showing 95 results matching creditline:"The Driscoll Art Accessions Endowment Fund"

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a dome of inlaid bone on wood with attached metal spout with retractable cover, a ring at each side to hang; dome decorated with birds and spiraling vines; flower at center of bottom. Arms and Armor-Accessory

Powder flask, c. 1585

Germany (Saxony)

G340

mailbox shaped box with hinged lid; slots for 4 cartridges inside; carved and inlaid bone in wood spiraling decoration on both sides; release button for lid on front; ring for hanging on each side; wood rectangle surrounded by bone on back; steel lid and bottom. Arms and Armor-Accessory

Patron (cartridge box), c. 1585

Germany (Saxony)

G340

Madonna stands upon dragon and clouds with hands placed to chest

Immaculate Madonna, c.1710

Giacomo Antonio Ponsonelli

G308

figure with short black hair and blue skin at center, wearing red striped loincloth, anklets, bracelets and armlets, and necklaces, holding open the bead of a white crane with its tongue sticking out and blood dripping from its beak; another standing figure wearing maroon striped loincloth and holding a red staff at left center; fanciful trees in LLC and at top; three figures with two oxen and a calf at top; red border; white Ararbic inscription at top center

Krishna Kills the Crane Demon, Illustration from a Bhagavata Purana Series, c. 1720

Master of the Court of Mankot (possibly "Meju")

G211

wide, folded-over vamp, edged in black ribbon; top beaded with symmetrical organic plant design in red, light and dark green, black and clear beads

Pair of Moccasins, c. 1840-1890

Ho-Chunk (Winnebago)

G260

maroon leather binding with gilding trim; "ARC TRIOMPHAL D'APRES ALBERT DURER" on spine; colorful endpapers with green, grey, yellow, red and white spots with black; text pages followed by woodcuts of portions of fantastic triumphal archway with figures (some with names and coats of armor), scenes of battle and other vignettes, animals, text and sculptural and architectural elements; detached green silk ribbon bookmark (inserted between pages)

Ehrenpforte (The Triumphal Arch of Maximilian I), 1515 (printed 1799)

Albrecht DĂŒrer

Not on View
PR forearm and hand; hand has two fingers raised in gesture of blessing; hammered gold bracelet on wrist with gems; hammered gold bands at hem and bottom of sleeve with gems; various gemstones each surrounded by bands of tiny pearls; pearl-banded window on front of forearm

Arm reliquary, c. 1350-1400

France

G340

bag with wide shoulder strap with beaded geometric designs; back of strap and interior of bag printed brown fabric; front panel of bag beaded with geometric shapes; top panel and back of bag red wool; 17 short beaded hanging tails with red wool tassels; body of bag trimmed in blue

Bandolier Bag, c. 1870-1900

Anishinaabe (Ojibwe)

Not on View
geometric abstraction in bright red, bright blue, and yellow-gold; vertical column of three biforked symbols with one tri-forked symbol at the top; symbols are yellow-gold on a red ground; yellow-gold border across bottom; on both sides is wider outer border of blue and thin inner border of yellow-gold; simple brown stained wood frame

Emblema - 1972, 1972

Rubem Valentim

G255

ceremonial beaded bag for betelnut with white dancing horse motif

Beaded Bag, 1910-1930

Indonesia

Not on View

Side chair, 18th century

United States

Not on View
lampus woven silk, rayon, cotton and metallic threads

Wedding Belt, 19th century

Morocco

Not on View

%C2%A9 The Estate of Brett Weston %2F Bridgeman Copyright

Garapa Beach, 1954

Brett Weston

Not on View
curly maple stock and barrel support brass butt plate, trigger guard, accents to ram rod holder, muzzle and hinged load cover on stock; silver thumb plate at top, front of cheek plate; incised and carved scroll work on stock; single trigger; .45 cal. Arms and Armor-Firearm

Flintlock rifle, c. 1790-1800

John Bonewitz

Not on View
Ben Cherif, weaver

Caftan, c. 1960

Morocco

Not on View
A double sided drawing with marble base

Seated Boy Holding a Cat (recto); Study of Kittens and a Plate of Milk (verso), c. 1874-1880

François Bonvin

Not on View
Kaftan fabric with Indian elephant motif (purple) Ben chrief weavers

Kaftan fabric, 20th century

Ben Amazigh (Berber)

Not on View
Ben chrief weavers. Kaftan fabric (sleeve panels included) (green)

