showing 100 of 103 results matching creditline:"Gift of the Clark Center for Japanese Art & Culture; formerly given to the Center by Elizabeth and Willard Clark". (load 3 more)

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long line of expressive calligraphy, shorter signature line at L; light grey-green mount

Single Line from Zhuangzi, second half 19th century

Doi Gōga

G253

two and one half lines of soft, looping calligraphy; oval relief seal URC; large square relief seal LL; smaller square intaglio seal LL

Amid the Mountains, second half 19th century

Yamanaka Shinten'ō

G253

thirty lines of very neatly written calligraphy; many characters have red circles next to them

Draft panel in standard script, second half 18th century

Attributed to Kimura Kenkadō

Not on View
scroll containing two mounted fans: top fan is full of calligraphy; lower fan has minimal landscape

Two mounted fan paintings [center of a set of three scrolls], first half 18th century

I Fukyū

Not on View
two letters written in cursive mounted together on a hanging scroll

Hanging scroll, early 18th century

Arai Hakuseki; Artist: Gion Nankai

Not on View
two calligraphy panels at beginning; landscape with two figures seated in front of the window in a small hut surrounded by small fence; small path and grove of trees at R; mountains at L; inscription at top

Memoires of the Osmund Mountain House, October 1932

Watase Ryōun (painting); Artist: Fukuda Kodōjin (text)

Not on View
thin, wispy stems explode into dense, voluminous sprays of pointed bamboo leaves; three stalks at bottom extend towards center; two other stalks begin near center and blossom at upper edge; inscription along LL; four total seals

Black Bamboo, c. 1922-1932

Fukuda Kodōjin

Not on View
narrow, tall mountains and irregular rock formations dotted with foliage in background; large, tall rock formation with irregular edges and dense dots of foliage at L with small figure seated at flat top; small pavilion on rock formation at R; figures in boat at lower center

Title unknown; Winter, from a set of "Landscapes of the Four Seasons", Autumn 1929

Fukuda Kodōjin

Not on View
one-line inscription center; cucumber, persimmon, and two red chilies at bottom

Tastes in a Rural Cottage, first half 20th century

Fukuda Kodōjin

Not on View
towering, multi-leveled mountain peak at R; shallow cliff with three-legged, white and red structure at UL; lower, multi-leveled mountain peaks at LL; bent human figure with blue top, white bottom, holding a walking stick at LR; mountains dotted with foliage; inscription at UL

Landscape with Scholar and Empty Pavilion, second half 19th century

Doi Gōga

Not on View
two thin stalks of bamboo, stalk at R curves to R; taller stalk at center has three knots; two-line inscription at L

Black Bamboo, Summer 1930

Fukuda Kodōjin

Not on View
angled broom at LR; one lined inscription at L, starting with one loopy character at UL extending into long, vertical line

Broom, first half 20th century

Fukuda Kodōjin

Not on View
gnarled pine near center with curving trunk; small stone near R of tree trunk; inscription 2nd from R panel

Pines and Poetry [left of a pair], October 1932

Fukuda Kodōjin

Not on View
tall, cone shaped mountains in middle and background; small rooftop and pagoda center L; pine grove with three buildings at LL; pavilion with waterfall and small water formation at bottom; thick, dotted brushstrokes

Landscape after Mi Fu; Summer, from a set of "Landscapes of the Four Seasons", Autumn 1929

Fukuda Kodōjin

Not on View
one long line of delicate, looping calligraphy at upper center; stalk with delicate foliage growing from bottom edge LRC; cluster of little red berries growing from branch

Nandina Tree, c. 1918-1936

Fukuda Kodōjin

Not on View
tall, wide, gnarled pine tree with several branches angled downward; small rock to L of tree with small twisting sapling; inscription 2nd screen from L

Pines and Poetry [right of a pair], Autumn 1932

Fukuda Kodōjin

Not on View
knotty bamboo stalks with foliage entering from UR and LR; three line inscription at L

Bamboo and Poem, second half 19th century

Doi Gōga

Not on View
five bold characters written on gold background; off-white satin mount; L scroll

