Screenprint with applied bronze, silver, and pearl foils in 25 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately red and is one of four related works from the artist's "Take Care of Them" suite. — Wačháŋtognaka | Nurture, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied gold foil in 14 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly blue and is one of four related works from the artist's "Takes Care of Them" suite. — Wówahokuŋkiya | Lead, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied bronze foil in 18 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly green and is one of four related works from the artist's "Takes Care of Them" suite. — Nakíčižiŋ | Protect, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied copper foil in 20 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately gold and is one of four related works from the artist's "Takes Care of Them" suite. — Wókaǧe | Create, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint bleed torn on four edges depicting figures, horses, trees, text, and abstracted indigenous masks in a landscape. — Anti-Retro, 2018
Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

Screenprint torn on four edges to create a bleed image depicting Mound Man (a humanoid effigy earthwork in Wisconsin), trail marker trees, Mississippian mica hand/talon objects, hands signing Exit, and text in a landscape. — Exit, 2019
Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

Lithograph printed from three plates in light gray, brown, and black depicting a coyote laying on its back holding four shadow puppets. Printing order: light grey, brown, and black. — Revisionist History Lesson, 2014
Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G259

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Bertha Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Bessie, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Calpurnia, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Carolina, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Clara Esther, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Emma, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Eva Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Ida Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Jane, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Jesse Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Jonny Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Lilly, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Lucy, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Lula Bell, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Mammy, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Matti Lee, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Pearl, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Rose, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Ruth, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Saphire, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Sarah, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Willy Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition. — Zeddie, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Anna Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Dot, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Fannie Mae, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Queen, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set. — Savannah, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Yellow/Orange, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Red/Orange, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Blue/Orange, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Yellow/Purple, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Red/Purple, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Blue/Purple, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Yellow/Green, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Red/Green, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints. — Blue/Green, 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One print of eight from the suite "The Virgins." A two-color screenprint of a light orange iron shape on an orange background. — Virgin of Creativity (ascending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One print of eight from the suite "The Virgins." A two-color screenprint of an orange iron shape on a light orange background. — Virgin of Creativity (descending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One print of eight from the suite "The Virgins." A two-color screenprint of a light red iron shape on a red background. — Virgin of Desire (ascending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One print of eight from the suite "The Virgins." A two-color screenprint of a red iron shape on a light red background. — Virgin of Desire (descending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One print of eight from the suite "The Virgins." A two-color screenprint of a light green iron shape on a green background. — Virgin of Healing (ascending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One print of eight from the suite "The Virgins." A two-color screenprint of a green iron shape printed on a lighter green background. — Virgin of Healing (descending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One print of eight from the suite "The Virgins." A two-color screenprint of a light fuchsia iron shape on a fuchsia background. — Virgin of Renunciation (ascending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One print of eight from the suite "The Virgins." A two-color screenprint of a fuchsia iron shape on a light fuchsia background. — Virgin of Renunciation (descending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A four run two-color screenprint of a white iron shape on a gray field on the left side and a gray iron shape on a white background on the right. — Virgin of Enlightenment (ascending/descending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A four run two-color screenprint of a light blue iron shape on a blue field on the left side and a blue iron shape on a light blue field on the right. — Virgin of Wisdom (ascending/descending), 2012
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

An edition of nine black-and-white relief prints plus proofs printed from a plywood block carved by the artist with a router. — Sole Sisters, 2013 (published 2018)
Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Matrix for Anna Mae & Lula Bell, from The Beauties series — Printing matrix for "Anna Mae" (top) and "Lula Bell" (bottom), 2012
Willie Cole

Not on View

Matrix for Dot/ & Ida Mae, from The Beauties series — Printing matrix for "Dot" (top) and "Ida Mae" (bottom), 2012
Willie Cole

Not on View

Matrix for Fannie Mae & Ruth, from The Beauties series — Printing matrix for "Fannie Mae" (top) and "Ruth" (bottom), 2012
Willie Cole

