showing 100 of 242 results matching creditline:"The John R. Van Derlip Fund; purchase from the collection of Elizabeth and Willard Clark". (load 142 more)

advanced
horizontally oriented finlike form; rectangular form rising slightly at center

%C2%A9 Fukami Sueharu

Moment II, 2003

Fukami Sueharu

Not on View
group of drunken men clustered around tables, attempting calligraphy, leading and riding a horse; man at UR standing behind banner

Eight Immortals Indulged in Wine, early 19th century

Watanabe Nangaku

G237

monkey hanging from branch; snow on branches

Monkey Hanging from a Branch, Spring 1770

Maruyama Ōkyo

Not on View
honey colored basket with three corners folded upward and connected forming a somewhat closed parcel; openwork crisscrossing weave; small, dark lacquered bamboo dish

%C2%A9 Suemura Sh%C5%8Dbun

Ofuroshiki Flower Basket, mid 20th century

Suemura Shōbun

Not on View
shallow, oval basket with abstract swirling motif; light colored wood; two D-shaped openings amidst swirls

%C2%A9 Uematsu Chikuy%C5%AB

Suzu River, 2007

Uematsu Chikuyū

Not on View
at R, four women gather around a board playing go; one woman at L poised with brush over long sheet held by attendant; older woman in gray looks on at L

Seven Otafukus, 1870s-1880s

Kawanabe Kyōsai

Not on View
swirling white cloud at center of image, floating over rows of waves below; vertical gold inscription down center, ending at top of cloud

Great Buddhist Avatar Akiba-san, 19th century

Unknown Japanese

Not on View
male figure in black robes and tall hat seated in wide doorway overlooking garden; gnarled, blossoming plum tree near bamboo fence; inscription URQ

Courtier Enjoying Plum Blossoms, late 17th - early 18th century

Tosa Mitsutaka

Not on View
teal green vase at R holding round yellow fruits and a grape vine with dark grapes

Studies from Nature: Plants, Fish, and Birds (Vase with Loquats), first half 19th century

Urakami Shunkin

Not on View
stem from peony bush spread across image with large, gray peony blossom at UR; small spray of foliage with blossoms parallel to peony stem LLQ

Studies from Nature: Plants, Fish, and Birds (Peony), first half 19th century

Urakami Shunkin

Not on View
center scene: male figure in green cloak riding a gray horse through the snow; attendant partially visible behind horse at LRQ; snow-covered bamboo LRC; inscription at top

Rider [center of a triptych of Three Scenes of Autumn Evening], late 17th century

Sumiyoshi Gukei

Not on View
deep rectangular box with beveled edges; brown lacquer background with bamboo leaf motif painted in gold; a few bamboo leaves are made of mother-of-pearl inlay; black lacquer interior

芦図蒔絵硯箱, 1910s

Kamisaka Sekka

Not on View
left scroll: male figure taking small step forward, holding PL arm straight out, grasping closed fan; PR hand below head; wearing pale blue robe with seaweed, turtle, and crane design; bright inner robe; tall black hat

Sanbaso [left of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century

Kano Kazunobu

Not on View
bamboo rod with woven loop at one end; carved, telescoping hook at opposite end with intersecting bamboo piece connected with twine

Bamboo Hanging Rod, early 20th century

Wada Waichisai II

Not on View
cone-shaped hanging basket with vertical, open weave; ends in point with twisted sticks; uneven, scalloped, wide mouth

%C2%A9 Suemura Sh%C5%8Dbun

Old Man Hanging Flower Basket, mid 20th century

Suemura Shōbun

Not on View
robed figure standing in center with large halo behind head, holding golden staff in PR hand and round black object in PL hand; figure stands on lotus riding on swirling clouds or waves

Welcoming Descent of Jizō, Bodhisattva of the Earth Matrix, early 19th century

Sakai Hōitsu

Not on View
dark background with dark grasses; swiftly moving stream at bottom; six fireflies with glowing golden bodies hover over stream and in sky

Fireflies at Uji River, late 19th - early 20th century

Suzuki Shōnen

Not on View
fan painting; flower near ULC on curving, winding stem beginning at LR; leaf with holes at R; cropped leaf bottom center; mounted on gold flecked paper in frame

