🔎 creditline:"The Ethel Morrison Van Derlip Fund" | Mia

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low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section — Winged Genius, c. 883–859 BCE
Assyrian

G240

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

Not on View

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, about 1920
Yoruba

G236

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, c. 1560
Luis de Morales (called El Divino)

G341

gallery installation/"period room" — Curator's Office, 2012-2013
Mark Dion

G378

Boy with Butterfly Net, Henri Matisse — Boy with Butterfly Net, 1907
Henri Matisse

G371

The Fugitives, Honoré Daumier — The Fugitives, c. 1868
Honoré Daumier

G354

The Annunciation, Agostino Masucci — The Annunciation, 1742
Agostino Masucci

G308

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS. — Mrs. T. in Cream Silk, No.2, 1920
George Bellows

G302

Boy seated in front under a tree with a yoke, buckets, and a jug, pointing to Tobias and the Angel walking on the right. — Shepherd Boy Pointing at Tobias and the Angel, c. 1625–30
Abraham Bloemaert

G312

Landscape. — Tornado over St. Paul, 1893
Julius Holm

G303

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769) — Pier table, c. 1768
Giovanni Battista Piranesi

G307

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed. — Horse, early 8th century
China

G208

Bust-length portrait of a Black female field worker — Sharecropper, 1952 (printed c. 1952-57)
Elizabeth Catlett; Printer: Printed by the artist and Jose Sanchez; Publisher: Published by the artist and Taller de Grafica Popular, Mexico City

Not on View

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element — Deified King, late 10th century
Cham

G213

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century
Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

Not on View

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head. — Mask, 1950s
Makonde

G254

Yet Belt, leather, shells, beads, twine, Zaire, Kuba Tribe — Royal belt, mid 20th century
Kuba

Not on View

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses — Hand drum (kundu), 20th century
Iatmul

G256

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish. — Vessel, c. 1100 - 1200 CE
Guanacaste

G260

Pot in form of Fish with a double spout handle rising from the back. Slight modelling on head, tail, and fin area. Other features painted in grey, black, yellow, red and white. Broken at tail; cracked around head. — Vessel in the Form of a Fish, c. 100 BCE - 600 CE
Nasca

G260

a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016] — Corpus, c. 1700
Master of Guadalcanal

G341

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) — The Betrayal of Christ, c. 1618–1620
Anthony van Dyck

G313

high relief plaque with head of Beethoven emerging from dark red ground; egg and dart motif around edges of panel; "BEETHOVEN" incised at bottom; skin is pale white; brown eyes and light brown hair; scowling expression — Portrait of Beethoven, c. 1902
Franz von Stuck

G351

cizhou painted pottery dish; flowering plant in green and red, banding of red borders, design inside rim, has own storage box — Dish, 13th century
China

G204

silver claret jug with hinged cover; overall floral motif, highly decorative, large upside down heart at each side, raised cobra forms the handle, hinge and central decorative element on top of the cover — Claret Jug, c. 1890
India

G211

Tomb figurine, one of a pair, representing a Civil dignitary. the type is individualized, and the features indicate that this person was of Khotanese origin. The figure made in a mould, is solid. The grey clay body, covered with a white slip, is painted with unfired pigments flesh tints, green, blue, gold. Details of the figure were completed by hand. — Tomb Figurine, one of pair, late 6th century
China

G208

Longquan celadon lotus bowl, has own storage box — Bowl, 12th-13th century
China

G204

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period. — Console table, c. 1775-1800
Italy (?)

