — Yamauba and Kaidomaru, February 1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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one sheet; man on a dark brown horse with red trappings; man wears a white turban and multicolored garments with dark blue, black and red armor, and holds a sword in his PR hand; clouds of brown and grey smoke — Uesugi Kenshin Nyūdō Terutora, the Danjō-shōhitsu, December 1883
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

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one sheet; woman with long, blowing hair, wearing green skirt with round floral patterns in brown and dark green, and red underskirt, with a large blue and yellow hair ornament, creating a breeze with a yellow and red fan on which a grey monkey wearing a green blouse and light green pants and brown boots, upside down, with a yellow staff — Momokawa Enkoku; Sun Wukong and Rasetsunyo, 1868, 1st lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Ōmiya Kyūjirō

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one sheet; two men holding torches, in the rain; both men are dressed similarly in blue with floral patterns, with black fabric tied with white on their shins; dark ground — Soga Jūrō Sukenari and Soga Gorō Tokimune, 1872-1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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man with a long handwritten scroll extending downward held behind his back, standing on a platform before an open window were a woman in pink, red and brown is seated, holding a red and white fan; another man's face wearing gold spectacles visible in LRQ behind a blue stone fountain; garden in background at right — Seventh Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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one sheet; grimacing figure with red skin and beard, wearing green patterned kimono, partially reclining on floor on his stomach, with his chin behind held by a heavy-set bald man standing over him; heavy set man has pink and white skin with white circles and wears a crane patterned kimono with purple ground; brown demon with white hair and pink blouse at right; gesturing man in red kimono, URQ; pair of gruesome heads--red face frowning and white face smiling--in ULQ; books and scrolls with text, LRQ — Asahina Saburō Yoshihide, 1872-1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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woman lying on a red pallet with a black neckrest and blue and white pillow with yellow tassel beneath her head; woman wears a red and white abstract floral patterned kimono with similar purple pattern around neckline; floral screen behind woman — Appearing Sleepy, Behavior of a Harlot of the Meiji Period, April 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Yamamoto Shinji

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woman peering out from between two slatted doors; woman wears pink kimono with twining pink morning glories with green stems and leaves, with white collar and red cuffs — Appearing Inquisitive, Behavior of a Maid of the Tenpō Era, April 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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unattached diptych; two heavily tattooed, seminude male figures; figure at L is scratching PL shoulder with PR hand, looking back; figure has small purse crossing his upper body; kerchief tied in bow over head; figure at R has blue spotted kerchief on hair, looking outward — Fashionable Men with Impressive Bare Bodies, 1859, 12th lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Kakumotoya Kinjirō

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ink drawing in black and red; two men fighting; man at left falls forward, grabbing the hair of man at left, who is falling backward; attached to off white mount sheet — Preparatory drawing of Sumoto Sakyō, 1874
Tsukioka Yoshitoshi

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standing woman wearing while kimono with red lining; black obi; woman wears a white hood; woman holds a yellow and black umbrella; three cranes--two flying in URQ, one beside woman in LLQ; snow falling — Heron Maiden, April 1889
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Yamamoto Shinji

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one sheet; portrait of a woman looking toward PL, wearing a red and pink patterned kimono with purple and blue and black plaid trim and red undergarment with blue patterned collar; pink petals falling around woman — Appearing Eager to Meet, Behavior of a Prostitute of the Kaei Era, October 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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portrait of a man with a yellow bundle on his back, wearing a maroon garment with a green patterned belt over a blue kimono with black collar; falling snow; two brown birds flying at top — Light Snowfall: Actor Ichikawa Sadanji I as Obō Kichisa, c. 1876
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei

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standing man wearing black kimono with purple trim, with white flowers on sleeves, and black and white obi; man is offered food on a red tray by a small black baboon; cave setting — Shindō Kojirō Nobuyuki, 1867, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

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standing woman bending forward, with long loose hair, with a strand in her mouth, holding strands in each hand in front of her; woman wears garments in blue and grey with purple flowers and red and white stripes; waves behind woman at her skirts; dark blue ground, with some falling pink flowers and petals — Kiyo-hime, 1865, 9th lunar month
Tsukioka Yoshitoshi; Author: Sumida Ryōko; Publisher: Daikokuya Kinnosuke

