🔎 creditline:"The Ethel Morrison Van Derlip Fund " | Mia

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dish (attributed to John Simpson), ceramic, English, XVIIIc cat. card dims diam 11-1/4' — Charger, c. 1715
attributed to John Simpson

G331

vessel in the form of a coati-mundi seated on its haunches and holding its forepaws to its mouth to nibble something; the back of the head is incised to represent fur; brownish surface much worn — Vessel, c. 200 BCE-200 CE
Colima

G260

pitcher form with pulled handle and spout; wide mouth; plate-shaped lid; glazed grey overall with underglaze iron floral patterns in brown — Ewer with floral design, 12th-13th century
Unknown Korean

G206

iconography either a snake or a bird — Pambadam Earrings, 19th-20th century
India

G211

flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top — Neckrest, 19th century
Fiji Islands

G256

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769) — Pier table, c. 1768
Giovanni Battista Piranesi

G307

Art-glass panel for a bay window, William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.) — Art-glass panel for a bay window, 1909
William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

Portrait Sculpture of Priest Gyōki, Unknown Japanese — Portrait Sculpture of Priest Gyōki, early 17th century
Unknown Japanese

G220

Initiation mask, Suku — Initiation mask, 20th century
Suku

G254

Art-glass panel for a bay window, one of six, William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.) — Art-glass panel for a bay window, one of six, 1909
William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

large piece of cloth with honey comb design, open on one long side with 2 short added open pieces at corners on opposite side; embroidered geometric designs overall; light blue hem — Pants, Date Unknown
Nupe

G240

cizhou painted pottery dish; flowering plant in green and red, banding of red borders, design inside rim, has own storage box — Dish, 13th century
China

G204

silver claret jug with hinged cover; overall floral motif, highly decorative, large upside down heart at each side, raised cobra forms the handle, hinge and central decorative element on top of the cover — Claret Jug, c. 1890
India

G211

Religion: NT. Triptych, center panel gabled; wings together form gable. Madonna and Child with Paul, Peter, Catherine and Helena. Francis. Miracles. Stigmatization of Francis in retreat on Mount Alverna. Annunciation. Mary, usually reading, is visited by the Angel. Crucified Christ with Mary and John the Evangelist. Central panel Madonna and Child enthroned; the child stands in his mother's lap facing her, his arms extended; the Virgin looks at him with a half smile; she wears a red lined blue mantel over a dark red gown; back of throne decorated with slender arabesques on scarlet ground; to left of throne stands St. Helen and St. Peter, to the right St. Catherine and St. Paul; the colors of their robes are ivory, rose, mauve, gold, dull green; gold leaf background; left wing St. Francis Receiving the Stigmata; dull mauve robe; angel's drapery scarlet; gold background; right wing Crucifixion; Mary in black standing at foot of cross; gold leaf background; Pinnacles The Annunciation, Virgin's robe black against scarlet background with decorative motifs of throne, angel, diaphanous rose drapery against gold leaf background; panels bordered with incised motif, haloes bear incised decoration; gold background brilliant, colors fresh. Unsigned. — Madonna and Child Enthroned with Saints, 1339
Bernardo Daddi

G343

Tomb figurine, one of a pair, representing a Civil dignitary. the type is individualized, and the features indicate that this person was of Khotanese origin. The figure made in a mould, is solid. The grey clay body, covered with a white slip, is painted with unfired pigments flesh tints, green, blue, gold. Details of the figure were completed by hand. — Tomb Figurine, one of pair, late 6th century
China

G208

Horse with clipped mane and tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The trappings, including double saddle pads and a saddle draped with a knotted cloth, are decorated with Sassanian motifs. Brown glaze with patches of manganese in oxidized areas. — Tomb retinue horse, early 8th century
China

G208

Dignitary. Military leader. Glazed pottery tomb figure, one of pair, mounted on a stand. The costume includes a blue robe, pleated brown skirt and white underskirt. Head and headdress unglazed. — Tomb retinue, early 8th century
China

G208

standing male figure carved from board; carved on one side; relief carving at interior, appearing to represent bone structure and colored with white pigment; hole at top of head for hanging — Bioma Figure, 20th century
Papua New Guinea

G256

Longquan celadon lotus bowl, has own storage box — Bowl, 12th-13th century
China

G204

Small silver beads on each end with T-shaped hanging pendants surrounding a central pierced Star of David pendant with stamped design — Necklace, 20th century
Beta Israel (Falasha)

G254

blue and white Oriental design — Coffee pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

two large central orange amber beads flanked by large group of stringed beads; coins mounted to hanging arms and smaller orange amber beads — Necklace (tasdit), early 20th century
Ida ou Semlal Amazigh (Berber)

