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From a series of four etchings for the story "Der Rebell" by Manfred Georg, Heinrich Hochstim-Verlag, Berlin, 1918; close-up of a man's head with large expressive eyes staring straight ahead; there is a black dot between his brows with a black trail of ink running down the side of this nose and cheek; a small hourglass is in the lower left corner

Peter's Head with the Gunshot Wound in the Forehead, Plate 1 from Der Rebell (The Rebel), 1918

Walter Gramatté

Not on View
close-up of a man's face with large expressive eyes and a bowtie under his chin; a row of small buildings are drawn along the right margin of the sheet; select areas are lightly colored in blue, brown, and green

November Portrait (Self-Portrait), 1918

Walter Gramatté

Not on View
unsmiling man with a moustache in a military uniform and hat sits cross-legged in an upholstered chair; his head is tilted downward and his eyes look past the viewer staring into the distance

Tired Soldier I (Dr. Steger), 1919

Walter Gramatté

Not on View
woman on right side of image surrounded by animals with long faces; animal on left side of woman has a large eye and its head is resting on the woman's shoulder; same motif as for publication Il Pantegan by Victor Hadwiger

Dreaming Girl, 1919

Walter Gramatté

Not on View
man striding in center of image with a pole and a tiny flag attached to the end of it; houses and trees surround him in the background; a sun is setting in the upper right corner

The Great Madman with the Flag, 1919

Walter Gramatté

Not on View
man with a weary, vacant look in his eyes and a listless manner sits in a chair with his arms propped on the sides of the chair; his hands hang listlessly from his wrists

Tired Soldier II (Dr. Steger), 1919

Walter Gramatté

Not on View
woman and man on left and right side of image separated by three long, thick bands meant to depict the sun's rays radiating from the top of the image

The Distant Lovers, 1919

Walter Gramatté

Not on View
figure in middle of print with thin long arms and large hands outstretched with fish of varying sizes swirling around the figure in concentric circles

The Dream of the Fish, 1919

Walter Gramatté

Not on View
woman's head in lower half of image with a man behind her with his arms wrapped around her head and neck; a quarter moon is in the upper right corner

Two Humans, 1919

Walter Gramatté

Not on View
close up of a woman's head with her hands cupped on either side of her head near her eyes

Portrait, 1919

Walter Gramatté

Not on View
two prints on one sheet of paper; on the left is the face and neck of a man with eyes closed and a halo around his head; there is a small circle in the lower right corner; eyelids, area under eyes, and circle colored with brown ink; on the right two figures in center of image with their heads close together; the figure on the left has his hand raised with his thumb extended; at the bottom of the image is the profile of a smaller head looking up at the other figures; smaller head in the foreground and the background colored in blue-green ink; a small circle in the upper right of the image is colored in brownish ink

Joseph is sold out of envy by his brothers. Plate 1, "Look, there comes the dreamer" (left); Plate II, "Let's throw him into a pit" (right), 1923

Walter Gramatté

Not on View
two figures in center of image with their heads close together; the figure on the left has his hand raised with his thumb extended; at the bottom of the image is the profile of a smaller head looking up at the other figures; in the upper right is a circle

Joseph is sold out of envy by his brothers. Plate II, "Let's throw him into a pit", 1923

Walter Gramatté

Not on View
face and neck of man with eyes closed and halo around his head; a small circle is in the lower right corner

Joseph is sold out of envy by his brothers. Plate 1, "Look, there comes the dreamer", 1923

Walter Gramatté

Not on View
two nude woman with long black hair sit leaning against one another in center of image with large expressive eyes but no noses or mouths; colored in yellow, red, blue, and green

Hinströmen, 1919

Walter Gramatté

Not on View
in black ink on blue paper a man stands on the left with his arms outstretched toward a flower in the lower right corner; in the upper right corner a sun shines rays on the man; writing in pencil on lower left margin of recto and verso not legible due to blue paper

