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Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

G306

The Fugitives, Honoré Daumier — The Fugitives, c. 1868–70
Honoré Daumier

G354

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell — Black-Figure Neck Amphora, c. 540 BCE
Attributed to the Painter of Vatican 359

G241

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS. — Mrs. T. in Cream Silk, No.2, 1920
George Bellows

G302

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, c. 1560
Luis de Morales (called El Divino)

G341

Landscape. — Tornado over St. Paul, 1893
Julius Holm

G303

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine. — Yoke, c. 600-900
Nopiloa (Veracruz)

G260

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section — Winged Genius, c. 883–859 BCE
Assyrian

G240

The Annunciation, Agostino Masucci — The Annunciation, 1742
Agostino Masucci

G308

Yet Belt, leather, shells, beads, twine, Zaire, Kuba Tribe — Royal belt, mid 20th century
Kuba

Not on View

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

gallery installation of a fictional "period room" — Curator's Office, 2012-13
Mark Dion

G378

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, about 1920
Yoruba

G236

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769) — Pier table, c. 1768
Giovanni Battista Piranesi

G307

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century
Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses — Hand drum (kundu), 20th century
Iatmul

G256

Boy with Butterfly Net, Henri Matisse — Boy with Butterfly Net, 1907
Henri Matisse

G371

dish (attributed to John Simpson), ceramic, English, XVIIIc cat. card dims diam 11-1/4' — Charger, c. 1715
attributed to John Simpson

G331

vessel in the form of a coati-mundi seated on its haunches and holding its forepaws to its mouth to nibble something; the back of the head is incised to represent fur; brownish surface much worn — Vessel, c. 200 BCE-200 CE
Colima

G260

pitcher form with pulled handle and spout; wide mouth; plate-shaped lid; glazed grey overall with underglaze iron floral patterns in brown — Ewer with floral design, 12th-13th century
Unknown Korean

G206

iconography either a snake or a bird — Pambadam Earrings, 19th-20th century
India

G211

flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top — Neckrest, 19th century
Fiji Islands

G256

Art-glass panel for a bay window, William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.) — Art-glass panel for a bay window, 1909
William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

Initiation mask, Suku — Initiation mask, 20th century
Suku

G254

Art-glass panel for a bay window, one of six, William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.) — Art-glass panel for a bay window, one of six, 1909
William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

large piece of cloth with honey comb design, open on one long side with 2 short added open pieces at corners on opposite side; embroidered geometric designs overall; light blue hem — Pants, Date Unknown
Nupe

G240

cizhou painted pottery dish; flowering plant in green and red, banding of red borders, design inside rim, has own storage box — Dish, 13th century
China

G204

silver claret jug with hinged cover; overall floral motif, highly decorative, large upside down heart at each side, raised cobra forms the handle, hinge and central decorative element on top of the cover — Claret Jug, c. 1890
India

G211

Religion: NT. Triptych, center panel gabled; wings together form gable. Madonna and Child with Paul, Peter, Catherine and Helena. Francis. Miracles. Stigmatization of Francis in retreat on Mount Alverna. Annunciation. Mary, usually reading, is visited by the Angel. Crucified Christ with Mary and John the Evangelist. Central panel Madonna and Child enthroned; the child stands in his mother's lap facing her, his arms extended; the Virgin looks at him with a half smile; she wears a red lined blue mantel over a dark red gown; back of throne decorated with slender arabesques on scarlet ground; to left of throne stands St. Helen and St. Peter, to the right St. Catherine and St. Paul; the colors of their robes are ivory, rose, mauve, gold, dull green; gold leaf background; left wing St. Francis Receiving the Stigmata; dull mauve robe; angel's drapery scarlet; gold background; right wing Crucifixion; Mary in black standing at foot of cross; gold leaf background; Pinnacles The Annunciation, Virgin's robe black against scarlet background with decorative motifs of throne, angel, diaphanous rose drapery against gold leaf background; panels bordered with incised motif, haloes bear incised decoration; gold background brilliant, colors fresh. Unsigned. — Madonna and Child Enthroned with Saints, 1339
Bernardo Daddi

G343

Tomb figurine, one of a pair, representing a Civil dignitary. the type is individualized, and the features indicate that this person was of Khotanese origin. The figure made in a mould, is solid. The grey clay body, covered with a white slip, is painted with unfired pigments flesh tints, green, blue, gold. Details of the figure were completed by hand. — Tomb Figurine, one of pair, late 6th century
China

G208

Longquan celadon lotus bowl, has own storage box — Bowl, 12th-13th century
China

G204

Small silver beads on each end with T-shaped hanging pendants surrounding a central pierced Star of David pendant with stamped design — Necklace, 20th century
Beta Israel (Falasha)

G254

blue and white Oriental design — Coffee pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

two large central orange amber beads flanked by large group of stringed beads; coins mounted to hanging arms and smaller orange amber beads — Necklace (tasdit), early 20th century
Ida ou Semlal Amazigh (Berber)

G254

Abstraction. — Badlands, 1962
Urban Stanley Couch

G303

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head. — Mask, 1950s
Makonde

G254

Judith with the Head of Holofernes, Ignazio Collino — Judith with the Head of Holofernes, 1750
Ignazio Collino

G307

Louis-Philippe, King of the French, Ferdinand Philippe Louis Charles Henri, Duc d'Orléans, and Louis Charles Philippe Raphaël d'Orléans, Duc de Némours. — Louis Philippe (1773–1850), King of France, and his Sons, the Duke of Chartres and the Duke of Nemours, c. 1830–1832
Baron François-Pascal-Simon Gérard

G305

Boy seated in front under a tree with a yoke, buckets, and a jug, pointing to Tobias and the Angel walking on the right. — Shepherd Boy Pointing at Tobias and the Angel, c. 1625–30
Abraham Bloemaert

