showing 100 of 241 results matching creditline:"The John R. Van Derlip Fund; purchase from the collection of Elizabeth and Willard Clark". (load 141 more)

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horizontally oriented finlike form; rectangular form rising slightly at center

%C2%A9 Fukami Sueharu

Moment II, 2003

Fukami Sueharu

Not on View
horizontally oriented finlike form that bows upward on both ends; one end dramatically pointed; wider, vertical rise in center; mounted on wooden base

%C2%A9 Fukami Sueharu

Seascape 'Transgression', 1998

Fukami Sueharu

G222

in center, 3 headed 8 armed figure with head of fire motions; figure entangled in flames, waves, snakes; two warriors stand guard in LL and LR corners; top center, Buddha in a bubble with blessing gesture

Daigensui Myōō, 1868

Kano Hōgai

Not on View
standing Jizo in 3/4 view, holds transluscent ball in left hand, staff in right and each foot on lotus leave base which are on a cloud; rays emanate from head, first immediately around head encircled, then more extensions in back; Jizo is elaborately clad in garment decorated with kirikane in motifs of the various layers of clothing

Welcoming Descent of Jizō Bodhisattva, first half 14th century

Unknown Japanese

G220

standing wooden figure with flame like hair, and fierce expression wearing warrior clothing; wide stance with PR hand clenched in fist toward chest; PL hand clenched in fist with index finger pointing outward; base with carved and painted waves

Makora, one of the Twelve Divine Generals, early 14th century

Unknown Japanese

G220

deep rectangular box with beveled edges; brown lacquer background with bamboo leaf motif painted in gold; a few bamboo leaves are made of mother-of-pearl inlay; black lacquer interior

芦図蒔絵硯箱, 1910s

Kamisaka Sekka

Not on View
clusters of white and blue irises along bottom; cluster of blue irises, elevated, towards center

Irises [left of a pair], late 19th century

Spurious signature and seal of Sakai Hōitsu

Not on View
clusters of blue and white irises--near center of screen on R side, and closer to bottom on L side

Irises [right of a pair], late 19th century

Spurious signature and seal of Sakai Hōitsu

Not on View
square basket with short feet; flares towards top; round mouth; crisscrossing open weave; copper lined bamboo cylinder

Footed Flower Basket, autumn 1929

Maeda Chikubōsai

Not on View
short, squat, round basket with raised lip; closed weave with band of unwove, vertical strands near top

%C2%A9 Tanabe Chikuunsai II

Wealth, c. 1935-1945

Tanabe Chikuunsai II

Not on View
small owl perched on bent branch; dramatically pointed eyes, two horn-like tufts on either side of head; branch at L

Horned Owl on an Old Branch, 18th-19th century

Spurious Seal and Signature of Kaihō Yūshō

Not on View
one dark, irregular cylindrical form; large L-shaped form with slanting top, decorated with pale yellow and blue flowers and blue wavelike pattern with gold outline; smaller square C-shaped form with similar decoration

%C2%A9 Nakamua Takuo

Three Piece Sculptural Group, c. 2002

Nakamura Takuo

Not on View
cylindrical form with vertical "seam" running from top nearly to bottom on one side; top of seam is split, with front and back sections curling gently apart; another shorter vertical "seam" on opposite side near bottom; beveled bottom lip

%C2%A9 Fukami Sueharu

Pure, 2002

Fukami Sueharu

Not on View
rear 3/4 view of a woman climbing into bath in a large barrel; clutches a light blue cloth at the rim of the barrel in PR hand

Woman Getting into a Bath (after Utamaro), c. 1900

Ōmori Shōhō

Not on View
abstracted gnarled branches across lower half with dark vertical twig at L; illusion of snow-covering; white blossoms

Plum Blossoms in Snow, mid 19th century

Gantai

Not on View
horizontal, diamond-shaped form with small, gentle point at top; wavy ripples on lower sides; lower corner eases into triangular base; three horizontal, wavy incised lines on front; three horizontal straight lines incised on back

%C2%A9 Fukami Sueharu

Sea View, 1982

Fukami Sueharu

Not on View
vertically oriented rectangular form; brushed metal mount with small wire loop for hanging