The Happy One, 1919

Walter Gramatté

Not on View
on dark blue paper in black ink two nude woman with long black hair sit leaning against one another in center of image with large expressive eyes but no noses or mouths

Hinströmen, 1919

Walter Gramatté

Not on View
in green ink a woman's head and neck with a hand under her face on the right side of the image

Girl with Hand (Sonia Gramatté), 1923

Walter Gramatté

Not on View
two nude woman with long black hair sit leaning against one another in center of image with large expressive eyes but no noses or mouths

Hinströmen, 1919

Walter Gramatté

Not on View
in thick black lines the head and shoulders of a man with a mustache and a high-collared coat looking at the viewer

Revolutionary (Dr. Steger), 1919

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man in a black coat and hat stands bent over with his hands outstretched to his sides; he is holding a rolled piece of paper in his hand on the left; a building with windows is in the background

Akaki Walks Perplexed on the Street, Plate 4 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; man in a black coat stands next to a window with rays coming through it; he holds a piece of his coat in his hand

Akaki Shows the Tailor the Areas to Be Repaired, Plate 3 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; row of men in black coats and hats with hunched shoulders walking in a line diagonally across the image; in the background on both sides of the men are tall buildings tilted inward

The Morning Way to the Office, Plate 1 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
From a series of 12 lithographs produced for Der Mantel (The Coat) by Nicolai Gogol, Kiepenheuer Verlag, Potsdam-Berlin, 1919; a man sits behind a small table writing on a piece of paper in front of him; his forearms are resting on the table

The Titular Councilor Akaki Akakiyevich, Plate 2 from Der Mantel (The Coat), 1918

Walter Gramatté

Not on View
man in white garment sitting on a bed with a large pillow behind him and his hands on a flower in his lap; other flowers are strewn around him; the man's shoulders are hunched and he has a worried look on his face

The Sick Man with the Flowers, 1918

Walter Gramatté

Not on View
man in white garment sitting on a bed with a large pillow behind him and his hands on a flower in his lap; other flowers are strewn around him; the man's shoulders are hunched and he has a worried look on his face

The Sick Man with the Flowers, 1918

Walter Gramatté

Not on View
full length image of a man dressed in black standing in the center of the image bent forward; his arms at his side are lifted to waist level and his large hands are splayed out to the sides; his head is tilted down and thrust forward

Being Tired, 1918

Walter Gramatté

Not on View
man on left side of image wearing a black coat and boots standing on a table; his intestines are exposed and falling from an exposed area in his abdomen; in the lower right corner are the heads and shoulders of three men and a pair of open hands reaching for the figure on the table; above the heads in the background are a number of smaller figures behind the glass of a shattered window coming toward the figures in the foreground

The Rebel, 1918

Walter Gramatté

Not on View
full-length image of a man dressed in black standing in the center of the image bent backwards; his arms are out in front of him and his hands have long fingers and are outstretched in a claw-like manner

Whirling, 1918

Walter Gramatté

Not on View
head and shoulders of woman with hair parted in the middle and eyes looking to the right; she wears a shirt with a white collar beneath which is a a tied bow

Girl with Lace Collar (Sonia Gramatté), 1923

Walter Gramatté

Not on View
head and shoulders of a woman with arm resting in front of her on a black platform and eyes looking to the right; lines depicting the woman are in black and the rest of the print is green

Girl Resting on Right Arm (Sonia Gramatté), 1923

Walter Gramatté

Not on View
large tree on left side with a scattering of smaller trees throughtout the image; leaves of smaller trees are bent sharply to the left as if being blown by the wind; a row of small buildings appear in the background behind the blowing trees

Storm, 1915

Walter Gramatté

Not on View
head and shoulders of a man dressed in black looking at the viewer; a thick black stripe is drawn down the center of the nose

Self-Portrait, 1925

Walter Gramatté

Not on View
railroad track in center of image leading to a group of buildings in the upper portion of the print

