🔎 creditline:"The Ethel Morrison Van Derlip Fund" | Mia

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Portrait. — Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes #721

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section — Winged Genius, Assyrian #260

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, Yoruba #919

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish. — Vessel, Guanacaste #267

Portrait Sculpture of Priest Gyōki, Japan — Portrait Sculpture of Priest Gyōki, Japan #252

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus — Crouching Lion, Ancient Greek #866

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine. — Yoke, Nopiloa (Veracruz) #626

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, Luis de Morales (called El Divino) #276

Boy with Butterfly Net, Henri Matisse — Boy with Butterfly Net, Henri Matisse #390

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box — Ewer in the shape of a gourd, Korea #231

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses — Hand drum (kundu), Iatmul #204

triptych; three panels of computer printout paper with side roller track intact; running horse with Native American rider, a running Euro-American is in front of horse, carrying a piece of paper with writing and saying the name of a Native American tribe; movement to the left — Anthropology: We're Not Your Indians Anymore, Wanbli Koyake #296

Yet Belt, leather, shells, beads, twine, Zaire, Kuba Tribe — Royal belt, Kuba #438

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS. — Mrs. T. in Cream Silk, No.2, George Bellows #851

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell — Black-Figure Neck Amphora, Attributed to the Painter of Vatican 359 #922

Landscape. — Tornado over St. Paul, Julius Holm #938

The Fugitives, Honoré Daumier — The Fugitives, Honoré Daumier #746

The Annunciation, Agostino Masucci — The Annunciation, Agostino Masucci #633

Genre. Unsigned. — The Birthday Party, John Singer Sargent #456

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) — The Betrayal of Christ, Anthony van Dyck #703

wood cut into shape of miniature rifle; decorated with carved lines on one side and five thunderbirds on other side; ribbons tied to rawhide ties in holes at barrel end and at hammer area — Miniature Gunstock War Club, Anishinaabe (Ojibwe) #557

diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom — Battle Club, Tonga Islands #213

Tapa Cloth, Society Islands — Tapa Cloth, Society Islands #205

three sheets of bark joined and attached to a wood frame construction on back; seated female figure depicted, body bordered by a banded line; fringe border around exterior of panel; hands up at sides; five hoops hanging from each ear; tongue stuck out — Mortuary Panel, Tshuosh (Sawos) #202

Vase in the from of a chieftain with ear plugs and large headdress. Arms bound in back indicate the status of a prisoner. — Vessel, Moche #612

ebony hinge covered box with scroll feet; ivory inlay of geometric floral patterns; side adorned by two panels, floral background with unique pairs mirroring each other banding around each field with inlaid agate cabochons at corners and sides; burlwood interior with seven ivory medallions — Coffer, Giovanni Battista Gatti #422

Maureen and Oscar II, Dag Alveng — Maureen and Oscar II, Dag Alveng #475

ladle with slightly concave bowl, handle carved with animal image — Ladle, John Young Bear #561

tapering from wide base; face with protruding eyes, open mouth, protruding forehead; very large fox-like high ears; looping "handle" on back of head; separate snake head may have originally protruded from mouth; pink with black linear designs — Mask, Sulka #577

two otter hide tubes with hide tassels and long beaded and hide-detailed pendants; cross-body shoulder strap of red and blue felt with blue and white beads and bells; geometric beading in mostly triangular shapes — Bow Case and Quiver, Apsáalooke (Crow) #569

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

Not on View

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769) — Pier table, c. 1768
Giovanni Battista Piranesi

G307

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section — Winged Genius, c. 883–859 BCE
Assyrian

G240

gallery installation/"period room" — Curator's Office, 2012-2013
Mark Dion

G378

black openwork barbed wire cube with 8" sections repeated — Cube (9 x 9 x 9), 2008
Mona Hatoum

Not on View

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, early 17th century
Japan

G219

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element — Deified King, late 10th century
Cham

G213

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, about 1920
Yoruba

G236

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish. — Vessel, c. 1100 - 1200 CE
Guanacaste

G260

Portrait Sculpture of Priest Gyōki, Japan — Portrait Sculpture of Priest Gyōki, early 17th century
Japan

