unsigned; grey and white outline of a junk with two figures at front; towing dinghy — A Junk, printing order no. 1 (keyblock impression), 1939
Yoshida Hiroshi (self-published)

Not on View

a group of men gathered around campfire with kettle at LR; man sitting inside brown tent near center; dark, snowy landscape in middle ground with mountains and looming clouds in background — Bivouac: Kitadake and Ainodake, 1928
Yoshida Hiroshi (self-published)

Not on View

flat planes of color; squat lantern in foreground with cutouts; orange leaves on trees; white wall topped with grey roof tiles in background — Lantern and Maples, 1964
Yoshida Tōshi (self-published)

Not on View

quiet river with reeds at LR and dock-like structure with tall poles and fishing gear (?) in center; in background, a flat landscape with two buildings nestled among trees; dense trees in background, reflecting on water in foreground; dusk or twilight — Yoshikawa, 1935
Yoshida Hiroshi (self-published)

Not on View

somewhat abstract scene; white, rippled moon in upper center amidst green, teal, and purple background; tall black column along R edge; choppy, almost reef-like vertical black lines rising from bottom to center of image — Nocturnal, 1962
Yoshida Tōshi (self-published)

Not on View

groups of women walk on rainy street; tall pagoda rises at center; blossoming trees dominate the frame; pinkish cast to image — Ueno Park, 1937
Yoshida Hiroshi (self-published)

Not on View

view of harbor and village: light mountains at horizon; a few ships in harbor; shore curves inward into a peninsula at R with tall rocks and trees; dense village rooftops line the shore at R and center; rolling rocks or hills highlighted in light brow in foreground with dark foliage — Harbor View, first half 20th century
Yoshida Hiroshi

Not on View

two women walking on rainy street, both carrying umbrellas; woman in front wears an orange kimono and carries a bundle wrapped in red cloth; woman in back wears purple and white jacket and green kimono with black and white scrolls; three men inside porch at left — Umbrella, 1940
Yoshida Tōshi (self-published)

Not on View

lush blooming peony garden within a wooden structure; at center, a young woman in blue kimono with pink coat addresses a young girl while an older woman in purple kimono looks at the child; at UL, a group of women and a few men take in the gardens — The Tokugawa Peony Garden at Ochiai, 1928
Yoshida Hiroshi (self-published)

Not on View

human figure dressed in blue, squatting in field with back to viewer, basket at PR side; autumnal landscape; river at LL, trees in background — Gathering Stones, c. 1982-1984
Micah Schwaberow

Not on View

wooden gate in middle ground; woman behind gate attempts to assist young girl in crossing through gate to front; outside, a woman standing near blossoming plum tree at LR, with baby on back, looks on; trees at varying heights in background — Plum Gateway, 1935
Yoshida Hiroshi (self-published)

Not on View

unsigned; sailboat with 3 sails at center; reflection of sailboat in rippling water; hint of shore with other boats and reeds in distance at L — Sail Boat, 1923
Yoshida Hiroshi (self-published)

Not on View

twilight scene: snowy mountain, silhouetted hills, and low buildings in middle and background; river in foreground reflecting the scene — Itoigawa in the Evening, 1929
Yoshida Hiroshi (self-published)

Not on View

shrine complex with many buildings; many steps at left; figures walking up and down steps; three very tall trees in middleground; red building at left — Nikko, 1940
Yoshida Tōshi (self-published)

Not on View

planes of color; embossed lines (rock garden) in foreground with grass and bushes beyond; dark blue calm water in middle ground; rocks and foliage at far bank at top of image — Tenryūji Garden, 1963
Yoshida Tōshi (self-published)

Not on View

two young women walking down a street; woman on left wears a grey and white kimono and a purple and pink jacket and carries a grey parasol; woman on right wears a black kimono with pink leaves and a salmon-colored jacket; two women with one holding a baby, accompanied by a dog, in background at left; tree visible behind fence wall at right — Kikuzaka Street, 1939
Yoshida Tōshi (self-published)

Not on View

a very small, lone homestead with smoke rising from chimney at center sits in the valley of a vast mountain scene; brown rolling hills and snow-covered tundra in foreground (homestead is nestled at center in distance); rocky, snow-covered purple mountains in background; large, ominous cloudbank at UL — Tateyama Betsuzan, 1926
Yoshida Hiroshi (self-published); Carver: Murakami

Not on View

twilight scene of a lake and mountains: at left, a silhouette of a boat with 2 sails and 2 human figures; in center, a silhouette of a steamship with glowing orange windows; lights from ship and along shore are reflected in the water — Kōnoshima, 1930
Yoshida Hiroshi (self-published)

Not on View

village scene with many blossoming white and pink plum trees; farmland in center; large building at LR with a man in tan suit and woman in pink kimono with blue obi sitting on verandah; green bushes and shrubs at LR; mountains in background — Village of Plums, 1951
Yoshida Tōshi (self-published)

Not on View

two groups of women in foreground washing clothing along the banks of a quiet river; boats parked at bank of opposite shore; short, steep bank behind boats leading up to large two-story temple gate; cluster of buildings on L and trees on R of gate — Daedong Gate, 1937
Yoshida Hiroshi (self-published)

Not on View

ocean beach scene: beach with large rock at LR; gentle waves lapping against sandy beach; small rock formation at center; various boats in middle ground; taller, larger rock formation at L in horizon — Ohara Beach, 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

Not on View

red shrine with blooming cherry tree; woman in green kimono with child in red kimono in foreground feeding birds with other figures in middle ground — Hie Jinja, 1940
Yoshida Tōshi (self-published)

Not on View

in foreground, a woman in kimono walks along riverbank at LR; a line of boats in the river in middle ground; blossoming trees; in background, a steep mountain with dense foliage — Arashiyama, 1935
Yoshida Hiroshi (self-published)