Water plant, second half 18th century

Itō Jakuchū

Not on View
grasshopper perched on white lotus root tube at LL; lotus stem and leaf sprouting across image at R; small plant with purple foliage and pink flowers behind lotus leaf at R; large beetle at LR

Studies from Nature: Plants, Fish, and Birds (Lotus Tuber with Insects), first half 19th century

Urakami Shunkin

Not on View
tall diamond-shaped basket with widened, bulbous bottom; angles sharpen at top; closed weave with loops near top; handle; inner bamboo cylinder

Flower basket, 1920s-1930s

Chikukōen

Not on View
square black vase with geometric imagery resembling petroglyphs; shapes on two sides of the vessel converge to form a face

%C2%A9 Fukami Sueharu

Totem Pole, 1962

Fukami Sueharu

Not on View
slightly U-shaped, tubular vessel; crisscrossing bands of bamboo, small hole at C for water container; diamond-shaped water container

(Crescent-shaped flower basket), early 2000s

Yonezawa Jirō

Not on View
open weave basket with decorative knots and braiding at joints; tall handle mounted at back with bottle-shaped design; looping, open weave pattern at top on L and R sides; inner bamboo cylinder with lattice top

%C2%A9 Suemura Sh%C5%8Dbun

Quiver-shaped hanging flower basket, mid 20th century

Suemura Shōbun

Not on View
carved wooden mask with large, bulging eyes, huge nose with flared nostrils, wide open mouth exposing pointed teeth and curved tongue; high cheekbones; arched eyebrows; traces of white, red, and black pigment

Kishin Mask, c. 13th century

Unknown Japanese

Not on View
right scroll: figure wearing black face mask in pose with legs slightly apart, PR arm held out and down with bells in PR hand; PL arm bent upward behind figure holding decorated fan; figure wears blue kimono and tall black hat

Senzai [right of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century

Kano Kazunobu

Not on View
small oval basket with rectangular base; arcing, split handle with loop at top center; decorative knots across handle; woven external supports, with arcing supports at sides; closed weave; copper lined bamboo cylinder

Boat-Shaped Hanging Flower Basket, May 1921

Tanabe Chikuunsai

Not on View
unglazed, tall, narrow, white porcelain vessel with narrow base, wide, bulbous top; very narrow raised mouth

%C2%A9 Kuroda Taiz%C5%8D

Vase, c. 2004

Kuroda Taizō

Not on View
shoreline in foreground with houses and pine trees; water in middle ground; some islands in background; Mt. Fuji at L far background

Matsushima, 1826, 5th month

Tani Bunchō

Not on View
two men in robes seated on ground in front of large rock with bushes; man at L leans towards man on R, resting his weight on his PL hand; PR hand holds tasseled fan over PR knee; man at R holds white cloth draped over lap and red object in PR hand; pale trees in background

Two Chinese Scholars, before 1800

Tani Bunchō

Not on View
black lacquer tray with design of pink flowers with heart-shaped leaves

Small Serving Tray with Pink Flower Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
view looking straight across bridge into village: people crossing wide bridge over low river, heading both towards and away from view; low rooftops of village visible at mouth of bridge; green mountains in background

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
Kannon figure seated on lotus on rock, wave-like motif underneath; in the background is a large gold-bordered halo and cloud-like motif behind; upper half of composition a very deep indigo blue; green and gold mount with lucite roller

Shō-Kannon, first half 19th century

Suzuki Kiitsu

Not on View
funnel shaped white vessel with dramatic taper to base; raised, very narrow neck with flared lip; small mouth

%C2%A9 Kuroda Taiz%C5%8D

Vase in Meiping Shape, c. 2004

Kuroda Taizō

Not on View
mounted fan painting: pink flowers blossoming amid green foliage at L; tiny blue flowers in background ULQ; gold background with zigzagging red details with butterflies at top L and R

Mallows, 17th - 19th century

Tosa School

Not on View
small woven basket in shape of cicada; open-weave star patterned wings; small bamboo insert in mouth for water; cicada should be oriented vertically, with mouth facing up

