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ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown

Crown, about 1920

Yoruba

G236

Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G321

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section

Winged Genius, c. 883–859 BCE

Assyrian

G240

gallery installation/"period room"

%C2%A9 Mark Dion Studio

Curator's Office, 2012-2013

Mark Dion

G378

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish.

Vessel, c. 1100 - 1200 CE

Guanacaste

G260

Portrait Sculpture of Priest Gyƍki, early 17th century

Unknown Japanese

G220

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus

Crouching Lion, 330-317 BCE

Ancient Greek

G241

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Boy with Butterfly Net, 1907

Henri Matisse

G371

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom).

Man of Sorrows, c. 1560

Luis de Morales (called El Divino)

G341

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century

Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

Boy seated in front under a tree with a yoke, buckets, and a jug, pointing to Tobias and the Angel walking on the right.

Shepherd Boy Pointing at Tobias and the Angel, c. 1625–30

Abraham Bloemaert

G312

Pot in form of Fish with a double spout handle rising from the back. Slight modelling on head, tail, and fin area. Other features painted in grey, black, yellow, red and white. Broken at tail; cracked around head.

Vessel in the Form of a Fish, c. 100 BCE - 600 CE

Nasca

G260

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine.

Yoke, c. 600-900

Nopiloa (Veracruz)

Not on View
Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell

Black-Figure Neck Amphora, c. 540 BCE

Attributed to the Painter of Vatican 359

G241

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS.

Mrs. T. in Cream Silk, No.2, 1920

George Bellows

G302

The Annunciation, 1742

Agostino Masucci

G308

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head.

Mask, 1950s

Makonde

G254

Yet Belt, leather, shells, beads, twine, Zaire, Kuba Tribe

Royal belt, mid 20th century

Kuba

Not on View

Judith with the Head of Holofernes, 1750

Ignazio Collino

G307

Landscape.

Tornado over St. Paul, 1893

Julius Holm

G303

woman in flowing robe with one hand shading face, other hand pointing off into distance, life size.

The Lost Pleiad, 1874 (modeled)

Randolph Rogers

G332

The Fugitives, c. 1868

Honoré Daumier

G354

triptych; three panels of computer printout paper with side roller track intact; running horse with Native American rider, a running Euro-American is in front of horse, carrying a piece of paper with writing and saying the name of a Native American tribe; movement to the left

%C2%A9 Lakol 1995 %28Cultural Copyright%3B Lakol%3B of the Lakota Culture%29

Anthropology: We're Not Your Indians Anymore, 1995

Wanbli Koyake

Not on View
Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769)

Pier table, c. 1768

Giovanni Battista Piranesi

G307

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element

Deified King, late 10th century

Cham

G213

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed.

Horse, early 8th century

China

G208

curved; each clapper in the shape of a thin human arm and hand with long, thin fingers; incised bracelets at each wrist with linear patterns; ivory colored with some tan spotting

Pair of clappers, about 1550-1292 BCE

Ancient Egyptian

G254

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses

Hand drum (kundu), 20th century

Iatmul

G256

Bust-length portrait of a Black female field worker

Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Sharecropper, 1952 (printed c. 1952-57)

Elizabeth Catlett; Printer: Printed by the artist and Jose Sanchez; Publisher: Published by the artist and Taller de Grafica Popular, Mexico City

Not on View
a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016]

Corpus, c. 1700

Master of Guadalcanal

G341

Genre. Unsigned.

The Birthday Party, 1885

John Singer Sargent

G351

high relief plaque with head of Beethoven emerging from dark red ground; egg and dart motif around edges of panel; "BEETHOVEN" incised at bottom; skin is pale white; brown eyes and light brown hair; scowling expression

Portrait of Beethoven, c. 1902

Franz von Stuck

G351

two large central orange amber beads flanked by large group of stringed beads; coins mounted to hanging arms and smaller orange amber beads

Necklace (tasdit), early 20th century

Ida ou Semlal Amazigh (Berber)

G254

seated male baboon with its front paws on its knees and its tail wrapped along the PR side of its body; turquoise blue

Baboon (Moon God Thoth), 7th - 6th century BCE

Ancient Egyptian

G250

Longquan celadon lotus bowl, has own storage box

Bowl, 12th-13th century

China

G204

blue and white Oriental design

Coffee pot, from a child's tea set, in blue and white, c. 1780-1790

Caughley (Salopian) Works

G317

Tomb figurine, one of a pair, representing a Civil Dignitary. The type is individualized, and the features indicate that this person was of Khotanese origin. The figure is mould-made of grey clay, with a white ground, and painted, pigments flesh tints, red, green, blue, and gold. The figure is solid, the details being completed by hand.