Not on View

tall, heavily decorated, multi-story temple gate at center; human figure descending the stairs in front; temple grounds and tall trees in background — Yomei Gate, 1937
Yoshida Hiroshi (self-published)

Not on View

abstract biomorphic slightly asymmetrical form in variegated shades of rose, grey and yellow-green; grey and white ground of looping and radiating parallel curved lines, with some shades of green and rose around center — Misty Dance, 1957
Yoshida Tōshi (self-published)

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large, abstract tan figure in center with thick black lines outlining its shape; thick black swirl at LLC with upward curving thick black lines extending from its R side; the lines contain thick circles and squares; small red, white, and black striped semi-coiled snake-like figure in ULQ slithering over a circle drawn in ULQ of tan figure; charcoal grey background — Snake, Mexico, 1955
Yoshida Hodaka (self-published)

Not on View

interior view of temple structure; large red paper lantern hangs from the ceiling between supports near center; other smaller, white lanterns also suspended from ceiling; a few visitors touring the building, including a woman in blue kimono lower center who appears to gaze up to the lantern — Ishiyama Temple, 1946
Yoshida Tōshi (self-published)

Not on View

a row of buildings with red roofs; human figure carrying large pack on back walks between two buildings at R; white center building has thatched roof and sits in front of a large barn with high pitched, red roof in back; green foliage in foreground, mountains and trees in background — Below the Duck Pond, 1982
Micah Schwaberow

Not on View

abstracted image of a standing nude woman with PL leg raised and knee bent, made of arcing lines; white lines, rust-brown ground — No. 12, 1953
Yoshida Tōshi (self-published)

Not on View

ducks on shore and swimming in water in foreground; four children and adult with baby on back on a path in front of white and grey buildings in middle ground; mountain peak, ULQ — Matsumoto, 1940
Yoshida Tōshi (self-published)

Not on View

surrealist landscape with blue vertical forked spires and yellow, green, and grey circles; oval cluster of light spots ULQ resembles a cloud; rust colored horizon across lower quadrant; brown foreground with light spots at bottom — Toward the Sky, 1965
Yoshida Tōshi (self-published)

Not on View

portrait of a male lion, lying down; printed in orange and black — Lion, 1974
Yoshida Tōshi (self-published)

Not on View

large orange and white shrine building occupies most of the scene at L; people depicted on and around the stairway; two women at LL approach the grounds while two women, one with orange umbrella near LR approach the stairs; white wall and silhouettes of trees in background at R — Omuro, 1940
Yoshida Hiroshi (self-published)

Not on View

small scene depicting boats with sails on a calm sea; silhouette of small mountains in background; a few lights from the distant shore reflecting on the water — Takahama Port on the Inland Sea, 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

Not on View

white snow-covered mountain peaks in distance; pale orange sky; flat landscape in foreground with scattered trees and some water at front — Daisetsuzan, 1984
Yoshida Tōshi (self-published)

Not on View

abstracted image of woman's head with eyes and nose delineated; white arcs separating colored planes--browns, grey, mottled greens, khaki, orange and brown — Woman in Bagdad, 1954
Yoshida Tōshi (self-published)

Not on View

twilight or sunrise seascape: blue rock formation in foreground; grey seascape (resembles cloudbank) and purple rock formation in middle ground; pink, orange, and grey sky in background — Yatsugatake after Rain (Seen from Ishimuro, Komagatake), 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

Not on View

busy pedestrian street in evening; three large lanterns, red and white, with black Japanese text; other signs and lights; shops with curtains over doorways; figures walking including woman in red kimono with a pink bundle with child, both seen from back, in LLQ, and young woman in purple kimono and green jacket in LRQ — Shinjuku, 1938
Yoshida Tōshi (self-published)

Not on View

mountain scene: rocky, snowy mountains rendered in grey, blue, purple, white, blue, and pink — Jungfrau, 1925
Yoshida Hiroshi (self-published)

Not on View

in foreground: gently rolling slopes with stream through center, trees, reeds, rocks; lake in background with sailboats, mountains — Garden by Lake Biwa, 1933
Yoshida Hiroshi (self-published)

Not on View

flat planes of color; two trees in foreground; rocks in middle ground; white wall topped with black and blue roof tiles in background; three birds--one on low branch, one on rock at center bottom, one in high branch at top center — White Wall, 1964
Yoshida Tōshi (self-published)

Not on View

herd of game animals running across scene; three of the animals are highlighted, two at far L, and one at R; animal at R turns head to look behind while running; a few dead trees against silhouetted thicket of trees in middle ground; pronounced wood grain texture and horizontal lines; rendered in browns, yellows, reds, and oranges — One Day in East Africa No. 4, 1981
Yoshida Tōshi (self-published)

Not on View

building with cone-shaped gold dome in background center; buildings and palm trees glowing orange in sunset in middle ground; two water buffalo in water in foreground, with figures walking through a grey archway; pink sky — Rangoon, 1984
Yoshida Tōshi (self-published)

Not on View

blocky, human-like figure rendered in brown, black, and grey, wearing white skirt stands on one foot; six arms in various positions in the air; black hair in bun on top of head; figure casts three shadows: one large shadow at R in black; shadow above and behind figure in reddish-brown; and smaller shadow behind figure's legs in grey — Ashura, 1954
Yoshida Hodaka (self-published)

Not on View

two birds in a wood cage; birds are greey with black and white heads and red beaks — Java Sparrow, 1927
Yoshida Tōshi (self-published)

Not on View

waterway with buildings at left and right; six boats; tree at right; family in boat in foreground — Iidabashi, 1939
Yoshida Tōshi (self-published)

Not on View

woman in green kimono with red jacket leads an unwilling little boy through a temple gate; large cherry tree at LR with pink blossoms against a pink sky; green foliage in background — Cherry Blossoms by the Gate, 1951
Yoshida Tōshi (self-published)