G310

Tomb figurine, one of a pair, representing a Civil Dignitary. The type is individualized, and the features indicate that this person was of Khotanese origin. The figure is mould-made of grey clay, with a white ground, and painted, pigments flesh tints, red, green, blue, and gold. The figure is solid, the details being completed by hand. — Tomb Figurine, one of pair, late 6th century
China

G208

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes — Armchair, one of a pair, c. 1810-1830
India

G209

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes — Armchair, one of a pair, c. 1810-1830
India

G209

iconography either a snake or a bird — Pambadam Earrings, 19th-20th century
India

G211

Art-glass panel for a bay window, William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.) — Art-glass panel for a bay window, 1909
William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

Art-glass panel for a bay window, one of six, William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.) — Art-glass panel for a bay window, one of six, 1909
William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

blue and white Oriental design — Coffee pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

a piece from the cycle of ten tapestries woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; woven in the Faubourg Saint-Marcel manufactory of Marc de Comans and Frauçois de las Planche; warp undyed wool, 7 ends per cm., weft dyed wool and silk, 24-36 ends per cm. — The Philosophers, c. 1611-1627
Central design and cartoon by a painter active in France , about 1610-1617; Artist: Border design and cartoon probably by Guillaume Dumée and Laurent Guyot; Weaver: Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche

G340

The New One, John B. Flannagan — The New One, 1935
John B. Flannagan

G367

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

dish (attributed to John Simpson), ceramic, English, XVIIIc cat. card dims diam 11-1/4' — Charger, c. 1715
attributed to John Simpson

G331

pitcher form with pulled handle and spout; wide mouth; plate-shaped lid; glazed grey overall with underglaze iron floral patterns in brown — Ewer with floral design, 12th-13th century
Unknown Korean

G206

blue and white Oriental design — Tea pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cream pitcher, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Tea bowl, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

Lion Devouring a Horse, Eugène Delacroix — Lion Devouring a Horse, 1844
Eugène Delacroix

Not on View

ebony hinge covered box with scroll feet; ivory inlay of geometric floral patterns; side adorned by two panels, floral background with unique pairs mirroring each other banding around each field with inlaid agate cabochons at corners and sides; burlwood interior with seven ivory medallions — Coffer, 1873
Giovanni Battista Gatti

Not on View

Saint Francis Receiving the Stigmata, Agostino Carracci — Saint Francis Receiving the Stigmata, 1586
Agostino Carracci

G344

Peeled Paint, Minor White — Peeled Paint, 1959
Minor White

Not on View

Religion: NT. Triptych, center panel gabled; wings together form gable. Madonna and Child with Paul, Peter, Catherine and Helena. Francis. Miracles. Stigmatization of Francis in retreat on Mount Alverna. Annunciation. Mary, usually reading, is visited by the Angel. Crucified Christ with Mary and John the Evangelist. Central panel Madonna and Child enthroned; the child stands in his mother's lap facing her, his arms extended; the Virgin looks at him with a half smile; she wears a red lined blue mantel over a dark red gown; back of throne decorated with slender arabesques on scarlet ground; to left of throne stands St. Helen and St. Peter, to the right St. Catherine and St. Paul; the colors of their robes are ivory, rose, mauve, gold, dull green; gold leaf background; left wing St. Francis Receiving the Stigmata; dull mauve robe; angel's drapery scarlet; gold background; right wing Crucifixion; Mary in black standing at foot of cross; gold leaf background; Pinnacles The Annunciation, Virgin's robe black against scarlet background with decorative motifs of throne, angel, diaphanous rose drapery against gold leaf background; panels bordered with incised motif, haloes bear incised decoration; gold background brilliant, colors fresh. Unsigned. — Madonna and Child Enthroned with Saints, 1339
Bernardo Daddi

G343

Judith with the Head of Holofernes, Ignazio Collino — Judith with the Head of Holofernes, 1750
Ignazio Collino

G307

winter night scene with snow, trees and bridge in foreground; bright lights at base of buildings in background. — The White Night, 1932
Adolf Fassbender

Not on View

Savannah, Georgia, Robert Frank — Savannah, Georgia, 1956
Robert Frank

Not on View

Store Window, Washington , D.C., Robert Frank — Store Window, Washington , D.C., 1956
Robert Frank

Not on View

Convention Hall, Chicago, Robert Frank — Convention Hall, Chicago, c. 1955
Robert Frank

Not on View

En Route from New York to Washington, Club Car, Robert Frank — En Route from New York to Washington, Club Car, 1956
Robert Frank

Not on View

Siesta Lake, Yosemite National Park, California, Ansel Adams — Siesta Lake, Yosemite National Park, California, c. 1958
Ansel Adams