Sand Break, 1913

Walter Gramatté

Not on View
view of a house with an enclosed porch on the right; visible behind the house are smaller buildings, fenced in areas, and laundry drying on clotheslines

Garden, 1915

Walter Gramatté

Not on View
lion curled up resting its head and paw on a branch

Lying Lion, 1915

Walter Gramatté

Not on View
nude woman in center of image with a crescent moon above her head and a row of houses behind her in the background

Ex Libris, 20th century

Walter Gramatté

Not on View
landscape with three trees in foreground and houses in the background; thickly applied paint in predominately yellows, greens, browns, and reds

Three Trees, 20th century

Walter Gramatté

Not on View
still life with a vessel with a handle and two spouts in the bottom of the image with a tall vase lightly sketched to its right; branches with leaves and flowers are faintly sketched in the background

Eucalyptus Branches and Brass Drinking Vessel, 1924-1925

Walter Gramatté

Not on View
man in center of image with tall buildings with windows behind him

Study for a Self-Portrait, 1917

Walter Gramatté

Not on View
large circular building with a chimney in the center and a ramp with a cart leading to a door on the second floor of the structure

Brick Kiln, 1916

Walter Gramatté

Not on View
road in center of image leading to buildings in the background; in the center of the sheet is a church with a steeple and cross at the top

Near Stettin, 1916

Walter Gramatté

Not on View
on recto: head and shoulders of a young man directly facing the viewer with a slight smile on his face; verso: head and shoulders of a slightly older man directly facing the viewer; face has a more careworn expression than that on the recto

Self-Portrait II, 1923 (?)

Walter Gramatté

Not on View
landscape with a church on the horizon line on the left side of the image and a large tree in the foreground on the right

Landscape, 1917

Walter Gramatté

Not on View
head and shoulders of a man directly facing the viewer; behind the man is a fence, trees, a building, clouds and a sun emanating rays

Self-Portrait III, 1923 (?)

Walter Gramatté

Not on View
head and shoulders of a young man directly facing the viewer drawn in a loose, sketchy style; eyes are densely filled in with graphite

Self-Portrait I, 1923 (?)

Walter Gramatté

Not on View
city street scene with cable cars

Street, 1915

Walter Gramatté

Not on View
original metal printing plate; verso of printing plate has same image

Printing plate for Brothel, Large, 1916

Walter Gramatté

Not on View
original steel-faced copper printing plate

Printing plate for A Puppet Show, 1917

Walter Gramatté

Not on View
original iron printing plate

Printing plate for The Gamblers, 1916

Walter Gramatté

Not on View
original zinc printing plate

Printing plate for Orchestra I, 1917

Walter Gramatté

Not on View
original zinc printing plate

Printing plate for Brick Kiln, 1916

Walter Gramatté

Not on View
original metal printing plate

Printing plate for Gasworks, 1916

Walter Gramatté

Not on View
original zinc printing plate

Printing plate for Café Josty, 1917

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Outcry, 1918

Walter Gramatté

Not on View
original zinc printing plate

Printing plate for Storm, 1915

Walter Gramatté

Not on View
bound volume with text in German; front and back covers in red and beige marble-like patterend paper; author and title in gold lettering on cream-colored spine; contains 12 lithographs by Gramatté; inscribed in pencil and in German on second blank page of book by Gramatté and dated May 1920

Der Mantel (The Coat), 1919

Walter Gramatté; Author: Nikolai Gogol; Translator: Felix Gaber; Publisher: Gustav Kiepenheuer Verlag Potsdam-Berlin

Not on View
original copper printing plate

Printing plate for Russian Girl with Necklace (Sonia Gramatté), 1927

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Russian Girl with Necklace (Sonia Gramatté), 1927

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Sonia, with Head Supported in Hand, 1927