Not on View

canal with boats lining each side; houses along R side and in background; figures working on and around boats; three ducks swimming at center — Urayasu, 1951
Yoshida Tōshi (self-published)

Not on View

human figure wearing thick jacket with hood around head, leaning against table; resting face in PR hand; closed book on table at LR; rendered in greys — Winter Self, 1984
Micah Schwaberow

Not on View

large white hotel situated in grove of trees with loop-around driveway in foreground; large lake with shoreline and road in middle ground; rising, snow-covered Mt. Fuji in background — Fuji New Grand Hotel, Lake Yamanaka, c. 1937
Yoshida Hiroshi (self-published)

Not on View

two crescent shaped forms with abstract, forked and zigzagging forms across upper portion of image; in browns and oranges; in lower portion, same abstract shape is echoed vertically in silver pigment, and horizontally in UR; faint silver border — From the Star, Day, 1957
Yoshida Tōshi (self-published)

Not on View

nude woman reclining on PR; green background; green and white patterned cloth draped between the woman's legs; banner at top and bottom reads, "In my mind I see us dancing, like autumn leaves gathered by the wind/the music touching me in special places...as you do/ from a poem by L.S." — I See Us Dancing, c. 1982-1984
Micah Schwaberow

Not on View

night scene: two women in kimono with umbrella peer into a shop window at LL; reflection from warm indoor lights on wet street; in middle ground, a multi-story building with bicycle parked in front and illuminated paper lanterns contrasts against the dark night scene — Night in Kyoto, 1933
Yoshida Hiroshi (self-published)

Not on View

silhouette of a robed figure standing on top of a mountain ledge holding staff; blue clouds and mountain peaks below; orange, white, and blue sky above — After Hiroshi (For H. Ed. Robison), 1989
Micah Schwaberow

Not on View

grey and white parallel lines in foreground (rock garden?); trees and shrubs in middle ground; building in maroon and lavender topped with a rooster at center background — Ginkakuji Garden, 1963
Yoshida Tōshi (self-published)

Not on View

off-white tie with abstract black geometric pattern embroidered in black; blue, gray, yellow, and red squares within black patterns — Embroidered Tie, second half 20th century
Yoshida Tōshi

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five-level blue and white castle tower on top of hill in background, center; rosy sky; green farmland in middle ground; trees and foliage in foreground — Shirasagi Castle, 1942
Yoshida Tōshi (self-published)

Not on View

abstracted linear image of a female nude--white lines on brown ground — No. 6, 1952
Yoshida Tōshi (self-published)

Not on View

peak of Mt. Fuji glowing pink; grey sky and blue-grey landscape with silhouetted trees — Mt. Fuji from Gotenba, 1987
Yoshida Tōshi (self-published)

Not on View

wide river with bridge in background; 4 boats tethered at LL of image, a human figure working in the furthest boat from shore; tree and grass lined banks at L with a few buildings in background — Yodo River, 1942
Yoshida Tōshi (self-published)

Not on View

white swans swimming on blue water with brown wall at left and short brown wall at right; green vertical lines of foliage at top; suggestions of rooftops in ULQ; some embossing; lightly abstracted image — Bruges, 1955
Yoshida Tōshi (self-published)

Not on View

commercially printed Christmas card with small image of Astroboy flying around a dragon carrying two older men at LRQ; long typed message on card — Greeting Cards to H.E. Robison, second half 20th century
Unknown Japanese

Not on View

two owls perched on a chestnut tree branch; owl at L has eyes shut, owl at R has eyes wide open; green and brown autumnal leaves and chestnuts surround; moon rising at LL — Two Owls, 1970
Yoshida Tōshi (self-published)

Not on View

snow-covered purple and pink mountain in background; band of silhouetted pine trees in middle ground; meadow with rocks, pink and yellow blossoms, and curving river reflecting mountain in foreground — Mount Rainier, 1925
Yoshida Hiroshi (self-published)

Not on View

white buildings with red roofs and palm trees in distance in middle ground; orange and brown mountain peaks topped with white and orange buildings at top of image; brilliant blue sky — Tiruchchirappalli, 1984
Yoshida Tōshi (self-published)

Not on View

man in worker's clothing guiding a pallet of large logs down wooden steps in a forest — Kikori, late 20th century
Joshua Rome

Not on View

view of orange, green and grey rooftops of a crowded city; thin tree in foreground; foliage with pink and orange blooms at bottom; grey sky; shin hanga (fūkei-ga) — San Francisco, 1985
Yoshida Tōshi (self-published)

Not on View

dusk; wide street with buildings on L side and a man crouching over a bucket on a porch; very tall inscribed white banner near center across from a torii gate; near center, a family of 6 walks down the street, away from the torii gate; at right, a large inscribed egg-shaped rock and a garden; more buildings, people, and mountains in background — Shrine of the Paper Makers, 1951
Yoshida Tōshi (self-published)

Not on View

%C2%A9 Yoshida T%C5%8Dshi

Crabs, 1925

Yoshida Tōshi (self-published)

Not on View

view of boats and people, with shoreline at right; pale tan arched bridge at center with pedestrians walking over it; weep willow tree in URQ — Suzhou, 1940
Yoshida Hiroshi (self-published)

Not on View

two women in kimono (one holding umbrella in PR hand) stroll close together at LR in front of a pond; in middle ground, an orange pagoda sits atop a white base; blossoming trees and shrine buildings in background — Shinobazu Pond, 1928
Yoshida Hiroshi (self-published)

Not on View

scene in a garden with numerous stone lamps of various kinds and many potted plants; squatting man at left tending to a bonsai, wearing a blue tunic, grey pants and a white headband — Stone Lanterns, 1941
Yoshida Tōshi (self-published)

Not on View

kneeling woman with white towel around neck holding melon or squash on her lap with both hands; woman is facing viewer; wears straw hat, blue and purple button up blouse, and blue and purple patterned skirt with apron — Ohayo Gozaimas Lady, 1983
Micah Schwaberow