G312

Side table, Attributed to Giovanni Paolo Schor (born Johann Paul Schor) — Side table, late 17th century
Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

Pot in form of Fish with a double spout handle rising from the back. Slight modelling on head, tail, and fin area. Other features painted in grey, black, yellow, red and white. Broken at tail; cracked around head. — Vessel in the Form of a Fish, c. 100 BCE - 600 CE
Nasca

G260

a piece from the cycle of ten tapestries woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; woven in the Faubourg Saint-Marcel manufactory of Marc de Comans and Frauçois de las Planche; warp undyed wool, 7 ends per cm., weft dyed wool and silk, 24-36 ends per cm. — The Philosophers, c. 1611-1627
Central design and cartoon by a painter active in France , about 1610-1617; Artist: Border design and cartoon probably by Guillaume Dumée and Laurent Guyot; Weaver: Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche

G340

Tomb figurine, one of a pair, representing a Civil Dignitary. The type is individualized, and the features indicate that this person was of Khotanese origin. The figure is mould-made of grey clay, with a white ground, and painted, pigments flesh tints, red, green, blue, and gold. The figure is solid, the details being completed by hand. — Tomb Figurine, one of pair, late 6th century
China

G208

The New One, John B. Flannagan — The New One, 1935
John B. Flannagan

G367

blue and white Oriental design — Cream pitcher, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period. — Console table, c. 1775-1800
Italy (?)

G310

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Tea pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes — Armchair, one of a pair, c. 1810-1830
India

G209

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes — Armchair, one of a pair, c. 1810-1830
India

G209

blue and white Oriental design — Tea bowl, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

seated male baboon with its front paws on its knees and its tail wrapped along the PR side of its body; turquoise blue — Baboon (Moon God Thoth), 7th - 6th century BCE
Ancient Egyptian

G250

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element — Deified King, late 10th century
Cham

G213

Earth Spirit with lion's head. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a cylindrical base with mottled glaze. The figure is predominantly blue and white with patches of yellow and malachite green. — Tomb retinue earth spirit, 8th century
China

G208

Earth Spirit with human head and removable flame halo. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a deep cylindrical base with mottled glaze. The figure is predominantly blue, with white areas. Head and halo unglazed. — Tomb retinue earth spirit, 8th century
China

G208

Camel, Bactrian type, with saddle blanket with Sassanian decoration. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottlings of blue, green, and yellow. — Camel, early 8th century
China

G208

Camel, Bactrian type, with blanket and saddle bags. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottled areas of blue, green, yellow and brown in the saddle-bags and blankets. — Camel, early 8th century
China

G208

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed. — Horse, early 8th century
China

G208

Horse with clipped mane and tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The trappings, including double saddle pads and a saddle draped with a knotted cloth, are decorated with Sassanian motifs. Brown glaze with patches of manganese in oxidized areas. — Tomb retinue horse, early 8th century
China

G208

Guardian of one of the quarters of the Buddhist heaven. ca 725 A.D. Glazed pottery tomb figure, one of a pair, wearing armor and standing on a kneeling bull. The costume is predominantly blue in tone, but there is much use of mottled yellow, brown and blue in the skirt sections. Elements of Sassanian design in armor. Head and phoenix headdress unglazed. — Tomb retinue guardian, early 8th century
China

G208

Guardian of one of the quarters of the Buddhist heaven. Glazed pottery tomb figure, one of a pair, dressed in armor and standing on a kneeling bull. A fine blue predominates in color scheme, with details in white, brown, mottled green and yellow. Elements of Sassanian design appear on the armor. Head, phoenix headdress, and hands unglazed. — Tomb retinue, early 8th century
China

G208

Dignitary. Military leader. Glazed pottery tomb figure, one of pair, mounted on a stand. The costume includes a blue robe, pleated brown skirt and white underskirt. Head and headdress unglazed. — Tomb retinue, early 8th century
China

G208

winter night scene with snow, trees and bridge in foreground; bright lights at base of buildings in background. — The White Night, 1932
Adolf Fassbender

Not on View

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus — Crouching Lion, 330-317 BCE
Ancient Greek

Not on View

Maureen and Oscar II, Dag Alveng — Maureen and Oscar II, 1981
Dag Alveng

Not on View

Vessel, engraved earthenware, Hodges, Arkansas, North American XIIIc., with black metal stand — Bowl, 1250-1499
Mississippian

Not on View

ritual divination object in the form of an elephant — Itwomba, 19th-20th century
Kuba

Not on View

A Colonial Wood Beaker, A.D.1470-1560 of flaring shape painted in ochre, reddish orange and pale green with a procession of weapon-bearing Inca dignitaries, each clothed in a cape and feathered headdress, followed by two European-attired personages. — Vessel, c. 1470-1560
Inca

Not on View

ladle with slightly concave bowl, handle carved with animal image — Ladle, 19th century
John Young Bear

Not on View

triptych; three panels of computer printout paper with side roller track intact; running horse with Native American rider, a running Euro-American is in front of horse, carrying a piece of paper with writing and saying the name of a Native American tribe; movement to the left — Anthropology: We're Not Your Indians Anymore, 1995
Wanbli Koyake

Not on View

wood cut into shape of miniature rifle; decorated with carved lines on one side and five thunderbirds on other side; ribbons tied to rawhide ties in holes at barrel end and at hammer area — Miniature Gunstock War Club, c. 1860
Anishinaabe (Ojibwe)

Not on View

diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom — Battle Club, c. 1820
Tonga Islands

Not on View

Tapa Cloth, Society Islands — Tapa Cloth, 19th century
Society Islands

Not on View

three sheets of bark joined and attached to a wood frame construction on back; seated female figure depicted, body bordered by a banded line; fringe border around exterior of panel; hands up at sides; five hoops hanging from each ear; tongue stuck out — Mortuary Panel, 20th century
Tshuosh (Sawos)