Not on View

Maureen and Oscar II, Dag Alveng — Maureen and Oscar II, 1981
Dag Alveng

Not on View

A piece from the tapestry cycle woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; weaving attributed to the workshop of Lucas Wanderdalle in the Faubourg Saint-Marcel manufactory of Marc de Coman and François de la Planche; warp undyed wool, 6½-8 ends per cm., weft dyed wool and silk, 20-48 ends per cm. — The Queen Distributing the Booty, designed 1562–1565 (woven 1611–1627)
attributed to Workshop of Lucas Wandandalle at the Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; Delineator: Central design by Antoine Caron; Designer: Border design by Guillaume Dumée; Designer: Border design by Lauren Goyot; Cartoonist: Central cartoon by a painter active in France; Designer: Border design and cartoon by Guillaume Dumée and Laurent Guyot

Not on View

Abstraction. — Badlands, 1962
Urban Stanley Couch

G303

Garage, Atlanta, Georgia, Walker Evans — Garage, Atlanta, Georgia, March 1936
Walker Evans

Not on View

Earth Spirit with lion's head. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a cylindrical base with mottled glaze. The figure is predominantly blue and white with patches of yellow and malachite green. — Tomb retinue earth spirit, 8th century
China

G208

Earth Spirit with human head and removable flame halo. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a deep cylindrical base with mottled glaze. The figure is predominantly blue, with white areas. Head and halo unglazed. — Tomb retinue earth spirit, 8th century
China

G208

Camel, Bactrian type, with saddle blanket with Sassanian decoration. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottlings of blue, green, and yellow. — Camel, early 8th century
China

G208

Camel, Bactrian type, with blanket and saddle bags. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottled areas of blue, green, yellow and brown in the saddle-bags and blankets. — Camel, early 8th century
China

G208

Horse with clipped mane and tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The trappings, including double saddle pads and a saddle draped with a knotted cloth, are decorated with Sassanian motifs. Brown glaze with patches of manganese in oxidized areas. — Tomb retinue horse, early 8th century
China

G208

Guardian of one of the quarters of the Buddhist heaven. ca 725 A.D. Glazed pottery tomb figure, one of a pair, wearing armor and standing on a kneeling bull. The costume is predominantly blue in tone, but there is much use of mottled yellow, brown and blue in the skirt sections. Elements of Sassanian design in armor. Head and phoenix headdress unglazed. — Tomb retinue guardian, early 8th century
China

G208

Guardian of one of the quarters of the Buddhist heaven. Glazed pottery tomb figure, one of a pair, dressed in armor and standing on a kneeling bull. A fine blue predominates in color scheme, with details in white, brown, mottled green and yellow. Elements of Sassanian design appear on the armor. Head, phoenix headdress, and hands unglazed. — Tomb retinue, early 8th century
China

G208

Dignitary. Military leader. Glazed pottery tomb figure, one of pair, mounted on a stand. The costume includes a blue robe, pleated brown skirt and white underskirt. Head and headdress unglazed. — Tomb retinue, early 8th century
China

G208

Dignitary, probably a civil counsellor. Glazed pottery tomb figure, one of a pair, mounted on a stand. The costume is predominantly brown with details in mottled colors. Head, headdress and hands unglazed. — Tomb retinue, early 8th century
China

G208

One of two jars Japan’s first ceramic culture, the Jōmon, produced strongly tactile pottery over 3,500 years ago. This lavishly decorated bowl was probably used during religious ceremonies. Its flamboyant rim, a typical feature of the middle period of Jōmon pottery, is known as the “fire-flame” type, because the coils of clay resemble leaping flames. The word jōmon, after which the historical period is named, means “cord markings” and derives from the distinctive patterns produced by rolling a rope-wrapped stick across the surface of the clay. The lower portion of this vessel bears these markings, together with whimsical designs carved into the surface of the clay. — Deep Bowl with Four Projections, 2500-1500 BCE
Unknown Japanese