Not on View

autumn garden scene: birch trees with orange and yellow leaves in foreground; stone pathway to a wooden gate amid green and yellow grass; bushes; and brightly colored red, yellow, orange, and green foliage in far background — Sangetsu-an, Hakone Museum, 1954
Yoshida Tōshi (self-published)

Not on View

half-circle footbridge in middle ground over calm water; small buildings at left and right; many people walking; gnarled tree with purple hanging blooms across top of image — Half Moon Bridge, 1941
Yoshida Tōshi (self-published)

Not on View

large open brown wood gateway; pond in foreground with rocks; group of figures walking beneath gateway with other figures in middle and background; mountain in far background — Benten Torii at Nezugaseki, 1939
Yoshida Hiroshi (self-published)

Not on View

image in tans and oranges of silhouettes of five figures carrying jugs on their heads, accompanied by a child, right of center; silhouettes of trees; two other groups of figures in middle ground — Morning Mist, 1987
Yoshida Tōshi (self-published)

Not on View

abstract image of woman's head formed with white arcing lines separating planes of color--peach, red, black, grey and white — Spanish Girl, 1954
Yoshida Tōshi (self-published)

Not on View

three figures in foreground with two oxen pulling cart; tan and brown buildings and foliage in middle ground; orange-yellow buildings blending into side of bluff in background; brilliant blue sky — Gwalior, 1984
Yoshida Tōshi (self-published)

Not on View

Keyblock proof (kyōgōzuri 校合摺); black line outline for color print: large mountain in background; band of trees in middle ground; prairie with blossoms and a stream in middle and foreground — Keyblock impression for "Mt. Rainier", 1925
Yoshida Hiroshi

Not on View

tea house in center middle ground behind three towering fir trees; path is surrounded by bushes full of pink and white blossoms — Teahouse, 1938
Yoshida Hiroshi (self-published)

Not on View

Mt. Fuji, partially covered in snow in background, silhouettes of trees in middle ground; reflection of Mt. Fuji in river in foreground — Fuji in the Evening, 1928
Yoshida Hiroshi (self-published); Carver: Maeda Yūjirō

Not on View

window with scalloped top archway and view of rock and branches; wooden elements on white wall; blue and grey horizontal elements at top — Window and Stone Garden, 1963
Yoshida Tōshi (self-published)

Not on View

three men with large bundles on their backs hiking up the snowy face of a mountain; walking sticks in PR hands; a group of 4 men gathered near UR; mountain continues in background — Climbing a Snow Valley at Harinoki, 1926
Yoshida Hiroshi (self-published); Carver: Murakami

Not on View

garden with still pond; figure in maroon standing on a walkway with a small bridge over pond; two seated figures wearing blue kimonos with white dots in foreground, LLQ; green, grey and tan earth tones — Linnoji Garden, 1941
Yoshida Tōshi (self-published)

Not on View

%C2%A9 Yoshida Hodaka

Maya's Sacrifice, 1955

Yoshida Hodaka (self-published)

Not on View

flat, rocky riverbank in foreground; river with a line of boats--two with sails--in middle ground; rising, tree covered hills and bluffs in background — Tenryu River, 1942
Yoshida Tōshi (self-published)

Not on View

pond with temple and grounds; silhouette of a 5 storied pagoda; silhouettes of trees in background; branches from willow in foreground — Sarusawa Pond, 1933
Yoshida Hiroshi (self-published)

Not on View

rocky shore of a waterway; multicolored rocks dominate the foreground and along LR edge; water in middle ground; a cluster of buildings at center; silhouette of tree-covered bluff at UL, large, snowy mountain in background — Kajiyashiki, 1929
Yoshida Hiroshi (self-published)

Not on View

unsigned; junk with two sails towing a dinghy; grey-brown color — A Junk, printing order no. 2, 1939
Yoshida Hiroshi (self-published)

Not on View

rocky, somewhat abstract seascape: black and blue horizontal lines make up the calm water; black rocks in background are striped with purple designs; in foreground, black rocks punctuated with yellow details including yellow outline of partially overturned car (?); hints of abstract foliage at R with green; patterns in rocks and foliage resemble textile patterns; rich, saturated black, blue, purple, yellow, and greens; sky is mostly white save a strip of blue gradient at top with white moon — Landscape M-A, 1972
Yoshida Hodaka (self-published)

Not on View

vantage point taken from snowy cliff with snow-covered pine trees; looking down onto snow-covered rooftops at LL; snow-covered land with trees and a few buildings in middle ground; rolling low mountain with trees and snow in background — Myōkō Hot Springs, 1955
Yoshida Tōshi (self-published)

Not on View

groups of women walk on rainy street; tall pagoda rises at center; blossoming trees dominate the frame; greenish cast to image — Ueno Park, 1937
Yoshida Hiroshi (self-published)

Not on View

view through the silhouette of an archway, with silhouetted heads of seated and standing figures before railing at bottom in foreground; building with orange tile roof; people on street; street lights at right; shin hanga (fūkei-ga) — Havana in 1954, 1985
Yoshida Tōshi (self-published)

Not on View

village in a valley near mountains; church with other stone buildings and a stream near center; golden rolling hills with shrubs in foreground and LL; rising golden bluff in background with towering blue and white mountain behind — Matterhorn, 1925
Yoshida Hiroshi (self-published)

Not on View

a procession of farm animals; from L: a sheep, a donkey chicken, calf, duck, and a steer; blue background with wood grain; two palm trees at L — Animals, second half 20th century
Clement Hurd

Not on View

night view with silhouette of large ocean liner with lights in portholes; smaller boats in foreground — Night in the Harbor, 1938
Yoshida Hiroshi (self-published)