Cicada-shaped hanging flower basket, early 20th century

Tanabe Chikuunsai

Not on View
school of carp swimming among seaweed; large fish near center with smaller ones swimming in all directions; driftwood and stumps at bottom

Carp, first half 19th century

Kuroda Tōkō

Not on View
tall mountain peak in background center (Mt. Fuji), in almost white color; lower mountains and rocks in middle ground with water; some with trees; bay with a couple of boats; tree covered land; middle and foreground separated by water

Mount Fuji and the Pines at Miho, first half 19th century

Suzuki Kiitsu

Not on View
open sided square lantern-shaped basket: four bamboo posts support woven structure with open sides, wide, round opening at top, decorative knots at centers; crisscross woven base; crossing supports with loop for hanging at top; decorative weaving and knots at corners; short, squat bamboo insert for flowers

(Hanging lantern-shaped flower basket), Autumn 1931

Ishida Chikubisai I

Not on View
a variety of images and studies of branches, flowers, foliage, birds, butterflies and other insects, as well as aquatic creatures

Joint Work of Birds and Flowers, c. 1874

Nakanishi Kōseki

Not on View
very tall, towering, four-cornered basket with flared top; open, diamond-patterned weave with layers of woven horizontal cross-pattern; handle made from three thin bamboo strips that join at the top, secured with a row of decorative knots; handle separates into three strips at basket lip, adorned with decorative weave at base; tall, red-brown bamboo cylinder lined with copper

Traversing the Heavens, first half 20th century

Yamashita Kōchikusai

Not on View
pale peach colored obi with tiny pattern resembling fans made from tightly gathered and tied stitches; ruffles at ends

Obi, 20th century

Unknown Japanese

Not on View
abstracted gnarled branches across lower half with dark vertical twig at L; illusion of snow-covering; white blossoms

Plum Blossoms in Snow, mid 19th century

Gantai

Not on View
imposing brown rock formations and rocky cliffs with multiple tiered waterfalls at R and center; large boulders in background

Rocks and Stream, mid 19th century

Yokoyama Seiki

Not on View
square basket with short feet; flares towards top; round mouth; crisscrossing open weave; copper lined bamboo cylinder

Footed Flower Basket, autumn 1929

Maeda Chikubōsai

Not on View
cast bronze head of a deva with gold colored irises; large, downward cast eyes with flecks of gold in irises, hairy, frowning eyebrows; wide open, somewhat smiling sinister mouth; flared nostrils, exaggerated cheek bones; large ears; swirling, yet tamed hair

Head of one of the Four Heavenly King (Shitennō), 17th - 19th century

Unknown Japanese

Not on View
swarm of small, fat chested gray and tan birds zigzagging over the scene against silver moon

Plovers in Moonlight, mid 18th century

Ōnishi Suigetsu

Not on View
large white and pink flowers blooming amid foliage and smaller, dark blue flowers; tall grasses with white fronds stick out above at L; smaller white flowers at bottom

Mallows, 17th century

traditionally attributed to Kitagawa Sōsetsu; Artist: Unknown [seal of I'nen]

Not on View
figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures

Zengetsu Daishi and Saints, mid 19th century

Butsujo Jisen

Not on View
oval shaped ceramic vessel with somewhat pointed ends; brown glaze with impressed bamboo leaf inspired motif

%C2%A9 Hori Ichir%C5%8D

Vase, c. 2002

Hori Ichirō

Not on View
oblong basket with hexagonal base; open, crisscross weave; four-pronged square handle; copper tray

Boat-shaped fruit basket, summer 1918

Yamamoto Chikuryūsai

Not on View
standing Jizo in 3/4 view, holds transluscent ball in left hand, staff in right and each foot on lotus leave base which are on a cloud; rays emanate from head, first immediately around head encircled, then more extensions in back; Jizo is elaborately clad in garment decorated with kirikane in motifs of the various layers of clothing

Welcoming Descent of Jizō Bodhisattva, first half 14th century

Unknown Japanese

Not on View
rocky shoreline with lightly colored trees; small pavilion near lower center; two fishing boats, one with a single figure, and the other with two figures at lower center; small buildings above to R of stone bridge; castle or temple complex at UL