%C2%A9 Fukami Sueharu

Nontitle, 1990

Fukami Sueharu

Not on View
oval shaped ceramic vessel with somewhat pointed ends; brown glaze with impressed bamboo leaf inspired motif

%C2%A9 Hori Ichir%C5%8D

Vase, c. 2002

Hori Ichirō

Not on View
front view of cartoonish striped cat with tail sticking straight up in the air behind; large eyes with eyelashes; whiskers sticking straight out from dark linear mouth; inscription at top

Tiger, 1888

Iwao

Not on View
seated male figure with hands resting in lap; thick white hair and beard; gazing outward to R; three black bowls with whitish liquid placed before man; various weapons and implements hanging behind man; brilliant blue and yellow clothing

Portrait of an Ainu Man, late 19th century

attributed to Hayashi Kyokudō

Not on View
hut tucked into black rocky embankment with figure visible in window; a few trees with autumn foliage around hut; across the channel, two rooftops peek out amid black rocks with pine trees and autumn foliage; mountains in background

Autumn Landscape, 1937

Yamamoto Chikuryūsai

Not on View
tall, narrow blue cylinder mounted into metal bracket within wooden wedge; a few wavy horizontal lines incised around cylinder with incised spots

%C2%A9 Fukami Sueharu

Cylinder, 1986

Fukami Sueharu

Not on View
snow-covered trees and rocks in foreground; snow-covered mountains in background; figure with straw cape walking across bridge at LL carrying objects hanging from pole over PL shoulder

Landscape in the Snow, first half 19th century

Imaōji Yūzan

Not on View
tall, thin black grasses at L with thin, wispy brown tufts at top; smaller plants with lacy leaves and pale yellow flowers at LL; grasshopper perched on horizontal leaf near lower center; full moon in background

Autumn Grasses and Moon, early 19th century

Sakai Ōho

Not on View
irregular rectangular form; vertically oriented, with somewhat wrinkled texture; R and L sides smooth; brown and ochre coloring

%C2%A9 Fukami Sueharu

Breath of Message, 1971

Fukami Sueharu

Not on View
female ghost with sharply pointed eyes; toothy grin with pointy black and white teeth; woman is running PL hand through her scraggly black hair; white robe falling down shoulders; woman is rising from forked white and red flames emanating from a skull at LRC

Ghost, late 19th century

Unknown Japanese

Not on View
travelers crossing low, grass covered bridge: male figure in black with banner over shoulder walking to LR; two men carrying large rectangular back packs walking in opposite direction near center; stone torii gate, stone lanterns, and tree at foot of bridge; mountains at R

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
three travelers taking a break along the roadside; figure in black tunic sits on parcel at LR; man at center looking down, leaning against rock on outstretched PR hand; man in back holding white object over head

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
two men carrying a closed palanquin over a small bridge at LR; two messengers ahead; another figure approaches on small bridge at LL; green mountain with trees and riverbanks in background

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
view looking straight across bridge into village: people crossing wide bridge over low river, heading both towards and away from view; low rooftops of village visible at mouth of bridge; green mountains in background

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
female traveler at bottom riding small horse led by male figure smoking pipe; moving toward L; figure leading two horses with heads down in upper center; image flanked by cropped rocks

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
two male figures at LLQ wearing white loin cloths crawling on all fours; each has another man riding on his shoulders; narrow river in background with figures URQ; small buildings URQ

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
travelers on foot, with one on horseback in line heading towards shore; low, green banks with blossoming cherry trees on either side; three small boats in water; two rooftops at LRC

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
swallow's nest hangs from TL edge; adult swallow perched on edge of nest, three babies in nest; another swallow flying away at LR

Swallows [right of the pair Rabbit and Swallows], early 18th century

Yamaguchi Sekkei

Not on View
two-tiered round basket with squat, round shape; closed weave

%C2%A9 Tanabe Chikuunsai II

Gourd-shaped flower basket, c. 1935-1945

Tanabe Chikuunsai II

Not on View
round, white form with flat top; very subtle concentric rings around top resembling cutting from a tree

%C2%A9 Kuroda Taiz%C5%8D

White unglazed porcelain platform, c. 2004

Kuroda Taizō

Not on View
oblong, low basket with upward curving edges; open, horizontal weave; strands sweep upward into continuous, braided handle; spotted dark pattern in basket; reddish handle