Not on View

scene of a calm bay with a few scattered boats; low blue and grey mountains in background; small cluster of houses and buildings nestled next to a rolling green hill at LR in foreground — A Calm Day, 1930
Yoshida Hiroshi (self-published)

Not on View

two women in kimono, one holding an umbrella cross over a double arched stone bridge; pond with blossoming lily pads in foreground; large willow tree in middle ground at L; white building with willow tree in middle ground at R — Willow and Stone Bridge, 1926
Yoshida Hiroshi (self-published)

Not on View

darkened interior of a kitchen/workshop; two figures work inside: one at LR stokes the fire inside an oven while the other stands over a sink or workbench near a half open window; room contains large pots, a table with a bench, and an elevated surface at L; just behind crouching figure at R is an open doorway looking out onto trees and chickens — Farmhouse, 1946
Yoshida Hiroshi (self-published)

Not on View

scene of various moored boats in a calm bay in foreground; small village in middle ground; rolling green hills and purple mountains in background; scene has slightly orange cast reflecting time of day — Waiting for the Tide, 1930
Yoshida Hiroshi (self-published)

Not on View

autumnal landscape: amber and green colored plots of farmland in lower half of scene dotted with small houses and farm buildings; blue river separates farmland from orange, red, green, and purple hills; snow-covered Mt. Fuji in background against a yellow sky — Mt. Fuji from Ohito, Autumn, 1962
Yoshida Tōshi (self-published)

Not on View

two young women in brilliant, ornate kimono walk in sync, holding their front skirts up with PL hands; shrine grounds in background with richly saturated orange, white, and green details; blossoming pink cherry tree just behind the two Maiko — Maiko, c. 1929
Yoshida Hiroshi (self-published)

Not on View

Japanese street at night with shops at left; red lanterns on shops; woman in purple kimono in LRQ; figures in silhouette on street at right; another woman in a pale purple kimono at left at shop counter — Hyōroku, 1951
Yoshida Tōshi (self-published)

Not on View

people dressed in kimonos in front of an elaborate white, green and yellow gateway with three snarling carved animals on top; woman in foreground wearing green and purple kimono, LLQ — Okaramon, 1940
Yoshida Tōshi (self-published)

Not on View

two stepped tapering temple towers; colonnade in middle ground, with steps leading down to water in front; pinkish-orange sky; greyish water — Madurai, 1984
Yoshida Tōshi (self-published)

Not on View

canal on L with a number of boats parked along the banks; a row of houses lines the right side of the canal; a human figure at center walks away from a boat towards a house under a line of colorful hanging laundry — An Osaka Canal, 1941
Yoshida Hiroshi (self-published)

Not on View

autumnal farm scene: brown and golden field in foreground with dilapidated barn or shed at center; small tree with a few leaves to R of structure; leaves caught in a breeze are suspended in the air behind the structure; the sky is olive/tan colored — Wind, 1970s - 1980s
Yoshida Tsukasa (self-published)

Not on View

autumn scene; vibrant yellow, red, orange, and green foliage in middle ground reflected in river in foreground; gently rising mountain in background — Suiren Marsh at Hakkōdasan, 1929
Yoshida Hiroshi (self-published)

Not on View

underwater scene: orange, yellow, pink, and mustard colored corals on a rock with green seaweed; two small seahorses in the background of image near top — Sea Horses, 1952
Yoshida Tōshi (self-published)

Not on View

square building with roof with upturned corners on top and first story; building set back and reflected in water in foreground; predominantly shades of green and blue — The Golden Pavilion, 1933
Yoshida Hiroshi (self-published)

Not on View

darkened interior of a palace, looking out; a group of women stand near a staircase at L; large columns support the interior; a group of women at R, behind columns, near stone monument; view looks out onto lattice-wall and out into a lush pink and green garden — Changgyong Palace, 1937
Yoshida Hiroshi (self-published)

Not on View

abstracted image of standing nude made of white arcing lines; mottled greens and peach — Nude, 1954
Yoshida Tōshi (self-published)

Not on View

steep grey stone steps leading up to a richly colored red and white 5-storied pagoda; lush green foliage surrounds the scene — Pagoda in Murō, 1954
Yoshida Hodaka (self-published)

Not on View

a small group of women in colorful kimono gathered in center near one story pagoda built atop a white rock-like structure with arch; towering, blossoming cherry tree with supports at L; foliage and low structures in background — The Cherry Tree at Kawagoe, 1935
Yoshida Hiroshi (self-published)

Not on View

garden scene: large garden pond in foreground with island and trees; reflections of garden trees and landscape in pond; pavilions, trees, shrubs, and blooming trees in background; three white swans in pond at LLC; self-published — A Garden in Okayama on a Spring Morning, 1933
Yoshida Hiroshi

Not on View

small red shrine with greenish-tan roof in a grove of very tall trees — Sacred Grove, 1941
Yoshida Tōshi (self-published)

Not on View

glowing lanterns hanging under the eaves of a multi-storied temple; people gathered around the balcony of the temple; silhouettes of trees in background — Evening in Nara, 1933
Yoshida Hiroshi (self-published)

Not on View

boat with three sails and small dinghy at center, reflecting on water; silhouettes of smaller boats at UL; pink and purple are dominant colors — Sailing Boats: Evening, 1926
Yoshida Hiroshi (self-published)

Not on View

abstract image; biomorphic and geometric form in black with brightly colored geometric elements; yellow-green radiating background; shin hanga (fūkei-ga) — Festival in Spring, 1962
Yoshida Tōshi (self-published)

Not on View

abstract portrait of a woman made up of white arcing lines on mottled brown/tan ground — German Girl, 1954
Yoshida Tōshi (self-published)

Not on View

abstract image: deep purple background with trail of vertical lavender colored "dumbbell" figures ascending from LLC to upper quadrant; a few horizontal cream colored "dumbbell" shaped figures bisect some of the lavender figures; light blue, dark blue, and some maroon colored circles and squares in background, some of the light blue shapes also begin at LL and ascend into top quadrant — Night, 1954
Yoshida Hodaka (self-published)