G254

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses — Hand drum (kundu), 20th century
Iatmul

G256

Abstraction. — Badlands, 1962
Urban Stanley Couch

G303

Genre. — Halloween, c. 1920
Clara Gardner Mairs

G302

One of two jars Japan’s first ceramic culture, the Jōmon, produced strongly tactile pottery over 3,500 years ago. This lavishly decorated bowl was probably used during religious ceremonies. Its flamboyant rim, a typical feature of the middle period of Jōmon pottery, is known as the “fire-flame” type, because the coils of clay resemble leaping flames. The word jōmon, after which the historical period is named, means “cord markings” and derives from the distinctive patterns produced by rolling a rope-wrapped stick across the surface of the clay. The lower portion of this vessel bears these markings, together with whimsical designs carved into the surface of the clay. — Deep Bowl with Four Projections, 2500-1500 BCE
Unknown Japanese

G205

Landscape. — Tornado over St. Paul, 1893
Julius Holm

G303

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, about 1920
Yoruba

G236

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head. — Mask, 1950s
Makonde

G254

Earth Spirit with lion's head. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a cylindrical base with mottled glaze. The figure is predominantly blue and white with patches of yellow and malachite green. — Tomb retinue earth spirit, 8th century
China

G208

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section — Winged Genius, c. 883–859 BCE
Assyrian

G240

Camel, Bactrian type, with saddle blanket with Sassanian decoration. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottlings of blue, green, and yellow. — Camel, early 8th century
China

G208

Ewer, with pheasant's head stopper. Pear-shaped body, with tapering short neck and short spout, on domed, spreading foot. The removable stopper, in the form of a pheasant's head, is modelled in full relief with carved details, the double strand handle is also modelled. Buff white porcelain with even, creamy-white glaze. — Ewer with Pheasant-Head Stopper, 8th century
China

G204

Earth Spirit with human head and removable flame halo. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a deep cylindrical base with mottled glaze. The figure is predominantly blue, with white areas. Head and halo unglazed. — Tomb retinue earth spirit, 8th century
China

G208

Judith with the Head of Holofernes, Ignazio Collino — Judith with the Head of Holofernes, 1750
Ignazio Collino

G307

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

G321

Louis-Philippe, King of the French, Ferdinand Philippe Louis Charles Henri, Duc d'Orléans, and Louis Charles Philippe Raphaël d'Orléans, Duc de Némours. — Louis Philippe (1773–1850), King of France, and his Sons, the Duke of Chartres and the Duke of Nemours, c. 1830–1832
Baron François-Pascal-Simon Gérard

G305

Boy seated in front under a tree with a yoke, buckets, and a jug, pointing to Tobias and the Angel walking on the right. — Shepherd Boy Pointing at Tobias and the Angel, c. 1625–30
Abraham Bloemaert

G312

Side table, Attributed to Giovanni Paolo Schor (born Johann Paul Schor) — Side table, late 17th century
Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS. — Mrs. T. in Cream Silk, No.2, 1920
George Bellows

G302

The Fugitives, Honoré Daumier — The Fugitives, c. 1868–70
Honoré Daumier

G354

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell — Black-Figure Neck Amphora, c. 540 BCE
Attributed to the Painter of Vatican 359

G241

Camel, Bactrian type, with blanket and saddle bags. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottled areas of blue, green, yellow and brown in the saddle-bags and blankets. — Camel, early 8th century
China

G208

Pot in form of Fish with a double spout handle rising from the back. Slight modelling on head, tail, and fin area. Other features painted in grey, black, yellow, red and white. Broken at tail; cracked around head. — Vessel in the Form of a Fish, c. 100 BCE - 600 CE
Nasca

G260

a piece from the cycle of ten tapestries woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; woven in the Faubourg Saint-Marcel manufactory of Marc de Comans and Frauçois de las Planche; warp undyed wool, 7 ends per cm., weft dyed wool and silk, 24-36 ends per cm. — The Philosophers, c. 1611-1627
Central design and cartoon by a painter active in France , about 1610-1617; Artist: Border design and cartoon probably by Guillaume Dumée and Laurent Guyot; Weaver: Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche

G340

Tomb figurine, one of a pair, representing a Civil Dignitary. The type is individualized, and the features indicate that this person was of Khotanese origin. The figure is mould-made of grey clay, with a white ground, and painted, pigments flesh tints, red, green, blue, and gold. The figure is solid, the details being completed by hand. — Tomb Figurine, one of pair, late 6th century
China