%C2%A9 Uematsu Chikuy%C5%AB

Sooted Bamboo Basket with Handle, 1993

Uematsu Chikuyū

Not on View
stout, hexagonal basket with inner lip; two crisscrossing handles with ribbon weave near bottom of handle prongs; closed weave with thin bamboo strips crossing wider horizontal strips

Hexagonal Bamboo Basket, early 20th century

Tanabe Chikuunsai

Not on View
vertical tunic-shaped woven vessel; vertical weave; three vertical bands of bamboo wrap around form, one down center, and one on each side; one side of form is slightly higher than the other

%C2%A9 Honma Hideaki

Mystery, 2000

Honma Hideaki

Not on View
unglazed, white bullet-shaped porcelain vessel; very narrow mouth at top; tapers slightly to base; light orbital lines; a few hash marks upper quadrant

%C2%A9 Kuroda Taiz%C5%8D

Vase, c. 2004

Kuroda Taizō

Not on View
unglazed, white, cone-shaped vase with domed top; tall, narrow neck with flat lip

%C2%A9 Kuroda Taiz%C5%8D

Vase, c. 2004

Kuroda Taizō

Not on View
unglazed, tall, narrow, white porcelain vessel with narrow base, wide, bulbous top; very narrow raised mouth

%C2%A9 Kuroda Taiz%C5%8D

Vase, c. 2004

Kuroda Taizō

Not on View
two pieces of almost semi-circular form covererd with raised loops of bamboo all going horizontally; most of bamboo light in color with wide strip of slightly redder bamboo across center of both

%C2%A9 Uematsu Chikuy%C5%AB

Butterfly, 1998

Uematsu Chikuyū

Not on View
mobile of twelve hanging piece of delicately curved pieces of bamboo; three horizontal rods at top that four hanging pieces attach to; horizontal rods attach to three prong Plexiglas mount that attaches to wall

%C2%A9 Uematsu Chikuy%C5%AB

Mobile, 1998

Uematsu Chikuyū

Not on View
young woman in casual, elegant pose wearing colorful, richly patterned kimono; kimono has several crests with swirling motif; holding gold fan in PR hand near waist; PL arm outstretched; standing in front of small branch with pink blossoms under the moon

Prostitute Takao with Bush Clover and Moon, first half 19th century

Suzuki Kiitsu

Not on View
full moon in top half against gray background

A Full Moon, mid 19th century

Nakajima Raishō

Not on View
slightly irregular round form with irregular oval mouth; crisscrossing diamond weave of red-brown and orange-brown strips forming zigzag motif

%C2%A9 Fujinuma Noboru

Gentle Heart, Spring 2006

Fujinuma Noboru

Not on View
tea cup with blue and white patterns separated by three vertical bands of blue and light blue; horizontal raised band around top in brown; brown lip

Tea cup, early 21st century

Fukami Family Workshop

Not on View
lively street scene featuring a female kabuki performance at L; motely crowd of men, women, and children on street, some watching the performance, others flirting, walking, dancing, wrestling, etc.; in background, men and women lounge in tea shop

Okuni Kabuki, mid 17th century

Unknown Japanese

Not on View
woman strutting with coy look on face below cherry tree in full blossom; flanked by a young girl on either side; woman is wearing voluminous, sumptuous kimono with fierce dragon and peonies; girl on PR holds long object wrapped in red; both girls wear huge headpieces

Prostitute with Two Kamuro Under Cherry Blossoms, 1810s

Utagawa Toyokuni

Not on View
right scroll: figure wearing black face mask in pose with legs slightly apart, PR arm held out and down with bells in PR hand; PL arm bent upward behind figure holding decorated fan; figure wears blue kimono and tall black hat

Senzai [right of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century

Kano Kazunobu

Not on View
center scroll: male figure wearing gray face mask standing facing viewer with arms outstretched; brocade brown and gold top; billowing blue pants with blue designs; tall black hat; decorated fan in PR hand; face mask has white tassels and goatee