Not on View

ebony hinge covered box with scroll feet; ivory inlay of geometric floral patterns; side adorned by two panels, floral background with unique pairs mirroring each other banding around each field with inlaid agate cabochons at corners and sides; burlwood interior with seven ivory medallions — Coffer, 1873
Giovanni Battista Gatti

Not on View

Vase in the from of a chieftain with ear plugs and large headdress. Arms bound in back indicate the status of a prisoner. — Vessel, 6th-8th century
Moche

Not on View

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish. — Vessel, c. 1100 - 1200 CE
Guanacaste

Not on View

A piece from the tapestry cycle woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; weaving attributed to the workshop of Lucas Wanderdalle in the Faubourg Saint-Marcel manufactory of Marc de Coman and François de la Planche; warp undyed wool, 6½-8 ends per cm., weft dyed wool and silk, 20-48 ends per cm. — The Queen Distributing the Booty, designed 1562–1565 (woven 1611–1627)
attributed to Workshop of Lucas Wandandalle at the Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; Delineator: Central design by Antoine Caron; Designer: Border design by Guillaume Dumée; Designer: Border design by Lauren Goyot; Cartoonist: Central cartoon by a painter active in France; Designer: Border design and cartoon by Guillaume Dumée and Laurent Guyot

Not on View

two otter hide tubes with hide tassels and long beaded and hide-detailed pendants; cross-body shoulder strap of red and blue felt with blue and white beads and bells; geometric beading in mostly triangular shapes — Bow Case and Quiver, c. 1885
Apsáalooke (Crow)

Not on View

tapering from wide base; face with protruding eyes, open mouth, protruding forehead; very large fox-like high ears; looping "handle" on back of head; separate snake head may have originally protruded from mouth; pink with black linear designs — Mask, 20th century
Sulka

Not on View

curved; each clapper in the shape of a thin human arm and hand with long, thin fingers; incised bracelets at each wrist with linear patterns; ivory colored with some tan spotting — Pair of clappers, about 1550-1292 BCE
Ancient Egyptian

Not on View

Ewer, with pheasant's head stopper. Pear-shaped body, with tapering short neck and short spout, on domed, spreading foot. The removable stopper, in the form of a pheasant's head, is modelled in full relief with carved details, the double strand handle is also modelled. Buff white porcelain with even, creamy-white glaze. — Ewer with Pheasant-Head Stopper, 8th century
China

G204

Dignitary, probably a civil counsellor. Glazed pottery tomb figure, one of a pair, mounted on a stand. The costume is predominantly brown with details in mottled colors. Head, headdress and hands unglazed. — Tomb retinue, early 8th century
China

G208

One of two jars Japan’s first ceramic culture, the Jōmon, produced strongly tactile pottery over 3,500 years ago. This lavishly decorated bowl was probably used during religious ceremonies. Its flamboyant rim, a typical feature of the middle period of Jōmon pottery, is known as the “fire-flame” type, because the coils of clay resemble leaping flames. The word jōmon, after which the historical period is named, means “cord markings” and derives from the distinctive patterns produced by rolling a rope-wrapped stick across the surface of the clay. The lower portion of this vessel bears these markings, together with whimsical designs carved into the surface of the clay. — Deep Bowl with Four Projections, 2500-1500 BCE
Unknown Japanese

G205

standing male figure carved from board; carved on one side; relief carving at interior, appearing to represent bone structure and colored with white pigment; hole at top of head for hanging — Bioma Figure, 20th century
Papua New Guinea

G256

black openwork barbed wire cube with 8" sections repeated — Cube (9 x 9 x 9), 2008
Mona Hatoum

G373

Genre. — Halloween, c. 1920
Clara Gardner Mairs

G302

Genre. Naive. Primitive. African American. Three figures doing the wash in the foreground, clothesline and Africa House in the background. — The Wash, 1950s
Clementine Hunter

G304

Genre. Naive. Primitive. African American. Six figures picking cotton; one smaller figure headed toward a water spigot in LR. — Picking Cotton, 1950s
Clementine Hunter

G304

beaded overall, including soles; blue beaded ground with triangles and squares in white, red, dark blue, green, yellow and black; fringe at heel, plain tongue; tie at front — Moccasins, c. 1880-1910
A'aninin (Gros Ventre)

Not on View

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box — Ewer in the shape of a gourd, 12th century
Unknown Korean

G206

Genre. Unsigned. — The Birthday Party, 1885
John Singer Sargent

G351

Stoup (holy water basin), Giovanni Giardini da Forli — Stoup (holy water basin), c. 1715
Giovanni Giardini da Forli

G308

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) — The Betrayal of Christ, c. 1618–1620
Anthony van Dyck

G313

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian — Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730
Maria Sibylla Merian

G209

The Element of Water, Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano) — The Element of Water, c. 1576-1577
Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano)

G341

Forest landscape with building at upper right; path through forest leads to bridge over water; small figure on path; wall surrounding building and forest — Hillside with Pine Trees, Water, c. 1630
Cheng Jiasui

G218

hexagonal Box with lid, red lacquer. Flat top incised with two phoenix in flight among flowering peonies on a cell pattern ground; sides with shaped reserves of confronting dragons on key fret ground. Qianlong six character mark. — Hexafoil Box, 1736-1795
China

G210

Lozenge-shaped body with short flaring neck and small foot; slightly more rounded on one side; brown glaze with slight tan streaking — Flask, 15th century
Unknown Korean

G206

green shirt that buttons on one side under sleeve; upper portion of shirt is embroidered on front and back; sleeves are completely covered with embroidery — Shirt, 20th century
Miao

G210

rectangular cloth folded in middle; when folded, the top of each flap is embroidered with fuchsia flowers; back side is made of light pink fabric with floral print; both flaps have blue tassels; tassels are white in the middle — Apron, 20th century
Miao