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evening/nighttime scene of gold carved lantern atop a pedestal at LR; at L, a portion of a temple building (housing a gold bell?) on a stone foundation; low wall in background with towering, shadow-like foliage behind — Toro V, 1984
M. J. Erickson

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a mother grouse in center facing L with 4 chicks; one chick is under PL wing; three chicks at LL — Raichō, 1930
Yoshida Tōshi (self-published)

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road or river at LL curving into background; dark trees at LL and dark foliage at LR; horizontal bands of silhouetted foliage in middle ground, lightening in hue and saturation towards back; low mountain in background; rendered in pinks, oranges, and blues — Sunset in Miasa, 1980
Yoshida Tsukasa (self-published)

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flat planes of color with embossing; brown lantern in foreground, smaller lantern in background at left center; orange leaves on tree — Two Lanterns, 1964
Yoshida Tōshi (self-published)

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abstracted image of a standing nude woman with PL leg raised and knee bent, made of arcing lines; white lines, rust-brown ground (slightly darker than 2013.29.513) — No. 12, 1952
Yoshida Tōshi (self-published)

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front view of a temple entrance: wooden temple gate with moss-covered tile roof; lanterns; two figures just inside at L; view of garden and blossoming tree inside; outside is the front wall and stone bridge — The Gate to Bunnosuke Teahouse, 1933
Yoshida Hiroshi (self-published)

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autumn scene: small garden with grey pathway and amber-colored plots with small bushes, rocks in foreground; part of white building at R; pond with small waterfall, green bushes, rocks, and red Japanese maple trees in middle ground; orange, red, yellow forest with mountains and rising steam in background — Autumn in Hakone Museum, 1954
Yoshida Tōshi (self-published)

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two women in kimono with umbrellas walking through flooded street (or pond?) at L; in background is a small hill with large, blossoming tree with supports and lattice; silhouettes of trees in far back — Spring Rain, 1935
Yoshida Hiroshi (self-published)

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snowy mountain peak with pink colors; pinkish-purple sky; blue-lavender colors behind foreground trees and rooftops — Early Spring in Azumino, 1989
Yoshida Tōshi (self-published)

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diverse groups of people in very colorful clothing the long, covered porch of a grey stucco building; women in colorful shawls and long dresses seated along colorful blankets with their backs to the stucco wall; people in contemporary clothing interacting with the seated women; porch pillars and lintels are dark brown wood; yellow roof with pigeons; grey windows — Santa Fe, 1971
Yoshida Tōshi (self-published)

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standing woman in lavender sweatshirt and blue pants stands with arms down against hips, legs together in front of an octagonal, pillared structure; woman is standing on wide path lined with trees and lamps; in middle ground at R, set of stone stairs leads to a verandah with wrought iron railing in front of the octagonal structure; building has scalloped design around roof and a tall spire with weathervane — Scene with Ayomi, A, 1979
Yoshida Hodaka (self-published)

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snowy pastoral scene: three human figures, one towing a sleigh loaded with packaged goods, make their way through the snow and into a snow-covered house; collection of buildings at center; trees and other buildings in distance at R; mountains in background; river and trees at R — Snow in Kashiwabara, 1927
Yoshida Hiroshi (self-published)

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older, exhausted looking woman with large bundle on back, wearing kerchief, rests her back against a bench and wearily leans against a Japanese bus stop pole; PL hand rests against the sign pole, PR hand is under apron to keep warm; faint background of buildings and rain — Wakabayashi, 1982
Micah Schwaberow

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cluster of buildings (and a horse) in front of Mt. Fuji in background; blossoming trees in foreground — Funatsu, 1928
Yoshida Hiroshi (self-published)

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five carved wooden blocks, each with a different stage of woodblock print process; blocks mounted to wooden frame; at bottom center is the finished print of a baby's face enveloped in its mothers arms; mother is wearing green kimono with pink and white motif — Print blocks (gendai hanga), second half 20th century
Micah Schwaberow

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two women wearing kimonos in foreground--standing woman seen from back wearing pink kimono with white areas with red flower sprays, seated woman wearing blue kimono with green and orange leaf-like shapes; other figures walking on bridge in background; square light on tall pole behind woman in blue; tree branches at top — Benkei Bridge, 1941
Yoshida Tōshi (self-published)

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three men wearing orange turbans and shirts seated on an elephant who is adorned with an orange, green and brown scarf on the top of its head, gold necklaces and white scrolling designs on its face; other figures wearing predominately white with bright-colored turbans in foreground and at left behind elephant and on rooftops of salmon-colored building at left; oxen at bottom left — Festival in Jaipur, 1984
Yoshida Tōshi (self-published)

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young woman in pink kimono with elaborate hair ornament sitting on a cushion at bamboo table set with small bowls and chopsticks; holds green plate with round purple treat in PL hand, cuts into treat with small object in PR hand — In a Kyoto Sweet Shop, 1951
Yoshida Tōshi (self-published)

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landscape scene with snowy mountains in background, rolling hills and silhouettes of trees in middle ground; small farmhouse and trees tucked in hills in foreground — Hakuba and Yarigadake, 1929
Yoshida Hiroshi (self-published)

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five-level pagoda at center background; small hut with two figures at left in front of pagoda; weeping willow tree at right on the band of a calm body of water in foreground; pink sky — Pagoda in Kyoto, 1942
Yoshida Tōshi (self-published)

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scene of the Kamo River in Kyoto: riverbank in foreground and middle ground with river running through; willow tree branches in foreground at L; silhouettes of trees in background at R, and riverfront buildings in background at L — The Kamo River, 1933
Yoshida Hiroshi (self-published)