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portrait of a man with bushy hair in hairstyle with rounded areas at sides of head, back of neck and sideburns; man's head turned slightly to PR, with a grimacing expression; man wears brightly colored garments of various patterns, with yellow floral patterns on blue on shoulders and black and grown armor on PL arm, with hand in front of chest; large red tassel on PR shoulder; border around portrait rectangle has abstracted save design in blues and white, with yellow dots — Lake: Actor Ichikawa Sadanji I as Akechi Samanosuke, September 1876
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Watanabe Eizō I

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Picture of Prince Moriyoshi, the Third Son of Emperor Daigo, Reciting the Lotus Sutra in the Dungeons of Kamakura, January 1886

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

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one sheet; legs, face and PR arm of man falling into splashing mud; man holds sword straight up in PR hand and wears black stockings and sandals — Tanaka Kanhachi, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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figure with angry face, red-tinted eyes and green-tinted skin, emerging from a swirling grey vortex with yellow cloud; figure wear white headband, white and grey armor, and a tan kimono with dark orange swirl designs; figure reaches down with outstretched PR hand, with fingers spread — Akugenta Yoshihira’s Ghost Attacking Nanba Jirō at Nunobiki Falls, December 1889
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Wada Yūjirō

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three separate sheets; distressed-looking crouching woman at left, wearing grey kimono with orange and yellow flowers along them hem and red flowered obi, holding a green bamboo lantern; standing man at center wearing a kimono with blue, purple and white striped and patterned sleeves and blue body with swirl patterns and orange obi, holding a fan in his PR hand with blue geometric pattern; two women at right--crouching woman wearing dark blue kimono with light blue flowers and standing woman wearing blue kimono fading to pink at hem, and yellow obit with blue and green checks; two other women in background behind man, to his PR; seascape beyond with boats on water and night sky with moon — Distant view of Yokohama from the Daikokurō Restaurant at Kanagawa, 1864, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Yamaguchiya Tōbei

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three separate sheets, unmounted; female figure standing at L behind seated male figure in blue kimono at far L; central seated male figure in striped kimono holding sake glass looking L; seated behind bowl with pink fish and colorful vegetables; two male figures at R are looking L, one is getting up, the other is seated; pink sky with hints of white flower blossoms in background — Picture of Stylish Cherry-blossom Viewing at Kibun Koganei, 1860, 2nd lunar month
Tsukioka Yoshitoshi; Publisher: Gifuya Seishichi

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Midnight Moon at Mount Yoshino: Iga no tsubone, January 1886

Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Noguchi Enkatsu

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three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag — Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

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standing man at right wearing short black kimono with white underskirt, holding a brown cord attached around the neck of a seated figure in green at left; landscape in background with blue-grey sculpture base at right — Fifth Act, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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flock of cranes taking off over beach; male figure in purple with white flowers seated on chair at F under red umbrella; three male figures kneel in front of the surf, in front of figure in green with two swords — Yuigahama, 1863, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Gifuya Seishichi

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one sheet; man on a white horse with another man falling in foreground, with feet in the air; man on horse wears multicolored armor and red, black and patterned garments; falling figures wears green, white, black and red armor, and blue and white pants — Sagami Jirō Taira Masakado, December 1883
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

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demon at right with long dark hair, peering around an oval element with red decorative flames around it on a black stand at left; man at center dressed in predominately blue, rust red and green, leaning his head forward toward demon, holding his sword in its sheath at his PL side; two fallen figures, covering their heads, at right; blowing fall leaves throughout — Clearing Weather of the Togakushi Mountains: Taira Koremochi Ason, 1868, 1st lunar month
Tsukioka Yoshitoshi; Publisher: Sanoya Tomigorō; Author: Takeda Kōrai

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triptych with two attached sheets, one separate sheet; three men in black coats with gray patterns against pink sky with white blossoms; each of the men has blue and red tattoos poking out from under robes — Fashionable Courageous Flowers, 1860, 2nd lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