G210

Skirt, Miao — Skirt, 20th century
Miao

G210

black rectangular cloth with fuchsia embroidery at each edge on opposite sides of cloth — Hat, 20th century
Miao

G210

five layered rectangle top layer has six bands of embroidery work alternating fuchsia with black and fuchsia; one long blue string runs across a side of rectangle — Front Apron, 20th century
Miao

G210

House with fence and trees at left center; horse and male figure at right center; figure in a boat at lower left; mountains in background — Boat on River, Travelers and House on Shore, c. 1630
Cheng Jiasui

G218

bridge between rocks — Bridge Between Rocks, c. 1630
Cheng Jiasui

G218

a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016] — Corpus, c. 1700
Master of Guadalcanal

G341

Mountain landscape with two mounted figures and one walking on a path through the mountains; group of trees at lower center; at right lower center a small building — Mountain Grove with Path, c. 1630
Cheng Jiasui

G218

Four figures and horse (donkey ?)in a boat at center foreground, lower left foreground trees and walking figure, two small figures right center, hills in right background — Boat Carrying Figures and Horse, c. 1630
Cheng Jiasui

G218

organic, curving, turned wood-like form with central open spaces; reddish finish — Pulse, 2003
Tony Cragg

G380

five detaching sections of mixed media construction that is painted primarily maroon in center section with embracing couple — Alixa and Naima, 2008
Swoon

G374

portrait of Diana with light brown curly hair in an updo with some loose curls in front, wearing a gold and silver headdress, earrings with clear drops and an armlet with a large green gem and pearls; figure is bare-breasted and wears a pinkish-red garment and holds a spear on a staff with a pinkish-red tassel — Diana as Goddess of the Hunt, 1607
Cornelis Cornelisz. van Haarlem

G311

standing Buddha in robe; one knee bent slightly, arms bent but missing; standing on small stone base with figures and a Buddha in high relief — Buddha, 3rd century
Pakistan

G200

Feast Bowl with Bear Effigy, carved wood, North America, Sioux — Feast Bowl, c. 1850
Chahiksichahiks (Pawnee)

Not on View

circular inlaid table with four footed pedestal base; central square organic motif with banding of meandering pattern and waves; circular design with harp and wind instruments crossed at center of each side of square; outer band of floral pattern on dark ground — Etruscan table, 1872
Alexander Eugène Prignot; Maker: Jackson & Graham

Not on View

Landscape with two children in foreground walking next to a fence; three other figures with butterfly nets in middleground — The Butterfly Catchers, 1900-1908
Theodore Wendel

Not on View

Pendant, Veraguas — Pendant, c. 800 - 1100
Veraguas

Not on View

Yao-Chou celadon bowl, porcelain, carved lotus design. — Bowl, 960-1279
China

G204

Flat, circular body; greenish white glaze; has lidded wood box — Flask, 17th century
Unknown Korean

G206

abstract painting that resembles image of human figure composed of geometric shapes in black, orange, yellow and white; figure is holding weapon in PL hand with arm raised; dead white bird in center; PR hand of figure is around neck of bird; bird rests atop stylized column; blue circle in upper left quadrant — Symbol, 1953
Charles Alston

G376

The sentence “I will not make any more boring art” is repeated 17 times in a neat cursive script; printed in black-and-white. — I Will Not Make Any More Boring Art, 1971
John Baldessari; Printer: Nova Scotia College of Art and Design Lithography Workshop, Halifax, Canada; Publisher: Nova Scotia College of Art and Design, Halifax, Canada

Not on View

Marilyn Monroe (Marilyn), Andy Warhol; Publisher: Factory Additions, New York; Printer: Aetna Silkscreen Products, New York — Marilyn Monroe (Marilyn), 1967
Andy Warhol; Publisher: Factory Additions, New York; Printer: Aetna Silkscreen Products, New York

Not on View

The Smoker, Portrait of Barbier-Valbonne, François Aubertin; Artist: after Jean-Baptiste Isabey — The Smoker, Portrait of Barbier-Valbonne, c. 1804
François Aubertin; Artist: after Jean-Baptiste Isabey

Not on View

Drops, Edward Ruscha; Publisher: Co-published by Cirrus Editions, Ltd., Los Angeles; Publisher: Co-published by Brooke Alexander Editions, New York; Printer: Cirrus Editions, Ltd., Los Angeles — Drops, 1971
Edward Ruscha; Publisher: Co-published by Cirrus Editions, Ltd., Los Angeles; Publisher: Co-published by Brooke Alexander Editions, New York; Printer: Cirrus Editions, Ltd., Los Angeles

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La Toilette pour le Bal, Jacques-Firmin Beauvarlet (?) — La Toilette pour le Bal, 1757
Jacques-Firmin Beauvarlet (?)

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child glassworker, Indianapolis — Untitled, 1908
Lewis W. Hine

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Large central dragon-like face with third eye; flames coming out of mouth and on forehead; bordered on 3 sides by band of alternating faces, skulls and links; brocaded fabric border; red backing and 3 red loops on top; multi-colored fringe on bottom — Apron, Date Unknown
Nepal

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Ten Doors, Richard Estes; Printer: Edition Domberger, Stuttgart; Publisher: Parasol Press Ltd., New York — Ten Doors, 1972
Richard Estes; Printer: Edition Domberger, Stuttgart; Publisher: Parasol Press Ltd., New York

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Karaori (Outer Noh robe), brocade of grape vines with autumn grasses and gold bamboo lattice motif on blue-grey twill weave silk. The design is not created through embroidery as it appears to be, but with the Karaori brocade technique of floating the weft threads of glossed silk to create the various floral and lattice patterns. This allowed for only a few centimeters of fabric to be woven per day, making such robes extremely rare and expensive works of art. This garment has been used in only a few recorded performances since its manufacture accounting for its exceptionally fine condition. — Outer Noh robe of grape vines with autumn grasses, early 19th century
Unknown Japanese