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green bamboo trees in foreground growing from ground covered with grey pebbles; larger rocks and a stone walking path along with colorful bushes and dense foliage in middle and background; top of a white building to L in front of blue, pink, and green tinted mountains — Bamboo Garden, Hakone Museum, 1954
Yoshida Tōshi (self-published)

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hardcover book with blue and white woodblock printed label; tan and white pattern of rings in background; contains various abstract prints and typed descriptions — Varieties of the Japanese Print (Vol. 1), 1967
Yoshida Tōshi

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woman with baby on back approaches a flock of pigeons; in middle ground, the massive orange and white gate of Gion shrine; pine trees in middle and background — Gion Shrine, 1935
Yoshida Hiroshi (self-published)

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riverfront scene; river in foreground; traditional style buildings built up against the river; man in boat at LR; group of people crossing bridge in center, blossoming cherry tree in foreground at L and top — Hayase, 1933
Yoshida Hiroshi (self-published)

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snow-capped mountain peak with jagged top; blue and white; pinkish-grey sky; purple mountain peaks in foreground — From Katsuragi-yama, 1983
Yoshida Tōshi (self-published)

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Little Girl, 1927

Yoshida Hiroshi (self-published)

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three lighted carts with colored curtains in front of them with bold characters; figures standing behind curtains; dog in LRC; woman carrying a child on her back, LLQ; nighttime scene — Supper Wagon, 1938
Yoshida Tōshi (self-published)

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Japanese maple bonsai plant with red and pink leaves set against a yellow-orange background; green moss in clay colored planter at bottom; two green leaves at top — Maple, 1970
Yoshida Tsukasa (self-published)

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a group of young men (wearing light clothing) and women (in blue and white summer kimono) attempt to skim goldfish out of an elevated pond with white nets while others gather on all sides to look on; at LL, a collection of potted plants and a basket of goods — Dipping for Goldfish, 1928
Yoshida Hiroshi (self-published)

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calm water, reeds LRC; building and a pavilion on the shore at center in middle ground; buildings reflecting in water; trees growing up a small hill in background — Shakujii, 1937
Yoshida Hiroshi (self-published)

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colorful image of village buildings on the side of a mountain, looking upward; white stucco buildings with orange terra cotta tile roofs; balconies with potted plants; three animal-shaped multicolored piñatas in LRC; woman, man and boy wearing colorful garments, seen from back, with a dog, LLQ; woman in red shirt walking down stairs in LLQ; sign on building at bottom: "CERAMICA ARTIST / Los Castillo] — Taxco, Mexico, 1975
Yoshida Tōshi (self-published)

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large garden pond with lily pads; boulders, stone lantern, rolling green turf in middle ground; silhouettes of foliage in background; tangled, blossoming wisteria dominates the frame — Wisteria Garden, 1935
Yoshida Hiroshi (self-published)

Not on View

%C2%A9 Yoshida Kiso

Greeting Cards to H.E. Robison, second half 20th century

Yoshida Kiso

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bi-fold card with blue and green abstract image: four dark blue cones along bottom; larger aquamarine cone at center overlapping green and blue backgrounds spotted with white; blue and white pattern at top; on back: block printed red letters reading, "Merry Christmas / and a Happy New Year / Yoshida Family" — Greeting Cards to H.E. Robison, second half 20th century
Yoshida Kiso

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%C2%A9 Yoshida Kiso

Greeting Cards to H.E. Robison, second half 20th century

Yoshida Kiso

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front: two zebras standing side by side at L, each looking in opposite direction; orange background with orange and gray tree in ULQ; inside: red block with New Year's greeting in English and Japanese; separate yellow sheet with printed New Year's greeting and signature — Greeting Cards to H.E. Robison, second half 20th century
Yoshida Kiso

Not on View

%C2%A9 Yoshida Kiso

Greeting Cards to H.E. Robison, second half 20th century

Yoshida Kiso

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%C2%A9 Yoshida Kiso

Greeting Cards to H.E. Robison, second half 20th century

Yoshida Kiso

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linear abstract pattern in teal, yellow, and white against red background; inside: block printed, "Merry Christmas and A Happy New Year] — Greeting Cards to H.E. Robison, second half 20th century
Yoshida Kiso

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abstract tree-like design in black with small white and yellow spots; orange background; abstract border at top and bottom; mounted onto shimmering cardstock; includes separate sheet with a monkey dangling from thin rope and a New Year's greeting in orange — Greeting Cards to H.E. Robison, second half 20th century
Yoshida Kiso

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rear 3/4 view of a boar running toward L with motion lines — Greeting Cards to H.E. Robison, second half 20th century
Yoshida Kiso

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abstract image: layers of bright orange and bright red loops and curlicues over brown circles extending from ULQ across to LRQ; bright blue, orange, brown, red, and tan squares throughout; horizontal bright blue narrow rectangles almost dance across image, beginning LLQ extending up to URQ; tan zigzag from ULQ across to LRQ; vertical and horizontal black lines cut across the mass of shapes; tan concentric arcs across image, emanating from URQ to LLQ resemble sound waves; brownish orage, light blue, and cream colored background — Jazz, 1954
Yoshida Chizuko (self-published)

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area of teal and dark blue labyrinthine designs at UL with teal lines overlapping narrow purple rectangles at LQ; yellow, teal, and green thin rectangles extend from ULQ to LRQ; four thick black vertical lines and one thick blue vertical line crisscross across center; at RQ series of purple lines with overlapping lighter purple blocky designs — Rain, October 1954
Yoshida Chizuko (self-published)

Not on View

very abstract autumn: large, L-shaped block of tan and L-shaped block of pink colors at center; triangular shapes of color (red, green, white, red, orange, grey) at L; red and yellow stripes at LR; black stick-like tree at R; red sun at URC; two groups black diagonal lines cut across image, one near center, one near the bottom; other blocks of color throughout — Autumn, October 1954
Yoshida Chizuko (self-published)