Caftan fabric, 20th century

Ben Amazigh (Berber)

Not on View
images of men and women--primarily couples, several small groups of figures--of various ethnicities, wearing various costumes and with differing hairstyles and headgear; Asian, European, African and North American figures; map of Northern Hemisphere at end of scroll; inscriptions above each group of figures

People of Many Nations, 1649

Unknown Japanese

Not on View
seated bare-chested man with a long white beard and wild hair, with a large drapery over his lap, holding a thick pole with his PL hand, with a snake twined around it, and a thin staff in his PR hand

Moses and the Brazen Serpent, 1787

Benjamin West

Not on View

Speedway, 1934

Sybil Andrews

Not on View
paper collage with red crosses and blood drips; mostly black and white engravings with colored flowers, foliage, grapes, and snake; imagery includes figures flanking a blue decorative shield with gold crosses and text in LRQ, dead clergyman lying in state in LRC with crucified Christ above his face, figure on a bull at LLC, Classical man with a hole torn in his PL abdomen with a snake entwining his legs, Christ with a snake and flowers in ULQ, skulls with Mary Magdalene and Jesus in URQ; received in a medium toned wood frame

Blood Collage, c. 1850-60

John Bingley Garland

Not on View
sketch of an elderly man's face and shoulders in pencil with white highlighting; man has wavy hair, is wearing a short cap, and is looking pensively to PR; framed

TĂȘte de Vieillard de face, c. 1860

Edgar Degas

Not on View
abstract design painted on front with yellow, blue, red, and green pigments; three leather ties securing container at center

Parfleche, c. 1870s

A'aninin (Gros Ventre)

Not on View
standing figure applied to front of handle, with fringed sleeves, wild hair and belt; heart in relief on back of handle; wire wrap on bottom of handle

Crooked Knife, 19th century

United States

Not on View
four-sided handle with large ball at end; delineated handle; lines carved on top and bottom of handle; bird, snakes, plant forms and dancing human carved on sides of handle

Club, c. 1750-1800

probably Anishinaabe (Ojibwe)

Not on View
envelope-like case with tie closures; top flaps decorated with geometric triangle motif designs in red, yellow, green and blue

Parfleche, late 19th - early 20th century

A'aninin (Gros Ventre)

Not on View
rectangular pouch with long fringe, partially covered in red and white quills; front quilled design of flowers in a basket; red lines and red, pink and white square on back; red feather accents

Pipe Bag, late 19th century

DakhĂłta

Not on View
diamond design; purples, pinks, blues, greens and tan ground; fringe on one end

Mat, c. 1900

Anishinaabe (Ojibwe)

Not on View
pouch and strap have clear beaded ground with organic floral designs; red beaded fringe with red wool tassels; black velvet and red knit trim

Bandolier Bag, c. 1900

Anishinaabe (Ojibwe)

Not on View
yellowish-tinted hide; bands of beading at bottom edges and in block on outside of legs; linear, rectangular and triangular designs

Pair of Woman's Leggings, c. 1880

Tsistsistas (Cheyenne)

Not on View
beaded uppers; primarily pink, with white triangle design with green and red interior, surrounded by green designs on top; white and green designs along edges; rawhide bottoms, around foot opening, tongues, ties, and tassels at back

Moccasins, c. 1890

A'aninin (Gros Ventre) or Nakoda (Assiniboine)

Not on View
bound standing Christ at center standing on raised platform with two dark arches below; Christ is accompanied by sanding soldiers and other figures; onlookers at left and right below platform; figures in windows in upper quadrants

Christ Presented to the People (Ecce Homo), 1655

Rembrandt Harmensz. van Rijn

Not on View
open on top and one end; blue, black and green beaded strip on top; flowers, butterflies, birds, stars and cattle heads in quills on sides; green, purple and orange ribbons

Cradle board cover, c. 1880

DakhĂłta

Not on View
rooster with PL leg raised; three long curling tailfeathers; beak slightly open; oval wood base

Cock or Chanticleer, c. 1918

William Hunt Diederich

Not on View
abstracted image with two disembodied legs with feet and a torso at right, on a pile of other abstracted body parts; yellow and blue sky-like ground; received in gilt frame with grey liner

Torso and Limbs, 1952

Hyman Bloom

Not on View

%C2%A9 Duncan Hannah

Under the El I, 1991

Duncan Hannah; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Bruce A. Anderson