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male figure with head to R in triangular cartouche, framed with wreath; yellow glass wind chime with paper hanging from wreath; bamboo in lower background; white robe with dark blue swirls — Actor Nakamura Shikan IV, 1862, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Daikokuya Kichinosuke

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three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left — Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

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man with horse in deluge of water, with pointy waves; man wears garments of purple and bold print with multicolored floral medallions against red ground; man holds bamboo staff in PR hand and blue and white striped cloth, which are horse's reigns, in PL hand; brown horse with red bridle — Flood: Actor Nakamura Shikan III as Abe Bungo-no-kami, October 1876
Tsukioka Yoshitoshi; Carver: Asai Ginjirō; Publisher: Yorozuya Magobei

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standing man at left wearing grey kimono with light grey dots, looking up toward a man peering over a blue, white and grey wall in URC; man in URC wears black; grey sky; courtyard with white and blue walls behind figures — Fourth Act, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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woman with body twisted into an S shape, with her head leaning in, holding a white umbrella with black and yellow painterly lines, standing in the falling snow; woman wears grey kimono with light grey spots, with red and white collar and cuffs; striped garment on her lower body in grey, purple and brown with yellow and red vines and leaves — Appearing Cold, Behavior of a Fukagawa Nakamachi Geisha of the Tenpō Era, November 1887
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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head and upper body of reclining woman, with her PL hand behind her head, face upturned, eyes closed and tongue sticking out slightly, with her PR arm in front of her; woman wearing blue kimono with bird patterns in white, pink and red undergarment and brown, yellow, grey and blue obi with flower band; blue and white bowl in LLC, papers and brown box and small papers (?) in LRC; vertical line of text in brown in left margin — Appearing Relaxed, Behavior of a Kyoto Geisha of the Kansai Era, February 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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seated woman wearing headdress with yellow bird and white kimono with pattern of figures on back, lined with red print; burning yellow and black lantern at left; grey ground with pale silhouettes of large and small skeletons — Picture of the Hell Courtesan’s Enlightment, February 1890
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi

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three separate sheets; battle scene; pink and grey lines of cannon and rifle fire horizontally across picture plane; man on a bucking brown horse at center, with a long staff; man with rectangular shield on a white horse at left; clouds of grey, pink and blue smoke at top and center; group of men wearing black helmets and purple blouses at top center, shooting rifles; another group of men wearing purple at top right, either fallen or lying on ground; two men in foreground, LRC--one seen from behind and another reaching up; two fallen men in LLC; this triptych is left side of a continuous image with six sheets, along with 2017.106.74a-c — Picture of the Bloody Battle of the Brave Generals of the Takeda Clan, 1867, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Koizumi Kanegorō

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triptych with right and center images pasted together; all three panels attached to backing paper; four figures in a boat with a thatch-roofed shelter at the center; seated pointing man to left of shelter wears red armor and a green kimono with blue and red patterning; standing man at left wears purple pants and sleeves with red and black checks; man in red and black armor to right of shelter; man wearing white loincloth at right front of boat, rowing with a bamboo pole; four flying crantes at top left; crane to right of rowing man; battle on far shore wtih clouds of pink smoke in URC, man on horseback and figures with banners — Second Shogun, Lord Daitoku-inden Hidetada, 1875
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei

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reclining woman, lying on her side curled into a ball, with her lower body outside of picture plane, with a white cat with yellow eyes curled up next to her; cat wears a red and pink collar with a yellow bell; woman wears a kimono with brown, white, green and purple triangle and arcing patterns with birds, red cuffs and green, white and yellow obi with abstract scrolls and flowers — Appearing Tiresome, Behavior of a Maiden of the Kansei Era, February 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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two separate sheets/vertical; man in foreground wearing light blue tunic with purple and gold flowers and black trim, white pants and black boots, holding a bloody sword; slain man behind first man, lying in snow, with a red staff punctured into his body, wearing a brown blouse and white pants; large mountain peak in background; falling snow; fire at center left — ‘Panther Head’ Lin Chong Kills Officer Lu Outside the Mountain Temple, April 1886
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

