showing 29 results matching creditline:"Gift of the Clark Center for Japanese Art & Culture; formerly given to the Center by the artist"

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small panda figure with PR arm raised; stands on PR foot on square base covered in strips of mother-of-pearl; bear is covered in mother-of-pearl chips with black lacquered face and inner ears; eyes, nose, and cheeks painted in gold

%C2%A9 Akira Sano

Bear: Glittering, 2010

Sano Akira

Not on View
older male figure with salt and pepper colored hair at UR carefully poised holding calligraphy brush in PR hand over a pink and black image of a large blossom; across the table, a young female student mimics his gesture over her own black and white image; at lower center, a young male student with beard points at an open book with his PL hand

%C2%A9 Minol Araki%2C licensed by David Frank and Kazukuni Sugiyama

Painter with Two Students, 2002

Minol Araki

Not on View
very large sheet of white fabric with oversized kanji for "love" painted and splattered in black ink mixed with gold dust; signature at L with red relief stamp; splatters throughout and shadowy footprints along bottom, and a sweeping footprint at LR

%C2%A9 Hirano Isa

Love, 2009

Hirano Isa

Not on View
narrow, red lacquered bamboo; large opening carved on each side forming inherent handle; open top; black interior

%C2%A9 Fujinuma Noboru

Red lacquered bamboo vase, 2000

Fujinuma Noboru

Not on View
vegetables in various colors--green and orange pumpkin, purple eggplant, brown and grey mushrooms, green onions, red and orange peppers

%C2%A9 Minol Araki%2C licensed by David Frank and Kazukuni Sugiyama

Blessings from the Great Land, April 2002

Minol Araki

Not on View
seated elderly woman with wild white hair pulled back; pink blouse; blue coat with blue and pink crisscrossing stripes; quilt made of pink, white, and lavender squares over her lap; woman holds three paint brushes in PL hand and tall cane in PR hand; large plant with pink blossoms behind woman

%C2%A9 Micah Schwaberow

Homage to Fujio, 1981

Micah Schwaberow

Not on View
two separate elements made of long strips of clay in roughly rectangular shapes with open top/side, woven together basket-weave fashion on bottom/short end opposite open end; very pale blue glaze; one element has one long strip, slightly curled outward/upward

%C2%A9 Fukami Sueharu

Pair of Porcelain Trays in Cup-form, 1977

Fukami Sueharu

Not on View
sky blue vessel tapering towards top; vertical bevels around sides with scalloped band around neck adjoining bevels

%C2%A9 Fukami Sueharu

Beveled white glaze porcelain jar, 1973

Fukami Sueharu

Not on View
brown cloud shaped platter with impressed mesh/screen pattern; small gold line wraps from underside of platter onto top

%C2%A9 Fukami Sueharu

Cloud Form, 1971

Fukami Sueharu

Not on View
white glazed wheel thrown jar with small, flat opening at top; interior and top lip of jar are glazed black; jar is narrow at bottom and top, tapering into wide, flat sides; white glaze contains specks of other colors including brown, grey, and a prominent green spot

%C2%A9 Fukami Sueharu

White jar, 1964

Fukami Sueharu

Not on View
two sloping forms made of two and three strips of porcelain, resembling currents of water; piece with three strips also has smaller petal-like protrusion at end; both pieces raised on short plexi or glass post; larger piece has gold fill at bottom

%C2%A9 Fukami Sueharu

Current I, 1978

Fukami Sueharu

Not on View
profile of a fish with open mouth facing L; fish has dark blotchy spots across top half; white belly; black spots at L and R

%C2%A9 Minol Araki%2C licensed by David Frank and Kazukuni Sugiyama

Fish (Self-Portrait), 2001

Minol Araki

Not on View
four pieces: realistic ceramic newspaper pages all the same front page of "Cultural News"; two of the pieces are coated in gold; one of the gold pieces is somewhat folded, while the other is bundled up like a parcel; other two pieces are realistically crumpled

%C2%A9 Mishima Kimiyo

Cultural News, 2007

Mishima Kimiyo

Not on View
hand-built, reduction fire; bits of glass embedded in clay with liquid silver applied on surface; oval shaped ceramic vessel with large opening at top; top lip is folded and crimped; area below lip is intentionally cracked, textured with brown, silver, grey, and orange glaze; vessel is otherwise yellowish tan with yellow, orange, grey streaks; interior glaze is bluish-grey with dark blue and brown streaks

