showing 23 results matching creditline:"The Alfred and Ingrid Lenz Harrison Purchase Fund"

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group of men looking out from behind barbed wire; four men wear striped pants and coats; old man at right leans against a cane

%C2%A9 Estate of Margaret Bourke-White

The Living Dead at Buchenwald, 1945

Margaret Bourke-White

G275

young black man wearing a basketball uniform with the number 33, holding a basketball in his PR hand; tall city apartment buildings in background

Photograph by Richard Avedon %C2%A9The Richard Avedon Foundation

Lew Alcindor, basketball player, 61st Street and Amsterdam Avenue, New York, May 2, 1963, 1963 (printed 1990)

Richard Avedon

Not on View
slightly open pair of long scissors lying on mottled grey ground; long loop of white thread over scissors

Photographs by Ansel Adams. Copyright %C2%A9 by the Trustees of the Ansel Adams Publishing Rights Trust. All Rights Reserved

Scissors and Thread, 1931

Ansel Adams

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damaged wristwatch without a band against light-colored fabric background

%C2%A9 Shomei Tomatsu

Atomic Bomb Damage: Wristwatch Stopped at 11:02, August 9, 1945, Nagasaki, 1961 (printed 1980)

Shomei Tomatsu

Not on View
blurry image of group of shadowy figures wearing helmets at right on wet, shining pavement

%C2%A9 Shomei Tomatsu

Protest 2, Tokyo, 1969 (printed 1974)

Shomei Tomatsu

Not on View
photograph of a street scene with riot police and horses

%C2%A9 Stan Douglas. All rights reserved.

Abbott & Cordova, 7 August 1971, 2008

Stan Douglas

Not on View
woman with bushy black hair in blue dress stands with back to viewer; man's arm holds her around the waist; white frame

%C2%A9 Nan Goldin

The Hug, N.Y.C., 1980

Nan Goldin

G365

[MP-JONES-00410] a: (II) a photograph of wilted white roses on a black background; stems go from LR corner diagonally upward to UL corner [MP-JONES-00415] b: (III) a photograph of wilted white roses on a black background; stems go from LL corner diagonally upward to UR corner

Copyright %C2%A9 2008 Sarah Jones

The Rose Gardens (display: III/white) (II) and (III), 2008

Sarah Jones

Not on View
negative image of classical building with thick fluted columns; fence with X shaped panels in foreground; each panel of tripych framed separately

%C2%A9 Vera Lutter %2F Licensed by Artists Rights Society %28ARS%29%2C New York

Temple of Nettuno, Paestum, XVI, 2015

Vera Lutter

Not on View
hallway scene with large advertisement for Wall Street Journal, reading "Maybe there is a Substitute for Experience" at L; sign pointing the way to terminal K around corner at UR

%C2%A9 Martha Rosler

O'Hare (Chicago), 1986 (printed 2016)

Martha Rosler

Not on View
man in business suit carrying briefcase walking through a wavy tunnel constructed with brightly colored glass panels

%C2%A9 Martha Rosler

O'Hare (Chicago), 1994 (printed 2016)

Martha Rosler

Not on View
black female figure reclined on a couch covered in a floral-patterned blanket; figure wears red, gauzy robe, open, with chest exposed, and a black bodice around the waist, with lace trim at the bottom; animal patterened rugs, with a bright blue wall in background; large plant at right edge; white lamp on a wooden table, with a tattered LP under table leaning against the wall

%C2%A9 Mickalene Thomas %2F Artists Rights Society %28ARS%29%2C NY

Madame Mama Bush, 2012

Mickalene Thomas

Not on View
airport gate waiting area with a large bank of windows overlooking bleak winter runway; red and gray Northwest airplane parked on either end of the window; rows of vinyl seats on red carpeting aligned perpendicularly to window with lone figure at R

%C2%A9 Martha Rosler

Minneapolis, 1991 (printed 2016)

Martha Rosler

Not on View
adult and small child squat on the floor at LL as they look at a large, blue screen with a world map in a green-tinted airport hallway; current times of eight different cities around the world are shown above map

%C2%A9 Martha Rosler

Boise, Idaho, 1986 (printed 2016)

Martha Rosler

Not on View
boy with brown hair wearing a patterned maroon shirt seen behind a counter in a kitchen with white cabinets; ham on a plate and a stack of ears of corn on counters

%C2%A9 Philip-Lorca diCorcia%2C courtesy David Zwirner%2C New York

Brian in the Kitchen, 1988 (printed 1990)

Philip-Lorca diCorcia

Not on View
blurry image of a small group of people with luggage emerging from a slope tunnel; light has orange cast within tunnel; exit sign at UR and UL

%C2%A9 Martha Rosler

JFK TWA Terminal, 1990 (printed 2016)

Martha Rosler

Not on View
[MP-JONES-00206]: color photograph; lower 1/3 is a red couch with pillow on L side and top 2/3 is a white wall

Copyright %C2%A9 2007 Sarah Jones

Analyst (Couch) (I), 2007

Sarah Jones

Not on View
group of six framed photographs installed with one vertical photograph at right and five photographs clustered together at left at a 45-degree angle; each photo printed in black on blue or pink ground with Ben Day dots and framed in black frame Part 1/6 (a): blue; silhouette of running man in profile, wearing a hat Part 2/6 (b): pink; barking aggressive German Shepard dog on its hind legs with arm and leg of man being lunged at by dog at right; crowd at top of image Part 3/6 (c): pink; image on the diagonal; back of torso and PR arm of man swinging a bat Part 4/6 (d): blue; image of back of man with legs wide apart (head out of picture plane) with a dog pulling on the seat of his pants; other figures at top Part 5/6 (e): blue; image of a Black handcuffed woman wearing a dress and white shoes being pulled by her wrists by a uniformed figure and escorted by two other white men in uniforms Part 6/6 (f): blue; two Black men and a Black woman leaning against a brick building while a strong jet of water is strayed at their backs

Blues and Pinks 3, 2020

Carrie Mae Weems

Not on View
color image of battle scene on film set; black cloud of smoking rising on L, behind white screen and crew member facing away from viewer; reinforced trench dug into field at center and R, with more explosions in battlefield in background; production crew with equipment in trench foreground, with people dressed as soldiers further back in trench, firing muskets and facing battlefield

%C2%A9 An-My L%C3%AA

Film Set ("Free State of Jones"), Battle of Corinth, Bush, Louisiana, 2015

An-My LĂŞ

Not on View
color image of street scene; white house on L with black metal railing around porch and stairs to front door; orange building on R with advertisement signs for "Multi Wireless" and two mannequins in window, as well as a blue "For Lease" sign at center, over black graffiti that reads: "Fuck this racist asshole president"; silver sedan parked on street in foreground

%C2%A9 An-My L%C3%AA

November 9, Graffiti, New Orleans, Louisiana, 2015

An-My LĂŞ

Not on View
color image of street scene; grass and paved street in foreground with dark gray car on R; small, landscaped area at center with flowers, hedges, palm trees and a large banner hanging between two columns; monument/statue of figure on horse silhouetted against banner; tan building on L in background; moving vehicle on R in background

%C2%A9 An-My L%C3%AA

Monument, General P.G.T. Beauregard, New Orleans, Louisiana, 2016

An-My LĂŞ

Not on View

Pothi Khana, 2018

Dayanita Singh

Not on View

In the Place of the Public: Observations of a Frequent Flier, 1986 (printed 2016)

Martha Rosler

Not on View

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