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standing figure with hair blowing in wind, holding a sword in mouth and a purple, red and yellow fan-like object above head, wearing gold bracelets and cream-colored kimono with purple and green floral rondels, with brown leg coverings; monkey dressed in green blouse, white pants, and red boots, with a red and yellow staff, in ULC, flipping through air — Sun Wukong Fights Rasetsunyo, 1864, 12th lunar month
Tsukioka Yoshitoshi; Author: Sumida Ryōko; Publisher: Fukushimaya Tashichi

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three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right — Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

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three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right — Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

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woman getting a tattoo on her PL arm; woman is leaning toward left, with her PR knee drawn up, looking over her PR shoulder, holding a blue and white cloth with flower pattern between her teeth, with a hand pricking her upper left arm, and another hand holding her forearm down; woman wears a purple-grey kimono with multicolored floral patterns, with a blue and white collar with star shapes and red undergarment — Appearing in Pain, Behavior of a Prostitute of the Kansei Era, February 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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portrait of a balding man with medium length wavy hair and beard, wearing yellow, black and red armor over brightly-patterned garments, including green garment with bold yellow text characters and sleeve with yellow and red swirls inside hexagons against a purple ground; green-blue background — Earthquake: Actor Ichikawa Danjūrō IX as Katō Kazue-no-kami Kiyomasa, October 1876
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Asai Ginjirō

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ink drawing with touches of salmon; man wearing loincloth, seen from back, with legs far apart and arms out wide, balancing on a roof, with a large knife in his PR hand — Man with knife on rooftop, second half 1860s
Tsukioka Yoshitoshi

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two baskets of flowers; frontmost basket has open circle motif, with pink and red peonies inside; brown basket at right in back has openwork band at top with star shapes in green, with yellow, pink and white flowers; text at top; purple and lavender border in the fashion of a fabric mount, with fox and flower designs — Table of Contents, October 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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head and upper body of reclining woman, with her PL hand behind her head, face upturned, eyes closed and tongue sticking out slightly, with her PR arm in front of her; woman wearing blue kimono with bird patterns in white, pink and red undergarment and brown, yellow, grey and blue obi with flower band; blue and white bowl in LLC, papers and brown box and small papers (?) in LRC — Appearing Relaxed, Behavior of a Kyoto Geisha of the Kansai Era, December 1887
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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standing woman with elaborate ornaments in her hair, wearing a lavender kimono with brown and white flowers and light blue belt, with red underneath; shaded grey ground with falling cherry blossom petals — Spirit of the Komachi Cherry Tree, October 1889
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Wada Yūjirō

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portrait of a man with an elaborate "winged" hairstyle with a rounded ponytail; grimacing expression; man looks toward PL, wearing a green vest with white dots in floral design at shoulders, trimmed with blue cord around neck, and purple garment with yellow and red leaves beneath vest; red ground behind man; border around portrait is grey at top with maroon starburst and purple ground with white floral pattern at bottom — Flare of the Signal Fire: Actor Ichikawa Sadanji I as Sakuma Morimasa, September 1876
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Watanabe Eizō I

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woman looking over her PR shoulder, playing a shamisen; woman wears a blue checked kimono with black trim and red undergarment with purple and white collar — Appearing Entertained, Behavior of a Teacher of the Kaei Era, November 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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man at left wearing blue kimono with pants with medium and light blue floral medallions on white, pointing a spear at a partially kneeling man who holds the end of the staff in his PR hand; kneeling man wears a blue and grey geometric patterned kimono; snowy landscape at left — Ninth Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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woman leaning out of a window on a boat, with her hands in the water, holding a white cloth with red trim between her teeth; woman wears a kimono with white, green and brown checks; mounted on moderately stiff backing paper — I want to wash my hands, January 1878
Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Inoue Mohei