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kira (woman's garment), three panel woven piece in striped sections with multicolored embroidery, silk, cotton, and metallic thread — Woman's garment (Kira), 20th century
Bhutan

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Shallow with foot; central star/flower design in pink, yellow, purple and green — Basket, 20th century
Beta Israel (Falasha)

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Icarus, Leonard Baskin — Icarus, 1967
Leonard Baskin

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stoneware bowl with added apron from rim covering body of bowl; tall and very small foot; brown and tan glaze; three rows of impressed design at outer apron — Fold-over bowl, 1997
Warren MacKenzie

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messenger boy, Waco, Texas — Untitled, 1913
Lewis W. Hine

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small stoneware plate with foot; interior of bowl decorated by four large brown fingers from one edge and two green intertwining lines across diameter over a dark green overall glaze — Small plate, 1997
Warren MacKenzie

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children, South Carolina — Untitled, 1908
Lewis W. Hine

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('Anderson' identified as the photographer, no other information on the Offer for Purchase form) — The Roman Forum, 1870s
United States

Not on View

Small off-white figure head with three pointed headdress on top. One hole on each end of headdress. Shallow hole for each eye and nostrils. — Miniature Mask, early 20th century
Pende

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A Seated Female Nude, Attributed to Pierre-Paul Prud'hon — A Seated Female Nude, c. 1793
Attributed to Pierre-Paul Prud'hon

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Side Panel to chair received from vendor after accessioning has been placed with the chair - conservation? — High-back Side Chair, late 19th century
Unknown Japanese

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Plaited raffia; resist dyed; fringe knotted at bottom; natural, dark brown and rust SO / Dyed — Man's Ceremonial Robe, c. 1900
Dida

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bowed rectangular band inlaid with alternating fields of green and yellow flower designs within squares; central red raised circle; coins used to adorn band and to extreme ends of crossing chain; inlaid clasps at sides — Headdress (taounza), 20th century
Ida ou Semlal Amazigh (Berber)

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one large bird flanked by a smaller bird and an alligator; all animals have crosshatched designs on their backs; rust-colored background; watercolor on stiff paper — Bird, c. 1955
Festo Maralngurra

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Wool, cotton and silk. Natural wool with white cotton weft alternating to make very thin stripes in weft faced plain weave. Natural wool warp. At one end there is a thin stripe of red, followed by natural, follwed by two thin blue stripes. The other end is the same but with black stripes instead of blue. Along both sides silk has been introduced to make three groupings of short stripes near the edge on the proper right side and two groupings of similar stripes near the edge on the proper left . These shorter stripes are various combinations of red, purple, brown, cream (all silk), white (cotton and black (wool) and are approximately three inches long. Tufts of the silk embellish the stripes on the face of the Haik on all groupings except one grouping of seven stripes near one end which is embellished on the reverse. Warp is bound tightly in small groupings near edge of textile at both ends. Fringe varies but averages about three inches. — Headcover (Amendil), 20th century
Ida ou Semlal Amazigh (Berber)

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standing female figure with arms at sides; hair pointed topknot with 2 lobes; wearing strand of red and brown beads and strand of brown beads at neck and strand of yellow and black beads and strand of blue and black beads at waist — Ere Ibeji, 20th century
Yoruba

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standing female figure with arms at sides; hair in a pointed topknot; wearing strand of red beads and strand of brown beads and strand of multicolored, yellow, blue and black beads at waist — Ere Ibeji, 20th century
Yoruba

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Decorative Capriccio with a Monumental Tablet, Giovanni Battista Piranesi — Decorative Capriccio with a Monumental Tablet, before 1750
Giovanni Battista Piranesi

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The Jester, William Merritt Chase — The Jester, 1875
William Merritt Chase

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The Cupboard, Jean-Honoré Fragonard — The Cupboard, 1778
Jean-Honoré Fragonard

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Portrait of Ludwig Schames, Ernst Ludwig Kirchner — Portrait of Ludwig Schames, 1917-1918
Ernst Ludwig Kirchner

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Ringleader, Henri Gabriel Ibels — Ringleader, 19th-20th century
Henri Gabriel Ibels

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Before, William Hogarth — Before, 1736
William Hogarth

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You May Count on Me!, Augustin de Saint-Aubin — You May Count on Me!, 1789
Augustin de Saint-Aubin

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A Trusting Man, Félix Vallotton — A Trusting Man, 1895
Félix Vallotton

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Drag: Johnson and Mao, Jim Dine; Publisher: Published by the artist & Editions Alecto, London , London — Drag: Johnson and Mao, 1967
Jim Dine; Publisher: Published by the artist & Editions Alecto, London , London

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Plate 2 — The Way Home (Der Nachhausweg), plate from "Die Holle" (Hell), 1919
Max Beckmann; Printer: J.B. Neumann, Berlin

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At Least Be Discreet!, Augustin de Saint-Aubin — At Least Be Discreet!, 1789
Augustin de Saint-Aubin

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J'ecoute jets d'eau, from Les cantilènes, Émile Bernard — J'ecoute jets d'eau, from Les cantilènes, 1892
Émile Bernard

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Marie-Louise a Park Saint-Cloud, Jean Godefroy — Marie-Louise a Park Saint-Cloud, 1810
Jean Godefroy

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Poem for Diane Bouchard, Joan Miró — Poem for Diane Bouchard, 1947
Joan Miró

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Melancholie, Karl Schmidt-Rottluff — Melancholie, 1914
Karl Schmidt-Rottluff

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Allusion, Roberto Sebastian Matta — Allusion, 1968
Roberto Sebastian Matta

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Autumn Campion for Betty Campion, Joan Miró; Printer: Printed at Atelier 17 , New York — Autumn Campion for Betty Campion, 1947
Joan Miró; Printer: Printed at Atelier 17 , New York