Conversation II, 1984-1991

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
View of a street and sidewalk seen from beneath an elevated platform; a man in the L middleground has his back to the viewer; a heavy shadow in foreground is cast from overhead platform

%C2%A9 Duncan Hannah

Under the El II, 1991

Duncan Hannah

Not on View

%C2%A9 Lynn Klein

Untitled (Yabure), 1992

Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Lynn Klein

Untitled (Color Blend), 1992

Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Lynn Klein

Untitled (Celadon), 1992

Lynn Klein; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
abstracted landscape, viewed from above; purple, rose, and blue sky with rolling landscape with an orange river cutting diagonally across picture plane; numerous figures and animals in vignettes; campground with tents, teepees, and vehicles including a bus with a row of Porta-Potties and a line of figures on horseback in upper left; central section with farm equipment, Jeeps, police car, figures with flame throwers and figures wearing Ku Klux Klan outfits behind barbed wire, confronting people on opposite shore of river holding signs--one of whom has their pants dropped; foreground figures in LLQ include a man in a purple shirt printed "I'M TOAST" in a well, a Black man wearing a tie and holding a saxophone seated on a toilet, a man in a white shirt, a man wearing a feathered Native American headdress and a woman in a blue shirt and yellow vest with arms upraised; blindfolded woman with one bare breast, holding a blue bra and a scale balancing a dollar sign and a glass being grabbed from behind by a blonde man in a suit, with a row of men in suits behind them, smoking and drinking, with three hyenas; helicopters, plane, and a man holding two drones in the sky; received unframed

Standing Rock 2016, 2018

Jim Denomie

G262

mirror with relief gold frame with foliage and putti; removable top section with fruit, putti and foliage

Mirror on a stand, from a toilette service, 1683

William Fowle; Retailer: Fowle & Wotton

G350

hide soles; canvas uppers; black and red cloth collars around ankles; geometric designs of red, white and dark blue on light blue ground

Pair of Moccasins, c. 1890

Pikuni (Blackfeet) or Nēhiyawak (Cree)

Not on View
hide soles; canvas uppers; blue and brown cloth collar around ankles; vamps beaded with dark blue, red and yellow geometric deisngs on light blue ground

Pair of Moccasins, c. 1890

Nēhiyawak (Cree)

Not on View

Pothi Khana, 2018

Dayanita Singh

Not on View
rounded top, rectangular bottom; dark red and black pigments; sides at bottom section have sliding doors over small compartments; top circular section has frowning woman's face on one side, smiling man's face with moustache and small beard on opposite side

Sewing or Tobacco Box, c. 1880

Yup'ik

Not on View
rawhide soles (from parfleche case); tanned hide uppers; quill stripes across vamps and on ties; beaded bands around outer edges and on heels

Pair of Moccasins, c. 1870

LakÈŸĂłta

Not on View
tanned soles and uppers; geometric beading on tops overall in red, green and yellow on blue ground; red and white polka-dotted cloth around ankles

Pair of Moccasins, 19th century

Nēhiyawak (Cree)

Not on View
rawhide soles; tanned uppers; beaded geometric designs in pink, black and white on blue ground; fringed tongues; pink plaid cloth around ankles

Pair of Moccasins, c. 1890

A'aninin (Gros Ventre)

Not on View
rawhide soles; tanned uppers; beaded geometric designs in green, red, pink, black and white

Pair of Moccasins, 1880

Inuna-ina (Arapaho)

Not on View
rawhide soles; tanned uppers; split tongues trimmed with tin cones; tops beaded overall with geometric designs

Pair of Moccasins, 1890

LakÈŸĂłta

Not on View
rawhide soles; tanned uppers; split tongues; tops beaded overall with stripes and crosses in green, black, red and white

Pair of Moccasins, c. 1890

Nēhiyawak (Cree)

Not on View
buffalo rawhide soles (from parfleche case); tanned deerskin uppers; tops and band around feet beaded with geometric multicolored designs; high collars around ankles with red ribbon trim

Pair of Moccasins, c. 1890

United States

Not on View
rawhide soles; tanned uppers; beaded with geometric designs in blue, green, red and white overall on tops

Pair of Moccasins, 1890

Inuna-ina (Arapaho) and Tsistsistas (Cheyenne)

Not on View
rawhide soles; tanned uppers with red and yellow pigment traces; pink and blue beads on vamps and around edges

Pair of Moccasins, c. 1890

A'aninin (Gros Ventre)