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woman holding the PL sleeve of her kimono between her teeth; woman wears yellow, green, red and black plaid kimono with black trim and collars in purple with white spots, orange and red — Appearing Embarrassed, Behavior of a Girl of the Meiji Period, November 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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unassembled triptych: female figure in voluminous pants and sashes standing on platforms at L, looking down over subjects, emitting white beams from head; female figures in white and red with animal-like faces stand within beams in room below; male figure on stairs at C looks alert, PL hand on sword — Miyamoto Musashi and the Exorcism of the Evil Fox of Princess Osakabe, 1863, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Yamazakiya Seishichi; Carver: Tatekawa Hatsue

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two men running on a wooden bridge; frontmost man is barefoot, wearing grey, black and red armor on his body and legs, with bare arms, wearing a green garment with brown scrolling vines, holding a blade-tipped spear with a pink cloth attached to the end; man in background wears zori with platforms and a red garment with green flowers; orange moon low in sky in LLQ — Ushiwakamaru, Son of Distinguished Family and Later Iyo-no-kami Minamoto Yoshitsune and Saitō Musashibō Benkei, October 1878
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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man and woman fleeing brown fish-faced demon jumping up from turbulent water with tall waves; demon in ULC wears blue and black patterned blouse and brown pants; man at bottom center wears purple pants with swirling floral medallions in white, red, blue and black, with a red garment with blue and yellow medallions over his shoulders, and a black hat, and holds a bow and arrow; woman behind man at right wearing a purple and white patterned garment — Tawara Tōda Hidesato and the Dragon Woman of Seta, 1865, 2nd lunar month
Tsukioka Yoshitoshi; Publisher: Daikokuya Kinnosuke

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two sheets configured vertically; topless wrinkled old woman seated at bottom, sharpening a knife, looking up at a heavily pregnant topless woman with long hair wearing a red skirt, tied by her ankles, hanging upside down from a ceiling rafter — Picture of the Lonely House at Adachigahara in Ōshū, September 1885
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

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female figure in round cartouche framed with woven wreath, with glass wind chime at bottom; figure is wearing swirling blue, light blue, and white kimono with red tie-dyed collar; holds pipe in PR hand, looking L against red background; blue flowers in remaining background; paper and text hanging from wind chime — Actor Sawamura Tannosuke III, 1862, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Daikokuya Kichinosuke; Carver: Katada Chōjirō

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standing woman, slightly leaning forward, at the edge of water with small waves behind her and moon in sky, holding her loose hair in each hand in front of her shoulders; woman wears garment which is predominately patterned with purple and white triangles and starbursts in blue, green and gold, with red undergarment — Picture of Kiyo-hime Assuming a Serpent Form at Hidaka River, January 1890
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Noguchi Enkatsu

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woman chewing on a piece of fraying bamboo, cleaning her teeth, looking down toward PL, with strands of hair falling out of her updo and her garment slipping off her PL shoulder; woman wears a dark blue kimono with light blue patterning in star shapes; blue and red morning glories at right — Appearing Awake, Behavior of a Girl of the Kōka Era, March 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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three sheets joined together; drawing in black and red; battle scene on a sloping hillside, descending to a valley in LRC; standing man with a ponytail and headband, holding a staff behind his back, with his PL hand on his check, at left; many figures descending mountains in a stream to right of standing figure, with lunging man at left edge of center sheet; man on horse at center of middle sheet; figures descend to valley, with a battle with clouds of smoke — The Summer Battle at Hakone, c. 1874
Tsukioka Yoshitoshi

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two separate sheets; each sheet has a portrait of a man, both facing each other; man on left wears dark blue garment with white geometric lattice-like patterning and has a round element behind him with a large black text character; part of tattoo of dragon and wave visible on man's arm; man at right wears black garment with grey geometric patterning and has both his arms bare, with tattoos of figures and flowers, with a large irregular form behind his head; background behind both men is red with white rectangles — A Celebration of Bravery, 1865, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Daikokuya Kinnosuke; Carver: Matsushima Masakichi

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one sheet; man riding a horse underwater; only head and upper body of man and neck and head of horse visible over the green water; trees on opposite bank; red glow at horizon line — Matsunoya Tairyū; Asabe Bungonosuke Sadaaki, 1868, 2nd lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Masudaya Ginjirō