Walter Gramatté

Not on View
original copper printing plate

Printing plate for a portrait of Sonia Gramatté, 1927

Walter Gramatté

Not on View
original copper printing plate

Printing plate for Self. Head in Hand, 1927

Walter Gramatté

Not on View
original metal alloy plate; verso has a musical score

Printing plate for Sleeping Girl (Sonia Gramatté), 20th century

Walter Gramatté

Not on View
recto: darkly painted scene of a tall cylindrical structure on left side of image done in greens and yellow; fascade of buidling has large black squares with an "x" in each square; smaller buildings are seen in the foreground of the picture and on the right side of the image; verso: interior scene with windows done in purple pencil with a plant on a pedestal in the lower left outlined in green pencil; cardboard is thick and compressed

Gasworks, 1916

Walter Gramatté

Not on View
outdoor scene of the grounds of a fair with various buildings and structures including a green striped caravan on the left side of the image and a large red building on the right; three small figures are shown next to the structures and a small row of houses are shown in the distant background; paint is applied thickly in predominantly blues, grays, greens, yellows, purples, and red

Fairground, 1914

Walter Gramatté

Not on View
outline in black lines of a man's head turned to the right; head sits in center of sheet with a large amount of space around it

Portrait of Mr. H. Bardtholdt, 1916

Walter Gramatté

Not on View
in thin lines a partially drawn man's face looking to the right in the upper half of the sheet; grayish/black splotches of different sizes and densities cover the surface of the print

Self-Portrait, 1915

Walter Gramatté

Not on View
on the right a large cylindrical building; to the left of this building are two houses, one with a tall chimney next to it

Gasworks, 1916

Walter Gramatté

Not on View
silhouettes of a house and three chimneys visible in the upper portion of image with the lower 3/4 of image done in dark gray and black diagonal and cuved lines against a dark gray and black background

Tonwerk, 1914

Walter Gramatté

Not on View
water in foreground with posts and other parts of a dock on the right side; background has land with a row of trees and houses with red roofs; thickly applied paint in predominately blues and greens

Jetty, 1915

Walter Gramatté

Not on View
tree on left side of image with a few houses and hills behind the tree in the background

Landscape, 1915

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; in green ink the head and shoulders of a boy looking directly at the viewer; a wisp of hair stands upright at the top of his head; diagonal lines set closely together cover parts of his forehead, his cheeks, and across a portion of his neck; area around eyes, tip and under the nose, chin, and a portion of the neck are colored in pale pink

Boy's Head (Self-Portrait), Plate 8 from Das Gesicht (The Face), 1922-1923

Walter Gramatté

Not on View
From a series of nine etchings, Das Gesicht (The Face), published by Euphorion Verlag, Berlin, 1924; head and shoulders of a woman with a large collar and closed eyes turned to the left; background colored in blue

Tired Girl's Head (Sonia Gramatté), Plate 7 from Das Gesicht (The Face), 1923

Walter Gramatté

Not on View
frontal view of the head and shoulders of a man in a green collarless garment with his eyes closed; background is in dark blue/gray and the face has a pinkish hue

Tired Man (Self-Portrait), 1922

Walter Gramatté

Not on View
close-up of a woman's face with closed eyes; background in blue and eyes and lips are red/brown

Tired Girl (Sonia Gramatté), 1923

Walter Gramatté

Not on View
close-up of a woman's face with closed eyes; background in green and eyes and lips in brown ink with touches of red

Tired Girl (Sonia Gramatté), 1923

Walter Gramatté

Not on View
profile in green of a woman's face with jagged eyebrows; small female figure in lower right corner

Head in Profile, 1923

Walter Gramatté

Not on View
a woman's head and neck with a hand under her face on the right side of the image

Girl with Hand (Sonia Gramatté), 1923

Walter Gramatté

Not on View
frontal view of the head and shoulders of a man in a green collarless garment with his eyes closed; background is a dark blue/gray

Tired Man (Self-Portrait), 1922

Walter Gramatté

Not on View
frontal view of the head and shoulders of a man in a collarless garment with his eyes closed