Okina [center of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century

Kano Kazunobu

Not on View
man dancing with one leg bent, holding a black platform with richly dressed samurai figurine over his head; large banner with gray image of shoki holding sword at R; three young children dance around man below

Boy's Festival, 1830s

Utagawa Kunisada

Not on View
fan painting; flower near ULC on curving, winding stem beginning at LR; leaf with holes at R; cropped leaf bottom center; mounted on gold flecked paper in frame

Water plant, second half 18th century

Itō Jakuchū

Not on View
large, "folded-over" organic form, asymmetrical design; dark brown, wood grain texture

%C2%A9 Nobuyuki Tanaka

Form Remaining in Memory 2012, 2012

Tanaka Nobuyuki

Not on View
giant black character with sharp angles and splatters

%C2%A9 Suda Kokuta

Emptiness, 1986

Suda Kokuta

Not on View
gnarled branches with blossoms against crescent moon in background; larger branches rising up from lower center; darker branch in foreground entering from R

Plum Blossoms Under the Winter Moon, first half 20th century

Matsubayashi Keigetsu

Not on View
four sided basket with open weave, narrows towards top, round opening; short irregular handle made of twisted strips of bamboo wound over a round piece of bamboo; one twisted strip of bamboo ends in large loop on one side of handle; flower cylinder is reddish-brown lacquered bamboo with ridges, lined with copper

Passing Showers, early 20th century

Wada Waichisai II

Not on View
large white and red peonies on branches with leaves blowing in the wind; white peony to center left, with bud immediately above; red peony at right edge slightly above center

Peonies in the Wind, early 19th century

Sakai Hōitsu

Not on View
two peacocks standing side by side on tree limb URQ; peacock at front faces L, peacock in rear looks out directly at viewer; tails cropped off R edge, returning to frame LRQ; branch trails to LL with white blossoms

Peacocks Standing on a Blooming Magnolia, second half 19th century

Kawada Shōryō

Not on View
four men seated on either side of a wool rug playing various instruments; a fifth, larger man in black robes with an exposed, hairy belly dances in center of scene; bowl of fruit and tray with two birds in front center of scene; male and female figure visible in adjacent room through drawn blinds; the woman's body ties the two rooms together

Seven Lucky Gods, late 19th - early 20th century

Imao Keinen

Not on View
male figure in black robes and tall hat seated in wide doorway overlooking garden; gnarled, blossoming plum tree near bamboo fence; inscription URQ

Courtier Enjoying Plum Blossoms, late 17th - early 18th century

Tosa Mitsutaka

Not on View
many turtles swimming down stream towards small rapids; many other turtles downstream swim up towards rapids; even more turtles climbing over rocks and over each other at rapids at center

One Hundred Turtles, summer 1860

Seki Nagatoshi

Not on View
two small birds diving in the air at UL; another bird at R on branch looks on with wings spread; two more birds wade in rapids at LL; moon at UL; yellow flowers within tree foliage at R

Plovers under the Moon, late 19th century

Morikawa Sobun

Not on View
carved wooden mask with large, bulging eyes, huge nose with flared nostrils, wide open mouth exposing pointed teeth and curved tongue; high cheekbones; arched eyebrows; traces of white, red, and black pigment

Kishin Mask, c. 13th century

Unknown Japanese

Not on View
tall diamond-shaped basket with widened, bulbous bottom; angles sharpen at top; closed weave with loops near top; handle; inner bamboo cylinder

Flower basket, 1920s-1930s

Chikukōen

Not on View
moon at top with diagonal space outlined by ink washes jutting into lower edge of the moon; area immediately below moon demarcated by abstract washes of clouds

Strange Mountain in a Moonlit Night, second half 18th century

Nagasawa Rosetsu

Not on View
two men in robes seated on ground in front of large rock with bushes; man at L leans towards man on R, resting his weight on his PL hand; PR hand holds tasseled fan over PR knee; man at R holds white cloth draped over lap and red object in PR hand; pale trees in background

Two Chinese Scholars, before 1800

Tani Bunchō

Not on View
dense cluster of many different varieties of fish swimming in all different directions; other sea life near bottom including squid, lobster, shrimp, crabs, and snails

