six figures set against a silver ground; from L to R: standing man with parasol; standing man with gold hand fan; two seated musicians facing two seated figures, one of whom is an elder — Scenes from Kyōgen Theater [left of a pair], mid 19th century
Fukushima Chikaharu

G219

three figures set against a silver background in various poses; from L to R, a smiling man in a tall blue hat and red kimono dances with a fan; a kneeling figure in black and another in green gesture toward him with right arms extended up and back and left arms extended down, their hands grasping fans; a lone pine frond decorates the second panel from the L — Scenes from Kyōgen Theater [right of a pair], mid 19th century
Fukushima Chikaharu

G219

left scroll of a pair; three men (clockwise from top center): Japanese man wearing partial suit of armor and helmet, seated on floor, holding a black fan and wearing a garment on his upper body with green sleeves; Asian man in LRC wearing a bright blue robe with white organic medallions and white belt, black cloth wrapped around his hair and white headband, holding a folded white fan and seated on floor; European man with red hair and thick red beard at left wearing a long red uniform jacket with brass buttons and epaulettes, and white baggy pants, seated in an orange chair; four bold lines of text in black at top around figures; large square red seal above PR shoulder of European man — Great Generals of the East and West, c. 1874
Tsukioka Yoshitoshi

Not on View

right scroll of a pair; three figures (from left): small standing European boy with red hair, wearing a grey military cap, baggy grey jacket, red vest with brass buttons and baggy white pants tucked into slouchy grey boots; standing elderly Asian man wearing a black robe and black hat, holding a white fan; steaming copper kettle on a square brazier resting on a table covered with a flowered cloth in front of and to left of man; Asian child with scruffy black hair wearing a brown and green robe, seated on floor, hugging a frightened-looking black and white dog — Great Generals of the East and West, c. 1874
Tsukioka Yoshitoshi

Not on View

gingko leaves in yellows, oranges, browns, and greens swirl and tumble against a cream-colored ground; discreetly peppered throughout the leaves are ants, lady bugs, moths, and small reptiles — The Foundation of Light, 2006
Kanbe Tomoyuki

Not on View

slim, rectangular, black lacquer box in five separable segments topped with a removable lid; gold speckled and gray mountains decorate the front and back of the box and a gold moon hovers in the ULC of the lid; the bottom two tiers (4 and 5) are slightly taller than the top three tiers — Five-tiered lacquer box: Mountain Range, 2013
Enoki Kei

Not on View

a white egret preens itself while perched on a scraggly tree trunk that arches over water; delicate gold branches with sparse leaves dangle and jut out around the bird; red berries punctuate the lower right half of the image with bright color — Egret, 20th century
Kitagami Seigyū

Not on View

landscape with wispy grasses in the foreground, thick tree coverage--tall conifers--in the middle ground; and a large green mountain at the back right; a flock of birds populates the sky at upper left; green, browns, and reds dominate the palette; there is one felled tree in the lower left — Mount Kinugasa, 1926
Suita Sōboku

Not on View

a gray, ghostly figure with streaming black hair descends from the sky, a comet-like tail trailing behind him/her; a red, white, and blue object falls from the sky alongside the figure; two figures crouch down at the bottom of the scene, hands raised, while a third figure stands tall, holding a large hand fan mounted on a long stick; the three lower figures appear fearful — Applying Make-up with a Mirror at the Mansion of the Plates, Kabuki Theater, October 1892
Toyohara Kunichika; Publisher: Fukuda Kumajirō; Carver: Umezawa Minokichi

Not on View

smiling, round-bellied man holds a white lizard on his shoulders; the lizard's neck cranes upward to catch a whiff of the swirling smoke stream above him — Chinese Immortals [one of a pair], 1804
Hara Zaichū

Not on View

abstracted mountain peaks at varying heights composed of swirling black lines and smudges of gray, pink, and blue; mounted against gold brocade — Competing Mountain Peaks, first half of 20th century
Kai Kozan

Not on View

a male figure stands with a parasol in his left hand; he has a bald pate, a kimono that is shorter in front and exposes his legs; and he bears his teeth slightly — Actor Onoe Kikugorō V, late 19th century
Hasegawa Chikuyō