G220

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus — Crouching Lion, 330-317 BCE
Ancient Greek

G241

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine. — Yoke, c. 600-900
Nopiloa (Veracruz)

G260

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, c. 1560
Luis de Morales (called El Divino)

G341

Boy with Butterfly Net, Henri Matisse — Boy with Butterfly Net, 1907
Henri Matisse

G371

Abstraction. — Badlands, 1962
Urban Stanley Couch

Not on View

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box — Ewer in the shape of a gourd, 12th century
Korea

G206

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head. — Mask, 1950s
Makonde

G254

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses — Hand drum (kundu), 20th century
Iatmul

G256

curved; each clapper in the shape of a thin human arm and hand with long, thin fingers; incised bracelets at each wrist with linear patterns; ivory colored with some tan spotting — Pair of clappers, about 1550-1292 BCE
Ancient Egyptian

G254

Sharecropper, Elizabeth Catlett; Publisher: Published by the artist and Taller de Grafica Popular, Mexico City; Printer: Printed by the artist and Jose Sanchez — Sharecropper, 1952 (printed c. 1952-57)
Elizabeth Catlett; Publisher: Published by the artist and Taller de Grafica Popular, Mexico City; Printer: Printed by the artist and Jose Sanchez

Not on View

triptych; three panels of computer printout paper with side roller track intact; running horse with Native American rider, a running Euro-American is in front of horse, carrying a piece of paper with writing and saying the name of a Native American tribe; movement to the left — Anthropology: We're Not Your Indians Anymore, 1995
Wanbli Koyake

Not on View

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed. — Horse, early 8th century
China

G208

Yet Belt, leather, shells, beads, twine, Zaire, Kuba Tribe — Royal belt, mid 20th century
Kuba

Not on View

Pot in form of Fish with a double spout handle rising from the back. Slight modelling on head, tail, and fin area. Other features painted in grey, black, yellow, red and white. Broken at tail; cracked around head. — Vessel in the Form of a Fish, c. 100 BCE - 600 CE
Nasca

G260

Boy seated in front under a tree with a yoke, buckets, and a jug, pointing to Tobias and the Angel walking on the right. — Shepherd Boy Pointing at Tobias and the Angel, c. 1625–30
Abraham Bloemaert

G312

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS. — Mrs. T. in Cream Silk, No.2, 1920
George Bellows

G302

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell — Black-Figure Neck Amphora, c. 540 BCE
Attributed to the Painter of Vatican 359

G241

Judith with the Head of Holofernes, Ignazio Collino — Judith with the Head of Holofernes, 1750
Ignazio Collino

G307

Landscape. — Tornado over St. Paul, 1893
Julius Holm

G303

woman in flowing robe with one hand shading face, other hand pointing off into distance, life size. — The Lost Pleiad, 1874 (modeled)
Randolph Rogers

G332

The Fugitives, Honoré Daumier — The Fugitives, c. 1868
Honoré Daumier

G305

The Annunciation, Agostino Masucci — The Annunciation, 1742
Agostino Masucci

G308

five detaching sections of mixed media construction that is painted primarily maroon in center section with embracing couple — Alixa and Naima, 2008
Swoon

Not on View

Genre. Unsigned. — The Birthday Party, 1885
John Singer Sargent

G351

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) — The Betrayal of Christ, c. 1618–1620
Anthony van Dyck

G313

a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016] — Corpus, c. 1700
Master of Guadalcanal

G341

high relief plaque with head of Beethoven emerging from dark red ground; egg and dart motif around edges of panel; "BEETHOVEN" incised at bottom; skin is pale white; brown eyes and light brown hair; scowling expression — Portrait of Beethoven, c. 1902
Franz von Stuck

G351

Dignitary, probably a civil counsellor. Glazed pottery tomb figure, one of a pair, mounted on a stand. The costume is predominantly brown with details in mottled colors. Head, headdress and hands unglazed. — Tomb retinue, early 8th century
China

G208

Earth Spirit with lion's head. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a cylindrical base with mottled glaze. The figure is predominantly blue and white with patches of yellow and malachite green. — Tomb retinue earth spirit, 8th century
China

