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disembodied head of a man in bottom third of print surrounded by gray and black lines and splotches; not included in Eckhardt catalogue

Untitled, 20th century

Walter Gramatté

Not on View
steep, curved racetrack with bicyclists; crowd of people depicted above track

Velodrome, 1917

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Russian Girl with Necklace (Sonia Gramatté), 1927

Walter Gramatté

Not on View
image of a man with a hat, two bandaged hands, and a cane or stick in the middle of the sheet with cursive writing in German filling the rest of the page; sheet has been folded in half from a larger sheet of paper

Dream, 1917

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Sonia, with Head Supported in Hand, 1927

Walter Gramatté

Not on View
head and torso of man with hands raised to chest level in front of him

Self-Portrait, 1920

Walter Gramatté

Not on View
woman with black ear-length hair with bangs dressed in a black dress sits in a landscape with hands folded in her lap; she leans slightly to the left

Girl at the Lake (Sonia Gramatté), 1920

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a coffin leaning forward trying to touch his toes

Akaki in a Coffin Made of Spruce Wood, Plate 10 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
original zinc printing plate from Das Gesicht (plate 9)

Printing plate for Man at the Sea (Self-Portrait), from Das Gesicht (The Face), 1923

Walter Gramatté

Not on View
head and shoulders of a woman looking outward with a furrowed brow and slight frown on her face; hair is pulled back and falls to the shoulders; background and garment is in a faded red; hair is a cream color; and the face and neck are grayish with pink lips and eyes that are pink with blue irises

Woman's Head (Sonia Gramatté), 1923

Walter Gramatté

Not on View
head and shoulders to chestline of a man looking at the viewer with a slight smile on his face; the shirt he wears appears to be collarless and his hair looks thick and is combed off his face; done in painterly black lines of various densities

Smiling Man, 1922

Walter Gramatté

Not on View
man standing with this hands raised to his side; rays of sunshine fall onto his face from the upper right of the image

Man in the Sunbeam (Self-Portrait), 1919

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Tired Girl (Sonia Gramatté), 1923

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a white garment holds his large hand out in front of him tentatively; his knee is propped up in front of him and is covered in a black cloth

Akaki in a Delirium, Plate 9 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
tall mountains in the background with a row of small houses in the foreground; crease in center of sheet where paper had once been folded

Sketch 4, Spain, 20th century

Walter Gramatté

Not on View
head and shoulders of a man in the foreground facing viewer and a woman with her head turned looking over her shoulder at the man in the foreground; figures drawn in thick black strokes and colored with pink and blue with the background in green

Man and Laughing Woman, 1920

Walter Gramatté

Not on View
original iron printing plate

Printing plate for The Gamblers, 1916

Walter Gramatté

Not on View
Portfolio case for a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; blue-green case with a tan leather binding and an off-white paper cover housing nine color etchings and a title page; on the cover of the portfolio in thick black cursive script: Gramatté [followed by a long vertical curing line] 1924.

Portfolio case for Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
head of a woman with closed eyes and hair pulled off of forehead; vertical lines are drawn in background

Tired Girl, 1922

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Male Face (Self-Portrait), 1922

Walter Gramatté

Not on View
three figures sit around a table that has glasses, plates, and utensils on the top; the figure in the center is a nude woman; she is flanked by two men

Brothel (III), 1916

Walter Gramatté

Not on View
lion curled up resting its head and paw on a branch

Lying Lion, 1915

Walter Gramatté

Not on View
man looking down at three small figures attached to string/wire below him

Man with Marionettes, 1919

Walter Gramatté

Not on View
five heads clustered together titled in various directions; fingers from a hand in the lower left corner of the image

Listening, 1919

Walter Gramatté

Not on View
head and shoulders of woman with hair parted in the middle and eyes looking to the right; she wears a shirt with a white collar beneath which is a a tied bow

Girl with Lace Collar (Sonia Gramatté), 1923

Walter Gramatté

Not on View
seated figure with child on lap; study for Il Pantegan by Victor Hadwiger; illustrated by Gramatté

Study for plate 3 of Il Pantegan, 1919

Walter Gramatté

Not on View
man's head from the eyes up with trees in the background

Self under Trees, 1921

Walter Gramatté

Not on View
original zinc printing plate

Printing plate for Self-Portrait with Folded Arms, 1922

Walter Gramatté

Not on View
small image of three people huddled together in the middle of the sheet with cursive writing in German filling the rest of the page; sheet has been folded in half from a larger sheet of paper