%C2%A9 Kawabata Kentaro

Roko: D, 2012

Kawabata Kentarō

Not on View
brown and white bud-shaped form with long slit beginning at the bulbous base, flaring to open top; outside of form is brown and white with incised lines; interior of form is brilliant teal blue; front of base is concave; sgraffito on the slip, iron inlay in the groove; hand built

%C2%A9 Tanoue Shin%27ya

Shell, 11-incubate-b, 2011

Tanoue Shin'ya

Not on View
abstract leaf like form with mother-of-pearl inlay at top and near bottom; opposite side resembles bat wing; attaches to small rectangular wooden base

%C2%A9 Shingo Muramoto

Wing of Foliage #37, 2010

Muramoto Shingo

Not on View
square panel, black lacquer; inlaid with circular patterns made from manipulated razor blades, sewing needles, fish hooks, staples, and small washers

%C2%A9 Genta Ishizuka

Flatland #2, 2009

Ishizuka Genta

Not on View
white, cylindrical form with flat top resembling a tower with a darkened interior; a long crack in the wall allows light in; intentionally worn in spots; horiznotal lines incised in material

%C2%A9 Yoshimura Toshiharu

Light Comes to the Heart, 2007

Yoshimura Toshiharu

Not on View
organic, gracefully curving wisp of black lacquered wood covered with tiny rectangles of mother-of-pearl; small, downturned point near end attaches to small, delicate pointed base with clear adhesive square

%C2%A9 2008 Yoshihiko Murata %2F licensed by Minneapolis Institute of Art

Living Ornamental Hairpin, No. 8, 2008

Murata Yoshihiko

Not on View
large circular stone form split into two parts down the middle with attaching 2-pronged brass fork with angel wing at top; prong connects to center of stone

%C2%A9 Yoshimura Toshiharu

Passion for Persistance, 2007

Yoshimura Toshiharu

Not on View
white, gently curving rectangular slab with large, deep cracks throughout, exposing red metal inside; reduction fired

%C2%A9 Tabuchi Tar%C5%8D

Ohzuchi, 2007

Tabuchi Tarō

Not on View
squat, disk-shaped form with raised neck, and deeply indented center; center is shiny red with gold undertone; exterior of form is brown and lumpy, bark-like

%C2%A9 Fujita Toshiaki

Layered Form 1, 2004

Fujita Toshiaki

Not on View
lacquered gourd with organic and geometric designs suspended to lacquered plaque with wire; two bent wooden "arms" on sides of gourd; golden tuft emerging from top of gourd, ending in two spirals; golden persimmon (?) attached to bottom of gourd; black lacquered plaque with golden center; rounded at top with two horizontal spikes on either side, ending in narrow "tail"

%C2%A9 Akira Sano

A Magician of the Forest, 2008

Sano Akira

Not on View
red lacquer; abstract, irregular form resembling the shape of a cat's head; small slit near upper center surrounded by rugged, raised surface; hole in bottom echoing shape of figure, exposing black interior with beige paint; rests on dark blue pillow

%C2%A9 Sasai Fumie

Acceptable, 1999

Sasai Fumie

Not on View
curving, organic, triangular form with clipped and beveled edge; smooth, reflective black lacquer

%C2%A9 Takeshi Igawa

To the Night, 2008

Igawa Takeshi

Not on View
bulbous red organic form with two leg-like formations ending in two small peaks at end

%C2%A9 Sasai Fumie

Beloved, 2007

Sasai Fumie

Not on View
red lacquered leaf form with trailing silver dot design beginning at bottom; patterned metal on back; small angled metal tube for mounting

%C2%A9 Shingo Muramoto

Wing of Foliage #32, 2010

Muramoto Shingo

Not on View
tall abstracted rooster; gold and black zigzagging feather motif down back and lower front; red comb at top with organic black and gold details; squinting eyes

%C2%A9 Takamasa Yoshino

Kai-sao—The Hen Who Conceived a Child, 2009

Yoshino Takamasa

Not on View
irregular, lumpy, brown, stump-like form with knobby texture on sides; end is concave and highly polished

%C2%A9 Fujita Toshiaki

Layered Form 5, 2004

Fujita Toshiaki

Not on View

showing 29 results matching creditline:"Gift of the Clark Center for Japanese Art & Culture; formerly given to the Center by the artist"

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