Tired Man (Self-Portrait), 1922

Walter Gramatté

Not on View
From a series of ten woodcuts for Die Tragische Sendung (The Tragic Commission), by Hermann Kasack, Rowohlt Verlag, Berlin 1920; figure dressed in black in center running with arms extended above his head; his face is featureless except for eyes; background in black except for areas of white with jagged borders

For the First Scene, Plate 1 from Die Tragische Sendung (The Tragic Commission), 1920

Walter Gramatté

Not on View
head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose

Edlef Köppen, 1919

Walter Gramatté

Not on View
head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose

Edlef Köppen, 1920

Walter Gramatté

Not on View
head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose

Edlef Köppen, 1920

Walter Gramatté

Not on View
head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose

Edlef Köppen, 1920

Walter Gramatté

Not on View
head and torso of a man with round eyeglasses and a black bowtie leaning slightly backwards with his hands folded and raised in front of him in a contemplative pose

Edlef Köppen, 1920

Walter Gramatté

Not on View
head and shoulders of person drawn in thick black lines with solemn expression on face and eyes that are turned down at the corners; jagged bangs fall across the forehead and one hand with long fingers rests under the chin

Thief, 1920

Walter Gramatté

Not on View
head and torso of a woman with black hair in a black garment bent over with her head tilted toward her hands that are crossed in front of her

The Composer Sonia Friedman, 1920

Walter Gramatté

Not on View
bare-chested woman in a crown with her hands crossed in her lap sits in the middle of the image; a man's head is nestled in the crook of her neck on the right side

Taking Leave, 1920

Walter Gramatté

Not on View
woman with black ear-length hair with bangs dressed in a black dress sits in a landscape with hands folded in her lap; she leans slightly to the left; background on the bottom of the image is colored in green; middle ground is in red with a row of black trees; upper half of the image is blue sky with black birds

Girl at the Lake (Sonia Gramatté), 1920-1921

Walter Gramatté

Not on View
woman with black ear-length hair with bangs dressed in a black dress sits in a landscape with hands folded in her lap; she leans slightly to the left; background on the bottom of the image is colored in a blue-green; middle ground is in a coral color with a row of black trees; upper half of the image is blue sky with black birds; the woman's eyes are lined in blue and there are two coral colored circles on her cheeks

Girl at the Lake (Sonia Gramatté), 1920-1921

Walter Gramatté

Not on View
distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with yellow, pink, and blue

Torment, 1920

Walter Gramatté

Not on View
distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with yellow, pink, and blue

Torment, 1920

Walter Gramatté

Not on View
distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with yellow, pink, and purple

Torment, 1920-1921

Walter Gramatté

Not on View
head and shoulders of a woman in a high collared shirt looking downward and to the right; her hands are clasped in front of her

Listening (Sonia Gramatté, a Bird in her Hands), 1920

Walter Gramatté

Not on View
head and shoulders of a woman in a high-collared shirt looking downward; her hands are folded one on top of the other in front of her

Listening (Sonia Gramatté, a Bird in her Hands), 1920

Walter Gramatté

Not on View
woman with black ear-length hair with bangs dressed in a black dress sits in a landscape with hands folded in her lap; she leans slightly to the left

Girl at the Lake (Sonia Gramatté), 1920

Walter Gramatté

Not on View
distressed looking figure with hands outstretched in the upper right of image reaching for a figure on the left side who is lying down with closed eyes; figures drawn in thick black lines and colored with green, pink, and yellow

Torment, 1920

Walter Gramatté

Not on View
figures sitting and standing around a table with two glasses on it; an empty stool in center of sheet

Gamblers, 1916

Walter Gramatté

Not on View
group of figures with various musical instruments; figure in lower left corner is seen from behind holding a flute to his mouth

Studies, Various Musicians, 1920

Walter Gramatté

Not on View
figure sitting with child in their lap

Man with Unknown Child, 1920

Walter Gramatté

Not on View

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