G208

Dignitary, probably a civil counsellor. Glazed pottery tomb figure, one of a pair, mounted on a stand. The costume is predominantly brown with details in mottled colors. Head, headdress and hands unglazed. — Tomb retinue, early 8th century
China

G208

Guardian of one of the quarters of the Buddhist heaven. ca 725 A.D. Glazed pottery tomb figure, one of a pair, wearing armor and standing on a kneeling bull. The costume is predominantly blue in tone, but there is much use of mottled yellow, brown and blue in the skirt sections. Elements of Sassanian design in armor. Head and phoenix headdress unglazed. — Tomb retinue guardian, early 8th century
China

G208

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed. — Horse, early 8th century
China

G208

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine. — Yoke, c. 600-900
Nopiloa (Veracruz)

G260

The New One, John B. Flannagan — The New One, 1935
John B. Flannagan

G367

The Annunciation, Agostino Masucci — The Annunciation, 1742
Agostino Masucci

G308

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, c. 1560
Luis de Morales (called El Divino)

G341

blue and white Oriental design — Cream pitcher, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element — Deified King, late 10th century
Cham

G213

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period. — Console table, c. 1775-1800
Italy (?)

G310

Guardian of one of the quarters of the Buddhist heaven. Glazed pottery tomb figure, one of a pair, dressed in armor and standing on a kneeling bull. A fine blue predominates in color scheme, with details in white, brown, mottled green and yellow. Elements of Sassanian design appear on the armor. Head, phoenix headdress, and hands unglazed. — Tomb retinue, early 8th century
China

G208

gallery installation of a fictional "period room" — Curator's Office, 2012-13
Mark Dion

G378

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece — Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century
Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

black openwork barbed wire cube with 8" sections repeated — Cube (9 x 9 x 9), 2008
Mona Hatoum

G373

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Cup and saucer, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

blue and white Oriental design — Tea pot, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes — Armchair, one of a pair, c. 1810-1830
India

G209

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes — Armchair, one of a pair, c. 1810-1830
India

G209

blue and white Oriental design — Tea bowl, from a child's tea set, in blue and white, c. 1780-1790
Caughley (Salopian) Works

G317

seated male baboon with its front paws on its knees and its tail wrapped along the PR side of its body; turquoise blue — Baboon (Moon God Thoth), 7th - 6th century BCE
Ancient Egyptian

G250

Genre. Naive. Primitive. African American. Six figures picking cotton; one smaller figure headed toward a water spigot in LR. — Picking Cotton, 1950s
Clementine Hunter

G304

Genre. Naive. Primitive. African American. Three figures doing the wash in the foreground, clothesline and Africa House in the background. — The Wash, 1950s
Clementine Hunter

G304

Ceremonial portrait — Marie Antoinette, 1775
Louis-Jacques Cathelin; Artist: after Jean Martial Frédou

G103

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", Maria Sibylla Merian — Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730
Maria Sibylla Merian

G209

The Palais Royal Garden Walk, Claude-Louis Desrais — The Palais Royal Garden Walk, 1787
Claude-Louis Desrais

G103

Mlle. de Contat de la Comedie Francois, dans le role de Suzanne, Mariage de Figaro, Jean-François Janinet — Mlle. de Contat de la Comedie Francois, dans le role de Suzanne, Mariage de Figaro, 17th-18th century
Jean-François Janinet

G103

Fashion periodical with green paper covers bound with three hand-colored engravings of people in fashionable period dress — Magasin des Modes Nouvelles, Seconde Année, Sixième Cahier, 10 Janvier 1787, January 10, 1787
A.B. Duhamel; Artist: after Claude-Louis Desrais; Artist: after Samuel Mitan; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Fashion periodical with green paper covers bound with two hand-colored engravings of people in fashionable period dress and one hand-colored engraving of belt buckles — Magasin des Modes Nouvelles, Seconde Année, Cinquième Cahier, 30 Décembre 1786, December 30, 1786
A.B. Duhamel; Artist: after Samuel Mitan; Artist: after Jean Baptiste Charpentier; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Fashion periodical with green paper covers bound with two hand-colored engravings of women in fashionable period dress — Magasin des Modes Nouvelles, Seconde Année, Premier Cahier, 20 Novembre 1786, November 20, 1786
A.B. Duhamel; Artist: after Claude-Louis Desrais; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Trifold sheet from fashion periodical (P.15,289); woman at left in a yellow gown with blue and pink striped overgown and a hat with pink ribbon and white plumes; woman in the center in a pink and green gown; woman at right in a white dotted gown, a pink and purple overgown, and a pink and purple hat with a green bow and dark gray plumes — Fashion plate from Magasin des Modes Nouvelles, Troisième Année, Quatorzième Cahier, 30 Mars 1788, March 30, 1788
A.B. Duhamel; Artist: after Jean-Florentine Defraine; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