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ink drawing on thin paper with touches of red and yellow; pair of figures wrestling in foreground--a man wearing and a demon-like figure; demon seated in background at left wearing draping garment, with a droopy face with open mouth and a second face on stomach, with PL arm stretched upward; skeletons in background behind seated demon; flowered curtain at right; patterned flooring in foreground; unsigned — Keyblock drawing for "Toki Daishirō", 1865, 2nd lunar month
Tsukioka Yoshitoshi; Author: Kikuyōtei Rokō; Publisher: Daikokuya Kinnosuke

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three separate sheets; saturated color; underwater scene; figure at L riddled with arrows and blood standing in front of large brown rock, wielding sword; figure at C sinking in water, with arrows in body, sinking toward crabs at bottom; family in robes at R seated on rock, looking on; figure in foreground with swords, bloody, charging to L — Picture of the Heike Clan Sinking and Perishing at Sea, 1853, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Kazusaya Iwazō

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green abalone in LLQ; reddish-brown lobster with blue eyes at right; tan label on back at LRC with Japanese characters and "28" — Lobster and Abalone, late 1880s
Tsukioka Yoshitoshi

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old person with grey hair and wrinkled skin, kneeling and bending backwards, with hands on sides of face, wearing garments in green, blue, brown and dark green with yellow patterns; black box filled with demon figures at left, including a three-eyed figure with a wide mouth and two tentacles on either side of its nose, wearing a green and grey garment, a figure with an exaggerated face, with wide nose and mouth, holding its eyes and mouth open with its hands, and two blue demon figures — The Greedy Old Woman, 1865, 9th lunar month
Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Daikokuya Kinnosuke

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separated triptych; three figures standing a downpour against gray background, each clutching large umbrella; female figure at L looking back over PL shoulder; male figure standing at C looking behind him to R; male figure at R facing L, holding umbrella; shadows of blossoming plants in background — Evening Shower among Flowers, 1862, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Daikokuya Kichinosuke; Carver: Katada Chōjirō

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detached triptych; two men sword fighting at R in front of black gate; man at R, in red, is about to strike down with his sword while dodging the sword of figure at C; man at UL on horseback charges at group of men with large spear — Mashiba, the Tairyō, Subjugates Korea, 1862, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Iwazō Katōya

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four figures in the rain at night; central figure wearing a black robe over a purple robe with large white floral medallions and small black hat, accompanied by two figures behind him, each carrying large orange umbrellas and wearing yellow robes; small figure in LRC seen from back, wearing a wide-brimmed straw hat and a green kimono with blue flowers; orange rays extending down from URC to LRC — Lord Mashiba Hisayoshi, the Tairyō, 1865, 2nd lunar month
Tsukioka Yoshitoshi; Author: Kikuyōtei Rokō; Publisher: Daikokuya Kinnosuke

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three separate sheets; battle scene on a large mostly black boat; figures falling into the sea; man wearing blue and white loincloth climbing into boat at center; man in upper left standing on edge of boat next to a decapitated figure wearing a red shirt, with blood spurting up from his neck, and his severed head over PL shoulder of man with sword; clouds of black and grey smoke; ocean waves — Picture of Masakiyo Conqering Korea, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Yamaguchiya Tōbei

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three separate sheets; man at left with legs wide apart, holding a wooden staff with both hands; man wears black armor with red and white trim, and garment with red ground and multicolored floral medallions with straw sandals; white cloth beneath man's PR foot; jumping woman at right with legs drawn up, wearing garments with floral designs on red and green ground, and zori sandals with black platform soles and brown, yellow and purple striped socks; figures on wooden bridge; moon in sky between figures; green mountains in background — Picture of the Gojō Bridge from the Chronicle of Yoshitsune, 1881
Tsukioka Yoshitoshi; Publisher: Morimoto Junzaburō