Not on View
rawhide soles; tanned uppers; bifurcated tongues; white, red, pink and blue beads in geometric designs; tin cones and feathers at tongue ends

Pair of Moccasins, c. 1890

A'aninin (Gros Ventre)

Not on View
rawhide soles; tanned uppers; beaded throughout top in red, white and blue, with thunderbirds on vamps

Pair of Moccasins, c. 1890

Tsistsistas (Cheyenne)

Not on View
tanned hide soles and uppers; geometricized floral beaded design on vamps; beaded stripes around heels; blue and red cloth around ankles

Pair of Moccasins, c. 1890

ApsĂĄalooke (Crow)

Not on View
large bowl with rounded bottom; "handle" in the shape of a stylized animal head, with brass tack eyes

Bowl, c. 1750-1850

DakhĂłta

Not on View
rawhide soles; tanned uppers; geometric beaded designs over top in blues, red, pink and yellow; blue plaid cloth around ankles

Pair of Moccasins, 1890

Nakoda (Assiniboine)

Not on View
rawhide soles; tanned uppers; black cloth on collars around ankles; tops decorated with porcupine quills in square motifs; band of beading with triangles around edges

Pair of Moccasins, c. 1900

Nuxbaaga (Hidatsa)

Not on View
rawhide soles; tanned uppers; beaded overall on tops with blues, green, red, yellow and white geometric designs

Pair of Moccasins, c. 1885

Nakoda (Assiniboine)

Not on View
three legs; slightly lobed body; round neck and outward flaring round mouth; one handle in the form of an animal's head with its tongue sticking out; to vertical elements at rim; zigzag/chevron design on body; incised inscription under handle

Ritual wine vessel (jia), 1046-771 BCE

China

Not on View
four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has radiating symmetrical design of circles in a diamond pattern, with filled-in dots of various colors (brown, blue, orange, yellow, and pink) in corners; second sheet from top has pattern in horizontal bands of clusters of circles in various colors, with a brown bar beneath each cluster, with light shading in background overall; second sheet from bottom has a simplified image of a semicircular cape with abstracted design of brown, red, and yellow flowers, orange and pink berries, and green vines and leaves on a blue ground; bottom sheet is text: SHIRLEY TEMPLE - When blue / flannel was first introduced little girls wore / capes of it, decorated with beads, like this one.

Shirley Temple, c. 1938

Mary Sully

Not on View
four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has symmetrical design with blue winged heart at center and green and yellow winged hearts in corners, with green, yellow, and brown leaves, stems, and buds; second sheet from top has red, green, and white repeating patterns with chevrons with scallops, jingle bell-like forms, and rectangular and square wedges; second sheet from bottom has a symmetrical multicolored design with three heart-shaped flowers, half-circle and clover-like forms, and brown and green buds; bottom sheet is text: Spring

Spring, c.1935

Mary Sully

Not on View
four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has symmetrical design similar to an aerial view of a garden with green grounds, central square area with red path, white paths with tear-drop shaped elements near center, curving brown paths, and blue streams with bridges in corners; second sheet from top has overall repeating designs with red deiamonds with blue rectangles, large openwork floral forms in green and brown, and green grid; second sheet from bottom has a symmetrical design with two arches with red, brown, and green, with horizontal bands at top and three rows of arches surrounding forms, with brown elements at bottom; bottom sheet is text: George Ade / (Very generous about letting people enjoy the extensive / grounds on his estate in Indiana)

George Ade, c.1935

Mary Sully

Not on View
three vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has hat-like form with green and brown lines; red arrows at center of left and right edges; green vertical lines at bottom with four small arcing railroad track elements; center sheet has repeating organic vertical pattern with brown and green ovals and red diamonds; bottom sheet has rectangle split into three vertical rectangles; central section has nine geometric elements in red, brown, and grey made of squares and rectangles; left and right sections have red horizontal lines; bottom sheet detached

Steinmetz, c.1935

Mary Sully

Not on View
four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has stylized image of three heads, seen from above--2 with wavy blonde hair, one with black hair and moustache, wearing suit jackets and shirts with dollar signs down the front, drinking from black straws in a milk bottle with a band of dollar signs; red hearts with cracks and symbols and circles in lower quadrants; second sheet from highly stylized symmetrical pattern of three heads with bands of dollar signs around spoked medallion, separated by colored circles; intertwined red, purple, and green hearts; verso: unfinished design at center, similar to recto, with triangular pencil guide marks; second sheet from bottom has geometric design with eight-pointed star at center, surrounded by various multicolored geometric circular bands; geometric rectangular border primarily in green and red; bottom sheet is text: Titled Husbands in USA