Single-line calligraphy [left of a set of three scrolls], first half 18th century

Unknown Japanese

Not on View
four character vertical inscription; large, brushy characters with uneven pigment

Inscription on the Pine Tree, c. 1925-1940

Fukuda Kodōjin

Not on View
three large characters written horizontally across long sheet; two smaller, vertical characters (signature) at far L; vertical rectangular intaglio stamp at R center; square intaglio stamp at LL, just under signature; partial gold border along top L edge

Do not Betray Humaneness, 19th century

Fujiwara Naganori

Not on View
landscape: rocks at LL with thin trees; grasses and small, thin trees in middle ground; small stream running from L through middle

Mountain Stream, first half 19th century

Geppō

Not on View
letter written on long rectangular sheet; first third (from R) written in very compacted scribbled cursive; latter part of letter more regularly spaced

Letter to Ogane, first half 19th century

Kakimoto Sesshin

Not on View
24 lined letter with shorter signature line at LL

Handscroll, early 19th century

Rai San'yō

Not on View
narrow triangular vase with rough glaze in earth tones; rusted metal post with jump ring near top

%C2%A9 Tsujimura Kai

Hanging vase (kakehana), early 21st century

Tsujimura Kai

Not on View
irregular jar-shaped vessel with raised neck and lip; brown, charcoal, light green, and beige glazes with an area of orange; raised white spots and raised, broken arc around top of orange

Vase, early 21st century

Tsujimura Shirō

Not on View
folding fan with image of willows, a fisherman, and a calm waterscape: image with cluster of willow trees at bottom center; man in boat fishing at UL; inscription with two red square stamps at upper center; scene with willows, shore, and two low buildings at UR; tinted with light blue, silver, brown, and pink pigments

Song of Fishing Among Willows, second half 19th century

Taniguchi Aizan

Not on View
small cluster of trees and rocks at LR with low, thatched roof pavilion in back; low mountains rising across the fan in background; inscription across top right with two square intaglio stamps just to the L of inscription; unmounted

Landscape after Wu Chen, second half 19th century

Taniguchi Aizan

Not on View
swath of curving foliage across top of fan with blossoms at center; five-lined inscription at bottom center with rectangular relief stamp at UR of text and two square relief stamps at LL of text; mounted to white cardboard

Orchid and Poetic Couplet, late 18th - early 19th century

Totoki Baigai

Not on View
nine lines of calligraphy, alternating between long and short lines; signature and seal at L; unmounted

Poetic Quatrain, late 18th - early 19th century

Totoki Baigai

Not on View
letter in cursive script on gray-green paper; mounted to gold mat; black lacquered frame

Letter to Murase Heijirō, first half 19th century

Rai Baishi

Not on View
various scenes of bamboo, flowers, and blossoming trees

Four Gentlemen, mid 19th century

Nakabayashi Chikutō

Not on View
several rocky slopes at top with boulders and trees; large boulder-like outcropping at R with trees at top; man in fishing boat at LL gazing upward

Landscape in the Style of Taiga, late 18th - early 19th century

Nagamachi Chikuseki

Not on View
lines of verse written in varying sizes; red corrections written between lines at L side of sheet; mounted on tan sheet with gold flecks

Waka Poems with Corrections, late 18th - early 19th century

Kan Chazan

Not on View
25 lines of very neat calligraphy separated by columns of thin, red vertical lines; framed

Zhang Zihou's "Western Inscription", 1836

Ichikawa Beian

Not on View
sixteen lines; last line indented and is much shorter; some looping characters; rectangular relief stamp LLC; it looks as though the R portion of the fan has been removed; not a complete arch

Poem, late 18th - early 19th century

Kameda Bōsai

Not on View
large, bold characters written horizontally across sheet; two smaller, vertical lines at L; two seals at L; seal at UR; unmounted

Scented Fragrance, second half 19th century

Doi Gōga

Not on View
rolling rock formation at LR with tall tree near L bank; rolling embankment in background with small hut at center and waterfall at UL; a man stands on the L shore talking to a seated man in a boat at L