Autumn Landscape, early 20th century

Hashimoto Dokuzan

Not on View
very tall, dark brown hexagonal basket, flares at top; woven with thin, wide strips of rattan in crisscross pattern with thin, vertical strips of rattan loosely overlaid; center decorative band is tightly woven and contains ikat designs; handle base begins near bottom on either side with three narrow strips of bamboo; center strip widens as it arches over the basket, two side strips join and are woven under center strip to form handle; decorative weaving and knots across bamboo handle

Old Plum Garden, early 20th century

Rōgetsu

Not on View
carp swimming vertically up a waterfall at top; second carp at bottom attempting to jump out of water amid choppy waves

Leaping Carp, 1868, 8th lunar month

Nakajima Raishō

Not on View
L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water

Hawks by a Stream [left of a pair], mid 17th century

Soga Nichokuan

Not on View
center scroll: male figure wearing gray face mask standing facing viewer with arms outstretched; brocade brown and gold top; billowing blue pants with blue designs; tall black hat; decorated fan in PR hand; face mask has white tassels and goatee

Okina [center of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century

Kano Kazunobu

Not on View
teapot with spout and handle at ninety degree angle; rich blue and white patterns around teapot; decorated band below lip featuring figures playing board game in a garden; pavilion; figure crossing bridges; figure standing on cliff overlooking waterfall on handle; similar scenes on lid

Teapot, early 21st century

Fukami Family Workshop

Not on View
squat, irregular cylindrical form with peak at both ends; twisted overlapping forms facing opposite directions on side; tan hue with dark brown splotches throughout

%C2%A9 Fukami Sueharu

Expand [smaller version], 1974

Fukami Sueharu

Not on View
woman in profile sweeping leaves on the ground with bamboo broom; woman has long face, and long hair knotted at end; brown kimono with pine tree pattern; green obi

Woman Sweeping [right of a pair of Women], early 19th century

Tatebe Sōchō

Not on View
man dancing with one leg bent, holding a black platform with richly dressed samurai figurine over his head; large banner with gray image of shoki holding sword at R; three young children dance around man below

Boy's Festival, 1830s

Utagawa Kunisada

Not on View
mobile of twelve hanging piece of delicately curved pieces of bamboo; three horizontal rods at top that four hanging pieces attach to; horizontal rods attach to three prong Plexiglas mount that attaches to wall

%C2%A9 Uematsu Chikuy%C5%AB

Mobile, 1998

Uematsu Chikuyū

Not on View
irregular, columnar vase with very thick walls; six angled sides; very sharp, knobby texture with gray, tan, and pale blue glazes; small circular opening at top

Vase, early 21st century

Tsujimura Shirō

Not on View
squat teacup with rich alternating floral and linear patterns in blue and white; patterns separated by curving waves of impressed lines; raised thin brown band near top; brown lip; design continued on top inside

Tea Cup, early 21st century

Fukami Family Workshop

Not on View
L scene: brown bird at center, flying towards R, looking down; blue flowers with thin, wispy foliage LLC; faint shoreline at bottom; inscription at top

Landscape [left of a triptych of Three Scenes of Autumn Evening], late 17th century

Sumiyoshi Gukei

Not on View
tall, thin black grasses at L with thin, wispy brown tufts at top; smaller plants with lacy leaves and pale yellow flowers at LL; grasshopper perched on horizontal leaf near lower center; full moon in background

Autumn Grasses and Moon, early 19th century

Sakai Ōho

Not on View
four men seated on either side of a wool rug playing various instruments; a fifth, larger man in black robes with an exposed, hairy belly dances in center of scene; bowl of fruit and tray with two birds in front center of scene; male and female figure visible in adjacent room through drawn blinds; the woman's body ties the two rooms together

Seven Lucky Gods, late 19th - early 20th century

Imao Keinen

Not on View
tea cup with blue and white patterns separated by three vertical bands of blue and light blue; horizontal raised band around top in brown; brown lip

Tea cup, early 21st century

Fukami Family Workshop

Not on View
two bamboo stalks rising along L; cone-shaped bamboo shoot growing between the two stalks at LL; three sparrows sit within the bamboo foliage

Sparrows and Bamboo, early 18th century

Ohara Keizan

Not on View
unsigned; 6 panel screen with vignettes separated by golden clouds; beginning at R, a male figure on a chair, and smaller figure on green mat hold audience in a room; below, a woman inside looking through screen at other women outside; men gather around a carriage; musicians in white with male dancer entertain small audience on verandah and bridge; female figure in bushes watches male and female figure near center; men in room with green mat along with papers; women at bottom gathered in room, etc.