Not on View

Matrix for Queen & Lucy, from The Beauties series — Printing matrix for "Queen" (top) and "Lucy" (bottom), 2012
Willie Cole

Not on View

Beauty, Savannah/ Bessie — Printing matrix, 2012
Willie Cole

Not on View

Photolithographic plates created with films of spray paint and stencil drawings created by the artist. Photo polymergravure plate made from a retouched historical photograph of Harriet Tubman. — Harriet, 2018
Rico Gatson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a one-color background from a photolithography plate made with a drawing by the artist, and hand-stitching applied by the artist. — Keepsakes: Ann, 2021
Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a one-color background from a photolithography plate made with a drawing by the artist, and hand-stitching applied by the artist. — Keepsakes: Delita, 2021
Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a two-color background from two photolithography plates made with drawings by the artist, and hand-stitching applied by the artist. — Keepsakes: Joyce, 2021
Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a two-color background from two photo lithography plates made with drawings by the artist, and hand-stitching applied by the artist. — Keepsakes: Karen, 2021
Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Mixed media bleed print employing a portrait hand-drawn by the artist on a lithographic stone, a collagraph plate made from an antique baptism dress collected by the artist, a one-color background from a photolithography plate made with a drawing by the artist, and hand-stitching applied by the artist. — Keepsakes: Malayah, 2021
Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a two-color background from two photolithography plates made with drawings by the artist, and hand-stitching applied by the artist. — Keepsakes: Reneisha, 2021
Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a one-color background from a photolithography plate made with a drawing by the artist, and hand-stitching applied by the artist. — Keepsakes: Trina, 2021
Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

dress form outline; right half is light beige and left half is light grey — Collagraphic printing matrix for Malayah, from the suite "Keepsakes", 2021
Delita Martin

Not on View

photolithograph background; repeated form of outline of pale green leaf — Progressive proof #1 for "Malayah", from the suite "Keepsakes", 2021
Delita Martin

Not on View

photolithograph background and the lithographic portrait from the stone; face of girl over background of leaves — Progressive proof #2 for "Malayah" from "Keepsakes", 2021
Delita Martin

Not on View

photolithographic background, the lithographic portrait from the stone and the dress collagraph; outliine of dress, face of girl, and leaves — Progressive proof #3 for "Malayah" from "Keepsakes", 2021
Delita Martin

Not on View

photolithographic background, the lithographic portrait from the stone, the dress collagraph and the hand-stitched embroidery; rust colored thread sewn in shape of outline of leaves, outline of dress, face of girl, and leaves — Progressive proof #4 for "Malayah," from "Keepsakes", 2021
Delita Martin

Not on View

Bound progressive proof set for "Entropia (review)." — Set of progressive proofs bound as a flipbook, 2004
Julie Mehretu