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mill workers, Indianapolis — Untitled, 1908
Lewis W. Hine

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smooth light leather rounded edge sole; maroon zig-zag border between sole and upper; entirely embroidered upper shoe, green field broken by diamond, rectangular and teardrop shapes in orange, purple, maroon and dark green; maroon and orange fringe border shoe opening — Pair of Shoes, 20th century
Ait Ouaouzguite Amazigh (Berber)

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homeworkers, Massachusetts — Untitled, 1912
Lewis W. Hine

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factory workers, North Carolina — Untitled, 1908
Lewis W. Hine

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Enlacement, Jean Willy Mestach — Enlacement, 1990
Jean Willy Mestach

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Knife with intricate incised geometric designs on lower part of handle and top of blade; ebony inlay and brass rings alternating with silver near top and bottom of handle; geometric designs on silver portions of sheath with green and red painted camel skin trim — Ceremonial Knife and Sheath, c. 1950
Tuareg

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Black pot with double spout handle at top. In the side panels, two foxes in relief on a ground of all-over granular dots in relief. — Pot, 12th century
Chimu

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Clement De Jonghe, Printseller, Rembrandt Harmensz. van Rijn — Clement De Jonghe, Printseller, 1651
Rembrandt Harmensz. van Rijn

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sheer white fabric woven with plaid design; embroidered overall with isolated red squares; PR side has border with squares and large organic motif near LL corner with solid red embroidery at corner and bottom; black embroidery around solid red section; fringe at bottom with row of red squares above — Curtain panel, 19th century
Morocco

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warp ikat panel, Uzbeck (Urban), 4 die pink, yellow, blue, purple, printed cotton backed with wool padding — Panel, late 19th-early 20th century
Uzbekistan

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blue rim of rays; snail at top center of rim; large turkey at left half; upside down dandelion plant at right side center — Plate from the Rousseau service, 1868
Félix Bracquemond; Manufacturer: Lebeuf, Milliet & Co., Creil; Retailer: Eugène Rousseau

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Side Chair, gilded wood frame, French, XVIIIc cat. card dims H 36 x seat 17 x 19 Back 16-1/2 x 19 — Side chair, 18th century
Georges Jacob

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Noh costume (nuihaku) with autumn flowers, Unknown Japanese — Noh costume (nuihaku) with autumn flowers, mid 17th century
Unknown Japanese

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Equestrian Figure, China — Equestrian Figure, 2nd century BCE
China

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Divination Hammer, Baule — Divination Hammer, 20th century
Baule

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Magda Förstner (model) — Satiric Dancer, Paris, 1926
André Kertész

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Slab Vessel, Jim Leedy — Slab Vessel, 1953
Jim Leedy

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Woman's Shawl, Zulu — Woman's Shawl, 20th century
Zulu

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Oviform with slightly swollen neck with everted rim on tapering cylindrical foot, covered in a white glaze, over which a dark and pale blue segmented curving linear decoration, with small areas filled in dark blue. — Rapin No. 8, 1926
Henri Rapin; Designer: Odatchenko; Manufacturer: La Manufacture Nationale de Sèvres; Decorator: Prosper-Joseph Walter

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model 1657 — Pitcher, c. 1905
Richard Riemerschmid; Manufacturer: Reinhold Merkelbach

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Comb, 20th century

Lwena

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long rectangular weaving; two colors, yellow and black — Woman's Headdress, 20th century
Unknown Jewish

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Forest and Swamp, Raphael Lamar West — Forest and Swamp, c. 1802
Raphael Lamar West

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stoneware cup, tall foot, ten sides with a division at center of the body, brownish grey matte glaze overall — Faceted cup, 1997
Warren MacKenzie

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The Raising of Lazarus, Giovanni Benedetto Castiglione (Il Grechetto) — The Raising of Lazarus, 17th century
Giovanni Benedetto Castiglione (Il Grechetto)

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neckrest with a head extending out from each short end with slit eyes, narrow noses and oval mouths; sits on four wide legs — Neckrest, Date Unknown
Papua New Guinea

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A Man and a Woman Examining Orchids which Grow from a Skull, Heinrich Kley — A Man and a Woman Examining Orchids which Grow from a Skull, c. 1920
Heinrich Kley

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The Stoning of Saint Stephen, Samuel van Hoogstraten — The Stoning of Saint Stephen, 17th century
Samuel van Hoogstraten

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Herod stands at the top of a flight of stairs commanding his soldiers to massacre the children held by distraught women, who try to protect their infants. — Massacre of the Innocents, c. 1540-1565
Nicolas Béatrizet; Engraver: Marco Dente da Ravenna; Designer: Baccio Bandinelli; Publisher: Giovanni Jacopo Rossi

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Landscape with Farm Buildings, attributed to Pieter de With — Landscape with Farm Buildings, 17th century
attributed to Pieter de With

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Carved Mask of Human Face, stone, Mexican (Toltec), VI-XI c cat. card dims H 3-3/4'. Carved mask of a human head with deep-cut eyes and mouth, and flattened nose square at base. — Carved mask of a human head, 5th-6th century
Toltec

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Black pottery with flat bottom, rounded body with one protruding rib at center, 3 'handles' at shoulder and long neck; decorated with incised swirls, short lines and Star of David on bottom — Vase, Date Unknown
Beta Israel (Falasha)

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Self Portrait, Giovanni Battista Pittoni — Self Portrait, 18th century
Giovanni Battista Pittoni

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Feast Before the Altar of the God Terminus, Giovanni Benedetto Castiglione (Il Grechetto) — Feast Before the Altar of the God Terminus, c. 1645
Giovanni Benedetto Castiglione (Il Grechetto)

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Adoration of the Shepherds, Unknown Italian — Adoration of the Shepherds, 1650-1699
Unknown Italian