Scenes from the Tale of Genji [right of a pair], 17th century

Unknown Japanese

Not on View
low, flower shaped basket; petals close weave; open weaving with decorative patterns at center; slightly elevated base

Chrysanthemum-shaped basket, first half 20th century

Tanabe Kōunsai

Not on View
carp jumping out of the water, curving body dramatically to L; splashing water curling around body and splashing upward at R; pink highlights on tips of fins and tail

Carp Leaping Out of Water [right of a pair of Carps], 1777

Tsukioka Settei

Not on View
rounded, white, bud-shaped vessel with two panels of blue circles filled with patterns; vertical blue lines dividing panels; two gold spots near top; brown lip

%C2%A9 Fukami Sueharu

Ancient, 1973

Fukami Sueharu

Not on View
gallery installation piece; 550 total pieces--porcelain chopstick rests with hexagonal cross-sections and slightly tapered centers: unglazed with face drawn on one end in black marker, clear/white glazed with face in blue underglaze on one end, red glazed with white face on one end, green glazed with white face on one end, gold glazed with black face on one end, black glazed with white face (incised in black glaze) on one end; four boxes of black sand; see Notes for inventory break-down

%C2%A9 Fukami Sueharu

Today's Faces of Judgement, 1972

Fukami Sueharu

Not on View
large carp curving its body towards R; small ripples curl around tail and upper body; subtle bubbles; light pink highlighting at tips of fins and tail

Swimming Carp [left of a pair of Carps], 1777

Tsukioka Settei

Not on View
head of figure with open mouth, top knot, and third eye; all eyes inlaid crystal; shiny black base

Kaguhana head from a Dandatō staff, early 14th century

Not on View
irregular, rectangular object with waving, overhanging top; deep open vein exposing inner knobby texture, with larger knob on side; small, extended knob on top corner; open vain at lower corner with more bubbles

%C2%A9 Fukami Sueharu

Morals of a Young Day, 1974

Fukami Sueharu

Not on View
pouncing tiger at center with body curved dramatically to R; mouth partially open; back legs kicking up; a few trees and mountains in background

White Tigers [left of a pair], 1851

Gantai

Not on View
image of Mt. Fuji in blue tones at upper center; image reflected in rippled water below; narrow blue cloud cuts across top

%C2%A9 Nait%C5%8D Hideharu

Double Fuji, 1994

Naitō Hideharu

Not on View
large black bird facing R, with beak open; perched on gnarled, snow covered branch rising vertically from bottom center; flecks of white paint

Raven and old Tree in Snow, early 19th century

Saeki Ganku

Not on View
fan-shaped hanging basket made from thinly cut strips of bent bamboo; narrow mouth at top; oblong bamboo insert

(Wide-bottomed flower basket of sooted bamboo), second half 20th century

Tanaka Kōsai

Not on View
vertically oriented rectangular basket; square base widening to larger square mouth; low handle nearly flush with top made of one thick piece of bamboo with woven hook at center; vertical weave pattern; copper lined bamboo cylinder

Hanging flower basket, mid 20th century

Sakaguchi Sōunsai

Not on View
irregular rectangular form with wavelike top extending over edges; small knob at top corner; impressions of faces around upper edges, below waves

%C2%A9 Fukami Sueharu

A Young Day, 1974

Fukami Sueharu

Not on View
tall, narrow blue cylinder mounted into metal bracket within wooden wedge; a few wavy horizontal lines incised around cylinder with incised spots

%C2%A9 Fukami Sueharu

Cylinder, 1986

Fukami Sueharu

Not on View
boat shaped flower basket with arching, woven "canopy" at one end with rattan loops; oblong copper tray insert with lacquer-like patina

Trailing Rings, second half 19th century

Wada Waichisai

Not on View
seated lion with large, furrowed brow; barring teeth; erect, fanned tail; remnants of pigment throughout