Not on View

Lithographic pencil on stone printed in Shop Mix black on natural kitakata chine collé; solid hard-edged intaglio aquatints printed in Bone black; screenprinting in opaque white and semi-transparent white; and screenprinting in flat black. — Complete Isolation, 2005
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite intaglio printed in warm brown on natural kitakata chine collé; solid hard-edged aquatints printed in Bone black; screenprinting in opaque white; and screenprinting in flat black. — Organized Opposition, 2005
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Lithographic pencil on stone with deleted negative shape printed in Shop Mix black on kitakata chine collé; solid hard-edged aquatints printed in Bone black; and screenprinting in opaque white. — Strange Amalgamation, 2005
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Lithographic pencil on stone with deletions creating positive shapes printed in Shop Mix black on white gampi chine collé; spit-bite intaglio in warm brown; and solid hard-edged aquatints printed in Bone black. — Faithful Manipulation, 2005
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Lithographic pencil and tushe splatters on stone printed in Shop Mix black on natural kitakata chine collé; solid hard-edged aquatints printed in Bone black; and screenprinting in opaque white and semi-transparent white. — Interrupted Universe, 2005
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite intaglio printed in warm brown on natural kitakata chine collé; solid hard-edged aquatints printed in Bone black; screenprinting in opaque white and semi-transparent white; and screenprinting in flat black. — The Science of Symmetry, 2005
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Lithographic pencil on stone with a deleted negative shape printed in Shop Mix black on okawara chine collé; solid hard-edged aquatints printed in Bone black; and screenprinting in opaque and transparent white inks. — Reworked Iconography, 2005
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Unpublished proof of intaglio and lithography. — Waiting Cloud, 2005
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eight-color lithograph and screenprint. — Bottomless Pleasure, 2012
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Nine-color lithograph and screenprint. — Double Take, 2012
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eight-color lithograph and screenprint. — Open Translation, 2012
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Eight-color lithograph and screenprint. — Hearing Voices, 2012
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Nine-color lithograph and screenprint. — Momentum, 2012
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Nine-color lithograph and screenprint. — Turning the Tables, 2012
Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A suite of eight prints from nine laser-engraved Plexiglas plates in the shape of a flying bird, five bird heads, a woman's legs, an ape, and an abstract shape in red, blue, and black inks. The plates were printed in four fixed overlapping arrangements designed by the artist by chance. Seen as a group, these arrangements suggest the nine shapes being tossed to the side, bottom, or top edges of the picture frame. Four panels of the eight were printed in these arrangements with the plates inked and wiped intaglio style only. The other four were printed in these arrangements after adding a relief roll of ink in addition to the inked and wiped lines. The intaglio printed lines stand visibly on the relief printed flats. — Skeleton Images – Azar Compositions #4, 2010
Carlos Amorales; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A single lithographic drawing from "Architectonic vs. HR" panel number 11 printed in black. — Untitled, 2006
Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Lithograph printed in black shop mix ink from stone. — James Brown, 2005
Donovan Durham; Printer: Highpoint Editions, Minneapolis; Publisher: Donovan Durham

Not on View

One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions. — It’s just my Rough habits, I guess, 2002
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Six-color bleed print lithograph printed split-fount from three plates on kitakata paper. The artist made additions in watercolor and bee's wax was applied over all. The print was then adhered to the Arches Cover backing sheet. — Vertical Diptych, 2005
Joel Janowitz; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Intaglio printed in brown ink from one plate made by the artist using the spit-bite technique. — It seldom matters, the words you say, 2009
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Cloth-bound portfolio box containing twelve soft-ground etchings drawn by the artist and printed in black on natural gampi chine collé and white Somerset Satin paper, a soft-ground etching text written by the artist and printed in black on white Somerset Satin paper, and a screenprinted title page. — Three Questions XII, 2003
Mary Esch; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

A single lithographic drawing from "Architectonic vs. HR" panel number 3 printed in black. — Untitled, 2006
Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Intaglio with white gampi chine collé printed in light green from one steel faced copper plate made by the artist using the spit-bite technique. — Untitled, 2003
Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Copyright %C2%A9 Todd Norsten%2C published by Highpoint Editions

Something Real Authentic True, 2011

Todd Norsten; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One-color intaglio printed in black ink with gampi chine collé (colored with blue, green, yellow, turquoise, orange, and the artist's blood) plus iron and saffron transfer during printing. Hard-ground and lift-ground techniques were used to create the copper intaglio plate. After drying and flattening, the artist applied copper, silver, and pale gold foil and applied pale green watercolor. — North, 2002
Stuart Nielsen; Printer: Highpoint Editions, Minneapolis; Publisher: Basic Content, Minneapolis

Not on View

One-color bleed, printed in silver ink from a suite of seven prints titled "The Seventh Thread had Greenish Walls A Bathroom in the Hall." Printed at North Dakota State University during the 2008 Mid-American Print Council Conference. — 8 Ways to trash the Tonsberg shop, 2009
Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

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