From fashion periodical (P.15,218.2); man with green breeches and coat, a sword at his side, and a black hat tucked under one arm — Plate II from Magasin des Modes Nouvelles, Seconde Année, Vingt-septième Cahier, 10 Août 1787, August 10, 1787
A.B. Duhamel; Artist: after Jean-Florentine Defraine; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Trifold sheet from fashion periodical (P.15,441); at left in black and white are two belt bucklest; in the center the bust of two women in hats with pink flowers; on the right a woman in a red, white, and blue striped gown and a white and pink striped hat with green plumes — Fashion plate from Magasin des Modes Nouvelles, Quatrième Année, Trente-troisième Cahier, 11 Novembre 1789, November 11, 1789
A.B. Duhamel; Artist: after Jean-Florentine Defraine; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

From fashion periodical (P.15,218.2); woman with a white gown with yellow and purple striped overgown, a red fan, and a tall green hat with yellow bows with pink floral centers and three tall yellow plumes with brown dots — Plate I from Magasin des Modes Nouvelles, Seconde Année, Vingt-septième Cahier, 10 Août 1787, August 10, 1787
A.B. Duhamel; Artist: after Jean-Florentine Defraine; Author: Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Fashion Plate No. 885 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 885 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

G103

Fashion Plate No. 1 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 1 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

G103

Fashion Plate No. 315 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 315 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

G103

Fashion Plate No. 398 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 398 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

G103

Fashion Plate No. 297 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 297 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

G103

Fashion Plate No. 277 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 277 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

G103

Bonnets. — Fashion Plate No. 945, from Costumes Parisiens, 1808
Pierre de La Mesangere

G103

Fashion Plate No. 393 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 393 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

G103

Fashion Plate No. 610 from Costumes Parisiens, Pierre de La Mesangere — Fashion Plate No. 610 from Costumes Parisiens, 1797-1831
Pierre de La Mesangere

G103

No. 88; Vol. I, cahier no. 15 — Woman with Loose Jacket, 1778
Pierre Thomas Le Clerc

G103

No. 41; Vol. I, cahier no. 7 — Fashion Merchant, 1778
Pierre Thomas Le Clerc

G103

Folded black and white music sheet with the score on the recto and verso of the plate; from fashion periodical (P.15,503) that includes a folded hand-colored engraving of a man and a woman in fashionable period dress (P.15,501-P.15,502) — Music sheet from Journal de la Mode et du Goût, Quatorzième Cahier, 5 Juillet 1790, July 5, 1790
Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Folded sheet from fashion periodical (P.15,503); man at left in light green coat holding a walking stick and a tall black hat with a red, white, and blue bow; woman at right holds a fan and is dressed in a white and pink gown with a hat with a large white plume and a bouquet of flowers at the front — Fashion plate from Journal de la Mode et du Goût, Quatorzième Cahier, 5 Juillet 1790, July 5, 1790
Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Fashion periodical in blue paper covers bound with a folded hand-colored engraving of a woman in fashionable period dress and a folded black and white engraving of a music sheet with the score on both the recto and verso of the plate — Journal de la Mode et du Goût, Dix-septième Cahier, 5 Août 1790, August 5, 1790
Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Fashion periodical in blue paper covers bound with a folded hand-colored engraving of a man and a woman in fashionable period dress and a folded black and white engraving of a music sheet with the score on both the recto and verso of the plate — Journal de la Mode et du Goût, Douzième Cahier, 15 Juin 1790, June 15, 1790
Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Fashion periodical in blue paper covers bound with a folded hand-colored engraving of a man and a woman in fashionable period dress and a folded black and white engraving of a music sheet with the score on both the recto and verso of the plate — Journal de la Mode et du Goût, Cinquième Cahier, 5 Avril 1790, April 5, 1790
Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Fashion periodical in blue paper covers bound with a folded hand-colored engraving of a man and a woman in fashionable period dress and a folded black and white engraving of a music sheet with the score on both the recto and verso of the plate — Journal de la Mode et du Goût, Sixième Cahier, 15 Avril 1790, April 15, 1790
Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

Fashion periodical in blue paper covers bound with a folded hand-colored engraving of two women in fashionable dress and a folded black and white engraving of a music sheet with the score on both the recto and verso of the plate — Journal de la Mode et du Goût, Seconde Année, Trente-deuxième Cahier, 5 Janvier 1792, January 5, 1792
Jean-Antoine Lebrun-Tossa; Publisher: François Buisson

G103

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