showing 35 results matching creditline:"Gift of funds from Darwin and Geri Reedy"

advanced
head with large features and wide eyes; hair styled in 4 buns

Head, 1000 BCE-300 CE

Nok

G254

asexual figurine standing with legs apart on a rectangular base with compacted masses of symbolic ingredients inlaid with cowrie shells on the abdomen and head; tukula encrustations and area of glossy patina

Standing Figure, 19th century

Yombe

G250

asexual figure standing with legs apart, hands on stomach; long neck; thick, protruding lips; possibly female figure

Standing Figure, 19th century

Lulua

Not on View
standing figure of a woman holding a rectangular wooden bar or box between her hands under her navel; 2 sticks tied together with knotted string and encrusted with a brown paste inserted into the top of the head; 2 holes, in the back and front bar, carry magical ingredients; surface is reddish with ngula; neck shows traces of a former bead necklace; geometrical coiffure and inclused toes; glossy patina

Female Figure, 19th century

Chokwe

Not on View
stool on a round base; seat supported by a female figure seated with the elbows resting on the drawn-up knees and the hands to the ears; face, torso, seat and base closely covered with numerous embedded brass tacks; soft patina

Stool, 19th century

Chokwe

Not on View
head with long neck, long nose, open mouth with protruding teeth and wide eyes; hairstyle with 7 twisted braids, 5 pointing upward

Head, Date Unknown

Ejagham

Not on View
standing male with feet slightly apart and hands on stomach at sides; round face with large eyes and long nose; beard and protruding Adam's apple

Male Figure, 19th-20th century

Hemba

Not on View
miniature kifwebe mask with prominent median crest; encrusted with kaolin with blackened facial features; long vegetable fiber beard; tall cane and feather topknot; mounted on an animal skin

Miniature Mask, Second quarter of the 20th century

Luba

Not on View
roughly spherical bell with 3 clappers topped by a carved quadruped standing with back legs and front legs carved as one, with human head; reddish mottled brown; glossy patina

Ritual Bell, 19th century

Kongo

Not on View
female figurine kneeling with arms hanging free of the body; large mirrored abdominal container; glass eyes; furrowed coiffure; reddish brown with an encrusted surface and areas of glossy black patina; traces of blue pigment on chest

Female Power Figure, 19th century

Kongo

Not on View
crescent-shaped box with the upper part of a human face on lid; forehead part of lid above elongated double eyebrows and vertical sides of box are decorated with geometric motifs; lozenge-shaped eyes; brown patina, glossy on exposed parts

Box with Cover, 1900-1925

Kuba

Not on View
standing with legs apart on a round base; arms free of the body with the hands to the abdomens; identical faces with downcast eyes and slightly smiling expressions; embedded with numerous brass tacks; oily patina

Janus Figure, 19th century

Kuba

Not on View
half figure with bent arms free of the narrow torso and hands raised to the pointed breasts; furrowed coiffure topped by a large bowl-shaped receptacle containing vestiges of symbolic ingredients

Female Figure, 19th century

Kusu

Not on View
female figure seated with legs forward; arms carved free of the body and holding a large bowl resting on the feet; elaborate raised scarification on the abdomen and keloids on the lower back; large cruciform hairstyle; very soft, light wood

Mboko (Female Cup Bearer), 19th century

Luba

Not on View
mask carved on flat rectangular planes; median crest and nose drilled at regular intervals with small cavities containing traces of symbolic materials; tufts of hair implanted in nostrils; white and black highlights; intricately grooved surface

Kifwebe Mask, Second quarter of the 20th century

Luba

Not on View
rectangular memory board lukasa topped by a head with a smooth peaked coiffure; necklace of blue glass beads; multicolored beads arranged in a lattice pattern on board; glossy patina on the head and back

Lukasa (Memory Board), Second quarter of the 20th century

Luba

Not on View
deep, heavy mask pierced through the upper lip for cord suspension; covered overall with thin overlapping plates of copper fastened to the wood with copper nails; worn surface with areas of glossy patina

Mvondo Mask, 1900-1925

Lwalwa

Not on View
flattened nose; dropping eyelids; open dentated mouth; raised scarification lines on forehead and cheeks

Mask, late 19th-early 20th century

Pende

Not on View
wood body with hanging dowel arms; elongated black and white face with hair in nostrils; wearing a beaded necklace; fiber breast plate trimmed in beads

Figure, 19th-20th century

Songye

Not on View
bi-colored black and white male figure with explicit sexual attributes; standing on square base; very light wood

Male Figure, one of a pair, 1900-1925

Yombe

Not on View
bi-colored black and white female figure with explicit sexual attributes; seated (partially kneeling) on square base; very light wood

Female Figure, one of a pair, 1900-1925

Yombe

Not on View
long handle decorated with incised geometric designs and topped by a kneeling female figure; worn glossy patina

Ceremonial Spoon, 19th century

Yombe

Not on View
female figure with a baby clinging to her back; may have been a sword handle

Maternity Figure, 18th century

Yoruba

Not on View
man dressed is a yellow HAZMAT suit and orange boots; standing outdoors with trees in the background and leafy branches overhead; unglazed

Copyright © 2004 Paul Shambroom

Level A HAZMAT suit, yellow. ("Disaster City" National Emergency Response and Rescue Training Center, Texas Engineering and Extention Service (TEEX), College Station, TX), 2004

Paul Shambroom

Not on View
tall, armless, 2-legged male figure with animal's head, at L; vertical spear-like object at R; mounted on a board

© Jean Willy Mestach

Ad Lumen--The Rainbow Awakener, 20th century

Jean Willy Mestach

Not on View

Sno7_061 (G-9), from "alleverythingthatisyou pockowteg", 2006

Doug Starn; Photographer: Mike Starn

Not on View

Sno6_083.1 (G-9), from "alleverythingthatisyou pockowteg", 2006

Doug Starn; Photographer: Mike Starn

Not on View

Sno8_198.1 (G-9), from "alleverythingthatisyou pockowteg", 2006

Doug Starn; Photographer: Mike Starn

Not on View

Sno8_198.2 (G-9), from "alleverythingthatisyou pockowteg", 2006

Doug Starn; Photographer: Mike Starn

Not on View

Sno7.1_034 (G-9), from "alleverythingthatisyou pockowteg", 2006

Doug Starn; Photographer: Mike Starn

Not on View

Sno7_077 (G-9), from "alleverythingthatisyou pockowteg", 2006

Doug Starn; Photographer: Mike Starn

Not on View

Sno3_018 (G-9), from "alleverythingthatisyou pockowteg", 2006

Doug Starn; Photographer: Mike Starn

Not on View

alleverythingthatisyou pockowteg, 2006

Doug Starn; Photographer: Mike Starn

Not on View

Sno6_088.1 (G-9), from "alleverythingthatisyou pockowteg", 2006

Doug Starn; Photographer: Mike Starn

Not on View

Fata Morgana IV, 2006

Lynn Davis

Not on View

showing 35 results matching creditline:"Gift of funds from Darwin and Geri Reedy"

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