G208

Guardian of one of the quarters of the Buddhist heaven. Glazed pottery tomb figure, one of a pair, dressed in armor and standing on a kneeling bull. A fine blue predominates in color scheme, with details in white, brown, mottled green and yellow. Elements of Sassanian design appear on the armor. Head, phoenix headdress, and hands unglazed. — Tomb retinue, early 8th century
China

G208

Guardian of one of the quarters of the Buddhist heaven. ca 725 A.D. Glazed pottery tomb figure, one of a pair, wearing armor and standing on a kneeling bull. The costume is predominantly blue in tone, but there is much use of mottled yellow, brown and blue in the skirt sections. Elements of Sassanian design in armor. Head and phoenix headdress unglazed. — Tomb retinue guardian, early 8th century
China

G208

Camel, Bactrian type, with blanket and saddle bags. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottled areas of blue, green, yellow and brown in the saddle-bags and blankets. — Camel, early 8th century
China

G208

Camel, Bactrian type, with saddle blanket with Sassanian decoration. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottlings of blue, green, and yellow. — Camel, early 8th century
China

G208

Earth Spirit with human head and removable flame halo. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a deep cylindrical base with mottled glaze. The figure is predominantly blue, with white areas. Head and halo unglazed. — Tomb retinue earth spirit, 8th century
China

G208

Ewer, with pheasant's head stopper. Pear-shaped body, with tapering short neck and short spout, on domed, spreading foot. The removable stopper, in the form of a pheasant's head, is modelled in full relief with carved details, the double strand handle is also modelled. Buff white porcelain with even, creamy-white glaze. — Ewer with Pheasant-Head Stopper, 8th century
China

G204

Tomb figurine, one of a pair, representing a Civil Dignitary. The type is individualized, and the features indicate that this person was of Khotanese origin. The figure is mould-made of grey clay, with a white ground, and painted, pigments flesh tints, red, green, blue, and gold. The figure is solid, the details being completed by hand. — Tomb Figurine, one of pair, late 6th century
China

G208

Longquan celadon lotus bowl, has own storage box — Bowl, 12th-13th century
China

G204

cizhou painted pottery dish; flowering plant in green and red, banding of red borders, design inside rim, has own storage box — Dish, 13th century
China

G204

Dignitary. Military leader. Glazed pottery tomb figure, one of pair, mounted on a stand. The costume includes a blue robe, pleated brown skirt and white underskirt. Head and headdress unglazed. — Tomb retinue, early 8th century
China

G208

Tomb figurine, one of a pair, representing a Civil dignitary. the type is individualized, and the features indicate that this person was of Khotanese origin. The figure made in a mould, is solid. The grey clay body, covered with a white slip, is painted with unfired pigments flesh tints, green, blue, gold. Details of the figure were completed by hand. — Tomb Figurine, one of pair, late 6th century
China

G208

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period. — Console table, c. 1775-1800
Italy (?)

G310

Attic style, classical period; represents a man of the Philomelos family and his wife, Plathane — Grave Stele, 5th century BCE
Ancient Greek

G241

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes — Armchair, one of a pair, c. 1810-1830
India

G209

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes — Armchair, one of a pair, c. 1810-1830
India

G209

Horse with clipped mane and tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The trappings, including double saddle pads and a saddle draped with a knotted cloth, are decorated with Sassanian motifs. Brown glaze with patches of manganese in oxidized areas. — Tomb retinue horse, early 8th century
China

G208

skirt, Kuba, woman's woven raffia skirt dyed brown, decorated with linear embroidery and raffia patchwork — Woman's ceremonial skirt, 20th century
Kuba

G236

Crenshaw Canoe Bowl, earthenware, North American, Mississippian Culture,XII-XVc; (found at Stokes Place, Pike county, Arkansas) — Canoe Bowl, c. 1150-1499
Mississippian

G260

Caddoan Jar (Military Road Type), earthenware, North America, Mississippian Culture, XII-XVc. — Caddoan Jar, c. 1100-1200 CE
Mississippian