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triangular cluster of butterflies in purples, blues, reds, and yellows; yellowish and pink gradient background with ochre colored horizontal band across top — Butterflies, 1977
Yoshida Chizuko (self-published)

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triangular shaped cluster of butterflies; saturated hues of purple, blue, teal, and yellow; neutral background with orange fade along top — Butterflies at Dawn, 1978
Yoshida Chizuko (self-published)

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horizontal stripes with irregular edges; alternate between light magenta and red with silver overlap; light grey irregular edges distinguish the red/silver from magenta — Linear Composition I-CGS, 1980
Yoshida Ayomi (self-published)

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diagonal lines extending from UR to LL with jagged and scalloped lines between; rendered in dark and light blues, grey, black, and metallic silver — Touches 2J-CSB, 1985
Yoshida Ayomi (self-published)

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close-up, somewhat impressionistic depiction of ripples on water; rendered in deep maroon, browns, silver, and reds — Water K.Y.-5, 1990s
Yoshida Ayomi (self-published)

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wide red vase with blue fish design holding white, pink, orange, and yellow roses; gray background — Roses, 1927
Yoshida Fujio (self-published)

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dark blue vase with pink and white roses on a brown and blue cloth on a table — Vase with Roses, 1945
Yoshida Fujio

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Watercolor, unmounted. mountain village scene: orange and purple mountains dominate the scene in the background; purple, green, and blue hills in middle ground; small houses and barns amongst yellow and green fields in foreground — Mountains, 1930s
Yoshida Fujio

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close-up of light orange, yellow, and green flower: looking at internal parts of flower just over light orange/yellow lower petal; light green stem rises near center into three brown lines with three white forms above; light yellow and green petal in background — Gladiolus, 1953
Yoshida Fujio (self-published)

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close-up of cream/tan, pink, and green flower against a maroon colored background; top part of blossom is cream/tan with brown veins and outline; pink and green interior; pea-green form extends from center to lower edge, surrounded by brighter green forms on each side; pea-green form swirls towards LL, with a bright yellow point extending from top of form; pink, cream, and green organic forms at LR — Myōga, 1953
Yoshida Fujio (self-published)

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close-up of light-colored iris: swaths of grey and white at R arc towards center, ending with yellow and orange at the tips; outlines of pedals and veins in green; white forms with green outlines at center; darker colored swaths at L, with a hint of purple at ULC — Iris, 1954
Yoshida Fujio (self-published)

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extreme close-up of orange flower: bright red curving blocks of color at L and R arc up to meet orange, yellow, and light green swirling colors at center and ULQ; light green details near center — Nasturtium, 1953
Yoshida Fujio (self-published)

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Watercolor, unmounted. scene of various sailboats moored in a harbor from high vantage point; hint of seaside buildings at LL; rocky bluffs in background — Sailboats in Harbor, 1932
Yoshida Fujio

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iris plant growing at LLC; purple iris blossom extending across image, reflecting on ground below — Iris Eve, second half 20th century
Suezan Aikins

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%C2%A9 Suezan Aikins

Moon Call, second half 20th century

Suezan Aikins

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three dragonflies, two purple/blue, and one reddish-brown fly just above the surface of a calm body of water; a few green wisps of grasses or reeds at LLC, LRC and URC; water appears to reflect a blue sky with white clouds; lower portion of water is darker blue, upper portion is lighter blue — Tombo, second half 20th century
Suezan Aikins

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a line of silhouetted figures with umbrellas--one group with a small dog--walk through the rain along a river; line of silhouetted buildings on L with red paper lanterns; green foliage at R; orange umbrella in foreground at front — Kamogawa, 1985
Carol Jessen

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green field with white buildings with steeply pitched grey roofs; foliage and bamboo at LLC — Edge of the Bamboo Forest, 1989
Carol Jessen

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close-up of a purple iris blossom — Iris, 1979
Ann Lehmann

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%C2%A9 Yoshida T%C5%8Dshi

Mountains of Himalaya, 1982

Yoshida Tōshi (self-published)

Not on View

A Junk, printing order no. 8A (blue gradation impression), 1939

Yoshida Hiroshi (self-published)

Not on View

A Junk, printing order no. 4A (light orange impression), 1939

Yoshida Hiroshi (self-published)

Not on View

A Junk, printing order no. 4, 1939

Yoshida Hiroshi (self-published)

Not on View

A Junk, printing order no. 5, 1939

Yoshida Hiroshi (self-published)

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A Junk, printing order no. 5A (grey impression), 1939

Yoshida Hiroshi (self-published)

Not on View

A Junk, 1939

Yoshida Hiroshi (self-published)

Not on View

Sailing Boats: Evening, 1926

Yoshida Hiroshi

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A Junk, printing order no. 3A (blue impression), 1939

Yoshida Hiroshi (self-published)

Not on View

A Junk, printing order no. 8, 1939

Yoshida Hiroshi (self-published)

Not on View

A Junk, printing order no. 7, 1939

Yoshida Hiroshi (self-published)

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A Junk, printing order no. 6A (grey gradation impression), 1939

Yoshida Hiroshi (self-published)

Not on View

A Junk, printing order no. 2A, 1939

Yoshida Hiroshi (self-published)

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Touches L2-PUM, 1985

Yoshida Ayomi (self-published)

Not on View

No. 5, 1952

Yoshida Tōshi (self-published)

Not on View

Greeting Cards to H.E. Robison, second half 20th century

Unknown Japanese

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A Junk, printing order no. 6, 1939

Yoshida Hiroshi (self-published)

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A Junk, printing order no. 7A (light peach impression), 1939

Yoshida Hiroshi (self-published)

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A Junk, printing order no. 3, 1939

Yoshida Hiroshi (self-published)

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Peoples of India, 1982

Yoshida Tōshi (self-published)

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Caravan, 1982

Yoshida Tōshi (self-published)

Not on View

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