Eighty-eight Fish, second half 19th century

Utagawa Yoshikazu

Not on View
grasshopper perched on white lotus root tube at LL; lotus stem and leaf sprouting across image at R; small plant with purple foliage and pink flowers behind lotus leaf at R; large beetle at LR

Studies from Nature: Plants, Fish, and Birds (Lotus Tuber with Insects), first half 19th century

Urakami Shunkin

Not on View
two gray fish: larger fish at R turning its body to the L, with its tail flipped downward; smaller fish at LL facing L; light green plants at top and bottom with pink petals

Studies from Nature: Plants, Fish, and Birds (Cherry Blossoms with Fish), first half 19th century

Urakami Shunkin

Not on View
teal green vase at R holding round yellow fruits and a grape vine with dark grapes

Studies from Nature: Plants, Fish, and Birds (Vase with Loquats), first half 19th century

Urakami Shunkin

Not on View
three men on shore at L strain to pull a large boat full of rolled wooden bundles to shore; two men on boat at R: man in front steers with long stick while man behind shipment looks up, mouth open, toward two cranes flying over scene at upper center; blue mountain in background

Five Figures Pulling a Boat, first half 19th century

Oki Ichiga

Not on View
L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water

Hawks by a Stream [left of a pair], mid 17th century

Soga Nichokuan

Not on View
R screen: large tree at R with branches and foliage extending over several panels; cluster of squared rocks at R; lotus blossoms and leaves at R; hawk perched on stone near center; another hawk at UL about to dive downward

Hawks by a Stream [right of a pair], mid 17th century

Soga Nichokuan

Not on View
black lacquer tray; plant with oblong leaves and delicate flowers with starburst petals lower corner

Small Serving Tray with Maiden Flower Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
black lacquer food tray with pampas grass design at lower corner

Small Serving Tray with Pampas Grass Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
black lacquer tray decorated with leafy plant with red berries

Small Serving Tray with Spearflower Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
black lacquer tray with design of pink flowers with heart-shaped leaves

Small Serving Tray with Pink Flower Design, late 18th century

Attributed to Yamamoto Shunshō VI

Not on View
round basket with decorative ring around mouth featuring woven circles and waving line; 2-pronged handle with two decorative knots flanking hook at handle's center; closed weave around bottom half; large, open, star-patterned weave upper half; rich, purple cord with copper hook attaches to basket; copper pan

Hanging Flower Basket of Ryū Rikyō Taste, early 20th century

Tanabe Chikuunsai

Not on View
each panel has small separate poem at top; scenes of figures enjoying activities in different seasons; from R, scene 1: 4 seated figures on green mat, with 2 male figures playing flute and koto; scene 2: male figure riding white horse near river with two attendants; scene 3: male figure on verandah holding stick with two figures seated in grass at LLC; scene 4: two figures in checkered pants dancing near verandah with musicians near bottom, and autumn leaves on ground; scene 5: two female figures dancing with fans on porch while male and female figures at LL watch; scene 6: winter scene with procession on horses riding through snowy mountain peaks

Scenes from The Tale of Genji representing months of the year, before 1710

Tosa Mitsunari

Not on View
diamond-shaped basket with tall handle covered with many thin vertical strips; vertical weave; decorative weaves along bottom; tall, copper lined cylinder

Diamond-shaped flower basket, late 19th century

Wada Waichisai

Not on View
bulbous, squat basket with thick, crisscrossing weave; narrow mouth; slightly lopsided handle made from three bamboo sticks of varying thickness woven together with decorative knots; one side of handle has irregular twig

Long Life and Good Fortune Flower Basket, spring 1934

Maeda Chikubōsai

Not on View
large white and pink flowers blooming amid foliage and smaller, dark blue flowers; tall grasses with white fronds stick out above at L; smaller white flowers at bottom

Mallows, 17th century

traditionally attributed to Kitagawa Sōsetsu; Artist: Unknown [seal of I'nen]

Not on View
mounted fan painting: seated man holding long, thin object in PR hand looking over PL shoulder toward garden gate; blue, white, and pink flowers grow along gate and fence

Painting with Kogō in Sagano, 1920s-1930s

Kamisaka Sekka

Not on View
man on horse at L with falcon perched on PR wrist; horse is trudging through snow with head held down; man at R holding red leash attached to white dog; snow-covered tree at L; bird in flight at UR; a few snowflakes near center and L