Nostalgia, 1917

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; man in a black coat stands next to a window with rays coming through it; he holds a piece of his coat in his hand

Akaki Shows the Tailor the Areas to Be Repaired, Plate 3 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
head and shoulders of a figure with their head tilted down and to the right

Weary Head, 1922

Walter Gramatté

Not on View
two figures flank a small tree that stands in the center of the image; thick rays of sunshine radiate across the image from a sun in the upper center of sheet

The Distant Lovers (3), 1919

Walter Gramatté

Not on View
head and shoulders of a man looking directly at the viewer with large expressive eyes with the lines over his shoulder forming a corner of a room

Man in the Corner (Self-Portrait), 1919

Walter Gramatté

Not on View
original copper printing plate; plate is wrapped in a print from this plate

Printing plate for Wait, 1918

Walter Gramatté

Not on View
From a series of five lithographs for Der Lebende Leichnam (The Living Corpse) by Leo Tolstoy, published by Karl Lang Verlag in Darmstadt, 1919; figure in bottom center of image dressed in black and hunched over a table with his fingers grasping the sides of the table and his chin resting on the corner of the table

Fedja Before Maschas's Visit, Plate 2 from Der Lebende Leichnam (The Living Corpse), 1919

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Joseph is sold out of envy by his brothers. Plate 1, "Look, there comes the dreamer", 1923

Walter Gramatté

Not on View
head and shoulders of woman glancing to the left; she is wearing a necklace which falls over a high-collared garment that has three buttons on the right side

Sonia with Necklace, 1926

Walter Gramatté

Not on View
original metal alloy plate; verso has a musical score

Printing plate for Sleeping Girl (Sonia Gramatté), 20th century

Walter Gramatté

Not on View
original copper printing plate; red ink in lower right corner of plate

Printing plate for Hochkamp II, 1922

Walter Gramatté

Not on View
on left side of sheet is a boat with a figure on one side of the boat and the sail on the other; to the right of this image is a smaller image of a sailboat and figure with a border drawn around the image

Sketches (Sailors), 1920 (?)

Walter Gramatté

Not on View
head and shoulders of a woman in a high-collared shirt looking downward; her hands are folded one on top of the other in front of her

Listening (Sonia Gramatté, a Bird in her Hands), 1920

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Hull (Sonia Gramatté), 1927

Walter Gramatté

Not on View
head and shoulders of a young man with head turned slightly to the right; a row of houses sit just behind his shoulders with a house on the left having a steeple with a cross at the top; image drawn with thin black lines

Man's Head with Houses, 1923

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Self. Head in Hand, 1927

Walter Gramatté

Not on View
three beds with figures in a room; figure in bed in the foreground faces the viewer with their head resting in the palm of their hand; figure in the upper left corner lies prone; figure in the upper right corner faces viewer

Night Scene, 1922

Walter Gramatté

Not on View
a woman's head and neck with a hand under her face on the left side of the image

Girl with Hand (Sonia Gramatté), 1922

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for November Portrait (Self-Portrait), 1918

Walter Gramatté

Not on View
head and torso of a woman with black hair and bangs turned in profile to the right and holding a white and blue flower in one hand; black paint thickly applied to background, hair and dress of the woman; woman's hair is outlined in blue and her dress is outlined in pink

Bridal Girl (Sonia Gramatté), 1921

Walter Gramatté

Not on View
sketch of the head and shoulders of a man drawn on the back of an envelope; to the left of the figure is part of an address written in brown ink

Sketch of a man, c. 1918

Walter Gramatté

Not on View
cartoon-like drawing of a head drawn in the form of a circle with a series of curved lines and Xes defining the features and hair; part of the hair is colored in red pencil

Humorous Drawing (Head), 1925 (?)

Walter Gramatté

Not on View
outline in black of a head of a man turned to the right with a large mustache

Portrait of My Father, 1916

Walter Gramatté

Not on View
two drawings on one sheet of paper, each outlined with black borders and with Roman numerals I and III at the lower right margin of each drawing; drawing on the left side of the sheet is of a figure dressed in black in the center of the image running with arms extended above his head; drawing on the right of the sheet is of a woman in the upper left corner looking out from an opening in a black wall toward a standing figure facing her on the right side of the image; drawings are studies for plates 1 and 3 of Die Tragische Sendung (The Tragic Commission), by Hermann Kasack

Sketches for Die Tragische Sendung (The Tragic Commission), 1920

Walter Gramatté

Not on View
fence in foreground leading to a group of buildings with a line of trees behind the cluster of buildings; various illegible lines of text in German scattered throughout image

Landscape, 1920

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a black coat and hat stands bent over with his hands outstretched to his sides; he is holding a rolled piece of paper in his hand on the left; a building with windows is in the background

Akaki Walks Perplexed on the Street, Plate 4 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
recto: operating scene with doctors, nurses, and other attendants; verso: numbered list with prices written in German in pencil and crossed out

Operation, 1921 (?)