Tomb Figurine, one of pair, late 6th century

China

G208

%C2%A9 John Pfahl%2C Courtesy Janet Borden Gallery

Moonrise Over Pie Pan, Capitol Reef National Park, Utah, 1977

John Pfahl

Not on View
Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period.

Console table, c. 1775-1800

Italy (?)

G310

Vase in the from of a chieftain with ear plugs and large headdress. Arms bound in back indicate the status of a prisoner.

Vessel, 6th-8th century

Moche

Not on View
a piece from the cycle of ten tapestries woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; woven in the Faubourg Saint-Marcel manufactory of Marc de Comans and Frauçois de las Planche; warp undyed wool, 7 ends per cm., weft dyed wool and silk, 24-36 ends per cm.

The Philosophers, c. 1611-1627

Central design and cartoon by a painter active in France , about 1610-1617; Artist: Border design and cartoon probably by Guillaume Dumée and Laurent Guyot; Weaver: Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche

G340

Side table, late 17th century

Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

ritual divination object in the form of an elephant

Itwomba, 19th-20th century

Kuba

Not on View
medallion design with birth of Venus; verso, on white paper, laid down on the blue mount in graphite: an architectural view with standing male figure with left hand, an overdoor gallery with a monkey holding a parrot

Design for a Token: Marine, 1744, c. 1743

Edmé Bouchardon

Not on View
A Colonial Wood Beaker, A.D.1470-1560 of flaring shape painted in ochre, reddish orange and pale green with a procession of weapon-bearing Inca dignitaries, each clothed in a cape and feathered headdress, followed by two European-attired personages.

Vessel, c. 1470-1560

Inca

Not on View
Head, architectural in character, of the type known as 'Hacha'. Sharply-cut features with large nose, deep-cut eyes, and lipless mouth turned up in a grin. Large scroll forms in relief at temples and on cheek. Cap-like headdress comes forward over the brow in a large puff.

Hacha, c. 700

Totonac

G260

A piece from the tapestry cycle woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; weaving attributed to the workshop of Lucas Wanderdalle in the Faubourg Saint-Marcel manufactory of Marc de Coman and François de la Planche; warp undyed wool, 6Âœ-8 ends per cm., weft dyed wool and silk, 20-48 ends per cm.

The Queen Distributing the Booty, designed 1562–1565 (woven 1611–1627)

attributed to Workshop of Lucas Wandandalle at the Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; Delineator: Central design by Antoine Caron; Designer: Border design by Guillaume Dumée; Designer: Border design by Lauren Goyot; Cartoonist: Central cartoon by a painter active in France; Designer: Border design and cartoon by Guillaume Dumée and Laurent Guyot

Not on View

Art-glass panel for a bay window, 1909

William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

Art-glass panel for a bay window, one of six, 1909

William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

Copyright %C2%A9 Dag Alveng %2F Courtesy Deborah Bell%2C New York

Maureen and Oscar II, 1981

Dag Alveng

Not on View

The New One, 1935

John B. Flannagan

G367

iconography either a snake or a bird

Pambadam Earrings, 19th-20th century

India

G211

winter night scene with snow, trees and bridge in foreground; bright lights at base of buildings in background.

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

The White Night, 1932

Adolf Fassbender

Not on View
Tomb figurine, one of a pair, representing a Civil dignitary. the type is individualized, and the features indicate that this person was of Khotanese origin. The figure made in a mould, is solid. The grey clay body, covered with a white slip, is painted with unfired pigments flesh tints, green, blue, gold. Details of the figure were completed by hand.