G205

Genre. — Halloween, c. 1920
Clara Gardner Mairs

G302

Genre. Naive. Primitive. African American. Three figures doing the wash in the foreground, clothesline and Africa House in the background. — The Wash, 1950s
Clementine Hunter

G324

Genre. Naive. Primitive. African American. Six figures picking cotton; one smaller figure headed toward a water spigot in LR. — Picking Cotton, 1950s
Clementine Hunter

G324

black openwork barbed wire cube with 8" sections repeated — Cube (9 x 9 x 9), 2008
Mona Hatoum

Not on View

Side table, Attributed to Giovanni Paolo Schor (born Johann Paul Schor) — Side table, late 17th century
Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

Ewer, with pheasant's head stopper. Pear-shaped body, with tapering short neck and short spout, on domed, spreading foot. The removable stopper, in the form of a pheasant's head, is modelled in full relief with carved details, the double strand handle is also modelled. Buff white porcelain with even, creamy-white glaze. — Ewer with Pheasant-Head Stopper, 8th century
China

G204

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus — Crouching Lion, 330-317 BCE
Ancient Greek

Not on View

Evening: Landscape with Figures, David Charles Read — Evening: Landscape with Figures, c. 1830
David Charles Read

G353

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell — Black-Figure Neck Amphora, c. 540 BCE
Attributed to the Painter of Vatican 359

Not on View

Untitled, Esther Bubley — Untitled, c. 1945
Esther Bubley

G368

seated male baboon with its front paws on its knees and its tail wrapped along the PR side of its body; turquoise blue — Baboon (Moon God Thoth), 7th - 6th century BCE
Ancient Egyptian

G250

tapering from wide base; face with protruding eyes, open mouth, protruding forehead; very large fox-like high ears; looping "handle" on back of head; separate snake head may have originally protruded from mouth; pink with black linear designs — Mask, 20th century
Sulka

Not on View

Initiation mask, Suku — Initiation mask, 20th century
Suku

G254

flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top — Neckrest, 19th century
Fiji Islands

G256

Small silver beads on each end with T-shaped hanging pendants surrounding a central pierced Star of David pendant with stamped design — Necklace, 20th century
Beta Israel (Falasha)

G254

large piece of cloth with honey comb design, open on one long side with 2 short added open pieces at corners on opposite side; embroidered geometric designs overall; light blue hem — Pants, Date Unknown
Nupe

G240

ritual divination object in the form of an elephant — Itwomba, 19th-20th century
Kuba

Not on View

two large central orange amber beads flanked by large group of stringed beads; coins mounted to hanging arms and smaller orange amber beads — Necklace (tasdit), early 20th century
Ida ou Semlal Amazigh (Berber)

G254

diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom — Battle Club, c. 1820
Tonga Islands

Not on View

standing male figure carved from board; carved on one side; relief carving at interior, appearing to represent bone structure and colored with white pigment; hole at top of head for hanging — Bioma Figure, 20th century
Papua New Guinea

G256

three sheets of bark joined and attached to a wood frame construction on back; seated female figure depicted, body bordered by a banded line; fringe border around exterior of panel; hands up at sides; five hoops hanging from each ear; tongue stuck out — Mortuary Panel, 20th century
Tshuosh (Sawos)

Not on View

Tapa Cloth, Society Islands — Tapa Cloth, 19th century
Society Islands

Not on View

curved; each clapper in the shape of a thin human arm and hand with long, thin fingers; incised bracelets at each wrist with linear patterns; ivory colored with some tan spotting — Pair of clappers, about 1550-1292 BCE
Ancient Egyptian

Not on View

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine. — Yoke, c. 600-900
Nopiloa (Veracruz)

Not on View

Head, architectural in character, of the type known as 'Hacha'. Sharply-cut features with large nose, deep-cut eyes, and lipless mouth turned up in a grin. Large scroll forms in relief at temples and on cheek. Cap-like headdress comes forward over the brow in a large puff. — Hacha, c. 700
Totonac

G260

Vessel, engraved earthenware, Hodges, Arkansas, North American XIIIc., with black metal stand — Bowl, 1250-1499
Mississippian

Not on View

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