Walter Gramatté

Not on View
a distressed looking figure sits behind a table with arms outstretched; one hand grasps the edge of the table and the other hand pushes into the table with an upright palm; study for plate 3 of Der Lebende Leichnam (The Living Corpse) by Leo Tolstoy

Study for plate 3 of Der Lebende Leichnam (The Living Corpse), 1919

Walter Gramatté

Not on View
figure sitting with child in their lap

Man with Unknown Child, 1920

Walter Gramatté

Not on View
head and shoulders of a woman with large expressive eyes and a downcast mouth in a solid black turtleneck; a butterfly is in the upper right corner

Sidi Heckel, 1919

Walter Gramatté

Not on View
man on left side of image wearing a black coat and boots standing on a table; his intestines are exposed and falling from an exposed area in his abdomen; in the lower right corner are the heads and shoulders of three men and a pair of open hands reaching for the figure on the table; above the heads in the background are a number of smaller figures behind the glass of a shattered window coming toward the figures in the foreground

The Rebel, 1918

Walter Gramatté

Not on View
study for Plate 5 of Der Mantel (The Coat); a man stands in a black coat with his arms to his sides; behind him another man has his hands placed on the first man's shoulders; a window in the upper right has rays of sun coming through

Study for Akaki Get Measured for a New Coat, 1918

Walter Gramatté

Not on View
recto: a road in the middle of the sheet with a figure on either side of it; verso: handwritten text in German

The Distant Lovers (2), 1919

Walter Gramatté

Not on View
From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; figure in center with arms raised up from their sides and rays of light coming from upper right corner; surrounding him in the lower third of the image are the heads of four figures looking up at the figure in the center of the image

For the Tenth Scene, Plate 10 from Die Tragische Sendung (The Tragic Commission), 1920

Walter Gramatté

Not on View
faded image of a woman's head and shoulders in an off-white color with hair that is pulled back and falls to the shoulders; background is a faded, washed out red; on the reverse of the print is a crossed out image of a man with his arm raised to his head and thick red printing on the bottom half of the print

Woman's Head (Sonia Gramatté), 1923

Walter Gramatté

Not on View
recto: group of musicians playing their instruments on the upper half of the sheet; verso: group of undefined figures in middle of sheet with various words and smaller sketches above and below these figures

Sketches of a Music Band, 1920

Walter Gramatté

Not on View
man sitting in center of image with a window behind his left shoulder emanating rays of light

Proof from The Apple King, 1919

Walter Gramatté

Not on View
sketches of a figure, face, and various numbered objects drawn on green paper tinged with brownish stains; in the upper left corner is a figure carrying a banner

Sketch sheet (Spain), 1925 (?)

Walter Gramatté

Not on View
From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; man in white in lower right corner with his head turned toward the viewer sits behind a counter running diagonally across lower third of image; standing facing him on the left side of the image is a man dressed in black holding a tall black hat

For the Seventh Scene, Plate 7 from Die Tragische Sendung (The Tragic Commission), 1920

Walter Gramatté

Not on View
original zinc printing plate

Printing plate for Café Josty, 1917

Walter Gramatté

Not on View
figure in bottom center of image hunched over a table with his fingers grasping the sides of the table and his chin resting on the corner of the table; study for plate 2 of The Living Corpse (Der Lebende Leichnam) by Leo Tolstoy

Study for plate 2 of The Living Corpse (Der Lebende Leichnam), 1919

Walter Gramatté

Not on View
man dressed in black in the lower portion of the print holding a gun; in the upper right corner is a building and a sun emanating rays

Proof from The Apple King, 1919

Walter Gramatté

Not on View
distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with green, pink, and yellow

Torment, 1920

Walter Gramatté

Not on View
original woodblock

Woodblock for Taking Leave, 1920

Walter Gramatté

Not on View
original copper printing plate from Das Gesicht (plate 8)

Printing plate for Boy's Head (Self-Portrait), from Das Gesicht (The Face), 1922

Walter Gramatté

Not on View
head and torso of man in a black shirt with hands clasped in front of him; man gazes directly at viewer with a slight smile on his face; in the background tall black trees are set against a green background