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three sheets pasted together; three horizontal sections with gods at top, including human figures at right with caricature faces, green and blue demon-like figures at center, creating yellow and red rays; pair of anthropomorphic rabbits pouring out water, and other blue-, green- and red-skinned figures in ULC; central grey area with silhouettes of figures fighting with spears and guns; bottom horizontal section with white demons at left with weapons threatening caricatures at center seated around a table with a yellow patterned tablecloth; demons climbing into a cauldron in LRC — Humourous Picture of Heaven, Earth, and Hell, 1868, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Kiku; Carver: Yokogawa Toyo

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two sheets joined together; old woman with long white hair wearing a yellow headband and a garment with green ground, multicolored moths and white and blue foliage and flowers, bending down to look inside a brown box at left; seated man at right wearing an olive green garment decorated with white circles, lines and spots, with a sword on a bamboo tripod behind man to his right; pale blue ground — Picture of the demon disguised as an old woman begging to see her arm six days after Watanabe Tsuna had returned with it to Kyoto on the 9th day of the 4th lunar month 976, December 1885
Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

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three separate sheets; flowers in grey-blue, red and yellow around a stream; man at center wearing black cap and blue kimono with white birds, playing a black flute; crouching man at right with sword, wearing blue kimono with light blue and yellow flowers; moon and two horizontal grey clouds, ULC — Autumn Moon at Tōin: Hirai Inaba-no-kami Yasumasa and the Thief Hakamadare Yasusuke, April 1894
Tsukioka Yoshitoshi; Publisher: Katada Chōjirō

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partially kneeling man in foreground with bare legs, PL hand behind his back hidden by hem of his short grey and blue striped kimono with light blue trim and lining; five men wearing black threatening kneeling man with short blue sticks; interior scene with yellow chest in middle ground at center — Tenth Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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two separate sheets; two men fighting with swords; man at left wears purple, grey and white striped pants and blue, yellow and white hand and arm guards; man at right wears pink, red and blue striped pants and purple and yellow hand and arm guards; green at bottom, purple at top, white at center — Tanno Yoshikatsu and Suzuki Yoshitake, April 1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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woman holding a blue and white spot of small plants in each hand, bending slightly forward; woman wears brown, white and blue striped kimono with black trim; branches with white floral blooms in URQ, with burning lamp at right center — Appearing Undecided, Behavior of a Wife of the Kaei Era, 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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one sheet; man wearing white garment and headband with blue sash and belt, pointing a gun directly out of picture plane; grey ground — Komagine Hachibei, 1868, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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one sheet; dancing monkey wearing gold anklets and bracelets and predominately grey and gold garments, holding a grey and red staff; white rabbit with red eyes at left — Jade Rabbit: Sun Wukong, October 1889
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Noguchi Enkatsu

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portrait of frowning man in rectangle in LRC, with brown lips, blue shading under jaw line and pink shading around eyes; man looks toward PR; man wears purple kimono with white geometric and leaf designs; grey ground; rectangular block of text at left with diagonal purple and red elements; red and green seals in URC and LLC — Abekawa kochi no adanami, no. 2, c. 1885
Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha; Carver: Noguchi Enkatsu

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woman with her PR hand in her chin, looking out an open window; woman wears blue striped kimono with red trim on collar; red and white paper lantern with flower design in URC; view of waves and water beyond window — Appearing Refreshed, Behavior of a Geisha since 1872/73, May 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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swimmer with long hair, holding a knife in PR hand, entangled in an octopus' tentacles; thin paper mounted on backing sheet — The Diving Woman of Shido Bay, c. 1882
Tsukioka Yoshitoshi

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standing woman with her head bent, with her hands beneath her sleeves drawn up to her face; woman wears kimono with grey and white checks and pink lining, and brown obi; grey and black branches and leaves above woman; semicircle of bricks behind her on ground — Okiku’s Ghost from ‘Dish Mansion’, August 1890
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Takimoto Chokuzan

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ink drawing with blue, red, brown, yellow and green; two fighting men, foreshortened; man on top is bare chested and wears a blue skirt, holding his PL lower leg across stomach of other man, and holding other man's neck in his PL hand; man on bottom wears brown, yellow and red helmet, red garment with yellow designs, and green boots with brown soles; snow covered tree at left; attached to off-white mount sheet — The Boatman Zhang Heng, 1868, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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