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Al Held, Alex Katz — Al Held, 1976
Alex Katz

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Vanitas (despairing figure), Jean-Léon Gérôme — Vanitas (despairing figure), 1863
Jean-Léon Gérôme

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American Beauty vase, Roycroft Shops — American Beauty vase, c. 1912
Roycroft Shops

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skirt, Kuba, woman's woven raffia skirt dyed brown, decorated with linear embroidery and raffia patchwork — Woman's ceremonial skirt, 20th century
Kuba

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ceramic storage vessel — Jar, 20th century
Songye

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medallion design with birth of Venus; verso, on white paper, laid down on the blue mount in graphite: an architectural view with standing male figure with left hand, an overdoor gallery with a monkey holding a parrot — Design for a Token: Marine, 1744, c. 1743
Edmé Bouchardon

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Powder Flask, carved wood with black stand — Gunpowder Flask, 20th century
Beembe

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Woman’s ceremonial half overskirt (aksu), Quechua — Woman’s ceremonial half overskirt (aksu), 20th century
Quechua

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Tenement Fire, Harlem, Weegee (Arthur H. Fellig) — Tenement Fire, Harlem, 1942
Weegee (Arthur H. Fellig)

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Ere Ibeji, Yoruba — Ere Ibeji, 20th century
Yoruba

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Wooden female figure with overall white patina; black hair, facial features, and shoes — Female Figure, 20th century
Ewe

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robe; original sleeve ends detatched — Robe (Bakmahl Chapan), 19th century
Uzbekistan

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The Animals Going Toward the Ark, Giovanni Benedetto Castiglione (Il Grechetto) — The Animals Going Toward the Ark, c. 1650-1655
Giovanni Benedetto Castiglione (Il Grechetto)

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Conical base with 4 thin incised rings around edge; shaft supports a narrow top element — Headrest, 19th century
Oromo

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3 legged Vessel in the form of a Pumpkin, earthenware with red slip, Mexixo, Colima 100BC-200AD — Three-legged vessel in the form of a pumpkin, 2nd century BCE - 3rd century CE
Colima

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The Lock, David J. G. Oxtoby — The Lock, 1965
David J. G. Oxtoby

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Augustin de Saint-Aubin Seated before an Easel in his Studio, Gabriel de Saint-Aubin — Augustin de Saint-Aubin Seated before an Easel in his Studio, c. 1775
Gabriel de Saint-Aubin

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Bonchurch, Isle of Wight, John Linnell — Bonchurch, Isle of Wight, 1815
John Linnell

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Couple in Garden, Jan Thomas van Yperen — Couple in Garden, 1640-1649
Jan Thomas van Yperen

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Vue de Marlotte, Emile-Aubert Lessore — Vue de Marlotte, 1848
Emile-Aubert Lessore

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Etude de Draperie, Henri Lehmann — Etude de Draperie, 19th century
Henri Lehmann

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A Young Man Seated at a Desk Writing, Attributed to Pierre-Paul Prud'hon — A Young Man Seated at a Desk Writing, 18th-19th century
Attributed to Pierre-Paul Prud'hon

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Othello, Théodore Chassériau — Othello, 1844
Théodore Chassériau

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The Russian Dance, Jean-Baptiste Le Prince — The Russian Dance, 1769
Jean-Baptiste Le Prince

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PR hand in a loose fist and forearm with reflective metal disk on palm of hand; back of hand, top of fingers and wrist carved with horizontal bands of geometric and organic designs — Hand with Mirror, 1100
Chimu

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standing man wearing cape and holding framed picture; text at bottom — Portrait of Giovanni Battista Maini, 1749
Pier Leone Ghezzi

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Bracelet with one open side; 7 thin wire bands (3 decorated with lightly incised lines) connected together; ends are capped with smooth silver sheets — Bracelet, Date Unknown
Ethiopia

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Includes studies of a farm building and theater stage designs — Sheet of Studies of Garden, Farm Buildings and Theater Stage Designs, 1781-1788
Claude Jean Baptiste Hoin

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blind woman, St. Paul — Untitled, c. 1963
Jerome Liebling

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lighthouse in foreground: rays of light to left and right; cloudy sky; fence across bottom of lighthouse. — Sailor's Guide, 1933
Adolf Fassbender

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Empire State Building, New York City, Lewis W. Hine — Empire State Building, New York City, c. 1930
Lewis W. Hine

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bald man staring at the camera w. right hand against cheek, index finger pointing up and back. — Skepticism, 1937
Adolf Fassbender

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seated man in left foreground with large pad in lap; Alpine village in background with mountains beyond. — The Artist's Dream, 20th century
Adolf Fassbender

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Massacre of the Innocents, Giacinto Diana — Massacre of the Innocents, c. 1780
Giacinto Diana

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two little girls with big smiles and arms around each other sitting on steps. — Southern Smiles, c. 1938
Adolf Fassbender

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snow in foreground; eclipse seen through trees in background — Total Eclipse, 1925
Adolf Fassbender

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four women at a well in center of picture: story teller with back to camera; three women wearing head scarves and leaning intently toward story teller. — The Story, 1936
Adolf Fassbender

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person in right foreground leaning over digging for clams; tide out, houses in background. — The Clam Digger, 20th century
Adolf Fassbender

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old man walking in street which has arched entrance and exit. — The Patriarch, 1936
Adolf Fassbender

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California Industrial, Charles Sheeler — California Industrial, 1957
Charles Sheeler

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1947, Year of the Centennial International Philatelic Exhibition, Cornell Verlaan — 1947, Year of the Centennial International Philatelic Exhibition, 1972
Cornell Verlaan

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white draped fabric and pitcher to right; branches with white blossoms in pitcher; small glass box to left of pitcher. — Flowering Quince, 20th century
Adolf Fassbender