Self under Trees, 1921

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a bridge with street lamps curves diagonally from the lower left corner to the upper right corner; in the lower right corner is a body of water with circular ripples

The Kalinkin Bridge, Which is Haunted at Night, Plate 12 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Girl I, 1919

Walter Gramatté

Not on View
figure of a man whose body runs diagonally across the image; hands and arms are outstretched above his head in the upper right corner with feet in the lower left corner

Sketch for Outcry, 1918

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a black coat and hat stands bent over with his hands outstretched to his sides; he is holding a rolled piece of paper in his hand on the left; a building with windows is in the background

Akaki Walks Perplexed on the Street, Plate 4 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
head and shoulders of a man in the foreground facing viewer and a woman with her head turned looking over her shoulder at the man in the foreground; figures drawn in thick black strokes; on thin blue paper

Man and Laughing Woman, 1920

Walter Gramatté

Not on View
distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with yellow, pink, and purple

Torment, 1920-1921

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for Girl II, 1919

Walter Gramatté

Not on View
recto: figure in foreground on left side leans forward; figure on right side leans backward with arms out in front of her; verso: series of numbers and other illegible handwritten text in graphite and black crayon

Two Figures, 1919

Walter Gramatté

Not on View
figure crouched in bottom half of image with diagonal bands of solid black and striped black lines alternating in the background

Logo, c. 1919

Walter Gramatté

Not on View
tall building in the center of the image with an arched bridge in the foreground on the right

Canal Bridge with Ships and Houses, 1916

Walter Gramatté

Not on View
From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; two figures dressed in black with arms extended from their sides; one figure in lower left corner and the second in the upper right of the image

For the Second Scene, Plate 2 from Die Tragische Sendung (The Tragic Commission), 1920

Walter Gramatté

Not on View
street surrounded by buildings leading to a door in center of sheet; a cross is visible in the upper right; crease in center of sheet where paper had once been folded

Sketch 1, Spain, 20th century

Walter Gramatté

Not on View
head and shoulders of a woman facing the viewer wearing a collared shirt with a necktie

Sonia (III), 1926

Walter Gramatté

Not on View
row of trees drawn in a sketchy style in black ink

Landscape (Trees), 1917

Walter Gramatté

Not on View
head and torso of man in a dark blue shirt with hands clasped in front of him; man gazes directly at viewer with a slight smile on his face; in the background tall dark blue trees are set against a green background

Self under Trees, 1921

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Self. Head in Hand, 1927

Walter Gramatté

Not on View
original copper printing plate; images on front and back

Printing plate for Man in Front of the Door (recto) and Mrs. R. (verso), 1922-1923

Walter Gramatté

Not on View
From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; woman in black v-neck shirt in lower left of image faces viewer; behind her in the upper right corner a man dressed in black with his arms out in front of him takes a step on a road/path toward the woman in the foreground

For the Eighth Scene, Plate 8 from Die Tragische Sendung (The Tragic Commission), 1920

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in an open coffin leaning forward trying to touch his toes

Akaki in a Coffin Made of Spruce Wood, Plate 10 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
sketchbook with green cardboard covers and a black binding; contains a few pages of cursive writing in German at the front of the book followed by a few pages of sketches of unidentified objects and a few pages of figure studies; rest of sketchbook has blank pages; the front cover of sketchbook is detached from the rest of the book

Sketchbook A, 20th century

Walter Gramatté

Not on View
recto: head and neck of young boy looking directly at viewer; a few splotches of red ink on the left side of the sheet; verso: partial sketch of woman with long hair looking downward

Boy's Head, 1922

Walter Gramatté

Not on View
original steel-faced copper printing plate

Printing plate for A Puppet Show, 1917

Walter Gramatté

Not on View
head and shoulders of a woman looking outward with a furrowed brow and slight frown on her face; hair is pulled back and falls to the shoulders; background and garment is in a faded red; hair and neck area is a faded orange color; and face is grayish

Woman's Head (Sonia Gramatté), 1923

Walter Gramatté

Not on View
original zinc printing plate

Printing plate for Orchestra I, 1917

Walter Gramatté

Not on View
head and torso of a woman with black hair and bangs turned in profile to the right and holding a white flower in one hand; the woman's skin and the outline of her black hair and black dress are in blue; the background is black with yellow streaks running through it

Bridal Girl (Sonia Gramatté), 1921

Walter Gramatté

Not on View
original steel-faced copper printing plate; plate is wrapped in a print from this plate

Printing plate for The Man at the Mirror, 1919

Walter Gramatté

Not on View

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