Landscape after Ike Taiga, early 19th century

Ishikawa Gengaku; Artist: Nagamachi Chikuseki

Not on View
two lines of light, delicate calligraphy on richly decorated paper; blue fibers in paper arranged to give the appearance of mountains in lower half; two wide swaths of black washed over the blue fibers in center of lower half give appearance of clouds or fog; narrower black line with gradient near bottom; narrow black line at center; with light tan bands of fibers arranged to give appearance of mountains or clouds at top; two similar black swaths across top give appearance of fog or clouds; another narrower black line with gradient at top

Waka, early 19th century

Tanomura Chikuden

Not on View
cluster of thin bamboo stems and foliage in greyscale at R, extending upward to UL; short inscription at URQ; still mounted to bamboo strips

Bamboo at Age Seventy-Five, 1849

Okada Kanrin

Not on View
four lines of calligraphy; fifth smaller line LL edge; fourth line ends with long line from last character; pale blue and ivory mount

Poem Dated 1821, 1821

Noro Kaiseki

Not on View
small mountain landscape: mountain at UL; trees on embankment at LR; small building at LL; inscription URQ

Reading Books in the Waterside Pavilion, first half 19th century

Okada Hankō

Not on View
eleven lines plus two-character line at far R; mounted with green, tan, and beige border, and grey crackled paper mount

Letter Accompanying a Painting, first half 19th century

Nakabayashi Chikutō

Not on View
irregular rock painted with thick brush at bottom; large inscription in top portion echoing shape of rock

Heaven's True Painting Immortal, mid 19th century

Morita Sessai

Not on View
15 lines of cursive calligraphy

Letter, first half 19th century

Tachihara Kyōsho

Not on View
two women walking on bank of clouds; first woman (at L) wears sumptuous blue, white, and red robe and cradles a large object in PL arm; second woman wears a simpler green and white dress; carefully carrying a covered bowl in two hands, which are wrapped under her long sleeves

Chinese Female Immortal, first half 19th century

Magata Kōmu

Not on View
two full lines, third half line of calligraphy; rectangular relief stamp URC; signature and square intaglio stamp LLQ

Poem for Beisanjin, late 18th - early 19th century

Totoki Baigai

Not on View
three lines of calligraphy on brown paper; pink mount

Hidden Spring, mid 19th century

Kōno Tettō

Not on View
five lines of calligraphy; light blue-green mount with tan borders

Confucian Text at Age 73, 1876

Yanagawa Kōran

Not on View
accordion album featuring black and white and some color landscapes; very worn blue and gold brocade cover

Miniature Album of Ten Paintings, late 19th century

Yamazoe Kakken

Not on View
small (nearly) square paper with nine lines of scrawling, looping cursive; two center lines are shorter

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View
three full lines of bold calligraphy, fourth partial line; oval relief stamp URC; two square intaglio stamps LLC

Large Poem in Four Columns, mid 19th century

Shinozaki Shōchiku

Not on View
two lines of calligraphy; dark blue mount

Poetic Couplet, late 18th - early 19th century

Shibano Ritsuzan

Not on View
study sketches for landscapes including foliage, people, rock formations, mountains, bridges, buildings, boats, and trees

Painting Instruction, second half 19th century

Tanomura Chokunyū

Not on View
long, thin branch of a peony bush extending upwards from LLC; two blossoms in full bloom, with smaller, unopened bud in center; top blossom is grey, lower blossom is white; shorter branches with leaves open outward towards edges; inscription at ULC

Chrysanthemum and Peony (Peony; one of a pair), mid 19th century

Yoshida Shūran

Not on View
ten total lines; nine closely spaced lines; first line is broken into two parts and written in much larger characters; mounted to mat with mustard colored fabric border and inserted in mustard colored square fabric holder with ties and inscription on cover