Tomb Figurine, one of pair, late 6th century

China

G208

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Allusion, 1968

Roberto Matta

Not on View
family gathered around a table appear in the reflection of mirror above tabletop filled with assorted pies

Pumpkin Pies and Thanksgiving Dinner at the Home of Mr. Timothy Levy Crouch, a Rogerine Quaker Living in Ledyard, Connecticut, November 1940

Jack Delano

Not on View
flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top

Neckrest, 19th century

Fiji Islands

G256

ebony hinge covered box with scroll feet; ivory inlay of geometric floral patterns; side adorned by two panels, floral background with unique pairs mirroring each other banding around each field with inlaid agate cabochons at corners and sides; burlwood interior with seven ivory medallions

Coffer, 1873

Giovanni Battista Gatti

Not on View
dish (attributed to John Simpson), ceramic, English, XVIIIc cat. card dims diam 11-1/4'

Charger, c. 1715

attributed to John Simpson

G331

silver claret jug with hinged cover; overall floral motif, highly decorative, large upside down heart at each side, raised cobra forms the handle, hinge and central decorative element on top of the cover

Claret Jug, c. 1890

India

G211

vessel in the form of a coati-mundi seated on its haunches and holding its forepaws to its mouth to nibble something; the back of the head is incised to represent fur; brownish surface much worn

Vessel, c. 200 BCE-200 CE

Colima

G260

Religion: NT. Triptych, center panel gabled; wings together form gable. Madonna and Child with Paul, Peter, Catherine and Helena. Francis. Miracles. Stigmatization of Francis in retreat on Mount Alverna. Annunciation. Mary, usually reading, is visited by the Angel. Crucified Christ with Mary and John the Evangelist. Central panel Madonna and Child enthroned; the child stands in his mother's lap facing her, his arms extended; the Virgin looks at him with a half smile; she wears a red lined blue mantel over a dark red gown; back of throne decorated with slender arabesques on scarlet ground; to left of throne stands St. Helen and St. Peter, to the right St. Catherine and St. Paul; the colors of their robes are ivory, rose, mauve, gold, dull green; gold leaf background; left wing St. Francis Receiving the Stigmata; dull mauve robe; angel's drapery scarlet; gold background; right wing Crucifixion; Mary in black standing at foot of cross; gold leaf background; Pinnacles The Annunciation, Virgin's robe black against scarlet background with decorative motifs of throne, angel, diaphanous rose drapery against gold leaf background; panels bordered with incised motif, haloes bear incised decoration; gold background brilliant, colors fresh. Unsigned.

Madonna and Child Enthroned with Saints, 1339

Bernardo Daddi

G343

three sheets of bark joined and attached to a wood frame construction on back; seated female figure depicted, body bordered by a banded line; fringe border around exterior of panel; hands up at sides; five hoops hanging from each ear; tongue stuck out

Mortuary Panel, 20th century

Tshuosh (Sawos)

Not on View
Small silver beads on each end with T-shaped hanging pendants surrounding a central pierced Star of David pendant with stamped design

Necklace, 20th century

Beta Israel (Falasha)

G254

pitcher form with pulled handle and spout; wide mouth; plate-shaped lid; glazed grey overall with underglaze iron floral patterns in brown

Ewer with floral design, 12th-13th century

Unknown Korean

G206

diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom

Battle Club, c. 1820

Tonga Islands

Not on View

Tapa Cloth, 19th century

Society Islands

Not on View
cizhou painted pottery dish; flowering plant in green and red, banding of red borders, design inside rim, has own storage box

Dish, 13th century

China

G204

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

blue and white Oriental design

Cream pitcher, from a child's tea set, in blue and white, c. 1780-1790

Caughley (Salopian) Works

G317

blue and white Oriental design

Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790

Caughley (Salopian) Works

G317

blue and white Oriental design

Tea pot, from a child's tea set, in blue and white, c. 1780-1790

Caughley (Salopian) Works

G317

blue and white Oriental design

Tea bowl, from a child's tea set, in blue and white, c. 1780-1790

Caughley (Salopian) Works

G317

blue and white Oriental design

Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790

Caughley (Salopian) Works

G317

blue and white Oriental design

Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790

Caughley (Salopian) Works

G317

blue and white Oriental design

Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790

Caughley (Salopian) Works

G317

The Two Turkish Merchants, 17th century

Stefano della Bella

G325

The Galley Slave, 17th century

Stefano della Bella

G325

Lion Devouring a Horse, 1844

EugĂšne Delacroix

Not on View
tapering from wide base; face with protruding eyes, open mouth, protruding forehead; very large fox-like high ears; looping "handle" on back of head; separate snake head may have originally protruded from mouth; pink with black linear designs

Mask, 20th century

Sulka

Not on View
Ewer, with pheasant's head stopper. Pear-shaped body, with tapering short neck and short spout, on domed, spreading foot. The removable stopper, in the form of a pheasant's head, is modelled in full relief with carved details, the double strand handle is also modelled. Buff white porcelain with even, creamy-white glaze.