Titled Husbands in USA, c.1935

Mary Sully

Not on View

Side chair, c. 1795

United States

Not on View
cylindrical shape with flat shoulder and small, short neck; screw-on cover; decorated overall with scrolling foliage and putti

Scent flask, from a toilette service, 1683

William Fowle

G350

outer edge decorated with flowering scrolled foliage and putti; cylindrical shape; cover decorated with draped figure kneeling before seated figure on throne; charioteer in sky

Powder box, from a toilette service, 1683

William Fowle

G350

scroll feet; hinged cover; sides decorated with relief design of putti, urns, flowers and scrolling foliage; cover scene with two reclining figures at L in high relief, cupid at R and two trumpeting putti

Casket, from a toilette service, 1683

William Fowle

G350

small bulbous-bodied jar on raised foot; decorated overall with flowers and scrolling foliage

Small vase with cover, from a toilette service, 1683

William Fowle

G350

small bulbous-bodied jar on raised foot; decorated overall with flowers and scrolling foliage

Small vase with cover, from a toilette service, 1683

William Fowle

G350

metal frame on four floriform feet; frame decorated with faces, swags, flowers and foliage; central pincushion embroidered with building and trees

Pincushion, from a toilette service, 1683

William Fowle

G350

thick brush with gilt handle decorated with foliate and flower desings

Whisk, from a toilette service, 1683

William Fowle

G350

shallow basin with thick flat rim, decorated with relief flowers and foliage

Basin, from a toilette service, 1683

William Fowle

G350

thick brush with gilt handle decorated with foliate and flower desings

Whisk, from a toilette service, 1683

William Fowle

G350

cylindrical shape with flat shoulder and small, short neck; screw-on cover; decorated overall with scrolling foliage and putti

Scent flask, from a toilette service, 1683

William Fowle

G350

cylindrical container; male and female figures and cupid on cover; sides decorated with foliate design

Patch box with cover, from a toilette service, 1683

William Fowle

G350

outer edge decorated with flowering scrolled foliage and putti; cylindrical shape; cover decorated with two dancing women, woman with arm turning into a branch, man pouring out an urn and three horses in sky

Powder box, from a toilette service, 1683

William Fowle

G350

scroll feet; hinged cover; sides decorated with relief design of putti, urns, flowers and scrolling foliage; cover with scene of collapsing man being supported by two other men; four women and a putti accompany men; low relief building in background

Casket, from a toilette service, 1683

William Fowle

G350

paper collage with red blood drips and blue and gold birds; mostly black and white engravings with colored plants, foliage, and insects at left center and LRQ; imagery includes reclining reading woman with skull in LLC with blue and gold bird with blood drips above her and a butterfly on her head, crowned figure reading in a chariot pulled by a goat with a putto at LRQ, two armed angels with bird above them at top center, text written vertically in ULC, and Jesus in clouds with gold rays in ULQ; received in a medium toned wood frame

Blood Collage, c. 1850-60

John Bingley Garland

Not on View
rectangular pouch with long fringe, partially covered in quills trimmed with blue beads; body decorated with horses on red ground- purple horse on front, white and blue horse on back; beaded detail at top edge

Pipe Bag, late 19th century

LakÈŸĂłta

Not on View

Armchair, c. 1832-1844

Smith Ely

Not on View

Titus and the Vulture, after 1561

Nicolas BĂ©atrizet; Artist: after Michelangelo Buonarroti

Not on View

Freight Cars, No. 2, 1955

Ralston Crawford; Workshop: Mourlot Freres, Paris

Not on View

Boxcar, Yellow and Black, 1952

Ralston Crawford; Printer: Edmond Desjobert, Paris

Not on View

Jesse, Dover Burial Park, Dover, Ohio, 2012

Alec William Soth

Not on View
abstracted image of clouds, rain and waves, with washes of grey and blue

A Storm at Sea, c. 1819-1831

Joseph Mallord William Turner R.A.

Not on View

Under the El II, 1991

Duncan Hannah

Not on View

Under the El II, 1991

Duncan Hannah

Not on View
head and torso of bearded man, with curly hair, holding a thin club over his PR shoulder; PL hand on hip; bare-chested, with lion skin over his PR shoulder

Hercules, 1641-1642

Guercino (Giovanni Francesco Barbieri)

Not on View

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