Letter to Daiki, early 19th century

Tanomura Chikuden

Not on View
ten lines, alternating between four characters and two characters; large, clearly wrritten characters; bold top and bottom borders; rectangular intaglio stamp URC, circular relief stamp at LLC; mounted on deep red board

Poem, mid 19th century

Ema Saikō

Not on View
approximately thirty three (?) lines of irregularly spaced cursive; some lines are closely clustered together, while some have wide space between; mounted on tan paper with gold flecks

Letter of the Third Month, early 19th century

Rai San'yō

Not on View
ten total lines; every other line is full-length, alternating with one-character lines; last two lines are longer, including signature; long rectangular relief stamp URC; square intaglio stamp LLC; square relief stamp LLC; mounted on jet black board

Poem, early 18th century

Itō Tōgai

Not on View
sixteen lines of calligraphy; two square intaglio stamps near bottom edge just R of center; two square intaglio stamps LLC

Poems by Husband and Wife, mid 19th century

Ōkura Ryūzan

Not on View
three lines of widely spaced, carefully composed characters; rectangular intaglio stamp URC; two square intaglio stamps LLC

Hanging scroll, mid 19th century

Kikuchi Gozan

Not on View
three full lines of bold, eccentric calligraphy; rectangular relief stamp URC; square intaglio L center

Cold Wind in the Grove, early 19th century

Matsumoto Koryū

Not on View
vertical rectangular light blue box with slightly bowed sides with cover; square cover with high walls that flare outward at top; small notches at three corners; three small holes at bottom of cover; gold spot on cover and box

%C2%A9 Fukami Sueharu

Unfold, late 20th century

Fukami Sueharu

Not on View
five characters written on gold background; off-white satin mount; R scroll

Single-line calligraphy [right of a set of three scrolls], first half 18th century

Unknown Japanese

Not on View
two broken vertical lines of calligraphy; R line broken by large, linear embellishment of character

Poem on Satin, second half 19th century

Yamanaka Shinten'ō

Not on View
six lines of calligraphy; dark green, gold, and tan mount

Hanging scroll, 1868

Yanagawa Kōran

Not on View
two grey shrimp at R within green tinted seaweed; single grey shrimp within green tinted seaweed at LL; inscription ULQ

Shrimp, 1864

Kinoshita Itsuun

Not on View
four lines of calligraphy; teal blue mount

Poem on the Wind, mid 19th century

Shinozaki Shōchiku

Not on View
eleven total lines with two large characters at far right; margin between first three lines and the rest; square relief stamp URC; oval relief stamp LLC

Album leaf, 1930

Irie Shikai

Not on View
tea bowl with image of a demon smoking a pipe on one side; inscription on other side; white and gray-blue background with opalescent shimmer

Tea bowl (chawan), second half 19th century

Murase Taiitsu

Not on View
robed man kneeling with arms folded in lap; man is bald, has slight smile and small, narrow eyes; resting against a white object outlined in black and blue; inscription above

Haiku Poet Shohaku, early 19th century

attributed to Yokoi Kinkoku

Not on View
three lines of calligraphy with fourth shorter, smaller line with seals at L

Poem in Varied Scripts, late 19th - early 20th century

Yatsuchi Kinzan

Not on View
boar sitting upright on its haunches, PL leg in air; upturned, elongated nose; hinged lid on back; figure is hollow inside, and mouth and nostrils open to vent

Incense burner in the shape of a sitting boar, mid 19th century

Unknown Japanese

Not on View
two corn stalks with heavy foliage in muted olive greens, shimmering white, and rust; two ears of corn visible near center

Corn plant, c. 1924

Haru

Not on View

Landscapes of the Four Seasons: Spring, Summer, Autumn and Winter, Autumn 1929

Fukuda Kodōjin

Not on View

Landscape in the Manner of Ni Zan, first half 18th century

I Fukyū

Not on View

Letter to Doi Genshirō, early 18th century

Arai Hakuseki

Not on View

Calligraphy Fan on Gold Paper, first half 18th century

I Fukyū

Not on View

Letter on the 9th Day of the New Year, early 18th century

Gion Nankai

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View

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