G260

Ivory knife handle with metal blade; circa 1920s; Nunivak Island — Woman's chopping knife (Ulu), c. 1920-1930
Nuniwarmiut (Cup'ik)

G260

two large central orange amber beads flanked by large group of stringed beads; coins mounted to hanging arms and smaller orange amber beads — Necklace (tasdit), early 20th century
Ida ou Semlal Amazigh (Berber)

G254

flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top — Neckrest, 19th century
Fiji Islands

G256

standing male figure carved from board; carved on one side; relief carving at interior, appearing to represent bone structure and colored with white pigment; hole at top of head for hanging — Bioma Figure, 20th century
Papua New Guinea

G256

Small silver beads on each end with T-shaped hanging pendants surrounding a central pierced Star of David pendant with stamped design — Necklace, 20th century
Beta Israel (Falasha)

G254

vessel in the form of a coati-mundi seated on its haunches and holding its forepaws to its mouth to nibble something; the back of the head is incised to represent fur; brownish surface much worn — Vessel, c. 200 BCE-200 CE
Colima

G260

wood cut into shape of miniature rifle; decorated with carved lines on one side and five thunderbirds on other side; ribbons tied to rawhide ties in holes at barrel end and at hammer area — Miniature Gunstock War Club, c. 1860
Anishinaabe (Ojibwe)

Not on View

diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom — Battle Club, c. 1820
Tonga Islands

Not on View

Tapa Cloth, Society Islands — Tapa Cloth, 19th century
Society Islands

Not on View

three sheets of bark joined and attached to a wood frame construction on back; seated female figure depicted, body bordered by a banded line; fringe border around exterior of panel; hands up at sides; five hoops hanging from each ear; tongue stuck out — Mortuary Panel, 20th century
Tshuosh (Sawos)

Not on View

Lion Devouring a Horse, Eugène Delacroix — Lion Devouring a Horse, 1844
Eugène Delacroix

Not on View

Vase in the from of a chieftain with ear plugs and large headdress. Arms bound in back indicate the status of a prisoner. — Vessel, 6th-8th century
Moche

Not on View

Head, architectural in character, of the type known as 'Hacha'. Sharply-cut features with large nose, deep-cut eyes, and lipless mouth turned up in a grin. Large scroll forms in relief at temples and on cheek. Cap-like headdress comes forward over the brow in a large puff. — Hacha, c. 700
Totonac

G260

blue and white Oriental design — Coffee pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

Art-glass panel for a bay window, William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.) — Art-glass panel for a bay window, 1909
William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

styrofoam spheres covered with wool pile variable dimensions when assembled. — Buddy Balls, 1972
Claire Zeisler

G375

Art-glass panel for a bay window, one of six, William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.) — Art-glass panel for a bay window, one of six, 1909
William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

red, polished — Pot (Olla), 1990
Tina Garcia Trujillo

G259

ebony hinge covered box with scroll feet; ivory inlay of geometric floral patterns; side adorned by two panels, floral background with unique pairs mirroring each other banding around each field with inlaid agate cabochons at corners and sides; burlwood interior with seven ivory medallions — Coffer, 1873
Giovanni Battista Gatti

Not on View

dish (attributed to John Simpson), ceramic, English, XVIIIc cat. card dims diam 11-1/4' — Charger, c. 1715
attributed to John Simpson

G331

Moonrise Over Pie Pan, Capitol Reef National Park, Utah, John Pfahl — Moonrise Over Pie Pan, Capitol Reef National Park, Utah, 1977
John Pfahl

Not on View

Maureen and Oscar II, Dag Alveng — Maureen and Oscar II, 1981
Dag Alveng

Not on View

One of two jars Japan’s first ceramic culture, the Jōmon, produced strongly tactile pottery over 3,500 years ago. This lavishly decorated bowl was probably used during religious ceremonies. Its flamboyant rim, a typical feature of the middle period of Jōmon pottery, is known as the “fire-flame” type, because the coils of clay resemble leaping flames. The word jōmon, after which the historical period is named, means “cord markings” and derives from the distinctive patterns produced by rolling a rope-wrapped stick across the surface of the clay. The lower portion of this vessel bears these markings, together with whimsical designs carved into the surface of the clay. — Deep Bowl with Four Projections, 2500-1500 BCE
Japan