Not on View

%C2%A9 Enoki Kei

Night Gate (Yoru no mon), c. 2013

Enoki Kei

Not on View

three fishing boats on a shore with scattered shells and seaweed and a frothy, low tide; two small birds are perched atop middle boat — Fishermen [left of a pair], c. 1900-1910
Kiyokata

Not on View

figures preparing food and playing musical instruments; blooming cherry tree at top; figures clockwise from LLC: bald monk accompanied by three nude little boys, stirring a pot on a flaming brazier, with a barrel; red-skinned man wearing colorful headdress rolling dough (?) over a gold staff; bald man with a very tall forehead accompanied by man wearing a red and white cloth over his head and body, playing a recorder-type wind instrument and woman in grey kimono with black and white dots playing a lute; woman wearing flowing floral kimono fanning skewers on a small grill; man wearing green garment shredding a white vegetable over a cone-shaped bowl; scowling man with white hair wearing a grey-blue garment squatting with a bowl of white round balls — Gods Preparing a Cherry Blossom Banquet, 18th century
Unknown

Not on View

a man and a woman wad through water, fishing, followed by a personified horse and ox carrying a long bar off of which supplies hang — Jizō and Enma Fishing in the River, late 18th century
Kō Sūkoku

Not on View

seated tiger with raised front PR paw, partially open mouth, ears back, and blue eyes — Tiger, 1735-1765
Yūhi

Not on View

brown dragonfly with grey wings at bottom left of center, perched on a lotus leaf; yellow lotus flower and bud and bottom; large leaf above dragonfly; two black characters and red seal near right edge, LRQ — Dragonfly and Lotus, 1920s
Ohara Shōson

Not on View

four men push a fishing boat ashore with a frothy tide at their feet; three boats populate the scene — Fishermen [right of a pair], c. 1900-1910
Kiyokata

Not on View

pink, black, and gray rounded mountain tops against white background — Red Rock Mountains, mid 20th century
Kai Kozan

Not on View

male figure sitting cross-legged rests his chin in his left hand and is surrounded by fine women and several rickshaws; the man wears a tall black hat and the women have hair of various colors that flow all the way to the ground; three gold hilltops at upper right — Hikaru Genji, 1930
Otake Chikuha

Not on View

bird with turquoise back and white belly, perched on one leg on a diagonal stump; silhouettes of leaves and curving branches at bottom and right; two black characters and red seal, LRQ — Lapwing on Tree Stump, 1920s
Ohara Shōson

Not on View

man in tattered clothing holding a cane glances up toward a miniaturized figure caught up in what looks like a swirl of smoke — Chinese Immortals [one of a pair], 1804
Hara Zaichū

Not on View

walled, mountain community surrounded by a body of water upon which two, small boats sail; dwellings pepper the mountainside and the composition is primarily pink, brown, black, and cream — Duxiu Peak, 1827
Aoki Mokubei

Not on View

atmospheric landscape at dusk with cliffs, a walled structure with blue archway, a small house with red and blue trim, and water — Red Cliff, 1757
Yanagisawa Nobutoki

Not on View

a decorative stand comprised of two horizontal panels in four pieces, frame a three dimensional dragonfly figure; several round, black metal bars run above and below the dragonfly, and run vertically to connect the panels with a rectangular base below; the stand's components are primarily black lacquer; however, the panels each have green areas, with hints of gold and silver, that suggest blowing grasses and/or flowing water with swooping and varied lines, and the dragonfly has iridescent purple and blue chips in its wings and around its eyes and a spray of silver color on its back and lower wings — Lacquer Stand with Dragonfly, early 20th century
Haruyuki

Not on View

sculpture made of thin wire-like strands of reddish-brown bamboo; openwork asymmetrical form; looping, open, rather flattened openwork basketweave element with varying stripes of closer-woven bamboo strips; open ends, one on top of the other; loop forms an irregular vertical ovoid shape with openings at bottom; greenish button-like element woven at bottom edge — Prominence, 2012
Honda Shōryū

Not on View

two dark grey and black ducks on the water, with their heads under their wings; moon at top center; silhouettes of stem with tiny flowers and leaves; two black characters, LLC — Two Mallards in Water Between Reeds and a Full Moon, 1920s
Ohara Shōson