Guardian lion, 13th - early 14th century

Unknown Japanese

Not on View
R scene: pale, misty gray mountain peaks in middle ground; tree growing at lower center on small cliff; faint trees in LRQ; inscription top half

Landscape [right of a triptych of Three Scenes of Autumn Evening], late 17th century

Sumiyoshi Gukei

Not on View
unglazed, white, cone-shaped vase with domed top; tall, narrow neck with flat lip

%C2%A9 Kuroda Taiz%C5%8D

Vase, c. 2004

Kuroda Taizō

Not on View
small, cone like cup with very narrow base; shallow "spout" on side

%C2%A9 Fukami Sueharu

Sake cup (guinomi), c. 2002

Fukami Sueharu

Not on View
female ghost with sharply pointed eyes; toothy grin with pointy black and white teeth; woman is running PL hand through her scraggly black hair; white robe falling down shoulders; woman is rising from forked white and red flames emanating from a skull at LRC

Ghost, late 19th century

Unknown Japanese

Not on View
three piece folded image: older man with stubble stands on a balcony, looking out into garden with PR hand in a fist and clutching sheathed sword in PL hand; snow-covered rocks and hills in garden resemble menacing skulls with teeth staring back at man in the black night; right panel shows two terrified courtesans huddling with backs together in bed, windblown red and yellow shade, and a lamp; cartouche at URQ

Taira Kiyomori Seeing Skulls in the Snowy Garden, May 1882

Tsukioka Yoshitoshi

Not on View
female traveler at bottom riding small horse led by male figure smoking pipe; moving toward L; figure leading two horses with heads down in upper center; image flanked by cropped rocks

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
irregular rectangular form; vertically oriented, with somewhat wrinkled texture; R and L sides smooth; brown and ochre coloring

%C2%A9 Fukami Sueharu

Breath of Message, 1971

Fukami Sueharu

Not on View
low, round basket with hexagonal base; double rungs around lip; three-dimensional, tiny openwork weave patterns; larger weave pattern bottom

Fruit Basket, mid 20th century

Fukuda Chikuyūsai

Not on View
two peacocks standing side by side on tree limb URQ; peacock at front faces L, peacock in rear looks out directly at viewer; tails cropped off R edge, returning to frame LRQ; branch trails to LL with white blossoms

Peacocks Standing on a Blooming Magnolia, second half 19th century

Kawada Shōryō

Not on View
rectangular basket with very open weave; bulbous sides, narrowing at top; rectangular opening

%C2%A9 Uematsu Chikuy%C5%AB

(Lattice basket), late 20th century

Uematsu Chikuyū

Not on View
front view of cartoonish striped cat with tail sticking straight up in the air behind; large eyes with eyelashes; whiskers sticking straight out from dark linear mouth; inscription at top

Tiger, 1888

Iwao

Not on View
small school of silver fish with small red back fin swimming towards L in dark water; one fish swimming upward; portion of cliff overhangs water at L with large, black spiky leaves and bright blue flowers

Sweetfish, mid 19th century

Koizumi Ayaru

Not on View
mounted fan painting: mostly white background with snow-covered barren brown bush at R; diagonal gray background at L with parallel, curved gray lines

Fish Trap, Waves, Rocks [one of a pair], first half 19th century

Suzuki Kiitsu

Not on View
young woman in casual, elegant pose wearing colorful, richly patterned kimono; kimono has several crests with swirling motif; holding gold fan in PR hand near waist; PL arm outstretched; standing in front of small branch with pink blossoms under the moon

Prostitute Takao with Bush Clover and Moon, first half 19th century

Suzuki Kiitsu

Not on View
horned figure with red skin seated, kicking legs up into air; white, bulbous glass eyes; broad, open smile revealing small, pointed teeth; carries drum stick in PR hand; oval "halo" of drums behind figure; black sash with floral decorations loosely wrapped behind figure; base

God of Thunder, 17th - 19th century

Unknown Japanese

Not on View

showing 100 of 242 results matching creditline:"The John R. Van Derlip Fund; purchase from the collection of Elizabeth and Willard Clark". (load 142 more)

Download results as CSV