G205

ladle with slightly concave bowl, handle carved with animal image — Ladle, 19th century
John Young Bear

Not on View

pitcher form with pulled handle and spout; wide mouth; plate-shaped lid; glazed grey overall with underglaze iron floral patterns in brown — Ewer with floral design, 12th-13th century
Korea

G206

balls of thread on a board a)Purple, magenta, orange, and green yarns wrapped in black thread H.3 x Dia.5-1/2 in; b)Green net wrapped in orange and yelow thread; H.2-1/4 x Dia.5-1/4 in. c)Paper, blue fabric tape wrapped in bright orange thread; H.3-1/2 x Dia.6-1/2 in. d)Burgundy fabric, ocher yarn wrapped in maroon and violet thread; H.2 x Dia.5 in. e)Olive and teal yarn wrapped in brown thread; H. 2-1/2 x Dia.6-3/4 in f)Lavendar and maroon fabric wrapped in navy thread; H.2-1/2 x Dia.5-3/4 in g)cerise fabric werpped in red and purple thread; H.2-3/8 x Dia. 3-3/4 in h)blue fabric and orange net wrapped in red and peach thread; H.2 x Dia.4 in i)hunks of white thread wrapped in orange yarn; H.2-1/4 x Dia.5-1/2 in j)plaid fabric wrapped in orange, purple and maroon thread; H.1-3/4 x Dia.4 in. k)white fabric and maroon ribbon wrapped in purple and maroon thread; H.1-1/2 x Dia.3 in. l)orange fibers wrapped in light blue thread; H.1-3/4 x Dia.5 in. m)orange thread and fabric wrapped in purple thread and purple ribbon; H.1 x Dia.2-5/8 in n)pink, green fibers wrapped in purple thread; H.7-8 x Dia.2-1/4 in o)blue fabric wrapped in orange thread; H.1 x Dia.2-1/4 in p)orange and green yarn wrapped in white thread; H.2-1/4 x Dia.5 in q)light green yarn wrapped in yellow thread; H.2-1/4 x Dia.5 in r)magenta and natural yarn wrapped in white thread; H.2-1/2 x Dia.5 in s)green, yellow and brown yarn wrapped in yellow thread; H.2 x Dia.4-1/2 in t)orange and white wrapped thread; H.2-1/8 x Dia.5-1/2 in u)table top for display; H.1/4 x W.30-1/2 x D.15-1/4 in — Family Treasures, 1991
Sheila Hicks

G375

surface well preserved with the exception of the nose and chin — Head of Aphrodite, 3rd century BCE
Ancient Greek

G241

tapering from wide base; face with protruding eyes, open mouth, protruding forehead; very large fox-like high ears; looping "handle" on back of head; separate snake head may have originally protruded from mouth; pink with black linear designs — Mask, 20th century
Sulka

Not on View

two otter hide tubes with hide tassels and long beaded and hide-detailed pendants; cross-body shoulder strap of red and blue felt with blue and white beads and bells; geometric beading in mostly triangular shapes — Bow Case and Quiver, c. 1885
Apsáalooke (Crow)

Not on View

Hodges Water Bottle, Earthenware, North America (Arkansas) — Bottle, c. 1100-1299
Caddo Mississippian

G260

blue and white Oriental design — Cream pitcher, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Tea bowl, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Tea pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

The New One, John B. Flannagan — The New One, 1935
John B. Flannagan

G367

The painting was once an overdoor with a slightly curved top, shallow oval bottom and small oval corners. Now rectangular. — A Vestal Virgin Tending Fire, c. 1726–27
François Lemoyne

G314

Driftwood, Wynn Bullock — Driftwood, 1951
Wynn Bullock

G365

messenger boy, Delaware — Untitled, 1910
Lewis W. Hine

G365

Self-Portrait, St. Mark’s Place, Val Telberg — Self-Portrait, St. Mark’s Place, c. 1947
Val Telberg

G365

showing 100 of 10323 results matching creditline:"The Ethel Morrison Van Derlip Fund". (load 200 more)