Not on View

tiny bee at top center flying next to tiny purple blossoms which hang down on a stem from a leaf-covered branch at top; black gnarled branch at left center; two black characters and red seal at left edge, LLQ — Bee Next to Flowering Wisteria, 1920s
Ohara Shōson

Not on View

a footless, hovering ghost figure emerges from mist enclosed by a wooden fence; the figure wears a white robe and has gray skin and long, black hair; a strand of the figure's hair is held firmly in-between his/her teeth and the figure grasps the end of the strand with his/her hand — Ghost, late 19th century
Suison

Not on View

rocky landscape with scruffy green trees sparsely interspersed; primarily orange, green, and light brown pigments; mount is robin's egg blue and gold — Mount Kumgang (Kongōzan) in Korea, Date Unknown
Tsuji Kakō

Not on View

ghostly figure with no arms or legs, only a head with long hair, hovers against a black background; the figure's head bows down with eyes open and lips parted to reveal blackened teeth; tan and gold brocaded mount — Ghost, early 19th century
Unknown Japanese

Not on View

a woman in a blue and gold kimono with various flowers and red edging looks over her left shoulder while fanning herself with a partially open hand fan; her teeth are blackened and she has two black dots on her forehead — Standing Beauty, late 19th century
Utagawa Yoshitaki

Not on View

a seated man sharpens a sword and looks up toward a ghostly, disembodied head peering through a window; the ghost figure has bloodshot eyes and a menacing, wide-open grin; two rats scamper around in the lower right corner near the base of a lantern — Ghost Story, late 19th century
Utagawa School

Not on View

waterfall in gray and white with mount that appears hand painted in midnight blue and bronze — Waterfall, late 19th-early 20th century
Watanabe Seitei

Not on View

a ghost figure shown from the chest up bites its lower lip; the figure's features all sag and its eyes are on the verge of rolling up into its head; the figure is black and white with the exception of some pink in the whites of the eyes; the figure's right wrist bends downward and its hand has long, white nails; the mount is entirely text (Japanese) in primarily black ink with several red character inserted throughout — Ghost, c. 1909
Tanaka Tessai

Not on View

three men, one with a knotty cane, stand under a tree near a rock conversing and gesturing — Three Laughers of Tiger Ravine, second half 18th century
Yosa Buson

Not on View

a woman stands with her back to a lantern and her right arm outstretched, a wad of white paper in her hand, preparing to catch a spider that dangles from a single web strand — Beauty catching a spider, c. 1783
Katsukawa Shunshō

Not on View

black bird grasps onto partial black fence and cranes neck upward, beak open, with a gray cloud overhead — Crested Myna, late 18th century
Itō Jakuchū

Not on View

landscape in greens and browns; rugged mountain peaks; scattered trees; some small buildings; water at center with two boats with figures, including one boat with a canopy — West Lake in Spring, 1750s-1770s
Ike (Tokuyama) Gyokuran

Not on View

low, two-panel screen; left panel depicts a multi-colored dragon, mouth wide open, and right panel depicts a multi-colored phoenix; three gold and red cloud-like illustrations decorate the reverse of both panels — Good Omen, 1940
Okada Akito

Not on View

a demon carrying a tattered parasol and a woman carrying wisteria walk together; behind them stands a moss-covered lantern with a crescent-moon design; there are trees in the distance — Ogre Accompanying the Wisteria Maiden, late 19th century
Kikuchi Yōsai

Not on View

tall, wavy wall; dark on one side, reddish-brown wood-grain pattern on other side — Inner Side—Outer Side, 2014
Tanaka Nobuyuki

Not on View

Kakemono-e of a beauty walking in the snow, c. 1832

Utagawa Kunisada

Not on View

Landscape hashira-e, first half of 19th century

Tani Bunchō

Not on View

Two Wild Geese in Flight Above Reeds and Moon, 1920s

Ohara Shōson

Not on View

Bush Clover and Pampas Grass, first half of 19th century

Suzuki Kiitsu

Not on View

In the Sun, 2011

Kawano Shōko

Not on View

Accessories Box with Irises at Yatsuhashi, 1920s

Uono Jisei

Not on View

Ducks and Reed, 1920s

Yamamoto Shōun

Not on View

Landscape #1034, 2013

Nakagomi Yasunari

Not on View

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