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The Adoration of the Shepherds, Jan Cossiers — The Adoration of the Shepherds, 1657
Jan Cossiers

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Driftwood, Wynn Bullock — Driftwood, 1951
Wynn Bullock

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previously listed as a silver chloride print — Charles Colson, Washington, D.C., 1973 (printed 1979)
Neil Selkirk

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Twin Oaks, Wynn Bullock — Twin Oaks, 1956
Wynn Bullock

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woman closing curtain with sleeping woman in backgound on R — Midday Slumbers, 1888
Sir Lawrence Alma-Tadema

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previously listed as a silver chloride print — Robert Wagner, Jr., and Robert Wagner, New York City, 1977 (printed 1979)
Neil Selkirk

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Tobadzischini - Navaho, Edward S. Curtis — Tobadzischini - Navaho, c. 1904
Edward S. Curtis

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previously listed as a silver chloride print — I. F. Stone, New York City, 1977 (printed 1979)
Neil Selkirk

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messenger boy, Delaware — Untitled, 1910
Lewis W. Hine

Not on View

Point Lobos Wave, Wynn Bullock — Point Lobos Wave, 1958
Wynn Bullock

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previously listed as a silver chloride print — Maurice Nadjari, New York City, 1977 (printed 1979)
Neil Selkirk

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Mask, pre-1900; from the Astrolabe Bay area — Asa Kate Mask, late 19th century
Papua New Guinea

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fine details, polished surface and decorative floral border — Portrait of Nawah General Firoz Khan, early 18th century
India

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A folio from an illustrated erotic series — Lovers, c. 1675
India

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messenger boy, Waco, Texas — Untitled, 19131913
Lewis W. Hine

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Charity, Alessandro Allori — Charity, c. 1560
Alessandro Allori

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warp Ikat panel, Uzbeck (Urban), red, white, yellow, green, glue, printed cotton backing; padding, mashru (silk and cotton) — Panel, late 19th century
Uzbekistan

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Altar Frontal, depicting Saints Peter, John the Evangelist and Matthew, crimson velvet embroidered in gold metal threads with the saints depicted in polychrome silks on a silver metal enbroidered field. — Altar Frontal, c. 1550
Spain

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Night Scene, Wynn Bullock — Night Scene, 1959
Wynn Bullock

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cotton mill worker, Texas — Untitled, 1913
Lewis W. Hine

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previously listed as a silver chloride print — Jerry Finkelstein and Andrew Stein, New York City, 1977 (printed 1979)
Neil Selkirk

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Page from an erotic manuscript — Man Massaging Woman, c. 1675
India

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thin ivory fabric with sheer and opaque stripes; light green embroidery in a leafy motif around edges; trim with fringe on both short sides; short green fringe on one side — Woman's ceremonial hand towel, 19th-20th century
Morocco

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urban production; compound weave; reversible; each side central band of squares (red, black, gold and white); one side blue band top and bottom; opposite side red band — Door Panel, 19th century
Morocco

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kneeling male figure wearing a hat with 5 crosses, hair in a ponytail and holding an axe in his PR hand; 4 sided bottom section has rectangular well — Snuff tablet, 600-1000
Tiwanaku

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cream colored with fringe on one short side; geometric patterns along long sides in orange, white, blue and green; three stripes with geometric designs at short sides. Surface ornamentation (Needlework) — Veil, 20th century
Ait Ouaouzguite Amazigh (Berber)

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flower blossoms; study — Untitled, c. 1854
Adolphe Braun

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off-white with two long sides hemmed; narrow bands of brown at each long side with brown square at center of each side; tassels striped brown and off-white — Head covering (Amendil), 20th century
Ida ou Nadif Amazigh (Berber )

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sheer white fabric woven with plaid design; embroidered overall with isolated red squares; PL side has border with squares and large organic motif near LR corner with solid red embroidery at corner and bottom; black embroidery around solid red section; fringe at bottom with row of red squares above. Surface ornamentation (Needlework) — Curtain panel, 19th century
Morocco

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on wood base — Chorus, 1958
Pietro Consagra

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figure in URC holding a rope attached to a basket which is in the water below (in LLC) — God of Thunder and His Drum, 18th-19th century
Attributed to Katsushika Hokusai

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white with fringe on both short sides and around corners; multicolored embroidered bands at both short sides, corners and center of short sides with colored pompoms. Surface ornamentation (Needlework) — Amendil, 20th century
Ait Ammeln Amazigh (Berber)

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Standing nude, looking downward, her left leg extended, right arm upraised and touching head, left hand bent and holding tress of hair against her body, on circular base, with stone-colored wash. — Nymph, 18th century
Etienne-Maurice Falconet

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Multiple pieces glued together; decorated with stamped design with brown lines and black zigzags around border; interior with 9 bands of repeating geometric designs in black and brown — Tapa Cloth, c. 1960-1970
Fiji, Tonga, or Samoa Islands

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man with hat at lower left following two horses plowing up hill. — Onward, 1935
Adolf Fassbender

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man in lower right playing cello in a church. Rays of light through window falling on man's hands. — Ave Maria, 1943
Adolf Fassbender

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two women sitting against house lower right; onion domed church in background; large clouds — After Service, 1964
Adolf Fassbender

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1947, Year of the Centennial International Philatelic Exhibition, Cornell Verlaan — 1947, Year of the Centennial International Philatelic Exhibition, 1972
Cornell Verlaan

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large redwood trees, two a left and one at right; rays of sunlight coming into the forest from left. — Redwood Solitude, 1965
Adolf Fassbender

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curving dirt roadway going uphill to left; daisies along fence in right foreground, wooden fence curving beside road. — Daisy Trail, 1938
Adolf Fassbender

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nun with winged headdress leading children along cobbled sidewalk next to cobbled street. — Kindergarten, 20th century
Adolf Fassbender

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Stainless Steel, Edward Alenius — Stainless Steel,