Ewer with Pheasant-Head Stopper, 8th century

China

G204

two otter hide tubes with hide tassels and long beaded and hide-detailed pendants; cross-body shoulder strap of red and blue felt with blue and white beads and bells; geometric beading in mostly triangular shapes

Bow Case and Quiver, c. 1885

ApsĂĄalooke (Crow)

Not on View
beaded overall, including soles; blue beaded ground with triangles and squares in white, red, dark blue, green, yellow and black; fringe at heel, plain tongue; tie at front

Moccasins, c. 1880-1910

A'aninin (Gros Ventre)

Not on View
wood cut into shape of miniature rifle; decorated with carved lines on one side and five thunderbirds on other side; ribbons tied to rawhide ties in holes at barrel end and at hammer area

Miniature Gunstock War Club, c. 1860

Anishinaabe (Ojibwe)

Not on View
Ivory knife handle with metal blade; circa 1920s; Nunivak Island

Woman's chopping knife (Ulu), c. 1920-1930

Nuniwarmiut (Cup'ik)

G260

Vessel, engraved earthenware, Hodges, Arkansas, North American XIIIc., with black metal stand

Bowl, 1250-1499

Mississippian

Not on View
Hodges Water Bottle, Earthenware, North America (Arkansas)

Bottle, c. 1100-1299

Caddo Mississippian

G260

ladle with slightly concave bowl, handle carved with animal image

Ladle, 19th century

John Young Bear

Not on View
red, polished

%C2%A9 1990 Tina Garcia Trujillo

Pot (Olla), 1990

Tina Garcia Trujillo

G259

Attic style, classical period; represents a man of the Philomelos family and his wife, Plathane

Grave Stele, 5th century BCE

Ancient Greek

G241

Earth Spirit with lion's head. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a cylindrical base with mottled glaze. The figure is predominantly blue and white with patches of yellow and malachite green.

Tomb retinue earth spirit, 8th century

China

G208

Earth Spirit with human head and removable flame halo. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a deep cylindrical base with mottled glaze. The figure is predominantly blue, with white areas. Head and halo unglazed.

Tomb retinue earth spirit, 8th century

China

G208

Camel, Bactrian type, with saddle blanket with Sassanian decoration. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottlings of blue, green, and yellow.

Camel, early 8th century

China

G208

Camel, Bactrian type, with blanket and saddle bags. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottled areas of blue, green, yellow and brown in the saddle-bags and blankets.

Camel, early 8th century

China

G208

Horse with clipped mane and tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The trappings, including double saddle pads and a saddle draped with a knotted cloth, are decorated with Sassanian motifs. Brown glaze with patches of manganese in oxidized areas.

Tomb retinue horse, early 8th century

China

G208

Guardian of one of the quarters of the Buddhist heaven. ca 725 A.D. Glazed pottery tomb figure, one of a pair, wearing armor and standing on a kneeling bull. The costume is predominantly blue in tone, but there is much use of mottled yellow, brown and blue in the skirt sections. Elements of Sassanian design in armor. Head and phoenix headdress unglazed.

Tomb retinue guardian, early 8th century

China

G208

Guardian of one of the quarters of the Buddhist heaven. Glazed pottery tomb figure, one of a pair, dressed in armor and standing on a kneeling bull. A fine blue predominates in color scheme, with details in white, brown, mottled green and yellow. Elements of Sassanian design appear on the armor. Head, phoenix headdress, and hands unglazed.

Tomb retinue, early 8th century

China

G208

Dignitary. Military leader. Glazed pottery tomb figure, one of pair, mounted on a stand. The costume includes a blue robe, pleated brown skirt and white underskirt. Head and headdress unglazed.

Tomb retinue, early 8th century

China

G208

Dignitary, probably a civil counsellor. Glazed pottery tomb figure, one of a pair, mounted on a stand. The costume is predominantly brown with details in mottled colors. Head, headdress and hands unglazed.

Tomb retinue, early 8th century

China

G208

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