Hawker in Snow, second half 19th century

Suzuki Shuitsu

Not on View
suit of armor in crouching position seated on box; head lowered, arms spread with hands on thighs; blue and gold motif on pads; breastplate in gold with raised gold crest of three leaves

Suit of Armor, 1830s

Mihata Jōryū

Not on View
shoreline in foreground with houses and pine trees; water in middle ground; some islands in background; Mt. Fuji at L far background

Matsushima, 1826, 5th month

Tani Bunchō

Not on View
two black birds sitting next to each other on lower part of branch; larger grey and light pink speckled bird sitting above them on branch; willow tree in back at top L

Kite and two crows, c. 1766-1770

Yosa Buson

Not on View
unsigned; 6 panel screen with vignettes separated by golden clouds; beginning at R, a male figure on a chair, and smaller figure on green mat hold audience in a room; below, a woman inside looking through screen at other women outside; men gather around a carriage; musicians in white with male dancer entertain small audience on verandah and bridge; female figure in bushes watches male and female figure near center; men in room with green mat along with papers; women at bottom gathered in room, etc.

Scenes from the Tale of Genji [right of a pair], 17th century

Unknown Japanese

Not on View
unsigned; 6 panel screens with various scenes divided by gold clouds; at R, men and women are gathered in a room with two female musicians; at LR, a man on a verandah gazes inside at a kneeling woman; other groups of men around outside; other vignettes of people gathered outside, near carriages, or inside rooms with verandahs

Scenes from the Tale of Genji [left of a pair], 17th century

Unknown Japanese

Not on View
vertically oriented rectangular basket; square base widening to larger square mouth; low handle nearly flush with top made of one thick piece of bamboo with woven hook at center; vertical weave pattern; copper lined bamboo cylinder

Hanging flower basket, mid 20th century

Sakaguchi Sōunsai

Not on View
school of carp swimming among seaweed; large fish near center with smaller ones swimming in all directions; driftwood and stumps at bottom

Carp, first half 19th century

Kuroda Tōkō

Not on View
monkey hanging from branch; snow on branches

Monkey Hanging from a Branch, Spring 1770

Maruyama Ōkyo

Not on View
small school of silver fish with small red back fin swimming towards L in dark water; one fish swimming upward; portion of cliff overhangs water at L with large, black spiky leaves and bright blue flowers

Sweetfish, mid 19th century

Koizumi Ayaru

Not on View
hoop-shaped basket with bulbous body arcing into rounded handle made of one thick piece of bamboo with irregular twigs on either side; openwork weave with diamond pattern; round base; thin, horizontal bar with vertical supports at each opening; squat copper lined bamboo cylinder for flowers

Eighth-Day Moon Flower Basket, first half 20th century

Maeda Chikubōsai

Not on View
short, squat, crescent-shaped flower basket with low dipping front and back; open, crisscross weave with closely woven horizontal elements; handle made of three nearly symmetrical, crooked bamboo branches that come to a steep peak in the middle; oblong, deep copper flower tray in center

(Flower basket with handle), first half 20th century

Maeda Chikubōsai

Not on View
open sided square lantern-shaped basket: four bamboo posts support woven structure with open sides, wide, round opening at top, decorative knots at centers; crisscross woven base; crossing supports with loop for hanging at top; decorative weaving and knots at corners; short, squat bamboo insert for flowers

(Hanging lantern-shaped flower basket), Autumn 1931

Ishida Chikubisai I

Not on View
very tall, dark brown hexagonal basket, flares at top; woven with thin, wide strips of rattan in crisscross pattern with thin, vertical strips of rattan loosely overlaid; center decorative band is tightly woven and contains ikat designs; handle base begins near bottom on either side with three narrow strips of bamboo; center strip widens as it arches over the basket, two side strips join and are woven under center strip to form handle; decorative weaving and knots across bamboo handle

Old Plum Garden, early 20th century

Rōgetsu

Not on View
hexagonal basket with bulbous sides; open, star patterned weave; stout handle; large bamboo cylinder

Round Handled Flower Basket, early 20th century

Tanabe Chikuunsai

Not on View

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